Story That Explains Quotes & Sayings

With my work I attempt to help man to overcome his alienation; I do this by surrounding his daily life with objects, which confront him in a tactile way with the final and deepest problems of our existence. I want the means that I employ to create the necessary stimulus to be as direct as possible. Instead of giving a sermon on humility, I often prefer to depict humility itself. — Antoni Tapies

Washington is awash in post-war testosterone. — Patricia Schroeder

A man has to have sensibility, wit, mystery, tolerance, and strength ... Romance also helps. — Carolina Herrera

If you are to shape your world in following Christ, you are called, prayerfully, to discern where in your discipline the human project is showing signs of exile and humbly and boldly to act symbolically in ways that declare that the powers have been defeated, that the kingdom has come in Jesus the Jewish Messiah, that the new way of being human has been unveiled, and to be prepared to tell the story that explains what these symbols are all about. And in all this you are to declare, in symbol and practice, in story and articulate answers to questions, that Jesus is Lord and Caesar is not; that Jesus is Lord and Marx, Freud and Caesar is not; that Jesus is Lord and neither modernity nor postmodernity is. When Paul spoke of the gospel, he was not talking primarily about a system of salvation but about the announcement, in symbol and word, that Jesus is the true Lord of the world, the true light of the world. — N. T. Wright

I know that story, when you start a fight, the main idea is one to survive, one to be the victim and one to be the killer. This explains why FBI, CSI and DIA and other departments are here! — Deyth Banger

I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately. — Aaron Johnson

He looks at me with so much emotion I nearly crack in half.
"God, Juliette
"
And he's kissing me.
Once, twice, until I've had a taste and realize I'll never have enough. — Tahereh Mafi

Just my luck, on top of everything else I had to take baboon medicine. — Rick Riordan

After breakfast the host takes the young man into a corner, and explains to him that what he saw was the ghost of a lady who had been murdered in that very bed, or who had murdered somebody else there - it does not really matter which: you can be a ghost by murdering somebody else or by being murdered yourself, whichever you prefer. The murdered ghost is, perhaps, the more popular; but, on the other hand, you can frighten people better if you are the murdered one, because then you can show your wounds and do groans.

("Introduction" to TOLD AFTER SUPPER) — Jerome K. Jerome

God's story is our ontology: it explains our nature, our essence, our beginnings and our endings, our qualities, and our attributes. When we daily read our Bibles, in large chunks of whole books at a time, we daily learn that our own story began globally and ontologically. God has known us longer than anyone else has. The Bible declares that he knew us from before the foundations of the world. — Rosaria Champagne Butterfield

Unfortunately a religious group defines itself foremost by its creation story, the supernatural narrative that explains how humans came into existence. And this story is also the heart of tribalism. No matter how gentle and high-minded, or subtly explained, the core belief assures its members that God favors them above all others. It teaches that members of other religions worship the wrong gods, use wrong rituals, follow false prophets, and believe fantastic creation stories. There is no way around the soul-satisfying but cruel discrimination that organized religions by definition must practice among themselves. I doubt there ever has been an imam who suggested that his followers try Roman Catholicism or a priest who urged the reverse. — Edward O. Wilson

Secret codes and lore and lingo stretching back into that fluid time before air conditioning dried up the rich, heavy humidity that used to hang over the porches of Louisiana, drenching cotton blouses, beads of sweat tickling the skin, slowing people down so the world entered them in an unhurried way. A thick stew of life that seeped into the very blood of people, so eccentric, languid thoughts simmered inside. Thoughts that would not come again after porches were enclosed, after the climate was controlled, after all windows were shut tight, and the sounds of the neighborhood were drowned out by the noise of the television set. — Rebecca Wells

When a child keeps asking you to tell him/her a story, what they instinctively really want to know
is their true purpose and mission in life. Sadly, this knowledge was never sought out by their parents, and explains why childrens books are a very hot and lucrative industry. Instead of telling your child the truth of our history and existence, you are conditioned by society to simply read your kid a fairytale. — Suzy Kassem

