Take Me As I Am Poems Quotes & Sayings

When people talk about poetry as a project, they suggest that the road through a poem is a single line. When really the road through a poem is a series of lines, like a constellation, all interconnected. Poems take place in the realm of chance, where the self and the universal combine, where life exist. I can't suggest to you that going through a line that is more like a constellation than a road is easy - or that the blurring of the self and the universal doesn't shred a poet a little bit in the process. The terrain of a poem is unmapped (including the shapes of the trees along the constellation-road). A great poet knows never to expect sun or rain or cold or wind in the process of creating a poem. In a great poem all can come to the fore at once. It would be worse yet, if none are there at all. — Dorothea Lasky

Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together. — Mary Oliver

There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive. — Edward Hirsch

Begin. Keep on beginning. Nibble on everything.
Take a hike. Teach yourself to whistle. Lie.
The older you get the more they'll want your stories.
Make them up. Talk to stones. Short-out electric
fences. Swim with the sea turtle into the moon. Learn
how to die. Eat moonshine pie. Drink wild geranium
tea. Run naked in the rain. Everything that happens
will happen and none of us will be safe from it.
Pull up anchors. Sit close to the god of night.
Lie still in a stream and breathe water. Climb to the
top of the highest tree until you come to the branch
where the blue heron sleeps. Eat poems for breakfast.
Wear them on your forehead. Lick the mountain's
bare shoulder. Measure the color of days
around your mother's death. Put your hands over
your face and listen to what they tell you. — Ellen Kort

We also fought about everything
like real sisters. We fought about money, bedrooms, whose car to take. Everyone of these fights was actually about something else
usually abandonment. I wanted to be first on her list and she wanted to be first on mine. I wanted all her attention, all her love, all her care. I wanted her to be my mommy, my daddy, my sister. She wanted the same from me. She wanted to be fed, cared for, nurtured without limit. She wanted backrubs, poems, pastas, and to be left alone when she needed to be left alone. She wanted to come before my writing, my child, my man. And I wanted no less from her.
She was sick at first, so I took care of her. Then I was jealous of the attention and she took care of me. We had gone down into the primal cave of our friendship. we had felt loved enough to rage and fight, to show the inside of our naked throats and our bared fags, and the friendship took another leap toward intimacy. Without rage, intimacy can't be. — Erica Jong

If water won't smother the blaze
Father, take my tears and bestow them on the fire
see if the fires will wither. — Zakariya Amataya

And look, my brother, we learned to talk
very quietly and simply.
We understand each other now - there is no need for anything more.
And I say tomorrow we will become still simpler;
we'll find those words that take on the same weight in all hearts, on all lips so that we can call figs figs, and a trough a trough, so that others will smile and say: 'We're making you a hundred poems an hour'. This is what we want too.
Because we do not sing to separate ourselves from people, my brother,
we sing to bring people together. — Yiannis Ritsos

There's not too much difference between writing a picture book and writing a collection of a hundred poems or so, except that the bigger books take a lot longer to do. — Jack Prelutsky

I don't know if we ever have enough distance to "see" our own trajectory. We're in the muddled middle of it. Who knows what will last, what poems will take hold of the imaginations of the future. — Dorianne Laux

You see, writing down your meanderings gets something started deep in the recesses of your brain. That distant part of your mind knows that you want to write stories or poems or plays and not endless jabber, and it will get to work. It may take a while. You may have to write this stuff for hours or days or weeks, but eventually that subterranean part of your brain will come through and begin to send you ideas. — Gail Carson Levine

From darkness; take me unto Light.
O God! Help me today, make my maiden flight.
From sorrow; give me the strength to break. And help me to love and to care.
From darkness take me unto Light.
O God! Hear my prayers and let in the sunlight.
(excerpts of my poem from my book 'From the Silence Within') — Madhavi Sood

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don't bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from - it's where you take them to."
[MovieMaker Magazine #53 - Winter, January 22, 2004 ] — Jim Jarmusch

You have everything within you to do great things in this world. Maybe, you are inspired to sing a song, write a book or poems, create art in various forms. Or you may decide to find a cure for disease, end world hunger, prevent abuse, or take a stand politically. The question is how to begin the process of fulfilling your vision. Start where you are and use the resources you have to build from there. Inspiration is what motivates you to achieve your remarkable ideas. Also it takes time and dedication to excel to the next level. — Amaka Imani Nkosazana

