Take My Hand And Don't Let Go Quotes & Sayings

Take the heart first. Then you don't feel the cold so much. The pain so much. With the heart gone, there's no reason to stay your hand. Your eyes can look on death and not tremble. It's the heart that betrays us, makes us weep, makes us bury our friends when we should be marching ahead. It's the heart that sickens us at night and makes us hate who we are. It's the heart that sings old songs and brings memories of warm days and makes us waver at another mile, another smouldering village. — Jeanette Winterson

No 'Middlemarch' for me," said Miss Barbara, with a wave of her hand. "I am too old for that. That means I've read it, my dear - the way an experienced reader like me can read a thing - in the air, in the newspapers, in the way everybody talks. No, that's not like going into a new neighborhood - that is getting to the secrets of the machinery, and seeing how everything, come the time, will run down, some to ill and harm, but all to downfall, commonplace, and prosiness. I have but little pleasure in that. And it's pleasure I want at my time of life. I'm too old to be instructed. If I have not learned my lesson by this time, the more shame to me, my dear." "But, Miss Barbara, you don't want only to be amused. Oh no: to have your heart touched, sometimes wrung even - to be so sorry, so anxious that you would like to interfere - to follow on and on to the last moment through all their troubles, still hoping that things will take a good turn." — Mrs. Oliphant

Do you know that i paid two dollars for [Doxocology] thirty-three years ago? Everything was wrong with him, hoofs like flapjacks, a hock so thick and short and straight there seems no joint at all. he's hammerheaded and swaybacked. He has a pinched chest and a big behind. He has an iron mouth and he still fights the upper. with a saddle he feels as thought you were riding a sled over a gravel pit. He can't trot and he stumbles over his feet when he walks. I have never in thirty-three years fond one good thing about him. He even has an ugly disposition. He is selfish and quarrelsome and mean and disobedient. to this day I don't dare walk behind him because he will surely take a kick at me. when I feed him mush he tries to bite my hand. And I love him. — John Steinbeck

been through enough. Don't do this to her." "I've done nothing to her," Naz says, his hand shifting higher, tightening around my throat. I gasp as he leans down, kissing my temple. "Nothing she hasn't wanted me to do." My mother's on the verge of hyperventilating. "Just let her go and let's talk about this. I'll give you whatever you want, whatever it is. Take me, but leave her alone. Please, I'm begging you. I'll do anything." Naz loosens his hold, and I breathe deeply, disoriented. "Johnny here?" "No." "Bet he went out the back door when he saw me, didn't he? — J.M. Darhower

Look,I'll pay you for a cup of coffee and the use of this-" she thumped a hand on the sofa and a soft plume of dust rose up "-thing for the night."
"I don't take in lodgers."
"And you'd probably kick a sick dog if he got in your way," she added evenly. — Nora Roberts

He saw that at its center were Coretta and Yoki, unharmed. And then, having made sure of that, Martin Luther King became very calm, with what Branch calls "the remote calm of a commander." Stepping back out on the porch, he held up his hand for silence. Everything was all right, he told the crowd. "Don't get panicky. Don't do anything panicky. Don't get your weapons. If you have weapons, take them home. He who lives by the sword will perish by the sword. Remember that is what Jesus said. We are not advocating violence. We want to love our enemies. I want you to love our enemies. Be good to them. This is what we must live by. We must meet hate with love." The crowd was silent now, as King continued speaking. He himself might die, he said, but that wouldn't matter. "If I am stopped, this movement will not stop. If I am stopped, our work will not stop. For what we are doing is right. What we are doing is just. — Robert A. Caro

That's what I said the first time I was called a hero. But you're going to find that hero is a title other people give you; you don't really get a say in the matter. Now me, I'm the kind of hero that slays the dragon. I overthrew the ArchTyrant and ended the age of Ragnarok..." he trailed off, his eyes distant. "...of course, ever since then I have been unable to reform the beauracrats and the nobles. Despite my best efforts, they beat me in the end." He cleared his throat and looked up. "Now you, on the other hand, you are a different kind of hero. You take the dragon home with you. You feed it, teach it, tame it, befriend it. You remove the threat by changing its heart, rather than actually slaying the beast — Aaron Lee Yeager

