Quotes & Sayings About Talking With Your Hands

Jay sat down across from Chelsea and took both of her hands in his. The oversized lunchroom was buzzing with activity, and he practically had to yell to be heard.
"Chelsea, for the love of everything good and holy, please ... please stop ruining my friend."
Violet bit her lip to stop from laughing at the two of them. She knew what he was talking about before he even explained. It was the new facial hair.
Chelsea jerked her hands out of his. "Oh, relax, drama queen. He's not broken. Besides, I'm gonna fix him this weekend."
Jay seemed relieved. — Kimberly Derting

Please tell me you did something good."

"No," Romeo said bleakly. "I did something terrible."

Wait, Paris said silently. You can't tell him about that.

Don't we have to? said Romeo.

We don't know anything about him! How do we know he won't sell us out to the City Guard?

He leads a gang, said Romeo. He's probably not on speaking terms with the Guard. And do we have a choice?

"Does it have anything to do with the marks you have on your hands, which look strangely similar to the marks worn by the Juliet and her Guardian, and the way you stare at each other silently like you're talking mind to mind?" Vai asked innocently. — Rosamund Hodge

Just then Jagger walks in, his hair all ruffled and his body hard and firm. We all stop talking and stare as he runs his hands through his hair in an attempt to straighten it up.
"Take a picture ladies, it lasts longer." he mutters — Bec Botefuhr

What do I say to a whale, Galen?" I hiss.
"Tell him to come closer."
"No way."
"Fine. Tell him to back up."
I nod. "Right. Okay." I lace my fingers together to keep from wringing my hands raw. Even more than terror, I feel the insanity of the situation. I'm about to ask a fish the size of my house to make a U-turn. Because Galen, the man-fish behind me, doesn't speak humpback. "Uh, can you please back away from me?" I say. I sound polite, like I'm asking him to buy some Girl Scout cookies.
I feel better in the few moments afterward because Goliath doesn't move. It proves Galen doesn't know what he's talking about. It proves this whale can't understand me, that I'm not some Snow White of the ocean. Except that, Goliath does start to turn away.
I look back at Galen. "That's just a coincidence."
Galen sighs. "You're right. He probably mistook us for a relative or something. Tell him to do something else, Emma. — Anna Banks

O Lord, I have been talking to the people;
Thought's wheels have round me whirled a fiery zone
And the recoil of my word's airy ripple
My heart unheedful has puffed up and blown.
Therefore I cast myself before thee prone:
Lay cool hands on my burning brain and press
From my weak heart the swelling emptiness. — George MacDonald

You don't ever doubt me again," he said hoarsely before his mouth grazed my nipples, first the left and then the right. His scruffy beard scraped the skin beneath raw as he went back and forth. "I will fucking kill you if you ever doubt me again!" he snarled.
My eyes rolled back into their sockets at the weight of his words, the desperation in his voice matching the desperation in my movements. I moaned as he bit my nipple harder, almost chewing it between his teeth. I was trapped underneath him, and even though I knew I could push him away, I also knew I wouldn't.
"You answer me when I'm talking to you! " he roared.
"I won't," I breathed, my hands in his short hair. "Oh, God, I won't."
"You won't what! "
"I will never doubt you again!"
"You're damn right you won't. — T.J. Klune

Conor studied the man before him. "You're talking second chances?" The priest shrugged, matter-of-fact. "God hands them out all the time. Why not you? Why not now? — Ruth Logan Herne

The knock would come at the door; I'd open, with relief, desire. He was so momentary, so condensed. And yet there seemed no end to him. We would lie in those afternoon beds, afterwards, hands on each other, talking it over. Possible, impossible. What could be done? We thought we had such problems. How were we to know we were happy? But — Margaret Atwood

