Story Of A Girl Quotes & Sayings

Wanderess, Wanderess,
weave us a story of seduction and ruse.
Heroic be the Wanderess,
the world be her muse. — Roman Payne

I am happy to pay you," she announced. "For your services."
A harsh, strangled sound cut through the room. It came from him. "Pay me."
She nodded. "Would say, twenty-five pounds do?"
"No."
Her brows knit together. "Of course, a person of your
prowess
is worth more. I apologize for the offense. Fifty? I'm afraid I can't go much higher. It's quite a bit of money. — Sarah MacLean

Such was the love of this grandson for his grandmother that two years after the death of his mother, when she herself fell gravely ill, he vowed to her that someday he would try to tell the world her life story.
'But why?' she asked humbly. 'I'm no one, just a girl from the coast'
'But you are everyone, Grandma,' the young Pramoedya told her. 'You are all the people who have ever had to fight to make this life their own. — Pramoedya Ananta Toer

The incident made her remember the story she had heard about the girl who was raised in a room with no horizontal lines. She couldn't recall whether the story was true or simply a thought experiment, but the room, as she remembered it, was decorated with a series of black verticle stripes on the walls, and the floor and ceiling were curved to give the illusion that the verticle stripes were continuous. On the child's first birthday, the story went, she was taken out of the room. She had learned how to recognize verticle forms, but not horizontal ones, so that if she was situated on a table, say, or a platform, she would crawl right off the edge, but she would never run into the corner of a wall or the leg of a chair. Her condition lasted for about a month before her visual sense finally corrected itself. — Kevin Brockmeier

Tears flood in you
your eyes burning
your heart scars with my name scratched deep
My face is gone
my heart betrayed by your lullabies
I'm a shadow of a girl inside
Hands are touching you
nothing takes the place of you
Heart wrench, weeps goodbye
Lullabies, beautiful and trusting
Barely breathing as they break into dust
Lonely corners me
Sweeps me off my feet
Shows me it was better for me
Fingertips holding close
your grip not as soft
Follows me to an empty bed
I can't stop the weakening of my soul
my body is dying
your tune is holding my mind
Let me go
see what I do
No control
No you
You whisper your sweet goodbye
If it is small it won't interrupt my sleep
But my heart you keep
You say it's for me
But who would be happy?
Alone left out in the cold — Mercy Cortez

I didn't have a knee-jerk reaction like some people did to the language and the violence. My stepfather was a history teacher at Lincoln High School in Dallas. So, I was already familiar with the N-word and the brutality of slavery. What I was drawn to was the love story between Django and Broomhilda and how he defends and gets the girl in the end. I thought it was just an amazing and courageous project. — Jamie Foxx

A big producer offered me the part of the pretty girl that waits at home for the guy, and I couldn't do it. That's not a story I ever want to tell. — Brie Larson

Whether or not this story has a happy ending depends, of course, on who is reading it. Whether you are a wolf or a girl. — Kelly Link

You want to hear it? Fine. It's a simple story really, about a pretty girl who was pretty stupid. She let a man touch her because she was scared to say no, and then she told her parents because she was scared to say nothing. Then they were scared to do anything that might ruin their pretty little lives, so they told the girl that it was nothing. That just being touched wasn't enough to fight for. Too scared to prove them wrong, she kept going like it was nothing, and she let more people touch her, never knowing that she was handing out pieces of herself. Or, hell, maybe she knew deep down, and she just hated herself so much that she was glad to be rid of them. And life wasn't pretty, but it also wasn't scary until she met a man with two names who touched her without taking and made her miss the pieces she had lost. And now things aren't just scary, they're fucking terrifying, and I can't do it. I can't live like this, knowing all that I've ruined and that it can't be fixed. — Cora Carmack

Tell me a story,' she whispered.
'What kind of story?'
'One that'll make me have good dreams.'
'Better give me a rating for that dream.'
'Surprise me.'
...
'Once upon a time there was a girl ... '
'Not a princess.'
'No. Definitely not. She was too smart to be a princess. Tough, too.'
'Yeah?'
'Oh yeah. Stronger than anyone realized.'
'Does she live happily ever after?'
'Shouldn't there be something in the middle?'
'I like to read the ending first. So did she?'
'Yes. — Melissa Marr

Hello, old friend. And here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone. So know that we lived well and were very happy. And above all else, know that we will love you always. Sometimes I do worry about you though. I think once we're gone you won't be coming back here for awhile. And you might be alone. Which you should never be. Don't be alone, Doctor. And do one more thing for me. There's a little girl waiting in a garden. She's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that if she's patient, the days are coming that she'll never forget. Tell her she'll go to see and fight pirates. She'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived. And save a whale in outer space. Tell her, this is the story of Amelia Pond. And this is how it ends. — Steven Moffat