I'll stay with her," Maude interrupted, just before
Grier could say the same thing.
"You can't. Not in intensive care. You can see her three
times a day, for no more than ten minutes each time," he
added firmly. "It's too serious. She has to be kept quiet.
No upsets."
Judd looked as if he'd die trying not to snap at the surgeon. But he finally just nodded defeatedly.
Coltrain put a rough hand on his shoulder. "Don't borrow trouble. Take it one hour at a time. You'll get through this."
"Think so?" Judd asked heavily.
"I know so. I'll keep a close watch on her. Try not to
worry." He nodded to the others and went back down the
hall.
Judd looked at the other three people with him. "I'm
glad you're all here. But if anybody gets into that room,
even for a minute, it's going to be me," he said shortly.
Cash looked inclined to argue, but the expression on
Judd's face made him back down. — Diana Palmer

She glanced pointedly at the flopping tadpole.
"What?"
"Take it back."
"You're kidding, right?" he said disbelievingly.
"Do we have time?"
He considered that. "Yes, but
"
"Then, no I'm not."
"That lake was three hops ago," he said impatiently.
"If you don't take it back it's going to die, and while you may think it's just a pathetic little thing with an abbreviated little life that hardly even signifies in the fairy scheme of things, I'll bet in the tadpole scheme of things it's really looking forward to becoming a frog. Now take it back. A life is a life. I don't care how tiny an almighty fairy thinks it is."
One dark brow arched and he inclined his head. "Yes, Gabrielle." Scooping up the tadpole in one big hand, gently enough that it gave her pause, he popped out.
-Gabrielle and Adam Black — Karen Marie Moning

Alan ... " Shelby kept her voice mild and patient as excitement ripped through her. "I've already told you, nothing's going to get started between us.Don't take it personally," she added with a half smile. "You're very attractive.I'm just not interested."
"No?" With his free hand, he circled her wrist. "Your pulse is racing."
Her annoyance was quick, mirrored in the sudden flare in her eyes, the sudden jerk of her chin. "I'm always happy to boost an ego," she said evenly. "Now,I'll get your shirt."
"Boost it a little higher," he suggested and drew her closer. — Nora Roberts

Damnation. She needed him inside her. All the way. Now. "If you don't take me now I'm going to be forced to rape you." Trulie slid her hand down between them, grabbed his cock and aligned it for immediate entry.
"As you will it," Gray chuckled. — Maeve Greyson

Emma has it wrong. You don't ditch your men, you kill them."
"I won't kill you." She stepped in front of me and took my hand, watching me take the last drag of my cigarette. "I like you too much. — Rachael Wade

Easy come, easy go,
That's just how you live, oh,
Take, take, take it all,
But you never give.
Should've known you was trouble
From the first kiss,
Had your eyes wide open.
Why were they open?
Gave you all I had and you tossed it in the trash,
You tossed it in the trash, you did.
To give me all your love is all I ever asked, 'cause
What you don't understand is
I'd catch a grenade for ya
Throw my hand on a blade for ya
I'd jump in front of a train for ya
You know I'd do anything for ya
Oh, oh, I would go through all of this pain,
Take a bullet straight through my brain!
Yes, I would die for ya, baby,
But you won't do the same. — Bruno Mars

Because if you take something you're a thief.' She nursed the silence a moment. Downed the balance of her drink and silently signaled for another. 'Sounds simple, but you'd be amazed how many people don't get it. They steal but they call themselves honest. They cheat on their spouses and lovers but they think they're good people. They lie but they'd never call themselves liars. Well, let me tell you something, Todd ... She pointed toward him with her right hand, with her lit cigarette. He leaned away slightly. She looked into the mirror of his eyes and saw herself going too far. 'You are what you do. That's what I'm trying to tell you. What we do defines us. However we behave, conduct our lives ... that's real. The rest is just a story for publication. — Catherine Ryan Hyde

That's how the world works, doesn't it?"
"That's how it can work. You're such a snob,Brian."
He looked up,flabbergasted. "What?"
"You're such a snob,and the worst kind of snob-the kind who thinks he's broad-minded. Now that I know that,you don't bother me at all."
The stable phone rang,delighting her. Whoever was on the other end not only had perfect timing but they had her gratitude.It gave her great pleasure to see the absolute shock on Brian's face as she walked to the phone.
"Royal Meadows Riding Academy. Would you hold one moment,please." With a friendly smile,she laid a hand over the receiver. "Really,I can finish up here.I'm keeping you from your work."
"I'm not a snob," he finally managed to say.
"Of course you wouldn't see it that way. Can we discuss this another time? I need to take this call."
Irked,he shoved the scoop back in the grain. "I'm not the one wearing bloody diamonds in my ears," he muttered as he stalked out. — Nora Roberts

If you don't take change by the hand, it will take you by the throat. — Winston Churchill

Your female, huh?" The Shifter bravely looked up. "Is your cock so small that you can't get your own women to--

Logan slapped a hand across his mouth and leaned in, nose to nose--giving the man a good look at the darkness pulsing in his eyes. "There are no laws against what we do, only opinions. Your opinion doesn't matter to me, but disrespecting this female does. Tip your head to her once more and I'll place my jacket on the back of that chair and we'll take a walk where Breed rules don't apply. Care to discuss your opinions on this matter any further?" Logan's nose wrinkle, drawing in a scent. The man backed down in defeat. Obviously not an alpha Shifter, just a jackass.