That one is so hot," Elliott purrs. "I just have two questions. How can you stand some other dude having his hands on her tits? And how the fuck do I get that kind of job?"
Mia leans to the side and narrows her eyes on Elliott.
"What?" he shrugs. "I love your sister, but we are talking about a job where you hold boobs. — Sadie Grubor

fucking stupid to park there to begin with." "Usually the bigger worry is regular people and the media thinking they can poke around. But no marked car? Okay. There goes your deterrent. Have it your way. You got any idea why the entrance lights weren't on last night?" Marino said. "I only know that they weren't. It's in my report." "They're on now." Gusts of wind hit them like invisible waves of a stormy surf, and Marino felt as if he was about to be washed off the roof. His hands were stiff, and he pulled his sleeves over them. "Then my guess would be the killer turned them off last night," Morales said. "Kind of a strange thing to do once he's already inside the building." "Maybe he turned them off when he was leaving. So nobody would see him, in case someone was walking by, driving by." "Then you're probably not talking about Oscar doing it. Since he never left. — Patricia Cornwell

BALLROOMS OF MARS"

"You gonna look fine
Be primed for dancing
You're gonna trip and glide
All on the trembling plane
Your diamond hands
Will be stacked with roses
And wind and cars
And people of the past

I'll call you thing
Just when the moon sings
And place your face in stone
Upon the hill of stars
And gripped in the arms
Of the changeless madman
We'll dance our lives away
In the Ballrooms of Mars

You talk about day
I'm talking 'bout night time
When the monsters call out
The names of men
Bob Dylan knows
And I bet Alan Freed did
There are things in night
That are better not to behold

You dance
With your lizard leather boots on
And pull the strings
That change the faces of men
You diamond browed hag
You're a gutter-gaunt gangster
John Lennon knows your name
And I've seen his — Marc Bolan

To his and everybody else's way of thinking, you should build a house with your own hands before you start talking about being an engineer. — Aleksandr Solzhenitsyn

Max rocked back on his heels, shoving his hands into his pockets, and said, 'So. Juliet Cavanaugh. I assume my parents have been talking your ear off for the last however many months, telling you how awesome I am, and filling your head full of stories of my impressive talents in the kitchen.'
'Um. Not so much,' Jules said, shooting a glance at Danny, who shook his head and went back to his prep work.
'No? I should take this opportunity to set the record straight, then.' Max heaved a deep sigh. 'It's all true.'
'What?'
'Everything they should've told you about me,' Max explained. 'And I don't know why they didn't, because it's all true. No exaggeration or family bias plays into it at all
I am the best chef in the entire world. — Louisa Edwards

Talking on a cell phone makes us four times as likely to have an accident - the same as a driver who has a blood alcohol content of .08 percent, which qualifies as intoxicated in most states. The risk is equal for drivers holding their phones to their ears and for those speaking through a hands-free device. In both cases, researchers suggest, the drivers generate mental images of the unseen person at the other end of the line, which conflicts with their capacity for spatial processing. "It's not that your hands aren't on the wheel," says David Strayer, the director of the Applied Cognition Laboratory at the University of Utah, "it's that your mind is not on the road. — Tony Schwartz

He continued his call, but his answers shortened to single words - yes, no, fine - as I wrapped my hands around the base and lowered my head to run my tongue from root to tip before going in whole hog and deep throating him for the win.

I was in a go-big-or-go-home mood.

His choked-out, "Fuck. No, excuse me. Sorry. Wasn't talking to you," had me humming a little giggle around his cock. — Meghan March

He was a curious mixture of things to me on that first occasion: he had the general physique of a bull, the tenacity of a vulture, the agility of a leopard, the tenderness of a lamb, and the coyness of a dove. He had a curious overgrown head which fasdnated me and which, for some reason, I took to be singularly Athenian. His hands were rather small for his body, and overly delicate. He was a vital, powerful man, capable of brutal gestures and rough words, yet somehow conveying a sense of warmth which was soft and feminine. There was also a great element of the tragic in him which his adroit mimicry only enhanced. He was extremely sympathetic and at the same time ruthless as a boor. He seemed to be talking about himself all the time, but never egotistically. He talked about himself because he himself was the most interesting person he knew. I liked that quality very much - I have a little of it myself. — Henry Miller

