T Pynchon Quotes & Sayings

They have had their moment of freedom. Webley has only been a guest star. Now it's back to the cages and the rationalized forms of death - death in the service of the one species cursed with the knowledge that it will die ... . "I would set you free, if I knew how. But it isn't free out here. All the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few, who are the loudest to theorize on freedom, but the least free of all. I can't even give you hope that it will be different someday - that They'll come out, and forget death, and lose Their technology's elaborate terror, and stop using every form of life without mercy to keep what haunts men down to a tolerable level - and be like you instead, simply here, simply alive ... .." The guest star retires down the corridors. — Thomas Pynchon

I came," she said, "hoping you could talk me out of a fantasy."
Cherish it!" cried Hilarious, fiercely. "What else do any of you have? Hold it tightly by it's little tentacle, don't let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be. — Thomas Pynchon

What Jessica said - hair much shorter, wearing a darker mouth of different outline, harder lipstick, her typewriter banking in a phalanx of letters between them - was: "We're going to be married. We're trying very hard to have a baby."
All at once there is nothing but his asshole between Gravity and Roger. "I don't care. Have his baby. I'll love you both - just come with me Jess, please ... I need you ... "
She flips a red lever on her intercom. Far away a buzzer goes off. "Security." Her voice is perfectly hard, the word still clap-echoing in the air as in through the screen door of the Quonset office wth a smell of tide flats come the coppers, looking grim. Security. Her magic word, her spell against demons. — Thomas Pynchon

How, Yusef wondered, can two men joke like that and tomorrow be enemies. Perhaps they'd been enemies yesterday. He decided public servants weren't human. — Thomas Pynchon

I like Catch-22, Gravity's Rainbow and Zen and the Art of Motorcycle Maintenance, for instance, because the authors of those three surrealistic novels - Joseph Heller, Thomas Pynchon and Robert Pirsig - invented their own rules, knowing that the old ones wouldn't do the job they had in mind. — William Zinsser

Women could protest from now till piss flowed uphill, but the truth was, there wasn't one didn't secretly love a killer. And — Thomas Pynchon

Results have not been encouraging. We seem up against a dilemma built into Nature, much like the Heisenberg situation. There is nearly complete parallelism between analgesia and addiction. The more pain it takes away, the more we desire it. It appears we can't have one property without the other, any more than a particle physicist can specify position without suffering an uncertainty as to the particle's velocity - — Thomas Pynchon

If they can get you asking the wrong questions, they don't have to worry about answers. — Thomas Pynchon

She couldn't stop watching his eyes. They were bright black, surrounded by an incredible network of lines, like a laboratory maze for studying intelligence in tears. They seemed to know what she wanted, even if she didn't. — Thomas Pynchon

But don't they look like apes, now, fighting over a female? Even if the female is named Liberty. — Thomas Pynchon

If you were doing something in secret and didn't want the attention, what better way to have it ridiculed and dismissed than bring in a few Californian elements? — Thomas Pynchon

He stands before a door that will not open
wood sometimes, iron, but always the same door, set into a well, maybe in the anonymous middle of some city block, unattended, no one in control of who enters and who can't, a blank door hardly different from the wall it is set into, silent, insert, no handle or knob, no lock or keyhole, fitting so tightly into its wall that not even a knifeblade can be slipped between them ... He could wait across the street, keep vigil all night and day and night again, praying though not in the usual way, exactly, for the unmarked hour when at last the quality of shadow at the edge of the door might slowly begin to change, the geometry deepen and shift, the unasked-for as that, the route to some so-far-undreamable interior lie open, a way in whose way back out lies too far ahead in the dream to worry about — Thomas Pynchon

Mason glowers, shaking his head. I've ascended, descended, even condescended, and the List's not ended, - but haven't yet trans-cended a blessed thing, thankee. — Thomas Pynchon

Oedipa resolved to pull in at the next motel she saw, however ugly, stillness and four walls having at some point become preferable to this illusion of speed, freedom, wind in your hair, unreeling landscape - it wasn't. What the road really was, she fancied, was this hypodermic needle, inserted somewhere ahead into the vein of a freeway, a vein nourishing the mainliner L.A., keeping it happy, coherent, protected from pain, or whatever passes, with a city, for pain. But were Oedipa some single melted crystal of urban horse, L.A., really, would be no less turned on for her absence. — Thomas Pynchon