*Story of a Girl By:Sara Zarr
*Lexile:760 SRC:12 pts.
*Personal Issues
*Choice of getting a job to move out
*Major Choice
*In Process of making it happen
*It effects her bother his girlfriend and their baby, because they will move out with her too.
*Sometimes we need to take choices that will make your life easier and also others. — Sara Zarr

Come, Philander, let us be a marching, Every one his true love a searching,
Would be the most appropriate motto for this chapter, because, intimidated by the threats, denunciations, and complaints showered upon me in consequence of taking the liberty to end a certain story as I liked, I now yield to the amiable desire of giving satisfaction, and, at the risk of outraging all the unities, intend to pair off everybody I can lay my hands on. — Louisa May Alcott

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

I was his "little girl with the William Burroughs mind," his "secret fairy," "female Frank Zappa" and "window onto a magical world." He said I fell to earth, leaving wing-marks on the ceilings of our dreams. — Jalina Mhyana

You're walking into the garden little girl with your belly just rumblin' for an apple."
"My belief happen to be other than your own but I've always thought the Garden of Eden story would have been much better if Eve wasn't portrayed as such a mindless character manipulated by suggestion. I mean if she were a little bolder more resourceful and confident she and Adam might've had snake for dinner instead. — Linda Robertson

As a girl, I sat awestruck at the feet of Harriet Ne, author of 'Tales of Molokai'. It was she who used to say, 'I myself have seen it,' after telling a particularly hair-raising ghost story - a phrase that I borrowed for one of my titles. — Susanna Moore

How could Lincoln reply to such comments, without offending abolitionists or frightening slave-owning Unionists from the Upper South? Placating words were likewise out of the question. A plea from Virginia suggesting Lincoln need do no more than assure Southerners they had the right to bring their property into all American territories reminded the dubious president-elect of an apt story. It concerned a little girl who begged her mother to let her play outside. The mother repeatedly said no, the child persisted, and the mother finally lost patience and gave her a whipping, "upon which," Lincoln chortled, "the girl exclaimed: 'Now, Ma. I can certainly run out. — Harold Holzer

There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story. — Phil Klay

The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from every corner of the world, but no matter where it is told, it is always the same story.

...Some say that, once upon a time, she had a prince, a father, a society of friends. Others say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.

These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.

- "The Midnight Star," a folktale. — Marie Lu

So Gerry's a Rose Red now, even though Henry's part of a different story," said Andy. "Is it going to try to force him to be a girl?" "That's a risk, and the narrative has done stranger things," said Jeff. "Great, we're going to get to see my brother punch out the narrative," I said. "That'll make our jobs a lot easier." Demi blinked. "Is that possible?" "Probably not," I said, — Seanan McGuire

The Crocodile The sun of the Macusi people was worried. Every day there were fewer fish in their ponds. He put the crocodile in charge of security. The ponds got emptier. The crocodile, security guard and thief, invented a good story about invisible assailants, but the sun didn't believe it, took a machete, and left the crocodile's body all crisscrossed with cuts. To calm him down, the crocodile offered his beautiful daughter in marriage. "I'll be expecting her," said the sun. As the crocodile had no daughter, he sculpted a woman in the trunk of a wild plum tree. "Here she is," he said, and plunged into the water, looking out of the corner of his eye, the way he always looks. It was the woodpecker who saved his life. Before the sun arrived, the woodpecker pecked at the wooden girl below the belly. Thus she, who was incomplete, was open for the sun to enter. (112) — Eduardo Galeano

Think of me,' she said because it seemed like something a girl in a fairy tale might say. Think of me. Remember me. Love me. Turn me into a story you tell again and again. The sister who was good as gold and became a queen. — Jennifer McMahon

Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin. A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times. — J. Robert Spencer

Any girl that's in a professional setting has to have a certain amount of decorum, but there's always a different story going on, when she goes home. — Stana Katic

Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones, inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows.
SO we grapple with the mysteries, each in our own way. — Jandy Nelson

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil. Then I went back to writing and I entered far into the story and was lost in it. I was writing it now and it was not writing itself and I did not look up nor know anything about the time nor think where I was nor order any more rum St. James. I was tired of rum St. James without thinking about it. Then the story was finished and I was very tired. I read the last paragraph and then I looked up and looked for the girl and she had gone. I hope she's gone with a good man, I thought. But I felt sad. — Ernest Hemingway,

