Story Notes Quotes & Sayings

My writing process is such that a story will be in my head for awhile, and I'll start making notes on my computer. I create character sheets that include a character's past, fears, goals and ambitions. — Tracie Peterson

He walked over to the piano and lifted the cover revealing black and white keys that my fingers knew all too well. "Play for me?"
I looked at the piano hesitantly and I felt the passion start to grow back inside of me. My fingers itched to play and suddenly my body was moving towards the piano and I sat down, my posture back to where it should be, my fingers hovering over the keys ready to play a song that I hadn't heard in years.
I closed my eyes and slowly breathed in and out. And then my fingers flew across the keys, the music filling the room. The music moved me both emotionally and physically as I rocked my body to the music, putting all of me into the song. The music took me to a different place than where I was here and now. This is the melody I always seem to come back to, always finding myself lost in the notes. The song is a part of me as it tells a story. A story about loss and recovery. — Alexandria Rhodes

Once I have the idea for a story. I start collecting all kinds of helpful information and storing it in three-ring notebooks. For example, I may see a picture of a man in a magazine and say, 'That's exactly what the father in my book looks like!' ... I save everything that will help
maps, articles, hand-jotted notes, bits of dialogue from conversations that I overhear. — Phyllis Reynolds Naylor

Would we believe their story of the dead, when they return? — Lailah Gifty Akita

There is more to life than the main story. Check out the notes in the margins because maybe they're even more important. — Isabelle Rowan

Barbee had always wondered about mental institutions. He thought of taking notes for a feature story on this adventure at Glennhaven, as the evening wore on, began to seem remarkable for utter lack of anything noteworthy. It began to appear as a fragile never-never land, populated with timid souls in continual retreat from the real world outside and even from one another within. — Jack Williamson

Like an unfinished symphony, her story played on my mind for most of my life. It would rock to the tune of the passage of time, an adagio of high notes, low notes an illusive movements. Then when I least expected it, I happened upon the missing notes in the life of Charlotte Howe Taylor. — Sally Armstrong

A fragrance is a veritable story, told and explained in scent, in notes, in impressions. It's a score based on the emotions of each instant, a captivating music of the senses. — Alber Elbaz

That's where the inspiration was and so the more that you rewrite and the more you rewrite and the more the numbnuts are coming in to give you notes then the more problems you run into and the more it suddenly doesn't seem like the movie, the story, the characters changed, watered down and we don't have that with this. — Todd Farmer

I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long. — Louis Leterrier

Everyone asks me how I got started into writing. I wish I had some cool story to tell, but the truth is pretty lame. My wife and I were having a drink on our back porch and I mentioned a concept I'd been mulling over. She suggested that I write it down, and so I figured I'd make a few notes and get it out of my system. No matter how I tried though, it just wouldn't let me write it in any other way than a story. Believe me when I say I tried, but 63,000 words later I realized that I needed a chart to track the plot and personas to maintain character consistency. So I just gave up and let it write itself from that point on.

As far as I'm concerned now, I'm just hanging on and trying to keep up. — Jason Faris

Too many musicians rush through everything with too many notes. I need time to take the picture. A ballad should be a ballad. It's important to understand what the song is saying, and learn how to tell the story. It takes time. I can't rush it. I really can't rush it. — Shirley Horn

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes ... I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page. — Charles Busch

Sometimes that's a year, sometimes it's 18 months, where all I'm doing is taking notes. I'm reconstructing the story from the back to the front so that I know where the front is. — John Irving

All storytelling is a form of travel. All of the things you know you should do when traveling this world apple in Elfland as well. The Charms will open the doors to strange and wondrous lands, so some travel tips and runic etiquette may be in order: Be polite. Don't take anything without asking. Laugh at their jokes. Remember, humor is sacred: so is hospitality. Beware of the dark woods at night. Do not trust the wolf in winter. Take notes. Sing for your supper. Pack extra sandwiches. Bring fine gifts. Always tell a story when asked. Listen as if your life depended on it. Start early. Walk the land. Keep your eyes open. Travel wisely and well. Come back safe and sound. — Ari Berk

Quinn Cummings is a master story-teller and her book is nothing short of delightful. Her insights into topics like celebrity, parenting, and cats with a taste for homicide are pithy and uproarious and not to be missed. Notes from the Underwire is charming, hilarious, and just snarky enough to be ultimately satisfying. — Jen Lancaster

