Surface Art Quotes & Sayings

If you just mimic the surface of somebody's work without understanding where they are coming from, your work will never be anything more than a knockoff. — Austin Kleon

It required some rudeness to disturb with our boat the mirror-like surface of the water, in which every twig and blade of grass was so faithfully reflected; too faithfully indeed for art to imitate, for only Nature may exaggerate herself. — Henry David Thoreau

The artist one day falls through a hole in the brambles, and from that moment he is following the dark rapids of an underground river which may sometimes flow so near to the surface that the laughing picnic parties are heard above. — Cyril Connolly

As the philosopher Gilles Deleuze put it, no painter ever stands before a completely blank canvas, no author ever sits before a blank page. In fact, the surface confronting the modern artist is full of inherited images that must first be cleared from the imagination before one can begin to create one's own. — Marie Luise Knott

All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex and vital. — Oscar Wilde

Cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event — Harold Rosenberg

It may be that until now there has been no more potent means for beautifying man himself than piety: it can turn man into so much art, surface, play of colors, graciousness that his sight no longer makes one suffer.
— Friedrich Nietzsche

What can I do but force myself to remember? Try to imprint what I know on my soul, a thing that has no surface, no sides, no pages, no form of any kind. Carry it so deeply in the pockets of my existence that when I open my eyes and look down at my new hands with their thumbs that are able to close tightly around their fingers, I will already know. I will already see. — Garth Stein

I've started to experiment [in the studio] with texturing the canvas, building up the surface with large brushes, palette knife or fingers. I want to say more in my art. — T. Allen Lawson

Most art is just surface noise. — Walter Darby Bannard

They know a million tricks, those novelists. Take Doctor Goebbels; that's how he started out, writing fiction. Appeals to the base lusts that hide in everyone no matter how respectable on the surface. Yes, the novelist knows humanity, how worthless they are, ruled by their testicles, swayed by cowardice, selling out every cause because of their greed - all he's got to do is thump on the drum, and there's his response. And he's laughing, of course, behind his hand at the effect he gets. — Philip K. Dick

Reality is merely one-tenth visible section of the iceberg that one sees above the surface of the ocean - art remaining nine-tenths of it that lies below the surface. That is why it is more near Truth than Reality itself. Art does not merely reflect Reality - it enlarges it. — Anita Desai

Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience. — Chuck Close

He laughed. "What's to say? Great paintings - people flock to see them, they draw crowds, they're reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But - " crossing back to the table to sit again " - if a painting really works down in your heart and changes the way you see, and think, and feel, you don't think, 'oh, I love this picture because it's universal.' 'I love this painting because it speaks to all mankind.' That's not the reason anyone loves a piece of art. It's a secret whisper from an alleyway. Psst, you. Hey kid. Yes you." Fingertip gliding over the faded-out photo - the conservator's touch, a touch-without-touching, a communion wafer's space between the surface and his forefinger. — Donna Tartt

The whole man was in all his judgments and activities, and a discriminating zest for life, for 'common life', informs every page he wrote. He saw education as actualizing the potentiality for the leisured activities of thought, art, literature and conversation. 'Grete clerk' as he was, he was never willfully esoteric: quotations and allusions rose unbidden to the surface of his full and fertile mind, but whether drawn from Tristram Shandy or James Thurber they elucidate not decorate. His works are all of a piece: a book in one genre will correct, illumine, or amplify what is latent in another. — Jocelyn Gibb

Like dreams and works of art, fantasies are far more than what they appear to be on the surface. They're complex psychic creations whose symbolic content mustn't be translated into literal intent. Think poetry, not prose, — Esther Perel

After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared. — Arthur Erickson

The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream. — Slavoj Zizek

The underlying tension of a lot of my art is to try and look through the surface appearance of things. Inevitably, one way of getting beneath the surface is to introduce a hole, a window into what lies below. — Andy Goldsworthy

They maintain he wrote The Art of War. Personally, I believe it was a woman. On the surface, The Art of War is a manual about tactics on the battlefield, but at its deepest level it describes how to win conflicts. Or to be more precise, the art of getting what you want at the lowest possible price. The winner of a war is not necessarily the victor. Many have won the crown, but lost so much of their army that they can only rule on their ostensibly defeated enemies' terms. With regard to power, women don't have the vanity men have. They don't need to make power visible, they only want the power to give them the other things they want. Security. Food. Enjoyment. Revenge. Peace. They are rational, power-seeking planners, who think beyond the battle, beyond the victory celebrations. And because they have an inborn capacity to see weakness in their victims, they know instinctively when and how to strike. And when to stop. You can't learn that, Spiuni. — Jo Nesbo