Sometimes I have a notion that what might improve the situation is to have women take over the occupations of government and trade and to give men their freedom. Let them do what they are best at. While we scrawl interoffice memos and direct national or extranational affairs, men could spend all their time inventing wheels, peering at stars, composing poems, carving statues, exploring continents
discovering, reforming, or crying out in a sacramental wilderness. Efficiency would probably increase, and no one would have to worry so much about the Gaza Strip or an election. — Phyllis McGinley

Creations, whether they are children, poems, or organizations, take on a life of their own. — Starhawk

There must always be a fringe of the experimental in literature
poems bizarre in form and curious in content, stories that overreach for what has not hitherto been put in story form, criticism that mingles a search for new truth with bravado. We should neither scoff at this trial margin nor take it too seriously. Without it, literature becomes inert and complacent. But the everyday person's reading is not, ought not to be, in the margin. He asks for a less experimental diet, and his choice is sound. If authors and publishers would give him more heed they would do wisely. They are afraid of the swarming populace who clamor for vulgar sensation (and will pay only what it is worth), and they are afraid of petulant literati who insist upon sophisticated sensation (and desire complimentary copies). The stout middle class, as in politics and industry, has far less influence than its good sense and its good taste and its ready purse deserve. — Henry Seidel Canby

Too lazy to be ambitious,
I let the world take care of itself.
Ten days' worth of rice in my bag;
a bundle of twigs by the fireplace.
Why chatter about delusion and enlightenment?
Listening to the night rain on my roof,
I sit comfortably, with both legs stretched out. — Ryokan

I didn't leave early that morning. I waited for him to wake up and kiss me good morning. He said he was going to take a shower and I should come join him. I thought now was as good of a time as any and placed the ring on his corner table with my note.

It read:
My Love, I don't know how you will accept my decision. I do love you with all my heart but you are not my first love. I am always going to be infatuated with my love for the sea. Accept my proposal after I have completed my education, claim my heart for thy own & obtain thy love in which it possesses.
With all My Love, Zara

-emerald eyes of the sea — Hazel Cartwright

The Fourth Sign of The Zodiac (Part 3) by Mary Oliver

I know, you never intended to be in this world.
But you're in it all the same.

So why not get started immediately.

I mean, belonging to it.
There is so much to admire, to weep over.

And to write music or poems about.

Bless the feet that take you to and fro.
Bless the eyes and the listening ears.
Bless the tongue, the marvel of taste.
Bless touching.

You could live a hundred years, it's happened.
Or not.
I am speaking from the fortunate platform
of many years,
none of which, I think, I ever wasted.
Do you need a prod?
Do you need a little darkness to get you going?
Let me be as urgent as a knife, then,
and remind you of Keats,
so single of purpose and thinking, for a while,
he had a lifetime.
Mary oliver — Mary Oliver

I'm just saying that once that have an excuse, people will do anything. They do what they are told, and they take their money and they think it's all okay because it's just their job, while their real self is what happens after work, when they're bouncing a baby on the knee, or writing poems about snowflakes or whatever. — Paul Murray

So what rhyming poems do is they take all these nearby sound curves and remind you that they first existed that way in your brain. Before they meant something specific, they had a shape and a way of being said. And now, yes, gloom and broom are floating fifty miles away from each other in you mind because they refer to different notions, but they're cheek-by-jowl as far as your tongue is concerned. And that's what a poem does. Poems match sounds up the way you matched them when you were a tiny kid, using that detachable front phoneme. — Nicholson Baker

I could take a walk with my wife and try
to explain the ghosts I can't stop speaking to.
Or I could read all those books piling up
about the beginning of the end of understanding ...
Meanwhile, it's such a beautiful morning,
the changing colors, the hypnotic light.
I could sit by the window watching the leaves,
which seem to know exactly how to fall
from one moment to the next. Or I could lose
everything and have to begin over again. — Philip Schultz

Some poems take two to three years to finish. Rarely, a poem will arrive whole. It's nice when that happens. However, process has become so grueling for me over the past few years that when one of my students uses the word "inspiration" I practically shriek with laughter. — Cate Marvin