I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.' — Zoe Kravitz

Pram wasn't told the story of her birth. But even as a very small girl, she felt deep in her chest that she was alive and dead at the same time. — Lauren DeStefano

I have heard from many readers since 'The Girl in the Blue Beret' came out. The story of my airline pilot, former B-17 bomber pilot Marshall Stone, on his search to find the people who helped him during World War II has struck a chord. — Bobbie Ann Mason

Except you can't judge a book by its cover. Whether or not this story has a happy ending depends, of course, on who is reading it. Whether you are a wolf or a girl. A girl or a monster or both. Not everyone in a story gets a happy ending. Not everyone who reads a story feels the same way about how it ends. And if you go back to the beginning and read it again, you may discover it isn't the same story you thought you'd read. Stories shift their shape. The two sisters are waiting for the moon to come up, which is not the same thing as waiting for the sun to go down. Not at all. — Kelly Link

I did a film when I was about 30; it's a coming of age story called 'Gas Food Lodging,' and I'm so proud of that little independent film. I play this young English geologist, and he's such a simple, loving kind of guy. Doesn't talk too much. He's just a quiet guy, and he gets the girl. — Robert Knepper

Max was fascinated by the woman and more than a little curious about what she might be up to. Sarah Johnson had come from a two-parent, affluent home with a squeaky-clean past. She'd been the golden girl, high school cheerleader, valedictorian and had apparently glided through college without making a ripple, coming out with a bachelor of arts degree in literature. She'd married well, had six children and then one winter night, for some unknown reason, she'd driven her car into the Yellowstone River. Her body was never found. Because there were no skid marks on the highway, it had looked like a suicide. Foul play had never been suspected.
That was twenty-two years ago. Now she was back - with no memory of those years or why she'd apparently tried to take her own life.
Max wanted this story more than he wanted a hot cup of coffee this morning. — B. J. Daniels

Before Luce could reply, a skinny, dark haired girl appeared in from of her, wagging her long fingers in Luce's face.
"Ooooooh," the girl taunted in a ghost-story-telling voice, dancing around Luce in a circle. "The reds are watching youuuu."
"Get out of here, Arriane, before I have you lobotimized," the attendant said, though it was clear from her first brief but genuine smile that she had some coarse affection for that crazy girl.
It was also clear that Arriane did not reciprocate the love. She mimed a jerking-off motion at the attendant, then stared at Luce, daring her to be offended. — Lauren Kate

How anybody can compose a story by word of mouth face to face with a bored-looking secretary with a notebook is more than I can imagine. Yet many authors think nothing of saying, 'Ready, Miss Spelvin? Take dictation. Quote no comma Sir Jasper Murgatroyd comma close quotes comma said no better make it hissed Evangeline comma quote I would not marry you if you were the last person on earth period close quotes Quote well comma I'm not so the point does not arise comma close quotes replied Sir Jasper twirling his moustache cynically period And so the long day wore on period End of chapter.'
If I had to do that sort of thing I should be feeling all the time that the girl was saying to herself as she took it down, 'Well comma this beats me period How comma with homes for the feebleminded touting for custom on every side comma has a man like this succeeded in remaining at large mark of interrogation. — P.G. Wodehouse

A little girl was threatened by a wolf while walking through the forest, and as she fled from him she met a woodsman with an ax, but in this story the woodsman did not merely kill the wolf and restore the girl to her family, oh no. He cut off the wolf's head, then brought the girl to his cottage in the thickest, darkest part of the forest, and there he kept her until she was old enough to wed him, and she became his bride in a ceremony conducted by an owl, even though she had never stopped crying for her parents in all the years that he had kept her prisoner. And she had children by him, and the woodsman raised them to hunt wolves and to seek out people who strayed from the paths of the forest. They were told to kill the men and take what was valuable from their pockets, but to bring the women to him. — John Connolly

When I was a little girl,' I said, sitting down, 'the wallpaper in my room had pictures of Noah's story.' [ ... ]
You know what's weird though? It's weird that the ark would be such a kids' story, you know? I mean, it's ... really a story about death. Every person who isn't in Noah's family? They die. Every animal, apart from two of each on the boat? They die. They all die in the flood. Billions of creatures. It's the worst tragedy ever,' I finished, my voice tied off by a knot in my chest.[ ... ] 'What the hell,'I said, 'pardon my language, was that doing on my wallpaper? — Adam Rex