What's so incredibly amusing with photography is that while seemingly an art of the surface, it catches things I haven't even noticed. And it pains me not to have seen things in all their depth. — Jacques-Henri Lartigue

In my art and life, I really strive to reverse the old adage that what you see is what you get. If I can be Coyote and practice my sneak-up, I can engage the viewers from a distance with one image and lure them in for exposure to another layer, which changes the initial view into quite a different reality. After all, that is what ethnic culture is all about - or even an ongoing relationship. What you see on the surface is never the same again one you begin to plumb the depths. — Jaune Quick-to-See Smith

Bernard of Clairvaux shared with Goethe and Balzac the art of charging narratives with his own charisma (and this is probably the only context in which those three names can be mentioned in one breath). On the surface self-representation was not the purpose of such narratives; they presented themselves as fiction or as commentaries on scripture. Let me suggest the word 'autography' to describe the process. 'Autography' is writing yourself into your own composition, not by describing yourself, but by infusing your own presence into it. The reader feels your presence, but sees someone or something else. — C. Stephen Jaeger

Art historians agree that Da Vinci's paintings contain hidden levels of meaning that go well beneath the surface of the paint. Many scholars believe his work intentionally provides clues to a powerful secret ... a secret that remains protected to this day by a clandestine brotherhood of which Da Vinci was a member. — Dan Brown

A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings ... it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy. — Nan Goldin

There is no one who has cooked but has discovered that each particular dish depends for its rightness upon some little point which he is never told. It is not only so of cooking: it is so of splicing a rope; of painting a surface of wood; of mixing mortar; of almost anything you like to name among the immemorial human arts. — Hilaire Belloc

To be pleasing to God, art must be true as well as good. Truth has always been one important criterion for art. Art is the incarnation of the truth. It penetrates the surface of things to portray them as they really are. — Philip Graham Ryken

Perhaps the Doors, Curtains, Surface Pictures, Panes of Glass, etc. are metaphors of despair, prompted by the dilemma that our sense of sight causes us to apprehend things, but at the same time restricts and partly precludes our apprehension of reality. — Gerhard Richter

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world. — Robert Smithson

There is plenty of room left for exact experiment in art, and the gate has been opened for some time. What had been accomplished in music by the end of the eighteenth century has only begun in the fine arts. Mathematics and physics have given us a clue in the form of rules to be strictly observed or departed from, as the case may be. Here salutary discipline is come to grips first of all with the function of forms, and not with form as the final result ... in this way we learn how to look beyond the surface and get to the root of things. — Paul Klee

The immortality of great art seems bound up with the inevitable loss of its original surface meaning and its rebirth in the spirit of every new age. — Anton Ehrenzweig

From the outside looking in, i think my life would appear very isolated, occupying a huge empty space, with hollow-sounding, emotional echoes. But in reality, this solitary sanctuary i inhabit, allows my artistic nature to sing at the top of its lungs. My feelings have the space they need to breathe. And my art can gain the momentum, it requires, to bubble up to the surface of consciousness. For me, creativity is a chaotic and quiet hybrid, an entity that seeks a safe place to call home. — Jaeda DeWalt

I certainly know guys in comedy, I know some actors, and I definitely know some musicians, who have survived to a certain age and make a good living doing what they do, but nobody knows who they are. They wake up every day and they have the ability to get paid practicing their art, but underneath it all, if you scratched the surface, you still get, "If I only had my own show ... ," or "If I only had my own band ... " It's what people always do when they want to be their own star. — Denis Leary

Lies, fictions and untrue suppositions can create new human truths which build technology, art, language, everything that is distinctly of Man. The word "stone" for instance is not a stone, it is an oral pattern of vocal, dental and labial sounds or a scriptive arrangement of ink on a white surface, but man pretends that it is actually the thing it refers to. Every time he wishes to tell another man about a stone he can use the word instead of the thing itself. The word bodies forth the object in the mind of the listener and both speaker and listener are able to imagine a stone without seeing one. All the qualities of stone can be metaphorically and metonymically expressed. "I was stoned, stony broke, stone blind, stone cold sober, stonily silent," oh, whatever occurs. More than that, a man can look at a stone and call it a weapon, a paperweight, a doorstep, a jewel, an idol. He can give it function, he can possess it. — Stephen Fry