Complain. Whine. Be a fusser. The story needs those as well, because every butt needs a joke, and the audience must laugh. Whether they (and God) laugh at or with us is up to you. — N.D. Wilson

So it is written - but so, too, it is crossed out. You can write it over again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again. — Catherynne M Valente

In recent decades, Ireland in general and Dublin in particular, have been very fortunate in the quality of the historical attention they have received. During the extensive research required to write this book, I have been privileged to work with some of Ireland's most distinguished scholars, who have generously shared their knowledge with me and corrected my texts. Their kind contributions are mentioned in the Acknowledgements. Thanks to the scholarly work of the last quarter century, there has been a reevaluation of certain aspects of Ireland's history; and as a result, the story that follows may contain a number of surprises for many readers. I have provided a few additional notes in the Afterword at the end of this volume for those curious to know more. — Edward Rutherfurd

It's hard to say where a story begins and ends. You have to draw an arbitrary line somewhere. Somewhere between perception and reality. Between what is spoken and what is heard. Between what is written and what is edited out. I know this, you can't have an ending without a beginning. Even if they are really just random pieces of the middle that tend to stand out. Staccato notes on the page. Points on a circle. — Thomas Lloyd Qualls

Who can confidently say what ignites a certain combination of words, causing them to explode in the mind? Who knows why certain notes in music are capable of stirring the listener deeply, though the same notes slightly rearranged are impotent? These are high mysteries, and this chapter is a mystery story, thinly disguised. — E.B. White

I tend to start with a kernel, a vague concept, and just begin to write things down - notes about a character, lines of dialogue, descriptive passages about a place. One idea fires another. I do that for about a year. By then there's a story, and I'll go on to a complete first draft that sews many of those ragtag pieces together. — Scott Turow

Summer has come with the loveliness of a mother Heat, not warmth, now pours onto my face, aging me, taking me closer to death.
Let it. I am here to live my story, to love my story. I will not fail to savor any gift out of a desire for self-preservation. Self-preservation is not a great virtue in this story. — N.D. Wilson

In the front room, a two-story flutter, love notes from the German Frau's first marriage barely tethered to a structure so it shifted in the wind, one tiny home movie projected on each. A sculpture of marriage, marriage come alive.
Lancelot felt tears start to his eyes. It was so exactly right. The Germans saw the gleam, and both of them--like budgerigars on their perch--sidled up and hugged Lancelot around the waist. — Lauren Groff

I never make notes; just a few small details when I'm writing, but nothing much. The plot is never written down. I will tell the story to myself, but I won't plan it. I'll speak the narrative in my head for a while. — Ruth Rendell

If the story wasn't overly long, I'd type it out. And I'd carry it around with me for a week and jot notes on it, and then I'd throw it away and do another one. — Donald Ray Pollock

Your story must told.
Live a life legacy- written book or notes.
This will be there for many generations to know your rich experiences and knowledge. — Lailah Gifty Akita

If I get blocked, it is generally because I don't know enough about some aspect of the story or the characters. The answer for this is generally more research, or making more background notes, so the place and person can be more fully realized inside my own mind. — Sarah Zettel

Last semester was intense," I said to Dad.

"Intense?" he echoed, picking up my file. "Let's see. On your first day at Hecate, you were attacked by a werewolf. You insulted a teacher, which resulted in semester-long cellar duty with one Archer Cross. According to the notes, the two of you became 'close.' Apparently close enough for you to see the mark of L'Occhio di Dio on his chest.

I flushed at that, and felt Mom's arm tighten around me. Over the past six months, I'd filled her in on a lot of the story with Archer, but not all of it.