Why should not old men be mad?
Some have known a likely lad
That had a sound fly-fisher's wrist
Turn to a drunken journalist;
A girl that knew all Dante once
Live to bear children to a dunce;
A Helen of social welfare dream,
Climb on a wagonette to scream.
Some think it a matter of course that chance
Should starve good men and bad advance,
That if their neighbours figured plain,
As though upon a lighted screen,
No single story would they find
Of an unbroken happy mind,
A finish worthy of the start.
Young men know nothing of this sort,
Observant old men know it well;
And when they know what old books tell
And that no better can be had,
Know why an old man should be mad. — W.B.Yeats

Basically it's the core story. About a guy having an affair with the mother of the girl he falls in love with. — Buck Henry

That there is a silent genocide of women and girls in the homes, communities and just everywhere is not a new story. That my great grandmother, grandmother, mother, mother-in-law, aunt, sister, cousin, niece, housemaid, co-worker, friend, neighbor and just about every female shares the same pain is not a new story. What is new in this story is how I stood up to say, "Never again." Never again will a girl or woman get raped, killed, drop out of school, be harmed by our culture or be sexually enslaved. That is as long as I know about it. Never Again--not to any woman or girl again is the new story. — Betty Makoni

I wanted to know how it was going to turn out, like flipping ahead in a book. I didn't even know what kind of story it was, or what kind of role I was supposed to be playing. Which of us was taking it more seriously? Didn't that have to be me, because I was younger, and also because I was the girl? One the other hand, I thought that there was a way in which I was lighter than he was - that there was a serious heaviness about him that was foreign to me, and that I rejected. — Elif Batuman

The Hillary Clinton story basically is this. And see how similar this sounds to the old days before the modern era of feminism raised its head. You're a girl, you're a young woman, what do you do? You go off to college. That's what she did. Why do you go? To meet your husband. That's what she did. She wouldn't be where she is if it weren't for her husband. — Rush Limbaugh

I wanted to write a very simple story about a boy, a wolf, a girl, a bear and a forest, so I thought I might set it in the past. I didn't realise that it went back to when I was 10: I used to love the Stone Age when I was a kid and wanted to live in it, and I got rid of my bed and slept on the floor, but I didn't remember it. — Michelle Paver

The writing is clean. I really wouldn't have changed a word. Most of it is true, too, except that the hero quits drinking and the girl grows up. On the last page, the couple gets married, which is a nice way for a love story to end. — Melissa Bank

I remember a scared, young girl hiding in the guise of arrogance and rebellion. I remember feeling lost in a world where everyone else seemed to have it all figured out. I remember the tears of pain, the rants of anger and the hell that seemed to have swallowed me whole. Although I remember these things, it is now, over a decade later, more like a story that I find hard to believe. Did it all really happen? Even as I write this, my eyes begin to swell. It really did happen. I was that girl. And I'm sorry she had to suffer so. But, that is over now... — Karen Michelle Miller

I ordered another. If this was going to be a fish-story, I needed stimulants.
"On the liner going to New York I met a girl." Biffy made a sort of curious gulping noise not unlike a bulldog trying to swallow half a cutlet in a hurry so as to be ready for the other half. "Bertie, old man, I can't describe her. I simply can't describe her."
This was all to the good. — P.G. Wodehouse

Technically this is assault and Henry would tell me to verbally request that you not file a sexual harassment claim against me," she said, turning back to Priya. "Honestly, I don't give a shit. I just want you to wake up. Although you know, you're pretty hot and all." This, too, was part of the story. Sleeping Beauties liked declarations of love, or attraction, or just "damn, girl, look at that body" before they were kissed awake. — Seanan McGuire

There is an old lady who lives on the moon. You can see her spinning thread on her spinning wheel. Her isolation and distance from the world has made her a sage. She weaves stories. She knows every wanderer who crosses the sea grass meadows, she knows every woman who uses her blackened blue hands to grind grain in the hand mill, she is friends with the little girl who got lost in the corn fields and was never found, and she knows the story of the boy who played flute on the little hill when his lambs slept. Grandmother said that if I had been a good girl the moon lady would weave for me a magical blanket and every stitch will be made from a moment of my life, a forgotten moment, a memory. Every stitch would be special. It would be made especially for me. — Kanza Javed

In the tunnel where I was raped, a tunnel that was once an underground entry to an amphitheater, a place where actors burst forth from underneath the seats of a crowd, a girl had been murdered and dismembered. I was told this story by the police. In comparison, they said, I was lucky. — Alice Sebold

Upon learning that Hall was the man who had invented the typewriter she used so often, the girl put her arms around his neck and gave him a huge hug and kiss. Forever afterward, whenever Hall told this story of how he met Helen Keller, tears would fill his eyes. — Erik Larson