I have, for my own projected works and ideas, only the silliest and dewiest of hopes; no matter what, I am romantic enough or sentimental enough to wish to contribute something to life's fabric, to the world's beauty ... [S]imply to live does not justify existence, for life is a mere gesture on the surface of the earth, and death a return to that from which we had never been wholly separated; but oh to leave a trace, no matter how faint, of that brief gesture! For someone, some day, may find it beautiful! — Frank O'Hara

May I repeat what I told you here: treat nature by means of the cylinder, the sphere, the cone, everything brought into proper perspective so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth ... lines perpendicular to this horizon give depth. But nature for us men is more depth than surface, whence the need to introduce into our light vibrations, represented by the reds and yellows, a sufficient amount of blueness to give the feel of air. — Paul Cezanne

Painting is the art of hollowing a surface. — Georges Seurat

Besides that, Sebastian liked books - all kinds. He loved fiction, non-fiction, big picture art books, the smell, the feel, and the potential to sit down with a book, become lost within it and only surface hours later when you needed to pee. Books were the bestest of best friends - and they never bitched if you forgot their birthdays or decided not to call them for a month. — Amy Lane

In a sense, the first (if not necessarily the prime) function of a novelist, of ANY artist, is to entertain. If the poem, painting, play or novel does not immediately engage one's surface interest then it has failed. Whatever else it may or may not be, art is also entertainment. Bad art fails to entertain. Good art does something in addition. — Brigid Brophy

Puzzles are like songs - A good puzzle can give you all the pleasure of being duped that a mystery story can. It has surface innocence, surprise, the revelation of a concealed meaning, and the catharsis of solution. — Stephen Sondheim

We live amid surfaces, and the true art of life is to skate well on them — Ralph Waldo Emerson

The art does not always mimic the artist. You never know the real person until you slide beneath their surface — Lisa Renee Jones

When I looked upon the surface of the gently flowing water, each painting that I had burned upon joining the church rose from the waves. I tried to grab them, but they dissolved upon touch. — William Poe

I wonder, only in passing, whether the indelible ornamentation that man inscribes upon his own epidermis does not respond to a nostalgia for the universal internally generated coloring of corrollas, furs, shells, carapaces and wings. For man it has been necessary to create both works and tools outside of himself. But it may be that he retains an obscure nostalgia to create them on his own body, to make them a part of it rather than projecting them outwards onto an independent surface, where he is free to retouch them as he sees fit, which is precisely what painting and art are. — Roger Caillois

Art has something to do with beauty. The act of creating beauty pulls the portion of your soul to the surface that is true to the way you were created. — Timothy Simpson

Art is a process of concentration. It is both the distilled essence and the commentary upon otherwise mundane activities and reflections. Musical notes must be charged, must gather more than one and the surface meaning, must reveal audible and "inaudible" connections to other notes, patterns, and meaning, either by way of affinity or contrast. — Russell Sherman

On the surface the avant garde as a whole seems united primarily in terms of what they are against: the rejection of social institutions and established artistic conventions, or antagonism towards the public (as representative of the existing order). By contrast any positive programme tends to be claimed as exclusive property by isolated and even mutually antagonistic sub-groups. So modern art appears fragmented and sectarian, defined as much by manifestos as imaginative work. — C. D. Innes

All a work of art can do is present the surface. I can't know the insides of people. I know very little about the inside of myself. — John Banville

Almost all of my early art dealt with the fallout from middle-class taboos, the messy, the ambivalent emotions couples felt, the inherent racism, the sexual tensions and the unhappiness roiling below the surface of our prim suburban lives. Meanwhile I was a suburban bad boy - cynical, sarcastic, contemptuous of all authority. — Eric Fischl

Abstract art places a new world, which on the surface has nothing to do with 'reality,' next to the 'real' world. — Wassily Kandinsky