You've spent two years at the same school as Mina, hardly talking to her, never even realizing she is alive. Then she goes and does something crazy, against my wishes. She placed her own life in danger to save yours." Her face became very still. "Now, because of those actions, our whole family has to live with the consequences. You now feel obligated to help her, like she did you. I get that, I really do. But what gives you the right to question our actions and lifestyle?" Silence filled the kitchen. Mina held her breath, afraid to move. Brody straightened in his seat and swallowed slowly. Sara brushed her hands over her forehead in defeat. "You're enamored. That's it. In another week or so, you will wake up, and this will all be a dream. You will forget that Mina ever even saved your life. She will go back to being my clumsy, forgotten, outcast teen daughter, and you will go back to ruling the school and dating the head cheerleader. — Chanda Hahn

I have discovered something amazing: some people aren't just people, but a place - a whole world. Sometimes you find someone you could live in for the rest of your life. John Kite is like Narnia to me - I've pushed through his fur coat and into a land where I am Princess Duchess, High Chatter of Cair Paravel. In John Kite, people walk down the street holding pigs, and we walk onstage holding hands into the bright light, and I fly over tiny maps to great theories, and I sleep in the bathtub, still talking. I wish to be a citizen of John Kite forever - I want to move there immediately. I know he is the most amazing person in the world. Things happen with John Kite. — Caitlin Moran

When we talk about books ... we are talking about our approximate recollections of books ... What we preserve of the books we read - whether we take notes or not, and even if we sincerely believe we remember them faithfully - is in truth no more than a few fragments afloat, like so many islands, on an ocean of oblivion ... We do not retain in memory complete books identical to the books remembered by everyone else, but rather fragments surviving from partial readings, frequently fused together and further recast by our private fantasies. ... What we take to be the books we have read is in fact an anomalous accumulation of fragments of texts, reworked by our imagination and unrelated to the books of others, even if these books are materially identical to ones we have held in our hands. — Pierre Bayard

When I took over as chair of the fashion program, I was horrified that only the faculty member was allowed to speak in a critique. I'm talking about perfectly nurturing teachers. But the rule was there would be no call of hands for students to contribute their feedback. It was embedded in the department's culture. That was alarming to me. When I was teaching, I was the least important person in the room as far as I was concerned
my students' points of view mattered most. I wanted to learn who they were and teach them to respect one another's perspectives.
I would start off by saying something like, I am having trouble understanding how this work solves the problem at hand. Here are some things about the work that I appreciate: X, Y, Z. But I see these virtues independent of the problem we're solving. — Tim Gunn

Dan bit back a growl. No smooth-talking, barely-shaving stripling was going to charm her away. She needed a mature man, one with the skills and experience to protect her, provide for her. Hands balled into fists, Dan inhaled through his nose in an effort to stem the rising tide of jealousy that nearly had him shouting at her again. Maybe he shouldn't be in such a hurry to send her back to Richland. Where younger men named Clarence waited in the wings. — Karen Witemeyer

The chaos surrounding her was confusing. Everyone was suddenly talking at the same time. Perhaps she should try to swoon after all, Christine considered. No, the settee was already taken, and the floor didn't look all that appealing. She settled on wringing her hands. It was the best she could do to look upset. — Julie Garwood

God knows," Charpentier said, "I like the present scheme of things very little, but I dread to think what will happen if the conduct of reform falls into hands like yours."
"Reform?" Camille said. "I'm not talking about reform. The city will explode this summer. — Hilary Mantel

I did a piece where I was talking about torture at Abu Ghraib, and I embroidered my hand with the image of the hooded Abu Ghraib prisoners who'd been tortured using a needle and thread. I know that meeting a Holocaust survivor when I was eight and seeing the tattoo on her arm from her time in the camps influenced my piece about Abu Ghraib. — Jill Soloway

Don't give me some stupid lecture about war when the person we're talking about losing is you!" I said, surprised by the savagery in my tone. At least my voice didn't shake.
His face blurred and I tasted salt on my lips. It was warm, warm like Pritkin's hands coming up and framing my face, his thumbs brushing over my eyelids, soft as his fingers in my hair. "One person is not so important in the scheme of things", he said, and his voice was gentle, gentle when it never was, and that almost broke me.
But you are important, I thought. And yet he couldn't see that. In Pritkin's mind, he was an experiment gone wrong, a child cast out, a man valued by his peers only for his ability to kill the things they feared. Just once, I wished he could see what I did.
"Then neither is this", I said, leaning in and pressing my mouth to his, the kiss lightened by desperation and weighted down by everything he meant to me. — Karen Chance