Another story Momma liked to tell was about how once she and Daddy went to visit the Middletons when Momma was pregnant with me. Daddy and Mrs. Middleton were laughing at Momma, because she was a little older and was surprised that she could get pregnant. I think Momma was thirty-seven at the time. Both she and Mrs. Middleton had children around the same age, and Mrs. Middleton sort of indicated that Momma should've quit while she was ahead. Well, it turns out right after that visit, Mrs. Middleton got pregnant. "I think she got pregnant that same night," Momma would say, adding, "Don't mess with karma, Cannie Middleton." Nine months later, Mrs. Middleton also had a baby girl. — Robin Roberts

I used to take my short stories to girls' homes and read them to them. Can you imagine the reaction reading a short story to a girl instead of pawing her? — Ray Bradbury

As a child, my idea of the West was that it was a miasma of poverty and misery, like that of the homeless 'Little Match Girl'in the Hans Christian Andersen story. When I was in the boarding nursery and did not want to finish my food, the teacher would say:'Think of all the starving children in the capitalist world! — Jung Chang

I am most grateful for company this evening, even of the quiet variety. I am no great conversationalist, myself."
Gray snorted. Not a conversationalist. The girl had coaxed the life story out of every sailor in this ship.
She had just picked up her spoon again when Joss spoke.
"You do not find the voyage too tedious, Miss Turner?" Joss asked. "I regret that you are left to entertain yourself, being the sole passenger."
She laid down her spoon. "Thank you, Captain, but I find sufficient activity to occupy my hands and my mind. Reading, sketching, walking the deck for fresh air and healthful exertion. I'm surprisingly content, living at sea."
Gray's heart gave an odd kick. — Tessa Dare

One of those strange things that happens in movies is that you need someone to actually say people's names, or else you have no idea who those kids are. This was a way for her to introduce who the important boys were in the story, but then it just was so funny that it became a centerpiece to it. When you look at the character design that Tim did for Weird Girl, and what Catherine [O'Hara] did with the voice, and it's gonna kill. — John August

Now this girl was about twenty-one years old. A sweet little coed. Spends a night with a married man. Goes home the next day and tells her mama and daddy. Don't ask me why. Maybe just to rub their faces in it. They decide she needs a lesson. Whole family drives out into the desert, right out to that spot we just passed. All three of them plus the girl's pet dog. Papa tells the girl to dig a shallow grave. Mama gets down on her hands and knees and holds the dog by the collar. When the girl is all through digging, papa gives her a .22 caliber revolver and tells her to shoot the dog. A real touching family scene. Make a good calendar for some religious group to give away. The girl puts the weapon to her temple and kills herself. Now isn't that a heartwarming story? Restores my faith in just about everything. — Don DeLillo

When you're reading a novel, I think the reason you care about how any given plot turns out is that you take it as a data point in the big story of how the world works. Does such-and-such a kind of guy get the girl in the end? Does adultery ever bring happiness? How do winners become winners? — Elif Batuman

Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional. — Mia Wasikowska

You think I don't know what I want? You think I love the idea of relying on my looks for life? No! It's pathetic! In my head, I have a nice, quiet, normal job that involves me running my own business. I carry a briefcase around my office with important documents, I have a nice assistant who calls me boss, and people ask me questions - they ask for my advice because I matter! I'm important to them! I'm recognized as something more than a pretty face and a pair of legs. I have a brain and interests and thoughts about religion, and poverty, and economics. I'm not a miserable girl with a number attached to her chest, stripping her clothes off in a room full of people. — Elisa Marie Hopkins

Danny had no idea what the thing was. All he knew was that he lived more or less in a constant state of expecting something any day, any hour, that would change everything, knock the world upside down and put Danny's whole life into perspective as a story of complete success, because every twist and turn and snag and fuckup would always have been leading up to this. Unexpected stuff could hit him like the thing at first: a girl he'd forgotten giving his number to suddenly calling up out of the blue, a friend with some genius plan for making money, better yet a person he'd never heard of who wanted to talk. Danny got an actual physical head rush from messages like these, but as soon as he called back and found out the details, the calls would turn out to just be about more projects, possibilities, schemes that boiled down to everything staying exactly like it was. — Jennifer Egan

It was a story to tell myself, a promise. Saying out loud, "You're never going to touch me again" - that was a piece of magic, magic in the belly, the domed kingdom of sex, the terror place inside where rage and power live. Whiskey rush without whiskey, bravado and determination, this place where for the first time I knew no confusion, only outrage and pride. In the worst moments of my life, I have told myself that story, the story about a girl who stood up to a monster. Doing that, I make a piece of magic inside myself, magic to use against the meanness of the world. — Dorothy Allison

