Story In Her Eyes Quotes & Sayings

She didn't say anything - at least, not with her mouth. Her eyes told me a different story. The only problem was that they each had a thousand tongues talking, each in a language I didn't speak. — J.X. Burros

In fact, Clinton feels others' pain to the point that he not infrequently openly weeps for them, and his teary response is so infectious that it can trigger tears in others. This creates the opportunity for powerful political theater, all the more powerful because it is genuinely felt. Leopoulos was with Clinton in New Hampshire, and recalled how Clinton's empathy routinely triggered an epidemic of tears. "He had to hear everyone's story. Some of the people were crying, and had terribly sad stories. Clinton started crying, too, and then we were all crying." Stephanopoulos recalled one such encounter during the New Hampshire primary: "When Mary Annie Davis confessed tearfully that she had to choose each month between buying food or medicine, he knelt down, took her hand, and comforted her with a hug. Even the hardest bitten reporters in the room were wiping tears from their eyes."27 — John Gartner

I hated Big. I hated everything about him and this story line. First of all, it didn't make any sense that he was getting out of the car to tell her he would marry her and never once said that when she's throwing the flowers at him. I wanted Big dead. I wanted to take the fork that was sitting in my bathroom and stab him in the eyes, right where he has those big puffy circles under them. Stupid-ass shitstain motherfucker. Then Carrie wastes all of her energy being mad at Miranda when the real problem was and always will be Charlotte. Forget what Miranda told Big about getting married. How about being mad at Charlotte for being so stupid? The only decent thing Charlotte's ever done on the show or in the movie is shit her pants, and that does not make up for years of Type 1 retardation. My — Chelsea Handler

Her soul died that night under a radiant silver moon in the spring of 1918 on the side of a blood-spattered trench. Around her lay the mangled dead and the dying. Her body was untouched, her heart beat calmly, the blood coursed as ever through her veins. But looking deep into those emotionless eyes one wondered if they had suffered much before the soul had left them. Her face held an expression of resignation, as though she had ceased to hope that the end might come. — Helen Zenna Smith

She walks into my life legs first, a long drink of water in the desert of my thirties. Her shoes are red; her eyes are green. She's an Italian flag in occupied territory, and I fall for her like Paris. She mixes my metaphors like a martini and serves up my heart tartare. They all do. Every time. They have to. It's that kind of story. — Catherynne M Valente

And I saw just the other day, in Mentor, Ohio, where a father told the story of his 8-year-old daughter, whose long battle with leukemia nearly cost their family everything had it not been for the health care reform passing just a few months before the insurance company was about to stop paying for her care.
I had an opportunity to not just talk to the father, but meet this incredible daughter of his. And when he spoke to the crowd listening to that father's story, every parent in that room had tears in their eyes, because we knew that little girl could be our own. — Barack Obama

He couldn't look back at the children. He couldn't think of it. All he could do was watch the eyes of his wife.
He pulled her to him, her body soft, her skin warm. She was life, she was his. He took her lips and tasted his freedom once more. The subtle tenderness. The hope hidden in joined breath. He took it into himself. Soaking in the peace that came with it.
And even as the rustling began he felt still, he felt calm. Scratching and scrapping within the stones, and the rustle of wings. But all Eli knew was the nature of love. — Rachel A. Marks

I was cautious in what I said before the young lady; for I could not be sure that she was sane; and, in fact, there was a certain restless brilliancy about her eyes that half led me to imagine she was not. — Edgar Allan Poe

As Pa speaks, I know he thinks someone in our family has stolen the rice. The story of the rat is not true and everyone knows it. Convinced that he realises it was me, I hide my eyes from him. Shame burns my hand like a hot iron branding me for all to see; Pa's favourite child stole from the family. As if to rescue me,Geak wakes up and her screams of hunger interrupt the incident. — Loung Ung

She knew Paul D was adding something to her life - something she wanted to count on but was scared to ... His waiting eyes and awful human power. The mind of him that knew her own. Her story was bearable because it was his as well - to tell, to refine and tell again. The things neither knew about the other - the things neither had word-shapes for - well, it would come in time. — Toni Morrison

He held her forever. Ashy flickers swam in his eyes, shadows of temptation drawing her into infinite depths. A breath away from his tantalising mouth, she parted her lips. The thudding of her pulse hurt. The knocking of her heart brushed her soul. She sank into him. — Chris Lange

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

Next Ashlynn walked up the stairs. Apple expected the princess to exhibit the same eagerness, but her steps were slow. The large mirrors hanging from posts around the pedestal broadcast images of Ashlynn's face to the audience. But the mirrors didn't show the book, so Apple couldn't see Ashlynn's "flash-forward" story, just Ashlynn's face as she watched it. Her expression was nervous, hopeful, and then ... then sad. How could she be sad? Her story ended joyously! It was almost as if Ashlynn had been hoping to see something or someone in her story who didn't show. Ashlynn took the pen and closed her eyes as she quickly signed. — Shannon Hale