The casting had been typically Hollywood: they didn't look or act a bit alike. — Thomas Pynchon

Around then Jade happened by again. "Thought that was you," Doc said, "though we ain't exactly been wallerin in eye contact. Got your note at the office, but why'd you go runnin away like that? we could've hung out, you know, smoke some shit. — Thomas Pynchon

Men had it so simple. When it wasn't about Sticking It In, it was about Having The Gun, a variation that allowed them to Stick It In from a distance. — Thomas Pynchon

I didn't know. All I know was that the sex was terrific. And that the hippie was cute. She loved sweet pickles. She liked the name Willie. She even liked Apocalypse Now. She was not a vegeterian. These were all on the plus side. But, once I introduced her to my friends, at the time, and they were all stuck-up asshole Lit majors and they made fun of her and she understoond what was going on and her eyes, usually blue, too blue, vacant, were sad. And I protected her. I took her away from them. ('Spell Pynchon,' they asked her, cracking up.) And she introduced me to her friends. And we ended up sitting on some Japanese pillows in her room and we all smoked some pot and this little hippie girl with a wreath on her head, looked at me as I held her and said, The world blows my mind'. And you know what?
I fucked her anyway. — Bret Easton Ellis

You need to find true love, Doc.
Actually, he thought, I'll settle for finding my way through this. His fingers, with a mind of their own, began to creep toward the plastic hedge. Maybe if he searched through it long enough, late enough into the night, he'd find something that might help
some tiny forgotten scrap of his life he didn't even know was missing, something that would make all the difference now. — Thomas Pynchon

Communists then, dopers now, tomorrow, who knew, maybe the faggots, so what, it was all the same beef wasn't it? Anybody looking like a normal American but living a secret life was always good for a pop if times got slow- easy and cost-effective, that was simple Law Enforcement 101. — Thomas Pynchon

Tchitcherine: "You mean thiophosphate, don't you?" Thinks indicating the presence of sulfur ... Wimpe: "I mean theophosphate, Vaslav," indicating the Presence of God. — Thomas Pynchon

There's a poetry to it, engineer's poetry ... it suggests Haverie - average, you know - certainly you have two lobes, don't you, symmetrical about the rocket's intended azimuth ... hauen, too-smashing someone with a hoe or a club ... off on a voyage of his own here, smiling at no one in particular, bringing in the popular wartime expression ab-hauen, quarterstaff technique, peasant humor, phallic comedy dating back to the ancient Greeks ... Slothrop's first impulse is to get back to what that Plas is into, but something about the man, despite obvious membership in the plot, keeps him listening ... an innocence, maybe a try at being friendly in the only way he has available, sharing what engages and runs him, a love for the Word. — Thomas Pynchon

Odd, yes, here in the capital of eternal youth, endless summer and all, that fear should be running the town again as in days of old, like the Hollywood blacklist you don't remember and the Watts rioting you do - it spreads, like blood in a swimming pool, till it occupies all the volume of the day. And then maybe some playful soul shows up with a bucketful of piranhas, dumps them in the pool, and right away they can taste the blood. They swim around looking for what's bleeding, but they don't find anything, all of them getting more and more crazy, till the craziness reaches a point. Which is when they begin to feed on each other. — Thomas Pynchon

SHE CAME ALONG THE ALLEY AND UP THE BACK STEPS THE WAY she always used to. Doc hadn't seen her for over a year. Nobody had. Back then it was always sandals, bottom half of a flower-print bikini, faded Country Joe & the Fish T-shirt. Tonight she was all in flatland gear, hair a lot shorter than he remembered, — Thomas Pynchon

What's your name?" Oedipa said. "Winthrop Tremaine," replied the spirited entrepreneur, "Winner, for short. Listen, now we're getting up an arrangement with one of the big ready-to-wear outfits in L.A. to see how SS uniforms go for the fall. We're working it in with the back-to-school campaign, lot of 37 longs, you know, teenage kid sizes. Next season we may go all the way and get out a modified version for the ladies. How would that strike you?""I'll let you know," Oedipa said. "I'll keep you in mind." She left, wondering if she should've called him something, or tried to hit him with any of a dozen surplus, heavy, blunt objects in easy reach. There had been no witnesses. Why hadn't she? — Thomas Pynchon