Nothing to say. I used to be a ghostwriter for a publisher.'
'Medieval stuff?'
'Eighty-page love stories. You have this guy, untrustworthy but good in bed, and this girl, radiant but innocent. In the end they fall madly in love and it's incredibly boring. The story doesn't say when they split up.'
'Of course not,' said Mathias — Fred Vargas

This is the story of a family who didn't fit in. A little girl who was a bit geeky and liked maths more than makeup. And a boy who liked makeup and didn't fit into any tribes. — Jojo Moyes

I'm Chloe." Chase was more than a little surprised by how amused she was by the whole thing. Clearly, she was enjoying watching him deal with this predicament. Which was, he suddenly had to admit, pretty funny. "Chase picked me up tonight." She nodded in his direction and added, "You know the story - girl in trouble on the side of the road meets guy in a flashy car. — Bella Andre

Cowell Devlin sighed. Yes, he understood Anna Wetherell at long last, but it was not a happy understanding. Devlin had known many women of poor prospects and limited means, whose only transport out of the miserable cage of their unhappy circumstance was the flight of the fantastic. Such fantasies were invariably magical - angelic patronage, invitations into paradise - and Anna's story, touching though it was, showed the same strain of the impossible. Why, it was painfully clear! The most eligible bachelor of Anna's acquaintance possessed a love so deep and pure that all respective differences between them were rendered immaterial? He was not dead - he was only missing? He was sending her 'messages' that proved the depth of his love - and these were messages that only she could hear? It was a fantasy, Devlin thought. It was a fantasy of the girl's own devising. The boy could only be dead. — Eleanor Catton

Recall the old story of the rather refined young man who preferred sex dreams to visiting brothels because he met a much nicer type of girl that way. — Vivian Mercier

Carol and I have found that unless God baptizes us with fresh outpourings of love, we would leave New York City yesterday! We don't live in this crowded, ill-mannered, violent city because we like it. Whenever I meet or read about a guy who has sexually abused a little girl, I'm tempted in my flesh to throw him out a fifth-story window. This isn't an easy place for love to flourish. But Christ died for that man. What could ever change him? What could ever replace the lust and violence in his heart? He isn't likely to read the theological commentaries on my bookshelves. He desperately needs to be surprised by the power of a loving, almighty God. If the Spirit is not keeping my heart in line with my doctrine, something crucial is missing. I can affirm the existence of Jesus Christ all I want, but in order to be effective, he must come alive in my life in a way that even the pedophile, the prostitute, and the pusher can see. — Jim Cymbala

This is the story of a boy who used to be a wolf, and a girl who became one — Maggie Stiefvater

See," he began, leaning back into the booth, "I was at this car dealership today, and I saw this girl. It was an across-a-crowded-room kind of thing. A real moment, you know?" I rolled my eyes. Chloe said, "And this would be Remy?" "Right. Remy," he said, repeating my name with a smile. Then, as if we were happy honeymooners recounting our story for strangers he added, "Do you want to tell the next part?" "No," I said flatly. — Sarah Dessen

Breaking down that wall is the kind of story that might have a happy middle - oh, look, we broke down this wall, I'm going to look at you like a girl and you're going to look at me like a boy, and we're going to play a fun game called Can I Put My Hand There What About There What About There. — John Green

There were about ten years of trying, failing, trying again, suffering rejection, etc. My first published book, 'Story of a Girl', was the fourth book I wrote. — Sara Zarr

She was a wonderful teenage girl who had the miraculous power to cure herself from any wound, either physical or mental. With her own salty tears, she would cleanse her raw wounds. And her breaths were given, as though not to breathe but, rather, to fan her sores. — Khadija Rupa

When it's all over I won't miss the bruises he gave me to impress girls, or the occasional scar which will give me a story to tell my grandchildren, but I'll definitely miss the pranks and the laughing and all the making fun of each other. I'll miss the funky advice he gives me about everything
football, girls, video games, clothes. Most of all, I'll miss having an older brother. — Skandar Keynes

You come to this place, mid-life. You don't know how you got here, but suddenly you're staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn't. When the midwife says, 'It's a boy,' where does the girl go? When you think you're pregnant, and you're not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines. — Hilary Mantel

You, Celaena Sardothien, are charged with the deaths of the following people ...
And then he began a long recitation of all those lives she'd taken. The brutal story of a girl who was now gone. — Sarah J. Maas