... I have fallen in love with a painting. Though that phrase doesn't seem to suffice, not really - rather's it that I have been drawn into the orbit of a painting, have allowed myself to be pulled into its sphere by casual attraction deepening to something more compelling. I have felt the energy and life of the painting's will; I have been held there, instructed. And the overall effect, the result of looking and looking into it's brimming surface as long as I could look, is love, by which I mean a sense of tenderness toward experience, of being held within an intimacy with the things of the world. — Mark Doty

The more he saw, the more he doubted. He watched men narrowly, and saw how, beneath the surface, courage was often rashness; and prudence, cowardice; generosity, a clever piece of calculation; justice, a wrong; delicacy, pusillanimity; honesty, a modus vivendi; and by some strange dispensation of fate, he must see that those who at heart were really honest, scrupulous, just, generous, prudent or brave were held cheaply by their fellow-men.
'What a cold-blooded jest!' said he to himself. 'It was not devised by a God.'
From that time forth he renounced a better world, and never uncovered himself when a Name was pronounced, and for him the carven saints in the churches became works of art — Honore De Balzac

New freedoms surface old habits. I haven't left sin behind, only discovered a new medium for my treachery. My real trouble as a writer isn't trying to mean the words that I write. It's living into the words that I mean. Nonfiction writing can feel like the high art of hypocrisy. — Jen Pollock Michel

Work is of two kinds: first, altering the position of matter at or near the earth's surface relatively to other such matter; second, telling other people to do so. The first kind is unpleasant and ill paid; the second is pleasant and highly paid. The second kind is capable of indefinite extension: there are not only those who give orders, but those who give advice as to what orders should be given. Usually two opposite kinds of advice are given simultaneously by two organized bodies of men; this is called politics. The skill required for this kind of work is not knowledge of the subjects as to which advice is given, but knowledge of the art of persuasive speaking and writing, i.e., of advertising. — Anonymous

Now smiling had been something almost alien to me just a few weeks ago. But over this short period of time, I had rediscovered this art thanks to that noble emotion of love. Joy that had been bottled up inside since childhood now overcame me from deep within just like the healing water reaching folks at hot springs from regions deep below the surface. — Vivek Pereira

The reason the art world doesn't respond to Kinkade is because none - not one - of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They're all cliche and already told. — Jerry Saltz

So there were two worlds: the perceived world, a dimension of adjectives, equations and brush strokes, a surface dazzling with our efforts to render it, but ultimately bearing only our own reflections; and the impenetrable world, the plumbless dark full of latent particles, the primordial cauldron which, like a mother, gives us our being but is a lifelong riddle. — Bia Lowe

I'm used to the security of living behind my online profiles and the clip art advertisdements I create to define me. I can be whoever I want to be in that world. I can be funny, deep, pensive, eccentric. I can be the best version of myself. I can make all the right decisions. I can delete my flaws by pressing a button.
In the real world anything can happen. It's like stepping onto an icy surface
you have to adjust your footing or you'll slip and fall. Your movements become rigid and unsure because behind all the fancy gadgets and all that digital armor, you realize you're just flesh and bones. — Katie Kacvinsky

If our lives are truly "hid with Christ in God," the astounding thing is that this hiddenness is revealed in all that we do and say and write. What we are is going to be visible in our art, no matter how secular (on the surface) the subject may be. — Madeleine L'Engle

Christian art, like obscene art, is surface level. — Anonymous

I would like to say to those who think of my pictures as serene, whether in friendship or mere observation, that I have imprisoned the most utter violence in every inch of their surface. — Mark Rothko

Whether it is photography, assemblage art or filmmaking, my work is to see beneath the surface. — Christophe Agou

The thing is', (Rufus) Stone said, 'that if you don't believe that you are an old man, or a woman, or a tramp, then how can you expect anyone else to believe you? Looking the part is just the surface; being the part is the true disguise. — Andy Lane

Point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor's craft is the type. All art is at once surface and symbol. Those who go beneath — Oscar Wilde

We must see that music theory is not only about music, but about how people process it. To understand any art, we must look below its surface into the psychological details of its creation and absorption. — Marvin Minsky

The painting was food. He wanted to caress it, hold it in his hands, lick its glazed surface, plunge into it, dive into the Florentine light. Years vanished, decades were erased, and he was again the boy who had come here to the feast of art. — Pete Hamill