Logan's eyes slanted, as if watching me in his peripheral. "For the record, my cock can only be measured in decibels from the screams of the females it pleasures. — Dannika Dark

You're back and forth with me, with your actions, with your emotions. You act like you don't remember me, then spring on me that you do. You flirt with me and then you stop on a dime. You kiss me and then you pull away as soon as I touch you. You're mad then you're not." I don't stop to take a breath or let him speak before finally raising the hand he's holding and letting it go. "You're holding my hand, then . . ." I trail off, not sure of how to finish that thought. Tearing my gaze from his, I try to rein in my emotions, to wipe the flustered girl up off the floor. — Kim Karr

Jack,do me a favor?" I said.
"Anything,Becks."
"Don't let go of my hand. And if the Tunnels come for me,don't let go until the last moment."
"If the Tunnels come for you,I'll hold on, and they won't be able to take you."
I smiled at the sentiment, even though I knew that no one would be able to hold on. — Brodi Ashton

I help her into the cab with a hand at the small of her back and slide in behind her. She rattles off an address, but I can't see her lips in the darkness. Her few miles feel like twenty, and I watch the cab rate go up and up and up. I am not sure how much money I have in my wallet. Shit. This is bad. "Next time, let's take the subway," I toss out. I scrub a hand down my face. "Not at this time of the night," she scoffs. "I'd keep you safe." I tip her chin up. "The Emily who left here was fearless. What happened?" "The Emily that left here was dirt poor. I didn't have any choice but to ride the subway at all hours of the night. Now I don't have to. — Tammy Falkner

The Rhythm of the Night"

This is the rhythm of the night
The night, oh yeah
The rhythm of the night
This is the rhythm of my life
My life, oh yeah
The rhythm of my life

You could put some joy upon my face
Oh, sunshine in an empty place
Take me to turn to, and babe I'll make you stay

Oh, I can ease you of your pain
Feel you give me love again
Round and round we go, each time I hear you say

This is the rhythm of the night
The night, oh yeah
The rhythm of the night
This is the rhythm of my life
My life, oh yeah
The rhythm of my life

Won't you teach me how to love and learn
There'll be nothing left for me to yearn
Think of me and burn, and let me hold your hand

I don't wanna face the world in tears
Please think again, I'm on my knees
Sing that song to me, no reason to repent
I know you wanna say it — Corona

Oh, for the love of God," Benedict snarled. "Will you let go of her or will I have to shoot your damned hand off?"
Benedict wasn't even holding a gun, but the tone of his voice was such that the man let go instantly.
"Good," Benedict said, holding his arm out toward the maid. She stepped forward, and with trembling fingers placed her hand on his elbow.
"You can't just take her!" Phillip yelled. Benedict gave him a supercilious look. "I just did."
"You'll be sorry you did this," Phillip said.
"I doubt it. Now get out of my sight."
Phillip made a huffy sound, then turned his friends and said, "Let's get out of here." Then he turned to Benedict and added, "Don't think you shall ever receive another invitation to one of my parties."
"My heart is breaking," Benedict drawled. — Julia Quinn

This is where the story starts, in this threadbare room. The walls are exploding. The windows have turned into telescopes. Moon and stars are magnified in this room. The sun hangs over the mantelpiece. I stretch out my hand and reach the corners of the world. The world is bundled up in this room. Beyond the door, where the river is, where the roads are, we shall be. We can take the world with us when we go and sling the sun under your arm. Hurry now, it's getting late. I don't know if this is a happy ending but here we are let loose in open fields. — Jeanette Winterson

He started to hand her a fork but paused, glancing at her and then it, and back. Wariness narrowed his eyes.
"For real? Seriously?" She held out her hand, palm up. "What do you think? I'm going to try to prong you to death? I don't know who that would be more embarrassing for - you dying by fork or me needing to use something so silly to take you out. — Laurann Dohner