Lately I have been feeling hulihudu. And everything around me seemed to be heimongmong. These were words I had never thought about in English terms. I suppose the closest in meaning would be "confused" and "dark fog."
But really, the words mean much more than that. Maybe they can't be easily translated because they refer to a sensation that only Chinese people have, as if you were falling headfirst through Old Mr. Chou's [Mr. Sandman's] door, then trying to find your way back. But you're so scared you can't open your eyes, so you get on your hands and knees and grope in the dark, listening for voices to tell you which way to go.
I had been talking to too may people ... to each person I told a different story. Yet each version was true, I was certain of it, at least at the moment I told it. — Amy Tan

He couldn't remember talking to himself like an idiot before he moved in with Cole. Ellis snapped his hands away from his face. Epiphany strikes! That's it! Living with Cole has made me batty! — Wade Kelly

Detainees were not allowed to talk to each other, but we enjoyed looking at each other. The punishment for talking was hanging the detainee by the hands with his feet barely touching the ground. I saw an Afghani detainee who passed out a couple of times while hanging from his hands. The medics "fixed" him and hung him back up. Other detainees were luckier: they were hung for a certain time and then released. Most of the detainees tried to talk while they were hanging, which made the guards double their punishment. There was a very old Afghani fellow who reportedly was arrested to turn over his son. The guy was mentally sick; he couldn't stop talking because he didn't know where he was, nor why. I don't think he understood his environment, but the guards kept dutifully hanging him. It was so pitiful. One day one of the guards threw him on his face, and he was crying like a baby. — Mohamedou Ould Slahi

She gulped her whiskey sour. The bar was hot tonight.
CJ circled back to check on them. "You ladies doing okay?"
"Define okay." Natalie's whiskey seemed to be talking. Because the whiskey was the only thing that could've put that husky, suggestive tone in her voice. Yep, that was all the whiskey.
He propped his elbows on the bar, which put his face level with hers, and fixed his undivided attention on her. There went her lady bits fanning themselves. With a few added whimpers. They remembered what his hands and body and lips felt like too.
"Content." His voice was low and raw, his gaze penetrating and unwavering. "Happy. Completely, one hundred percent satisfied."
Her mouth went dry while the rest of her went up in needy flames that made her want to scratch the all-but-gone rash he'd tended so well on Monday.
"Nope," Natalie squeaked. "Not okay then. — Jamie Farrell

This hand says you spend the rest of your life with me," he said, holding out his left hand, "and this one says I spend the rest of my life with you. Choose."
She bit her lip, tears welling in her eyes. She took both of his hands in hers and he shuddered. "I will die protecting you," he says.
There was a look of dismay on her face. "Just like a man of this kingdom, Finnikin. Talking of death, yours or mine, is not a good way to begin a-"
Isaboe gave a small gasp when he leaned forward, his lips an inch away from hers. "I will die for you," he whispered.
She cupped his face in her hands. "But promise me you'll live for me first, my love. Because nothing we are about to do is going to be easy and I need you by my side. — Melina Marchetta

Talking of Pleasure, this moment I was writing with one hand, and with the other holding to my Mouth a Nectarine - how good how fine. It went down all pulpy, slushy, oozy, all its delicious embonpoint melted down my throat like a large, beatified Strawberry. — John Keats

It's obvious that a lot of Tea Party members tend to be elderly. You've seen that famous sign, 'Tell the government to keep its hands off my Medicare.' And I think as long as the government does keep its hands off their Medicare, they're fine with talking about low taxes. But once they start to realize that the Republicans really do want to not just cut Medicare, but essentially abolish it, you know, I just think those people are not going to be part of the Tea Party. They're going to be over with Occupy Wall Street. — Bruce Bartlett