Don't commit original sin. Try and let her just be. — Thomas Pynchon

But with a sigh he had released her hand, while she was so lost in the fantasy that she hadn't felt it go away, as if he'd known the best moment to let go. — Thomas Pynchon

You came to talk about the play," he said. "Let me discourage you. It was written to entertain people. Like horror movies. It isn't literature, it doesn't mean anything. Wharfinger was no Shakespeare." "Who was he?" she said. "Who was Shakespeare? It was a long time ago. — Thomas Pynchon

Look at this. A barstool, named Sven? Some old Swedish custom, the winter kicks in, weather gets harsh, after a while you find yourself relating to the furniture in ways you didn't expect? — Thomas Pynchon

Wars have a way of overriding the days just before them. In the looking back, there is such noise and gravity. But we are conditioned to forget. So thet the war may have importance, yes, but stil ... isn't the hidden machinery easier to see in the days leading up to the event. There are arrangements, things to be expedited ... and often the edges are apt to lift, briefly, and we see things we were not meant to ... — Thomas Pynchon

Just don't tell me you're in love, OK?"
"Sister, I ain't even in line. — Thomas Pynchon

The only way clear of the cool/crazy flipflop was obviously slow, frustrating and hard work. Love with your mouth shut, help without breaking your ass or publicizing it: keep cool, but care. He might have known, if he'd used any common sense. It didn't come as a revelation, only something he'd as soon not've admitted. — Thomas Pynchon

Sometimes he'll chuckle at something, but rarely. Whenever somebody asks how come everybody's laughing at something and he isn't, Horst explains his belief that laughter is sacred, a momentary noodge from some power out in the universe, only cheapened and trivialized by laugh tracks. He has a low tolerance for unmotivated and mirthless laughter in general. For many people, especially in New York, laughing is a way of being loud without having to say anything. — Thomas Pynchon

She wondered, wondered, shuffling back through a fat deckful of days which seemed (wouldn't she be first to admit it?) more or less identical, or all pointing the same way subtly like a conjurer's deck, any odd one readily clear to a trained eye. — Thomas Pynchon

He gets back to the Casino just as big globular raindrops, thick as honey, begin to splat into giant asterisks on the pavement, inviting him to look down at the bottom of the text of the day, where footnotes will explain all. He isn't about to look. Nobody ever said a day has to be juggled into any kind of sense at day's end. He just runs. Rain grows in wet crescendo. His footfalls send up fine flowers of water, hanging a second behind his flight. — Thomas Pynchon

I don't do lunch. Corrupt artifact of late capitalism. Breakfast maybe? — Thomas Pynchon

Sure, she knew folks who had no problem at all with the past. A lot of it they just didn't remember. Many told her, one way and another, that it was enough for them to get by in real time without diverting precious energy to what, face it, was fifteen or twenty years dead and gone. But for Frenesi the past was one her case forever, the zombie at her back, the enemy no one wanted to see, a mouth wide and dark as the grave. — Thomas Pynchon

It was as if whatever had happened had reached some kind of limit. It was like finding the gateway to the past unguarded, unforbidden because it didn't have to be. Built into the act of return finally was this glittering mosaic of doubt. Something like what Sauncho's colleagues in marine insurance liked to call inherent vice. — Thomas Pynchon

I still don't even know for sure what a tendril is. — Thomas Pynchon

My belief is that 'recluse' is a code word generated by journalists ... meaning, doesn't like to talk to reporters ... — Thomas Pynchon

Remember, God didn't say, 'I'm gonna make light now,' he said, 'Let there be light.' His first act was to allow light in to what had been Nothing. Like God, you also have to always work with the light, make it do only what you want it to do. — Thomas Pynchon

Why is your equation only for angels, Roger? Why can't we do something, down here? Couldn't there be an equation for us too, something to help us find a safer place?'
'Why am I surrounded,' his usual understanding self today, 'by statistical illiterates? There's no way, love, not as long as the mean density of strikes is constant. — Thomas Pynchon

Yet I've noticed the same thing when your band plays - the most amazing social coherence, as if you all shared the same brain."
"Sure," agreed 'Dope', "but you can't call that organization."
"What do you call it?"
"Jass. — Thomas Pynchon