The rest of the story from Acts 1:8 explains that Christ-followers have a mission while here on earth. They are to be Christ's witnesses all over this planet. It's as if Christ said, "Think you're missing the book smarts, the street smarts, the looks, the talent, or the speaking ability to accomplish this mission? Don't be concerned with those things, because you have my mountain-moving, life-transforming, death-defying power on your side." — Bill Hybels

You can make a Theorem that explains why you won or lost past poker hands, but you can never make one to predict future poker hands. The past, like Lindsey had told him, is a logical story. It's the sense of what happened. But since it is not yet remembered, the future need not make any fugging sense a all. — John Green

Our questions have been wrongly put, because they haven't been about the kingdom. They haven't been about God's sovereign, saving rule coming on earth as in heaven. Instead, our questions have been about a "salvation" that rescues people from the world, instead of for the world. "Going to heaven" has been the object (ever since the Middle Ages at least, in the Western church); "sin" is what stops us from getting there; so the cross must deal with sin, so that we can leave this world and go to the much better one in the sky, or in "eternity," or wherever. But this is simply untrue to the story the gospels are telling - which, again, explains why we've all misread these wonderful texts. Whatever the cross achieves must be articulated, if we are to take the four gospels seriously, within the context of the kingdom-bringing victory. — N. T. Wright

I no longer have the energy for meaningless friendships, forced interactions or unnecessary conversations. If we don't vibrate on the same frequency there's just no reason for us to waste our time. I'd rather have no one and wait for substance than to not feel someone and fake the funk. — Joquesse Eugenia

Waiting is often the best part of the story," he explains. "After all, once you know the story, its over. — Ella Frank

When story and behavior are consistent, we relax; when story and behavior are inconsistent, we get tense. We have a deep psychological need for our stories and behaviors to be consistent. We need to be able to trust the story, because it's the lens through which we see reality. We will go to great lengths in the attempt to make a story that explains an action and supports or restores consistency. If we cannot make story and action fit, we either have to make a new story or change the action ... [But] The drive for consistency and the ability to redefine abhorrent action so it fits the story are very complex issues. We have a huge ability to continue believing stories we are told are true in order to stay comfortable with actions we don't want to change, or don't feel capable of changing. — Christina Baldwin

Every fundamentalism focuses on end times, and Armageddon is, in a sense, a rhetorical trope, an emphatic and overwhelming conclusion, meant to wrap up and make tidy the mistaken wanderings of history. For a fundamentalist the end is one of the forms desire takes, a passion no different from lust or avarice, intense with longing and the need for fulfillment and relief. It's like they're horny for apocalypse. They get off on denouements, which partly explains why Hell House never amounted to much more than a series of murderous conclusions. It focused only on that part of a story where life finds itself fated. Inside every act a judgement was coiled. Real people with their ragged and uncertain lives, their stumbling desires, their bleak or blessed futures, would only break into the narrative, complicating the story, dragging it on endlessly. — Charles D'Ambrosio

Throughout this entire story there remains one especially unsatisfactory feature: the observed masses of the particles, m. There is no theory that adequately explains these numbers. We use the numbers in all our theories, but we don't understand them-what they are, or where they come from. I believe that from a fundamental point of view, this is a very interesting and serious problem. — Richard Feynman

A man knows no more in religion than he loves and embraceth with the affections of his soul. — Richard Sibbes

Winning 'The Apprentice' changed my life in ways I could never have imagined. It has been an amazing experience working for Donald Trump and I am very grateful for the whole opportunity. — Bill Rancic

When unconscious storytelling becomes out default, we often keep tripping over the same issue, staying down when we fall, and having different versions of the same problem in our relationships--we've got the story on repeat. Burton explains that our brains like predictable storytelling. He writes, "In effect, well-oiled patterns of observation encourage our brains to compose a story that we expect to hear. — Brene Brown

that's the story of how Saint Patrick drove the snakes out of Ireland forever and banished the Devil to England. Some people say that explains why there has always been such trouble between England and Ireland. The Devil stirs it up. — Frank Delaney