While Adrian was interviewing in the back, I got a table and some coffee. Trey came to visit me after about fifteen minutes.
"Is that really your brother?" he demanded.
"Yes," I said, hoping I sounded convincing.
"When you said he was looking for a job, I pictured a male version of you. I figured he'd want to color code the cups or something."
"What's your point?" I asked.
Trey shook his head. "My point is that you'd better keep looking. I was just back there and overheard him talking with my manager. She was explaining the cleanup he would have to do each night. Then he said something about his hands and manual labor. — Richelle Mead

It's not that simple."
"It's as simple as dry toast."
"You're encouraging me to knowingly hurt him."
Cletus grunted impatiently and threw his hands up. "We're talking in circles. Here's reality: People get hurt and they move on or they don't. You can't have it both ways. You either get to be famous, and deal with the hassle that comes with it, or you leave it all behind. Own your shit, Sienna. And let Jethro own his. And then get married and own that shit together."
Cletus stood, clearly frustrated, and stomped away from me to the back door. He disappeared into the house only to appear three seconds later to add, "And while you're at it, beget me some nieces and nephews. — Penny Reid

Can I ... Can I ... "
"You can do anything." She shivers as his hands move over her body, but this time it is wholly unmixed with fear and she cannot believe how wonderful it feels.
-
-
-
I've ... had something in my wallet ever since I knew ... Well, ever since I hoped that there would be a time when I would need to ... protect you like this."
"And when was that?"
"If I answer that, then will you stop talking?"
"Yes." "I will because your answers are so perfect."
"I saw you try and take care of someone that you thought was weaker than yourself, I couldn't believe that someone who had been through what you;d been through could be that ... well, generous, and thoughtful ... — Julia Hoban

I've been standing here plotting how to keep you naked twenty-four hours a day."
"Might be kinda hard to go back down to the party. Or the supermarket. Or church."
That made him chuckle. "Oh, it'll be hard alright. In fact ... " he pulled me against his hips again, "I'd say it already is."
"Wow, that was bad."
"I'll show you bad."
"Stop talking, you retard! Just take off your damned pants already."
"I'll show you retard."
"Oh my God."
His hands went to the belt at his waist, and then he slid his zipper down. Slowly. The move would have been sexy as hell if he hadn't thrown out this line along with it: "Want me to dance for you?"
"Oh my God! Just shut up! — T. Torrest

L'Avventura,' Dad said, 'has the sort of ellipsis ending most American audiences would rather undergo a root canal than be left with, not only because they loathe anything left to the imagination-we're talking about the country that invented spandex-but also because they are a confident, self-assured nation. They know Family. They know Right from Wrong. They know God-many of them attest to daily chats with the man. And the idea that none of us can truly know anything at all-not the lives of our friends or family, not even ourselves-is a thought they'd rather be shot in the arm with their own semi-automatic rifle than face head-on. Personally, I think there's something terrific about not knowing, relinquishing man's feeble attempt to control. When you throw up your hands, say, "Who knows?" you can get on with the sheer gift of being alive. — Marisha Pessl

When you work with your hands, you learn to appreciate how easy it is to earn money talking. — Jay Leno

I want to attempt a thing like that and am frightened by these trifles," he thought, with an odd smile. "Hm ... yes, all is in a man's hands and he lets it all slip from cowardice, that's an axiom. It would be interesting to know what it is men are most afraid of. Taking a new step, uttering a new word is what they fear most ... . But I am talking too much. It's because I chatter that I do nothing. Or perhaps it is that I chatter because I do nothing. I've learned to chatter this last month, lying for days together in my den thinking ... of Jack the Giant — Fyodor Dostoyevsky

To see something marvellous with your own eyes - that's wonderful enough. But when two of you see it, two of you together, holding hands, holding each other close, knowing that you'll both have that memory for the rest of your lives, but that each of you will only ever hold an incomplete half of it, and that it won't ever really exist as a whole until you're together, talking or thinking about that moment ... that's worth more than one plus one. It's worth four, or eight, or some number so large we can't even imagine it. — Alastair Reynolds