Which is why Slothrop now observes his coalition with hopes for success and hopes for disaster about equally high (and no, that doesn't cancel out to apathy - it makes a loud dissonance that dovetails inside you sharp as knives). It does annoy him that he can be so divided, so perfectly unable to come down on one side or another. Those whom the old Puritan sermons denounced as "the glozing neuters of the world" have no easy road to haul down, Wear-the-Pantsers, just cause you can't see it doesn't mean it's not there! Energy inside is just as real, just as binding and inescapable, as energy that shows. When's the last time you felt intensely lukewarm? eh? Glozing neuters are just as human as heroes and villains. In many ways they have the most grief to put up with, don't they? — Thomas Pynchon

Our Meat Facial today, Ms. Loeffler?" "Uhm, how's that." "You didn't get our offer in the mail? on special all this week, works miracles for the complexion - freshly killed, of course, before those enzymes've had a chance to break down, how about it?" "Well, I don't . . ." "Wonderful! Morris, kill . . . the chicken!" From the back room comes horrible panicked squawking, then silence. Maxine meantime is tilted back, eyelids aflutter, when - "Now we'll just apply some of this," wham! ". . . meat here, directly onto this lovely yet depleted face . . ." "Mmff . . ." "Pardon? (Easy, Morris!)" "Why is it . . . uh, moving around like that? Wait! is that a - are you guys putting a real dead chicken in my - aaahhh!" "Not quite dead yet!" Morris jovially informs the thrashing Maxine as blood and feathers fly everywhere. Each — Thomas Pynchon

New York as a character in a mystery would not be the detective, would not be the murderer. It would be the enigmatic suspect who knows the real story but isn't going to tell it. - DONALD E. WESTLAKE — Thomas Pynchon

I was walking down Granville Street, Vancouver's version of "The Strip," and I was looking into one of the video arcades. I could see in the physical intensity of their postures how rapt the kids inside were. It was like one of those closed systems out of a Pynchon novel: a feedback loop with photons coming off the screens into the kids' eyes, neurons moving through their bodies, and electrons moving through the video game. These kids clearly believed in the space games projected. Everyone I know who works with computers seems to develop a belief that there's some kind of actual space behind the screen, someplace you can't see but you know is there. — William Gibson

Man, I want to die, is all," cried Ploy.
"Don't you know," said Dahoud, "that life is the most precious possession you have? — Thomas Pynchon

There is also the story about Tyrone Slothrop, who was sent into the Zone to be present as his own assembley--perhaps heavily paranoid voices whisper, 'his time's assembley'--and there ought to be a punchline to it, but there isn't. The plan went wrong. He is being broken down instead and being scattered. His cards have been laid down, Celtic style, in the order suggested by Mr. A.E. Waite, laid out and read, but they are the cards of a tanker and feeb: they point only to a long and scuffling future, to mediocrity...-to no clear happiness or redeeming cataclysm. — Thomas Pynchon

writers, people you didn't even have to say hello to - and still be horribly murdered for your trouble. Once-overs you'd found ways to ignore now had you looking for the particular highlight off some creep's eyes that would send you behind double and triple locks to a room lit only by the TV screen, and whatever was in the fridge to last you till you felt together enough to step outside again. — Thomas Pynchon

Mason prefers to switch over to Tea, when it is Dixon's turn to begin shaking his head. "Can't understand how anyone abides that stuff." "How so?" Mason unable not to react. "Well, it's disgusting, isn't it? Half-rotted Leaves, scalded with boiling Water and then left to lie, and soak, and bloat?" "Disgusting? this is Tea, Friend, Cha, - what all tasteful London drinks, - that," pollicating the Coffee-Pot, "is what's disgusting." "Au contraire," Dixon replies, "Coffee is an art, where precision is all, - Water-Temperature, mean particle diameter, ratio of Coffee to Water or as we say, CTW, and dozens more Variables I'd mention, were they not so clearly out of thy technical Grasp, - — Thomas Pynchon

Hey, like Godzilla always sez to Mothra - why don't we go eat some place? — Thomas Pynchon