Specifically, the whole me-making-out-in-the-cellar-with-a-murderous-warlock-working-with-the-Eye-part. — Rachel Hawkins

I do try to plot about a chapter ahead once I get going. I have a list of upcoming scenes with little notes about them. But sometimes the story changes and I don't end up following that. — Pamela Clare

Horchow's daughter, Sally, told me a story of how she once took her father to a new Japanese restaurant where a friend of hers was a chef. Horchow liked the food, and so when he went home he turned on his computer, pulled up the names of acquaintances who lived nearby, and faxed them notes telling them of a wonderful new restaurant he had discovered and that they should try it. This is, in a nutshell, what word of mouth is. It's not me telling you about a new restaurant with great food, and you telling a friend and that friend telling a friend. Word of mouth begins when somewhere along that chain, someone tells a person like Roger Horchow. — Malcolm Gladwell

At this time the fashion is to bring something to jazz that I reject. They speak of freedom. But one has no right, under pretext of freeing yourself, to be illogical and incoherent by getting rid of structure and simply piling a lot of notes one on top of the other. There's no beat anymore. You can't keep time with your foot. I believe that what is happening to jazz with people like Ornette Coleman, for instance, is bad. There's a new idea that consists in destroying everything and find what's shocking and unexpected; whereas jazz must first of all tell a story that anyone can understand. — Thelonious Monk

I didn't use anybody's story. I used the context and the structure of the situation. People were so, so desperate to tell their story and begin to digest their experience - like turning it into a story - that after the fist few weeks I could go with a pad and pencil and take notes. People didn't seem at all bothered by that. — Chuck Palahniuk

With God's help, I've not had a drink in nine and a half years. That's my whole story right there. And because of that, I'm doing this. I'm making records, I'm touring. I was so involved in just getting brain damaged, I wasn't doing anything. I had great ideas, many notebooks filled with notes, some of them I can read and some of them I just can't read, but I really didn't do anything constructive, it was all just good ideas. Now I'm trying to lead a constructive life a day at a time. — Ringo Starr

In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet."

(The guilty vicarage: Notes on the detective story, by an addict, Harper's Magazine, May 1948) — W. H. Auden

When a story or part of a story comes to me, I turn it over in my mind a long time before starting to write. I might make notes or take long drives or who knows what. By the time I give myself permission to write, I know certain things, though not everything. I know where the story is headed, and I know certain crucial points along the way. — Steven Millhauser

This story ["The Depressed Person"] was the most painful thing I ever wrote. It's about narcissism, which is a part of depression. The character has traits of myself. I really lost friends while writing on that story, I became ugly and unhappy and just yelled at people. The cruel thing with depression is that it's such a self-centered illness - Dostoevsky shows that pretty good in his "Notes from Underground". The depression is painful, you're sapped/consumed by yourself; the worse the depression, the more you just think about yourself and the stranger and repellent you appear to others. — David Foster Wallace

Don't say bullshit, don't lie what you saw in the film The Seasoning you will do it, I will do it and many other people. It was a fact which was true, but it was out of the stage, who has written it knows a lot of about it, if you meet such person, try to get everything make notes and probably like some kind a book or make an a article about this. Because a lot of people are behind such story..., but you are to young to understand and to stupid to find it. — Deyth Banger

Each stroke of your fingers is a different word that describes the story. By itself it's meaningless, but - " I pushed down on a few fingers helping her play a few notes. "String them together and you have a melody. You have a story. So, Saylor, what story do you want to tell? — Rachel Van Dyken

We start out talking about the story, trying to figure out who is who and what should happen, taking notes the whole time. Then I do a rough layout of the issue, showing what happens on each page. Then we discuss that some more. — Phil Foglio

This American system of ours', he shouted, 'call it Americanism, call it capitalism, call it what you like, gives to each and every one of us a great opportunity if only we seize it with both hands, and make the most of it'. A month later in New York I was telling this story to Mr John Walter, minority owner of The Times. He asked me why I had not written the Capone interview for the paper. I explained that when I had come to put my notes together, I saw that most of what Capone had said was in essence identical with what was being said in the leading articles of The Times itself, and I doubted whether the paper would be best pleased to find itself seeing eye to eye with the most notorious gangster in Chicago. — Claud Cockburn

And now the old story has begun to write itself over there," said Carl softly. "Isn't it queer: there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes for thousands of years. — Willa Cather

So a dog's value came from the training AND the breeding. And by breeding, Edgar supposed he meant both the bloodlines - the particular dogs in their ancestry - and all the information in the file cabinets. Because the files, with their photographs, measurements, notes, charts, cross-references, and scores, told the STORY of the dog - what a MEANT as his father put it. — David Wroblewski