Just as in the second part of a verse bad poets seek a thought to fit their rhyme, so in the second half of their lives people tend to become more anxious about finding actions, positions, relationships that fit those of their earlier lives, so that everything harmonizes quite well on the surface: but their lives are no longer ruled by a strong thought, and instead, in its place, comes the intention of finding a rhyme. — Friedrich Nietzsche

She must disappear for a time from the human surface,
And sacrifice everything for this,
To recreate herself from the depths of her world. — David Foenkinos

We all have an inner artist that has something to tell us if we allow it to come to the surface. — Bill Buchman

Nothing worthy can be built on a neglect of higher meanings and on a relativistic view of concepts and culture as a whole. Indeed, something greater than a phenomenon confined to art can be discerned shimmering here beneath the surface - shimmering not with light but with an ominous crimson glow. — Aleksandr Solzhenitsyn

[Comics is] one of the last havens for honesty when it comes to a reader's genuine response to art. Most of us, if we don't find any sympathy or pleasure, for example, in a modern painting, are likely to blame our own ignorance of the history and theory of painting. But nobody pretends to like a bad comic strip. Such harshness is necessary for any real truth to surface, I think, and for art to really contribute anything to life. Though I don't know. I could be wrong. — Chris Ware

It is not a question of skimming the surface of the art, it must be probed to its depths, for to seize upon superficial things only is to degenerate into mediocrity and obscurity. — Jean-Georges Noverre

The rosy enthusiasms and hopes of 1925," Alain Locke said ten years later, "were. . . cruelly
deceptive mirages." The ghetto was revealed in the thirties as "a nasty, sordid corner into which
black folk are herded - a Harlem that the social worker knew all along but had not been able to
dramatize. . .
There is no cure or saving magic in poetry and art
for. . . precarious marginal
employment, high mortality rates, civic neglect," Locke concluded. It was this Harlem, the
neighborhood not visible "from the raucous interior of a smokefilled, jazzdrunken cabaret," the
Harlem hidden by the "bright surface. . . of. . . night clubs, cabaret tours and. . . arty magazines,"
that was devastated by the Depression. — Gilbert Osofsky

My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made. — Andy Goldsworthy

Give any idea time to sink in. If it sinks let it go. If it rises to the surface, go with it. — Art Hochberg

Our lives are consolidated on our phones: our calendars, our cameras, our pictures, our work, our news, our weather, our email, our shopping - all of it can be managed with state-of-the-art apps in powerful little devices we carry everywhere. Even the GPS app on my phone, which guided me to a new coffee shop today, possesses thirty thousand times the processing speed of the seventy-pound onboard navigational computer that guided Apollo 11 to the surface of the moon. — Tony Reinke

A standard saying among fly fishermen is that trout spend anywhere from 80 to 90 percent of their time feeding below the water's surface on the immature forms of aquatic insects. Some anglers are even more precise, but whatever the exact percentage , it's safe to say that to fully appreciate any tailwater fishery you will have to learn the fine art of nymphing. — Ed Engle

The grey paintings, for example, a painted grey surface, completely monochromatic - they come from a motivation, or result from a state, that was very negative. It has a lot to do with hopelessness, depression and such things. But it has to be turned on its head in the end, and has to come to a form where these paintings possess beauty. And in this case, it's not a carefree beauty, but rather a serious one. — Gerhard Richter

From History to Chance
The river of time was flowing on its way, and I was swimming over its honey coloured surface with eyes closed. Does time move? It's debatable. But we definitely move, age to age, with time and away from it, from its unmoving faces. To see its new faces. In its widest, longest and strangest art gallery. — Jamaluddin Jamali

The more I drive myself into the depth of my inside, the more things come up to my vision, visibly or invisibly ... I even do not know if I am seeing them with my eye or with my mind. I just need to copy them on my canvases. But this mental process is always overwhelming. I often have hard time to deal with my emotion on this state. You could call this depression on surface? But actually, so many 're-birth' and 'reform' are going on on my thoughts, inspiration, philosophy ... etc in the underwater. I believe this struggle make my art real. My art always comes from my emotion. — Hiroko Sakai

To know, to get into the truth of anything, is ever a mystic art, of which the best logic's can but babble on the surface. — Thomas Carlyle

Acting is not a lofty performance; it is simply the source of becoming and existing transparently. Acting, I find, is the art of frothing to the surface every raw and honest emotion. The moment an actor pretends, he loses his audience forever — Masiela Lusha