I am having a hallucination now, I don't need drugs for that. — Thomas Pynchon

It's a dangerous game Cherrycoke's playing here. Often he thinks the sheer volume of information pouring in through his fingers will saturate, burn him out...she seems determined to overwhelm him with her history and its pain, and the edge of it, always fresh from the stone, cutting at his hopes, at all their hopes. He does respect her: he knows that very little of this is female theatricals, really. She has turned her face, more than once, to the Outer Radiance and simply seen nothing there. And so each time has taken a little more of the Zero into herself. It comes down to courage, at worst an amount of self-deluding that's vanishingly small: he has to admire it, even if he can't accept her glassy wastes, her appeals to a day not of wrath but of final indifference... — Thomas Pynchon

The Stars are so close you won't need a Telescope." "The Fish jump into your Arms. The Indians know Magick." "We'll go there. We'll live there." "We'll fish there. And you too. — Thomas Pynchon

DON'T EVER ANTAGONIZE THE HORN. — Thomas Pynchon

Time travel, as it turns out, is not for civilian tourists, you don't just climb into a machine, you have to do it from the inside out, with your mind and body, and navigating Time is an unforgiving discipline. It requires years of pain, hard labor, and loss, and there is no redemption
of, or from, anything. — Thomas Pynchon

THE NEXT DAY Reef, Cyprian, and Ratty were out on the Anarchists' golf course, during a round of Anarchists' Golf, a craze currently sweeping the civilized world, in which there was no fixed sequence - in fact, no fixed number - of holes, with distances flexible as well, some holes being only putter-distance apart, others uncounted hundreds of yards and requiring a map and compass to locate. Many players had been known to come there at night and dig new ones. Parties were likely to ask, "Do you mind if we don't play through?" then just go and whack balls at any time and in any direction they liked. Folks were constantly being beaned by approach shots barreling in from unexpected quarters. "This is kind of fun," Reef said, as an ancient brambled guttie went whizzing by, centimeters from his ear. — Thomas Pynchon

Remember how they outlawed acid soon as they found out it was a channel to somethin they didn't want us to see? Why should information be any different? — Thomas Pynchon

I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me. — Tom Robbins

Philosophick Work, to proceed at all smartly, wouldn't you agree, requires a controll'd working-space. — Thomas Pynchon

Time of course has showed the question up in all its young illogic. We can justify any apologia simply by calling life a successive rejection of personalities. No apologia I s any more than a romance - half a fiction - in which all the successive identities are taken on and rejected by the writer as a function of linear time are treated as separate characters. The writing itself even constitutes another rejection, another "character" added to the past. So we do sell our souls: paying them away to history in little installments. It isn't so much to pay for eyes clear enough to see past the fiction of continuity, the fiction of cause and effect, the fiction of a humanized history endowed with "reason. — Thomas Pynchon

Don't forget the real business of war is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as spectacle, as diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death's a stimolous to just ordinary folks, little fellows, to try 'n' grab a piece of that Pie while they're still here to gobble it up. The true war is a celebration of markets. — Thomas Pynchon

She sank with an enormous sigh that carried all rigidity like a mythical fluid from her, down next to him; so weak she couldn't help him undress her; it took him 20 minutes, rolling, arranging her this way and that, as if she thought, he were some scaled-up, short-haired, poker-faced little girl with a Barbie doll. She may have fallen asleep once or twice. She awoke at last to find herself getting laid; she'd come in on a sexual crescendo in progress, like a cut to a scene where the camera's already moving. Outside a fugue of guitars had begun, and she counted each electronic voice as it came in, till she reached six or so and recalled only three of the Paranoids played guitars; so others must be plugging in. — Thomas Pynchon

Next worst thing to unrequited Love, isn't it? Insufficient hate. — Thomas Pynchon

Exhausted, hardly knowing what she was doing, she came the last three steps and sat, took the man in her arms, actually held him, gazing out of her smudged eyes down the stairs, back into the morning. She felt wetness against her breast and saw that he was crying again. He hardly breathed but tears came as if being pumped. "I can't help," she whispered, rocking him, "I can't help." It was already too many miles to Fresno. — Thomas Pynchon