Stop this day and night with me and you shall possess the origin of all poems,
You shall possess the good of the earth and sun ... there are millions of suns left,
You shall no longer take things at second or third hand ... nor look through the eyes of the dead ... nor feed on the spectres in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from yourself. — Walt Whitman

I go to the shelf and pick out a few poetry books to take with me. A few old favorites and a few I haven't gotten to yet. As I slip the books into my carry-on, it occurs to me that there really are a lot of poems about death, that I've always read many poems about dying, but had almost never noticed them before. They were always the ones I lightly skimmed, and I thought that maybe I could start reading these poems more carefully. It was almost nothing, but it was also a decision about my life. — Jacob Wren

Prose Poems from my book SPAN
OBSERVATION
So, we may not be able to explain the world. Not exactly. But we can accept it, and love it. We can turn our faces to the light and examine the minutest details simply for the sake of it. We can live lives of joy and purpose. We are all part of one whole. Take comfort in this. Almost every one of us is capable of holding a cup to another's lips without our hands shaking. — Jay Woodman

I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination. — Billy Collins

We scoffed at the kids who weren't like us, the ones who already talked about careers, or bliddy mortgages and pensions. Kids wanting to be old before they were young. Kids wanting to be dead before they'd lived. They were digging their own graves, building the walls of their own damn jails. Us, we hung to our youth. We were footloose, fancy free. We said we'd never grow boring and old. We plundered charity shops for vintage clothes. We bought battered Levis and gorgeous faded velvet stuff from Attica in High Bridge. We wore coloured boots, hemp scarves from Gaia. We read Baudelaire and Byron. We read our poems to each other. We wrote songs and posted them on YouTube. We formed bands. We talked of the amazing journeys we'd take together once school was done. Sometimes we paired off, made couples that lasted for a little while, but the group was us. We hung together. We could say anything to each other. We loved each other. — David Almond

Of the individual poems, some are more lyric and some are more descriptive or narrative. Each poem is fixed in a moment. All those moments written or read together take on the movement and architecture of a narrative. — Marilyn Hacker

When you would be looking somewhere maybe standing near a window and looking outside, I will come slowly towards you. And first I will inhale your sublime fragrance that emanates from your soft and tender body. Then slowly inching towards you I would hug you from behind and take you in my arms. — Avijeet Das

I'm not the kind of man to bottle up my feelings, Kells. I don't sit up in my room pining away, writing love poems. I'm not a dreamer. I'm a fighter. I'm a man of action, and it will take all of my self-control not to fight for this. When something needs to be done, I do it. When I feel something, I act on it. I don't see any reason why Ren deserves to get the girl of his dreams and I don't. It doesn't seem fair that this happens to me twice. — Colleen Houck

Snow-melt in the stream: Mama Nature turning winter's storms into nourishment for the soil, fecundity, and beauty. This is what I must now learn to do with the stormy weather I've been passing through: turn it into beauty, turn it into art, so new life can germinate and bloom.
One example of a creative artist who does this is my friend Jane Yolen, who wrote her exquisite book of poems The Radiation Sonnets while her husband was undergoing treatment for the cancer that would eventually claim his life. This is what all artists must do: take whatever life gives us and "alchemize" it into our art (either directly and autobiographically, as in Jane's book, or indirectly; whatever approach works best), turning darkness into light, spinning straw into gold, transforming pain and hardship into what J.R.R. Tolkien called 'a miraculous grace. — Terri Windling

It is perfectly legitimate to write novels which are essentially prose poems, but in the end, I think, a novel is like a car, and if you buy a car and grow flowers in it, you're forgetting that the car is designed to take you somewhere else. — Robert Harris

It's true I've been hurt a few times after revealing myself. There are people who lie in wait for the vulnerable and pounce as a way to feel powerful. But God forgive them. I'm willing to take the occasional blow to find people I connect with. As long as you're willing to turn the other cheek with the mean ones, vulnerability can get you a wealth of friends. Can you imagine coming to the end of your life, being surrounded by people who loved you, only to realize they never fully knew you? Or having poems you never shared or injustices you said nothing about? Can you imagine realizing, then, it was too late? How can we be loved if we are always in hiding? — Donald Miller