Everyone can be in a relationship. And being in a relationship doesn't means that you have to catch each other hands and walk in-front of everyone without caring anyone. Make conversations short and sweet..and to the point. Don't keep talking over the phones for hours with the things that doesn't makes sense. First priority should be parents. If wanna be in a relationship do it in a standard way. And first focus on what you should do. Do not prioritize your ambition on some one just without caring your parents.First focus on making life so that you can keep your parents and relationship happy. That when you are successful only then take a big step. — Lalit Sharma

There is something about talking in the night, with the shreds of sleep around your ears, with the silences between one remark and another, the town dark and dreaming beyond your own walls. It draws the truth out of you, straight from its little dark pool down there, where usually you guard it so careful, and wave your hands over it and hum and haw to protect people's feelings, to protect your own ... You can bring out the jaggedest feelings - if you are my wife and know how to state them calm - into the night quiet. They will float there for consideration, harming no one. — Margo Lanagan

There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counter-balance: the freedom of the press to say that there's anything conceivably damaging in these films - the freedom to analyze their implications ... How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience? — Pauline Kael

She put her hands over her face. Ah crap. What do I do now? Do I say something, do I not say something? I kept talking, keeping my voice as light as I could manage. Her shoulders shook slightly. She was crying. Fuck me. I sat there, not sure what to do with myself. — Ilona Andrews

That intense faith in another world, that intense hatred for this world, that intense power of renunciation, that intense faith in God, that intense faith in the immortal soul, is in you. I challenge anyone to give it up. You cannot. You may try to impose upon me by becoming materialists, by talking materialism for a few months, but I know what you are; if I take you by the hand, back you come as good theists as ever were born. How can you change your nature? — Swami Vivekananda

If we are talking about a loving God, we are talking about a God who asks us to trust him, whether we get what we ask for or don't. But he will never force us to trust him. That is entirely up to us. We have free will and we can accept his love or reject it, or claim it doesn't exist at all. We can trust him or distrust him as we like. But if he really and truly is the God of the Bible, who loves me with an unchanging and self-sacrificial love (agape), then I really and truly can trust him in all circumstances, which is tremendously freeing. In fact, I can go one step further than trusting him. To use a biblical phrase, I can rejoice in him. But is only possible if we really do know that God has our best interests at heart at all times. Of course, we have to decide on our own whether we believe that. But if we come to see that, that is true and do allow ourselves to believe it, we are precisely where he created us to be: in his loving hands. — Eric Metaxas

Any husband who says, "My wife and I are completely equal partners," is talking about either a law firm or a hand of bridge. — Bill Cosby

Has it led you to the conclusion that photography is an art ? Or it is simply a means of recording ? "I'm glad you asked that. I've been wanting to say this for years. Is cooking an art ? Is talking an art ? Is even painting an art ? It is artfulness that makes art, not the medium itself. Of course photography is an art - when it is in the hands of artists." — Aaron Scharf

The woman laughed again. She was the loudest person in the cave. Eena wondered if perhaps she was talking to a female Ghengat. Curiosity got the best of her and she turned around to look, surprised to find neither a Ghengat nor a Harrowbethian woman, but a Mishmorat. A striking, cheetah-spotted Mishmorat with straight lengths of charcoal hair and the most alluring dark eyes in existence. This bronzed female was the same size as Eena but observably more muscular. She appeared to be a mix of cheetah, Arabian princess, and gladiator in tight-fitting pants. Eena paused, dropping the stone in her hands.
"Kira?" she breathed.
"Hmmm," the woman grumbled. Her painted eyes scrunched with displeasure. The look was still stunning. "I see my reputation precedes me."
Eena gawked as if a legendary ghost had been resurrected. "You're alive? — Richelle E. Goodrich

These ways to make people buy were strange and new to us, and many bought for the sheer pleasure at first of holding in the hand and talking of something new. And once this was done, it was like opium, we could no longer do without this new bauble, and thus, though we hated the foreigners and though we knew they were ruining us, we bought their goods. Thus I learned the art of the foreigners, the art of creating in the human heart restlessness, disquiet, hunger for new things, and these new desires became their best helpers. — Han Suyin

Life is much too short to waste time wallowing in the past especially when the future hands you a second chance.