You're the medium Weed and I use to communicate, that's all, this set of holes, pleasantly framed, this little femme scampering back and forth with scented messages tucked in her little secret places.
She was too young then to understand what he thought he was offering her, a secret about power in the world. That's what he thought it was. Brock was young then too. She only took it as some parable about his feelings for her, one she didn't exactly understand but covered for with the wide invincible gaze practiced by many sixties children, meaning nearly anything at all, useful in a lot of situations, including ignorance. — Thomas Pynchon

Once they have you asking the wrong questions. They don't have to worry about the answers. — Thomas Pynchon

You are off on a winding and difficult road, which you conceive to be wide and straight, an Autobahn you can travel at your ease. Is it any use for me to tell you that all you believe real is illusion? I don't know whether you'll listen, or ignore it. You only want to know about your path, your Autobahn. — Thomas Pynchon

I haven't sold my soul yet - well, maybe a couple bars of rhythm and blues here and there, — Thomas Pynchon

Well right now Slothrop feels himself sliding onto the anti-paranoid part of his cycle, feels the whole city around him going back roofless, vulnerable, uncentered as he is, and only pasteboard images now of the Listening Enemy left between him and the wet sky.
Either They have put him here for a reason, or he's just here. He isn't sure that he wouldn't actually, rather have that reason ... — Thomas Pynchon

One of those cases where you couldn't just fold. God, across the table of Fate, was picking His nose, scratching His ear, laying on tells with a prodigal hand, it had to mean something, and a faulty guess would be better than none. — Thomas Pynchon

That's what Jesus meant," whispers the ghost of Slothrop's first American ancestor William, "venturing out on the Sea of Galilee. He saw it from the lemming point of view. Without the millions who had plunged and drowned, there could have been no miracle. The successful loner was only the other part of it: the last piece to the jigsaw puzzle, whose shape had already been created by the Preterite, like the last blank space on the table."
"Wait a minute. You people didn't have jigsaw puzzles."
"Aw, shit. — Thomas Pynchon

THE ENGLISHMAN'S VERY SHY (FOX-TROT) (Bloat): The Englishman's very shy, He's none of your Ca-sa-no-va, At bowling the ladies o-ver, A-mericans lead the pack - (Tantivy): - You see, your Englishman tends to lack That recklessness transatlantic, That women find so romantic Though frankly I can't see why . . . (Bloat): The polygamous Yank with his girls galore Gives your Brit-ish rake or carouser fits, (Tantivy): Though he's secretly held in re-ve-rent awe As a sort of e-rot-ic Clausewitz. . . . (Together): If only one could al-ly A-merican bedroom know-how With British good looks, then oh how Those lovelies would swoon and sigh, Though you and I know the Englishman's very shy. — Thomas Pynchon

A few years back, one bleak winter afternoon, on the way home from the Pioneer Market on Columbus, some faceless yuppie shoved past March saying "Excuse me," which in New York translates to "Get the fuck outta my way," and which turned out finally to be once too often. March dropped the bags she was carrying in the filthy slush on the street, gave them a good kick, and screamed as loud as she could, "I hate this miserable shithole of a city!" Nobody seemed to take notice, though the bags and their strewn contents were gone in seconds. The only reaction was from a passerby who paused to remark, "So? you don't like it, why don't you go live someplace else? — Thomas Pynchon

and isn't it the curse of the drifter, the desolation of heart we feel each evening at sundown, with the slow loop of the river out there just for a half a minute, catching the last light, pregnant with the city in all its density and wonder, the possibilities never to be counted, much less lived into, by the likes of us, don't you see, for we're only passing through, we're already ghosts. — Thomas Pynchon

Tito snored away on the other bed. Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn't find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness ... — Thomas Pynchon

Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn't find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness . . . how a certain hand might reach terribly out of darkness and reclaim the time, easy as taking a joint from a doper and stubbing it out for good. — Thomas Pynchon

Can't say it often enough - change your hair, change your life. — Thomas Pynchon

Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a letter, another lover. — Thomas Pynchon

I've had a tough time with Pynchon. I liked him very much when I first read him. I liked him less with each book. He got denser and more complex in a way that didn't really pay off. — Leslie Fiedler

Sometimes things aren't very clear, that's all. Things look like they're going against us, and though it always turns out fine at the end, and we can always look back and say oh of course it had to happen that way, otherwise so-and-so wouldn't have happened - still, while it's happening, in my heart I keep getting this terrible fear, this empty place, and it's very hard at such times to really believe in a Plan with a shape bigger than I can see ... — Thomas Pynchon