Until a few days ago, humans had been little more than legend to him, and now here he was in their world. It was like stepping into the pages of a book
a book alive with color and fragrance, filth and chaos
and the blue-haired girl moved through it all like a fairy through a story, the light treating her differently than it did others, the air seemed to gather around her like held breath. As if this whole place was a story about her. — Laini Taylor

The Story Girl was written in 1910 and published in 1911. It was the last book I wrote in my old home by the gable window where I had spent so many happy hours of creation. It is my own favourite among my books, the one that gave me the greatest pleasure to write, the one whose characters and landscape seem to me most real. All the children in the book are purely imaginary. The old "King Orchard" was a compound of our old orchard in Cavendish and the orchard at Park Corner. "Peg Bowen" was suggested by a half-witted, gypsy-like personage who roamed at large for many years over the Island and was the terror of my childhood. — L.M. Montgomery

Defining oneself is a revolutionary act, and, as described in her memoir, Janet Mock fiercely fought to free herself with exquisite bravery and sensitivity. Redefining Realness is full of hope, dreams, and determination. It is a true American girl story. — Michaela Angela Davis

We have been told we cannot do this by a coarse of sentence: it will only grow louder and more dissident. we have been asked to pause for a reality check, we have been warned about offering this nation false hope, but in the unlikely story that is america there has never been anything false about hope.
nothing can stand in the way of millions of voices calling for change
the hopes of little girl who goes to a public school in Dillon are the same as the dreams of a little boy who learns on the streets of L.A. We will remember that there is something happening in America, that we are not as devided as our politics suggest, that we are one people, we are one nation and together we will begin the next great chapter in the American story with three words that will ring from coast to coast, from sea to shining sea: YES WE CAN!
yes we can to justice and equality
yes we can to oppurtunity and prosperity — Barack Obama

Storytellers know this, for they choose their first words with care. If I began this story with the words "Out of the mist of time comes the story of Jade Moon, the Fire Horse girl," you would expect it to throb with adventure and end with heroics. If I began it with "It is said" or "There is an old saying," you would search the story for wisdom. But this is not a story of heroics or wisdom; it is my story. There once was a girl, a Fire Horse girl. — Kay Honeyman

She was this girl living in a bottomless hole of her thoughts.
One day she saw a light. She felt the warmth and walked in its direction.
It was there that she found him.
He spoke to her and wove tendrils of love on her heart.
His compassion was over whelming for her.
His words, his love, his eyes- everything about him was so pure, so true.
Her heart was getting intertwined with the love he was bestowing upon her.
The mesh of affection he weaved around her heart made it breathe. And live.
Vine by vine the mesh thickened.
Today, he is her beloved. They are inseparable.
He smiles, she smiles. They weave dreams.
She loves him beyond infinity.
He has her heart strings. And as he walks, she walks with him. — Geetansha Sood

It's a true story of a girl falling for a boy. Nothing more. Nothing less. And I wouldn't want it any other way. — Amber L. Johnson

Sometimes I can better describe a person by another person's reaction. In a story in my first book, I couldn't think of a way to sufficiently describe the charisma of a certain boy, so the narrator says, "I knew girls who saved his gum." — Amy Hempel

A vivid portrait of a teenage girl and her family in disarray. Meredith is a wonderful narrator, witty, feisty, full of yearning, and the story she tells is as complicated as life itself. This is a richly satisfying novel. — Margot Livesey

I knew I was going to fall out of the tree. Girls as athletically challenged as I was should never climb trees. At the very least, I was going to snag my underwear on a branch and be stuck wearing only a tank top high up in the tree. I shuddered in horror. I was NOT that kind of girl. I had a decent rear-end, but I don't think anyone's butt looks good climbing trees. At the very worst, I would impale myself on a sharp branch like a pig on a spit. Knowing me, both would happen, and I would soon be pantiless and impaled. I could just see the story in the local newspaper: "Local Woman Found Dead and Half Naked in Tree. — Amy Harmon

But we should not cling! A plague upon fundamentalists and literalists! I am reminded of a story of Lord Krishna when he was a cowherd. Every night he invites the milkmaids to dance with him in the forest. They come and they dance. The night is dark, the fire in their midst roars and crackles, the beat of the music gets ever faster - the girls dance and dance and dance with their sweet lord, who has made himself so abundant as to be in the arms of each and every girl. But the moment the girls become possessive, the moment each one imagines that Krishna is her partner alone, he vanishes. So it is that we should not be jealous with God. — Yann Martel