Chakotay Talking to B'Ellana (When she asks him why he isn't mad her for lying about her and Miral being dead)
Book:Unworthy: pg. 121 — Kirsten Beyer

she saw all those who were in the pickup truck with her husband. Their clothes were torn. Their hands and faces were covered in blood and dust. They looked as shell-shocked as they felt. What's more, they were hungry and thirsty and exhausted and grieving their families and friends and the town they had left behind. "I heard, on the wireless," Claire said without missing a beat. "It's all anyone is talking about. Thank God you're okay. Come in. All of you, please come in. We will get you something to eat and give you a place to sleep and a hot bath. Come in; don't be shy. You're with friends here. — Joel C. Rosenberg

Teaching by example, radical obedience, justice, mercy, activism, and sacrifice wholly inspires me. I'm at that place where "well done" trumps "well said." When I see kingdom work in the middle of brokenness, when mission transitions from the academic soil of the mind into the sacrificial work of someone's hands, I am utterly affected. Obedience inspires me. Servant leaders inspire me. Humility inspires me. Talking heads dissecting apologetics stopped inspiring me a few years ago. — Jen Hatmaker

When I got there it was all still and Sunday-like, and hot and sunshiny - the hands was gone to the fields; and there was them kind of faint dronings of bugs an flies in the air that makes it seem so lonesome and like everybody's dead and gone; and if a breeze fans along and quivers the leaves, it makes you feel mournful, because you feel like it's spirits whispering - spirits that's been dead ever so many years - and you always think they're talking about you. — Mark Twain

He raised his voice over the crowd's roar and gestured to Cade's phone. "Good news?"
Cade tucked the phone back into his pocket. "She said yes."
Vaughn blinked - clearly having expected Cade to say something else - then threw out his hands. He had no clue what they were talking about, but right then everything was a cause for celebration. "She said yes! Hell, yeah!" He grabbed Huxley and pointed to Cade, shouting over the crowd. "She said yes."
"Sweet," Huxley said, tapping his beer to Cade's. "Who said yes?"
"Brooke Parker. I'm seeing her tonight."
"Fuck you," Vaughn said, somewhat in awe. "I knew it. You've been digging her from the moment she told you to shove your obstruction of justice threats up your ass."
"What can I say? I'm a sucker for the shy, quiet types. — Julie James

They spent a summer talking beneath the redwoods. There was a curiosity to the way they knew. She would take his hips in her hands and turn him to the left, so the sun would not be in his eyes. He would take her hips in his hands and turn her to the right, so the sun would not be in her eyes.. It is a dance. A very careful way they care. — Mikl Paul

You can tell when Iraqis are getting upset because, like Italians we start talking with our hands. — Wafaa Bilal

She smoothes the front of the dress, looking down at her hands, at her bitten fingernails, at her big feet in the pointy-toes shoes. This is a woman's dress, she thinks, a young woman's dress. It is not a girl's dress. It is solidly on the other side of the line outside of girlhood. It is a dress that says something big in a very quiet way; it is a dress that is talking to Alice right now, a dress that is making her feel possibilities never before considered, the possibility of perfume and pretty and dancing and boys. This dress is who she might be, only more so. — Laura Harrington

Okay, you gotta be nice to him, " I say, coaxing the white fur-ball into my hands.
"I will," Nate says, and I smile over my shoulder.
"I was actually talking to Mr. Pippi. He's a bit of a butthole. — Cassie Mae

Trying to move the volume of products we're talking about from place to place to get it ultimately into the customer's hands, to price these items, to market these items, I think the retail business is incredibly complex. But if you get it right, it's a beautiful thing. — Edward Lampert

Every town has a psychopath or two. Not just the everyday crazy person, either. Not like Crazy Larry, the paint huffing weirdo peddling around town on a child-sized Huffy ranting about the end of the world, or the old lady dressed in rags who hands out filthy doll clothes to the kiddies. I'm talking about the cold, never remorseful lunatic, who may never have seemed insane up until the day he hacked apart his mother and shoved her stinking corpse into the attic. This town is overflowing with them; bloodcurdling murderers like Kenny Wayne Hilbert, Charlie Fender ... Orland Winthro. And Al, the crazy had to come from somewhere. — Nikki Ferguson

