Talking Tina Quotes & Sayings

Bill Clinton, talking about the need to financially empower wives and mothers in regressive countries, once remarked that women have 'the responsibility gene.' No one has that gene more markedly than his wife. — Tina Brown

When Talking Heads started, we called ourselves Thinking Man's Dance Music. — Tina Weymouth

[T]he definition of 'crazy' in show business is a woman who keeps talking even after no one wants to fuck her anymore. — Tina Fey

I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and it was the best we'd ever had as an opening act. — Tina Weymouth

Sometimes they just literally didn't know what we were talking about. Just as I was not familiar with the completely normal custom of pissing in jars, they had never been handed a fifteen-year-old Kotex product by the school nurse. But they — Tina Fey

Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way, I'm glad it's over, because it allows us to move beyond the restrictions that followed. — Tina Weymouth

Welcome back, Ben," Erica said. I started in surprise before realizing the voice was coming from inside my head. Alexander had slipped a two-way radio into my ear. There were lots of people out and about. The enemy had taken my cell phone, but I put my hand to my ear and pretended to be talking on one anyhow. No one gave me a second glance. Virtually everyone else was on a cell phone themselves. "Can you hear me?" I asked. "Loud and clear," Erica replied. "Where are you?" "Still on campus, looking into things. But I need you to tail someone for me." "Chip?" "No. I think he's clean." "What? But - " "I'll explain later. Right now I need you to go after Tina. She's the mole . . . and she's on the move. — Stuart Gibbs

People sat in small groups, talking about the other small groups that were just out of earshot. My ex and the dancer made a brief appearance, but I held my head high. I was wearing my best Gap turtleneck and my dates were two adult lesbians, so yeah, I was pretty cool. — Tina Fey

I need time where it is quiet, the world is loud enough even when no one is talking. Please respect that it's something that I must do, I don't mean to disrespect you — Tina J. Richardson

So when it came to role models, I looked at presidents' wives. Of course, you're talking about a farm girl who stood in the fields, dreaming, years ago, wishing she was that kind of person. But if I had been that kind of person, do you think I could sing with the emotions I do? You sing with those emotions because you've had pain in your heart. — Tina Turner

[Talking about Rosalind in As You Like It] She disguises herself as a boy, drops all the covering inhibitions of "femininity", and really searches for her true self (...) Her disguise gives her the ability to find out about herself, what she really thinks and feels (...). And she can do all this freely, without having anyone in power tell her how women should or should not behave.(...) — Tina Packer

Lockie stood with his arms by his sides as she ran her hands over his hair and squeezed his arms. Tina could see how uncomfortable Lockie felt at being touched. Margie hugged him again and again. She didn't notice Lockie's face or she would have stopped. When Margie stood up she was crying. Pete, meanwhile, was watching Tina.
'Start talking,' he said to her and Tina could see he had already decided who was to blame for Lockie's disappearance.
'Her name's Tina,' said Lockie. 'She saved me. Can you take us home, Pete?'
Pete looked at Lockie. 'You know I will, Lockie, but first - '
'Please, Pete,' said Lockie. 'Can you just take us home?'
'Oh god,' said Margie. 'Doug and Sarah - we have to call them. We have to let them know.' She kept touching Lockie, on his head, on his arms and on his back. Tina could see Lockie wince. People wouldn't know that they needed to be careful when they touched him. Some touches can make you feel sick. — Nicole Trope

I have a suspicion that the definition of "crazy" in show business is a woman who keeps talking even after no one wants to f*** [sleep with her] anymore. — Tina Fey

Every day I wrote in my journal: "How am I going to win today?" So that when the guys are talking about water-boarding I'm telling them they haven't even got the right towels. — Tina Fey

[Talking about ancient Greece](...) the great institutions (...) were created by older males who then trained younger males. They all had a strong homoerotic element. (...) This thereby increased the "rightness" of masculinity, never mind that half the world was feminine. That other half was also interested in philosophy, the arts, the law, religion, and athletics, but they had this other task -bringing children to term and nurturing them through the early years of their lives. And doing it again and again. Not that this gave status to women. On the contrary, the man's seed made the child. A woman was simply the receptacle provided by nature to carry the child until it was ready to come out. (...) — Tina Packer

I have a suspicion - and hear me out, 'cause this is a rough one - I have a suspicion that the definition of "crazy" in show business is a woman who keeps talking even after no one wants to fuck her anymore.
The only person I can think of that has escaped the "crazy" moniker is Betty White, which, obviously, is because people still want to have sex with her. — Tina Fey