The family tree of Christ startlingly notes not one woman but four. Four broken women - women who felt like outsiders, like has-beens, like never-beens. Women who were weary of being taken advantage of, of being unnoticed and uncherished and unappreciated; women who didn't fit in, who didn't know how to keep going, what to believe, where to go - women who had thought about giving up. And Jesus claims exactly these who are wandering and wondering and wounded and worn out as His. He grafts you into His line and His story and His heart, and He gives you His name, His lineage, His righteousness. He graces you with plain grace. Is there a greater Gift you could want or need or have? Christ comes right to your Christmas tree and looks at your family tree and says, I am your God, and I am one of you, and I'll be the Gift, and I'll take you. Take Me? — Ann Voskamp

Sometimes I am a collector of data, and only a collector, and am likely to be gross and miserly, piling up notes, pleased with merely numerically adding to my stores. Other times I have joys, when unexpectedly coming upon an outrageous story that may not be altogether a lie, or upon a macabre little thing that may make some reviewer of my more or less good works mad. But always there is present a feeling of unexplained relations of events that I note, and it is this far-away, haunting, or often taunting, awareness, or suspicion, that keeps me piling on. — Charles Fort

I always carry a notepad with me, even on vacation. If I'm on the computer when the story 'hits', I open a Word document and start typing until I get it all out. I've got tons of notes that I never throw out. You never know when a story will strike! — Franny Armstrong

Their love story unfolded and then folded up again in Cambridge, as I watched and took mental notes and learned nothing, naturally, because the heart is unteachable. — Susanna Kaysen

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

In principle you could hypertunnel from a Zone B world, but in practice you
can't get the tech together. The evil rays revel in chaotic class-three
and class-four zones.
Rudy Rucker, story notes, Mathies in Love — Rudy Rucker

I picked up the guitar very late, in a very pagan way - I didn't know how to play, but I knew I had to. I drew and I had a diary, but it wasn't enough; I needed to express more. As soon as I learned two notes, I started to tell a story, which is why, I guess, my music resembles blues or folk. — Lou Doillon

Don't see the notes. See the music. See the story it is telling you. Allow the music to change you. Allow it to give you the courage to do whatever you need to — Karen White

I have these huge black foam boards on the wall, and tacked to them, I have these white punch cards with my story ideas, scenes and notes. — Robert Crais

This morning there s first a predictable story about Darfur; an expert on African affairs notes that seven thousand African Union troops patrolling a region the size of France have been ineffectual in preventing continued janjaweed terror. Funding for the troops is about to run out, and it seems that no one, including the United States, is ready to put forth more money or come up with new ideas to stop the killing and displacement. This is not surprising to those of us who lived through twenty years of oppression by the hands of Khartoum and its militias. — Dave Eggers

I don't want to do only movies that I'm in. I definitely want to start to branch out and do TV and stuff that I'm not in and really make a good run at it as a production. I'm probably going to take a break from acting after a little while because I've enjoyed the developmental process so much. It helps you as an actor to learn story and to learn how to really nurture a script and work with a writer so you're not sitting there having to write it yourself and give notes. — Channing Tatum

Trout sat back and thought about the conversation. He shaped it into a story, which he never got around to writing until he was an old, old man. It was about a planet where the language kept turning into pure music, because the creatures there were so enchanted by sounds. Words became musical notes. Sentences became melodies. They were useless as conveyors of information, because nobody knew or cares what the meanings of words were anymore.
So leaders in government and commerce, in order to function, had to invent new and much uglier vocabularies and sentence structures all the time, which would resist being transmuted to music. — Kurt Vonnegut

Most hiring managers interview a lot of people. So many that they generally have to go back to their notes to remember candidates - the exception being candidates with a strong hook. Sometimes these hooks are how people dress or their personality, but the best hook is a strong story that's work-related. — Travis Bradberry

When you listen to someone improvise, the notes that are played are only half the story. — Hubert Laws

For years, I took notes.
I pored over her work incessantly.
I quoted or mentioned Charlotte in several of my novels.
I tried to write this book so many times.
But how?
Should I be present?
Should I fictionalize her story?
What form should my obsession take?
I began, I tried, then I gave up.
I couldn't manage to string two sentences together.
At every point, I felt blocked.
Impossible to go on.
It was a physical sensation, an oppression.
I felt the need to move to the next line in order to breathe.

So, I realized that I had to write it like this. — David Foenkinos