The aim of his narrative is to remind all not to judge people without knowing their story. Even the worst of villains has a story that perhaps explains their actions, without condoning them. — Devdutt Pattanaik

A personal story of the horrors that Poles lived through during World War II. When God Looked the Other Way, above all else, explains why there is still a Poland ... One of the most remarkable World War II sagas I have ever read. It is history with a human face. — Arnold Beichman

This is glorious!' I cried, and then i looked at the sinner by my side. He sat with his head sunk on his breast and said 'Yes', without raising his eyes, as if afraid to see writ large on the clear sky of the offing the reproach of his romantic conscience. — Joseph Conrad

If the Mentalese story about the content of thought is true, then there couldn't be a private language argument. Good. That explains why there isn't one. (In Critical Condition, p. 68) — Jerry A. Fodor

But the teller of the comic story does not slur the nub; he shouts it at you - every time. And when he prints it, in England, France, Germany, and Italy, he italicizes it, puts some whooping exclamation-points after it, and sometimes explains it in a parenthesis. All of which is very depressing, and makes one want to renounce joking and lead a better life. — Mark Twain

In her book The Writing Life (1989), Annie Dillard tells the story of a fellow writer who was asked by a student, "Do you think I could be a writer?" "'Well,' the writer said, 'do you like sentences?'" The student is surprised by the question, but Dillard knows exactly what was meant. He was being told, she explains, that "if he likes sentences he could begin," and she remembers a similar conversation with a painter friend. "I asked him how he came to be a painter. He said, 'I like the smell of paint.'" The point, made implicitly (Dillard does not belabour it), is that you don't begin with a grand conception, either of the great American novel or masterpiece that will hang in the Louvre. You begin with a feel for the nitty-gritty material of the medium, paint in one case, sentences in the other. — Stanley Fish

Being true to yourself it always the right thing to do. — Heather R. Blair

Donald Saari uses a combination of stories and questions to challenge students to think critically about calculus. "When I finish this process," he explained, "I want the students to feel like they have invented calculus and that only some accident of birth kept them from beating Newton to the punch." In essence, he provokes them into inventing ways to find the area under the curve, breaking the process into the smallest concepts (not steps) and raising the questions that will Socratically pull them through the most difficult moments. Unlike so many in his discipline, he does not simply perform calculus in front of the students; rather, he raises the questions that will help them reason through the process, to see the nature of the questions and to think about how to answer them. "I want my students to construct their own understanding," he explains, "so they can tell a story about how to solve the problem. — Ken Bain

I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper - and what you see and hear in your head - is to do it yourself. — Amy Sherman-Palladino

There are two sides to every story, as if that explains and justifies everything! You know what I say when someone tells me that? I say well of course there are two sides to every story, and one side is WRONG! — Nikki Sex

I think what drove me away from being a reporter was an inability to accept that the world came in neat stories. Every story you have to report is just part of something bigger. The news isn't what happened last night - it's some cumulative thing that's happened over centuries. I found it hard to think of one event and drag it out of a bubbling pot and present it as the story that explains it all. — Terry Pratchett

The traditional story of economists has been to say education explains what the returns are to school. I say, 'Okay, that's fine, but what explains the education? How much is just a matter of my giving you a poor kid versus a rich kid?' — James Heckman

Know well what holds you back, and what moves you forward — Gautama Buddha

My mom tells this story that even when I was in the womb, my father played the piano and she sang. So, before I officially got here, I was already surrounded by music. I also like the way my father explains it. When I was about 3-years old, in order to keep me quiet, my father would put me in the bassinet and either put on some music or play the piano. When he started playing, I got quiet and eventually went to sleep. He said by the time I turned 3, I just climbed up on the piano and started playing it with the attitude of I'm gonna play dis here piano. — Cyrus Chestnut