I had my Boswell, once," Mason tells Boswell, "Dixon and I. We had a joint Boswell. Preacher nam'd Cherrycoke. Scribbling ev'rything down, just like you, Sir. Have you," twirling his Hand in Ellipses, - "you know, ever . . . had one yourself? If I'm not prying." "Had one what?" "Hum . . . a Boswell, Sir, - I mean, of your own. Well you couldn't very well call him that, being one yourself, - say, a sort of Shadow ever in the Room who has haunted you, preserving your ev'ry spoken remark, - " "Which else would have been lost forever to the great Wind of Oblivion, - think," armsweep south, "as all civiliz'd Britain gathers at this hour, how much shapely Expression, from the titl'd Gambler, the Barmaid's Suitor, the offended Fopling, the gratified Toss-Pot, is simply fading away upon the Air, out under the Door, into the Evening and the Silence beyond. All those voices. Why not pluck a few words from the multitudes rushing toward the Void of forgetfulness? — Thomas Pynchon

They talked in the car always, he trying to find the key to her own ignition behind the hooded eyes, she sitting back of the right-hand steering wheel and talking, talking, nothing but MG-words, inanimate-words he couldn't really talk back at. Soon — Thomas Pynchon

You don't understand," getting mad. "You guys, you're like Puritans are about the Bible. So hung up with words, words. You know where that play exists, not in that file cabinet, not in any paperback you're looking for, but - " a hand emerged from the veil of shower-steam to indicate his suspended head - "in here. That's what I'm for. To give the spirit flesh. The words, who cares? They're rote noises to hold line bashes with, to get past the bone barrier around an actor's memory, right? But the reality is in this head. Mine. I'm the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also. — Thomas Pynchon

The film libraries on some of these channels." Elmina said. "I swear. There was one on last night. I couldn't sleep. After I saw, it, I was afraid ro sleep. Have you seen Black Narcissus, 1947?"
Eddie, who was enrolled in the graduate film program at SC, let out a scream of recognition. He's been working on his doctoral dissertation, "Deadpasn to Demoniac - Subtextual Uses of Eyeliner in the Cinema," and had just in fact arrived at moment in Black Narcissus where Kathleen Byron, as a demented nun, shows up in civilian gear, including eye makeup good for a year's worth of nighmares. — Thomas Pynchon

Yep, and your Internet was their invention, this magical convenience that creeps now like a smell through the smallest details of our lives, the shopping, the housework, the homework, the taxes, absorbing our energy, eating up our precious time. And there's no innocence. Anywhere. Never was. It was conceived in sin, the worst possible. As it kept growing, it never stopped carrying in its heart a bitter-cold death wish for the planet, and don't think anything has changed, kid. — Thomas Pynchon

The dying tapers off now and then, but the War is still killing lots and lots of people. Only right now it is killing them in more subtle ways. Often in ways that are too complicated, even for us, at this level, to trace. But the right people are dying, just as they do when armies fight. The ones who stand up, in Basic, in the middle of the machine-gun pattern. The ones who do not have faith in their Sergeants. The ones who slip and show a moment's weakness to the Enemy. These are the ones the War cannot use, and so they die. The right ones survive. The others, it's said, even know they have a short life expectancy. But they persist in acting the way that they do. Nobody knows why. Wouldn't it be nice if we could eliminate them completely? Then no one would have to be killed in the War. — Thomas Pynchon

Don't forget the real business of the war is buying and selling. The murdering and the violence are self-policing, and can be entrusted to non-professionals. — Thomas Pynchon

They have lied to us. They can't keep us from dying, so They lie to us about death. A cooperative structure of lies. What have they ever given us in return for the trust, the love--They actually say 'love'--we're supposed to owe Them? Can They keep us from even catching cold? from lice, from being alone? from anything? Before the Rocket we went on believing, because we wanted to. But the Rocket can penetrate, from the sky, at any given point. Nowhere is safe. We can't believe Them any more. Not if we are still sane, and love the truth. — Thomas Pynchon

He didn't know whether he was planning seduction, or combat, - these, at fourteen, being the only categories of Pleasure he recogniz'd. — Thomas Pynchon