Well, the story is that when a woman found out her husband had fallen in love with a girl from West Stave and planned to leave her, she came to the bridge and, rather than live without him, hurled herself into the canal." "Over a man with so little honor?" "You'd never be tempted? All the fruits and flesh of West Stave before you?" "Would you throw yourself off a bridge for a man who was?" "I wouldn't throw myself off a bridge for the king of Ravka." "It's a terrible story," said Matthias. "I doubt it's true. It's just what happens when you let men name the bridges. — Leigh Bardugo

I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library. — Tessa Thompson

My mother talked about the stories I used to spin as a child of three, before I started school. I would tell this story about what school I went to and what uniform I wore and who I talked to at lunchtime and what I ate, and my mother was like, 'This girl does not even go to school.' — Lupita Nyong'o

In the center of the sofa were two oblong companion pillows, shouldered so closely together that they looked like the Decalogue tablets. They were white, or had been white, and painfully stitched upon them with blue thread were companion mottoes, companion pictures. In the left pillow lies a girl, her long blue hair asprawl about her face, her eyes innocently shut, asleep. The motto: I SLEPT AND DREAMED THAT LIFE WAS BEAUTY. But the story continued, and on the next pillow her innocence is all torn away: there she stands, gripping a round broom; her hair now is pinned up severely and behind her sits a disheartening barrel churn. I WOKE AND FOUND THAT LIFE WAS DUTY. The pillows sat, stuffed and stiff as disapproving bishops; they could, he thought, serve as twin tombstones for whole gray generations. — Fred Chappell

It's a small story really, about, among other things:
* A girl
* Some words
* An accordionist
* Some fanatical Germans
* A Jewish fist fighter
* And quite a lot of thievery — Markus Zusak

A friend of mine once saw Mandela in a South African airport and told me this story. The president had noticed a lady who was walking by with her daughter, a beautiful five- or six-year-old girl, with blond hair and blue eyes. Mandela walked up to this little girl and leaned down and shook her hand, and he said, "Do you know who I am?" And the child smiled and said, "Yes, you are President Mandela." Mandela said, "Yes, I am your president. And if you work very hard in school and you learn a lot and you are nice to everybody, you too could grow up to be President of South Africa." Just — Nelson Mandela

'Skinned' tells the story of Lia, a young girl who has it all - until she nearly dies and has her consciousness transferred into a robot body. — John Joseph Adams

Because I see
A rainstorm in June
Just before the sun
The black of night
Just before the stars
And, girl, I see your ghost
Just before our dawn — Laura Miller

Well, the Story Girl was right. There is such a place as fairyland - but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way — L.M. Montgomery

WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love. — Annette Janic

Oh, how our good knight reveled in this speech, and more than ever when he came to think of the name that he should give his lady! As the story goes, there was a very good=looking farm girl who lived near by, with whom he had once been smitten, although it is generally believed that she never knew or suspected it. Her name was Aldonza Lorenzo, and it seemed to him that she was the one upon whom he should bestow the title of mistress of his thoughts. For her he wished a name that should not be incongruous with his own and that would convey the suggestion of a princess or a great lady; and, accordingly, he resolved to call her "Dulcinea del Toboso," she being a native of that place. A musical name to his ears, out of the ordinary and significant, like the others he had chosen for himself and his appurtenances. — Miguel De Cervantes Saavedra

This house had a small front garden, black railings and a lawn in need of mowing. Two white front doors had been crammed together side by side, showing that the three-story building had been converted into upper and lower flats. A girl called Robin Ellacott lived on the ground floor. Though he had made it his business to find out her real name, inside his own head he called her The Secretary. He had just seen her pass in front of the bow window, easily recognizable because of her bright hair. — Robert Galbraith

family? Surely more than genes, eye color, flesh. Family was story: truth and struggle and retribution. Family was time. At the other end of the continent Felix was lying in a hospital bed, asleep, surrounded by kin - Soma and the boys, the ghosts of the Chileans he had known, the disappeared, the still-here. Winkler had a single memory of an infant girl at a window. Faces in a dream, phantoms in the periphery. If he had learned anything it was that family was not so much what you were given as what you were able — Anthony Doerr

Every one of them has a story, and every story begins with a man who failed her. A husband who came home from the war, good for nothin' but drink. A father who didn't come home at all, or a stepfather who did. A brother who should have protected her. A beau who promised marriage and left when he got what he wanted, because he wouldn't marry a slut. If a girl like that has lost her way, it's-because some worthless no-account-sonofabitch left her in the wilderness alone! — Mary Doria Russell