He had become completely mad in his movements; He seemed to be doing everything at the same time. It was a shaking of the head, up and down, sideways; jerky, vigorous hands; quick walking, sitting, crossing the legs, uncrossing, getting up, rubbing the hands, rubbing his fly, hitching his pants, looking up and saying 'Am,' and sudden slitting of the eyes to see everywhere; and all the time he was grabbing me by the ribs and talking, talking — Jack Kerouac

I remember the woman who marched up to the front of a church where I was doing a meeting, put her hands on her hips, and she said, "I want my money back." I said, "What are you talking about?" She said, "I've been doing this two weeks, and it doesn't work. I want my money back!" It was actually all that I could keep from doing to keep from laughing in her face, but she was serious. She actually was, like, giving almost to buy some kind of a new lifestyle that she wanted. Didn't understand a thing about commitment and dedication and discipline. Two weeks! How many of you know you're not going to throw a little money in the bucket and get your life that's been a mess for 50 years turned around in two weeks!?!? — Joyce Meyer

"Joss"
"What?"
"What?" Dylan asked back.
"You just said my name."
"No I didn't"
"Sorry that was me."
I sat up, banging my head on the roof. "Who is that?"
"Hey, stay down here where the air is good, okay?" Dylan pulled me gently back down. "Hows your head?"
"Not good, I think."
"Um, okay, so you here me. Heather's right, you do think loud. I mean, I've never heard you before, but my Talent seems to be a lot more selective than her's. But now that she's got me turned in to you-"
"Who are you?"
"It's still me, Marshall. It's Dylan. I'm right here."
"My name's Joel."
"Joel?"
"Joss, what are you talking about?" He took my face in his hands. "Who's Joel?"
"The voice in my head, I guess."
"Jesus. — Susan Bischoff

Yes, I'm old," Henry said, and folded his arms. "Old enough to have made cemeteries of men younger than you. Killed in wars. Killed in peace. Knifed and shot my way most of my life. Killed Indians and white men with my hands or the guns I took from them."
Another step, his arms unfolded.
"I get paid to bring in escaped men that have done worse."
One more foot.
"And there is nothing in you that don't stand thin against me, and you know it. And this ain't the forst time I've had guns against me and you know that too."
He looked at them all, weighed them all.
"And I'm done talking. — Robert Lautner

I did it to protect my good reputation in case anyone ever caught me walking around with crab apples in my cheeks. With rubber balls in my hands I could deny there were crab apples in my cheeks. Everytime someone asked me why I was walking around with crab apples in my cheeks, I'd just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story, but I never knew if it got across or not, since its pretty hard to make people understand you when your talking to them with two crab apples in your cheeks. — Joseph Heller

Cam starts laughing, "Oh, I love it when she reads." He turns to Lucy who's face is starting to contort and turn to a bright shade of red, "She reads these smutty books, like full on dirty shit, full of sex and like ... bdsm shit."
"I'm not joking boys, they're like full on pornographic. Talking about silky shafts and veiny dicks and shit," Logan is now on the ground holding his side from the pain of laughing too hard.
"Sometimes she'll be reading, then all of sudden she'll put her book down and look at me like she wants to eat me, literally eat me!" he yells, laughing harder, still swatting away her hands that are trying to shut him up, "I mean I don't mind it, not at all. It's hot as fuck. And she wants to try everything she reads in these books. Like ... everything. She learns everything from these books ... so I don't give a shit when, of how much she reads, I get rewards. — Jay McLean

Though the white liberal imagination likes to feel temporarily bad about black suffering, there really is no mode of empathy that can replicate the daily strain of knowing that as a black person you can be killed for simply being black: no hands in your pockets, no playing music, no sudden movements, no driving your car, no walking at night, no walking in the day, no turning onto this street, no entering this building, no standing your ground, no standing here, no standing there, no talking back, no playing with toy guns, no living while black. Eleven — Jesmyn Ward