I had grown up in a house with a fence around it, and in this fence was a white smooth wooden gate, two holes bored round and low together so the dog could see through. One night, the moon high, late for me home from the school dance, I remember that I stopped, hand on the gate, and spoke so quietly to myself and to the woman that I would love that not even the dog could have heard.
I don't know where you are, but you're living right now, somewhere on this earth. And one day you and I are going to touch this gate where I'm touching it now. Your hand will touch this very wood, here! Then we'll walk through and we'll be full of a future and of a past and we'll be to each other like no one else has ever been. We can't meet now, I don't know why. But some day our questions will be answers and we'll be caught in something so bright ... and every step I take is one step closer on a bridge we must cross to meet. — Richard Bach

I don't know, he said, handing her the ticket. He'd been standing there all the while on the sidewalk, waiting for her. Waiting, until they were in the darkness of the theatre, to take her hand. — Jhumpa Lahiri

He stopped before opening the door and faced her. "You'll leave the window open for me and you'll be naked. When I come back, I'll take what I want from you, as many times as I want to." He grinned; it was pure and raw and astonishingly beautiful. "Understand me Lady Dagmar?" She shook her head. "No. You'll have to explain it to me."
"I will. Even if I have to tie you to bed and explain it to you again and again and again." He looked over one more time. "And don't play with yourself after I'm gone. Don't want you wearing my pussy out before I've had a chance to use it." With his hand on the door, Gwenvael rewarded her with the warmest smile she'd seen from anyone. "Besides, you look so beautiful when you come, I don't want to miss a second of it. — G.A. Aiken

How do we create jobs for so many Americans who are feeling pushed out, not just left out, pushed out of the modern economy. Obviously it's skills and education. But it's also jobs. So if I could do anything it would be to take this moment in time that we've got when, yes, our recovery is better, we've had steadier growth, I don't think President [Barack] Obama frankly gets the credit he deserves for the kind of steady hand that he and his advisers apply to moving through that really dangerous period. — Hillary Clinton

She tries to take a step down the hall, but I tug on her hand and kiss her again, and this time it's not a peck. I kiss her hard, losing myself in her taste and her heat and every damn thing about her. I never expected her. Sometimes people sneak up on you and suddenly you don't know you ever lived without them. — Elle Kennedy

Her tongue flailed around all the questions stammering to get out, and she finally landed on: "When did you have time to take a mistress?"
His smile faltered. "Don't talk about Cress like that."
"What?"
"Oh - wait! You mean Darla. I won her in a hand of cards."
Cinder gawked.
"I thought she'd make a nice gift for Iko."
"You ... what?"
"For her replacement body?"
"Um."
"Because Darla's an escort-droid? — Marissa Meyer

One of the most marvelous things I experienced was that you hold another one's hand in your hand, you feel the pulse, then it becomes slower and slower, then that's it. It's something enormous. Then you still hold that hand, then the nurse comes in, bringing with her the number for the corpse. The nurse wheels her out once more and says: "Come back later." Then you are immediately confronted with life again. You calmly get up and put things in order; in the meantime the nurse comes back and attaches the number to the corpse, you empty the bedside cabinet, the nurse says: "Don't forget the yogurt, you have to take it too." Outside you hear the crows -- it's like a theatrical play.

Then the bad conscience comes. A dead person leaves you with an immense guilt. — Thomas Bernhard

Kasen lifted one of the bottles and read the label. "This stuff can kill you." "Yeah, but obviously not quick enough." He went to take another swig. Nykyrian jerked it out of his hand. "Hey!" He pulled it away from his grasping hand. "Don't even make that noise at me." Syn curled his lip. "You and Vik. You're both traitors. You might as well move in with Shahara, too." Vik had gone to live with her and refused to come back until Syn "got over himself". Little wormy betraying mecha bastard. Kasen shook her head. "I think this is the first time I've ever seen you drink from a bottle." Nykyrian snorted. "Lucky you. I've seen him tap a keg and funnel it."
- Kasen, Syn, & Nykyrian — Sherrilyn Kenyon

Her eyes widen and she shoves me back and then there's a space between us, enough to paralyze me with all of the things I could do to her next. I could raise my hand and hit her in the face or bring my knee into her stomach, take a fistful of her hair and rip it out of her skull. You don't get to do this when you're a girl, so when the opportunity for violence finally presents itself, I want all of it at once. — Courtney Summers

You're right. Many nurses nowadays don't like doing the things that nurses used to have to do. Changing sheets and collecting bedpans - that sort of thing. Nursing has moved on, Bertie.'
Bertie was puzzled. 'But if they don't do that,' he said, 'then who does? Do people have to tuck themselves into bed when they're in hospital?'
Irene was amused by this and raised her eyes again. 'Dear Bertie, no, not at all. They have other people now to do that sort of thing. There are other wome ... people who do that.' 'So they aren't nurses, Mummy?' asked Bertie. Irene waved a hand vaguely. 'No. They call them care assistants, or something like that. It's very important work.' 'So what do the nurses do then, Mummy? If they have somebody else to take the bedpans to the patients, what's left for the nurses to do? Do they do the things that doctors do? Can nurses take your tonsils out?' 'I think they'd like to,' said Irene. — Alexander McCall Smith

He pressed another kiss to her lips as he took her hand into his. "I'm sorry for being a jerk last night and almost making the biggest mistake of my life. I was afraid of hurting you. I know what I am and I also know you deserve a guy that can spoil you rotten and take you to all the nice places that you deserve. I-"
"Jason, I don't care about those things," she said softly.
He shook his head stubbornly. "It doesn't mean that you don't deserve them, but if you give me a chance to make up for my past stupidity, and I'm not just talking about with you, I promise that I will do my best to make you happy."
"Jason-"
"I want to try this. You and me, I mean. I know I'll most likely fuck up along the way and you'll want to ring my neck, but I want to try. I'll do my best not to hurt you. — R.L. Mathewson

Get up, get out, get away from these liars
'Cause they don't get your soul or your fire
Take my hand, knot your fingers through mine
And we'll walk from this dark room for the last time — Snow Patrol

He bent his face into the curve of my neck. "We don't deserve anything Rowen. We don't deserve punishment, we don't deserve happiness, life owes us nothing. Realize that." His voice wasn't gentle anymore; it was as strong as I'd ever heard it. "So we have to take what we want because life sure as shit isn't going to freely hand it over." He kissed the skin just above my collar bone. "And I want you. — Nicole Williams

Out with it, Tarrou! What on earth prompted you to take a hand in this?"
"I don't know. My code of morals, perhaps."
"Your code of morals? What code?"
"Comprehension."
Camus, Albert (2012-08-08). The Plague (Vintage International) (Kindle Locations 1767-1769). Knopf Doubleday Publishing Group. Kindle Edition. — Albert Camus

I find that as a female boss in the music industry, it's difficult to actually be treated as if you actually are the boss and to have people act on your instructions and take you seriously. Like you call up people who are working for you and say, "I'd like to see such-and-such document," and they tell you that you don't need it. Then you have to spend time convincing them that it doesn't matter whether they think you need it or not, they're supposed to hand it to you. — Sinead O'Connor

If I were a girl, I'd be sucking every cock I could get my mouth on," Will said. "Fuck, I'd take on the whole football team at one time."
Burke ran his hand through Will's hair. "Careful," he said. "You don't want to get a reputation as a bad girl. No one will marry you, then. — Michael Thomas Ford

Stop wasting your time with people who don't value your help or who you are. They take with one hand & disrespect you with the other. Move on with your life. — Timothy Pina

When are you going to get a fella?" Lily asks Rose after a year or two of dancing. "I have one who wants to take me kissing, but I think I should wait for you to have one."
Rose flushes. "I don't think I'll ever have a fella."
"Why not?" Lily bristles. "We're plenty pretty."
"I don't like the look of them," Rose says.
Lily purses her lips at the dance floor, appraising.
After a moment long, Rose says, "Any of them."
Lily looks at her a long time, as Rose tries not to hyperventilate.
Then Lily shrugs and says, "Well, then it's you who should have learned to lead, isn't it?" and when Rose clasps Lily's hand, she clasps it back.
It's the closest they've ever been. — Genevieve Valentine

Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love. — Suzanne Collins

I must exist in shadows, while you live under exquisitely blue skies, and yet I don't hate you for the freedom that you take for granted-although I do envy you.
I don't hate you because, after all, you are human, too, and therefore have limitations of your own. Perhaps you are homely, slow-witted or too smart for your own good, deaf or mute or blind, by nature given to despair or to self-hatred, or perhaps you are unusually fearful of Death himself. We all have burdens. On the other hand, if you are better-looking and smarter than I am, blessed with five sharp senses, even more optimistic than I am, with plenty of self-esteem, and if you also share my refusal to be humbled by the Reaper ... well, then I could almost hate you if I didn't know that, like all of us in this imperfect world, you also have a haunted heart and a mind troubled by grief, by loss, by longing. — Dean Koontz