She stared at the faded tile floor before her feet, but knew his every step around her small kitchen. When Martin touched the coffee cup patterned curtains he must assume she'd made, her fingers throbbed. When his eyes slid across the flowery aluminum water bottle at the table, her throat cracked with thirst.
The radio clicked off.
The silence of the room soaked up her raspy breaths, her pounding heart, her ache, and stirred them around the one man she ever longed for in a way that changes how you taste the world.
Her desire swirled in a pulsing, betraying, blurry hook, and encouraged him to move closer.
Martin obeyed. — Kim Bongiorno

Aidan," ...
He held up his finger. "One second, babe. I gotta finish telling Pesh this story."
"But my water broke."
Without taking his eyes of Pesh, Aidan slid his glass of water over to her. "Here take mine."
If the situation hadn't been dire, Megan would have laughed at how oblivious Aidan was. Pesh leaned forward in his seat. "Um, Aidan, I think-"
He didn't get a chance to finish. Instead, water splashed across the side of Aidan's face. He shot out of his chair before whirling around to Emma. "What the hell, Em?"
"My. Water. Broke," she muttered through gritted teeth.
"Oh shit," he replied. — Katie Ashley

Under Polly's eyes, her gaunt cheeks, and her shaking hands as she poured the tea. * * * Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It's the lowest of the low. We're supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She's proving adept at the smaller fluff pieces - How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps! But the big interviews, the ones that Poppy — Jane Green

Written on the body is a secret code only visible in certain lights: the accumulations of a lifetime gather there. In places the palimpsest is so heavily worked that the letters feel like Braille. I like to keep my body rolled up away from prying eyes, never unfold too much, or tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book. — Jeanette Winterson

As a child, when I first heard the story of Creation, I'd closed my eyes and pictured the earth as a ball rolling off the palm of God and into dark space, then drifting around until it found its home in sunny orbit. Never perfect, but ever spinning, and holding on to her course, despite it all. — Ann Howard Creel

He hadn't wooed her, but had simply claimed her. A gold mine ready to dig. There should have been a period of quiet dinners together, of flowers rather than diamonds, of kisses given after permission to kiss, of a slow awakening that predisposed her to greater intimacies. But no, not the great Alexander Kinross! He had met her, he had married her the next day, and climbed into her bed after one kiss in the church. There to prove himself an animal in her eyes. One mistake after another, that was the story of his relationship with Elizabeth. And Ruby had always meant more. — Colleen McCullough

He might have run off then, and thus avoided a great many adventures to come, but the girl cried, "Wait!" and he turned to face her. "Please," she implored from the window. "Don't go. Come with us. I promise you won't regret it."
For a moment, Peter stood in the road indecisively, staring into the girl's eyes as if trying to penetrate a great mystery. — Christopher Daniel Mechling

Then, when the stars came out, Ma took out her fiddle. We all quieted down while she tuned the strings, and I got the funniest feeling. I felt as if I was looking at everyone from far away in space, or maybe even in time. They all looked so beautiful sitting in the darkness of the woods under the stars. Their faces were pink and warm and happy in the firelight. I felt perfectly happy and perfectly sad all at the same time, and tears came into my eyes. — Kristin Kladstrup

But the thing I notice most isn't what's in them - surprise, disbelief, curiosity, maybe a little pity - it's what's not. Judgment. Disdain. Horror. None of the things I've so often seen in people's eyes when I've had to tell them my story.
Now I want to kiss her even more. — M. Leighton

He terrifies me, Aunt Peg." I don't have the backbone to say it to her face. "Oliver is such a self-contained person. He's always so calm, so at ease, so refined. I'm the one who's always losing my mind over nothing. He is unbelievably amazing in a way I don't know if I can reciprocate. His voice is calm and patient. It makes me feel like he will sit me down and tell me everything's going to be okay. And his eyes. Have you seen his eyes? They're so kind and gentle. — Elisa Marie Hopkins

Summer sticks to her skirt sumptuously, in the shiny gray fabric hanging loosely from her curves. Her chestnut eyes, apparently hidden from strangers; her simple but graceful face, unpainted by Madison Avenue; and her straight black hair, parted down the middle without ego, all suggest a minimalist - almost pastoral - beauty that is oddly discordant with her fashionable attire, comfortable indifference to the crowds, and quasi-attentive perusal of the Time magazine unfolded over her hand. — Zack Love

They turned on themselves, like a feverish wheel, all tumbling spokes. Margot stood alone. She was a very frail girl who looked as if she had been lost in the rain for years and the rain had washed out the blue from her eyes and the red from her mouth and the yellow from her hair. She was an old photograph dusted from an album, whitened away, and if she spoke at all her voice would be a ghost. Now she stood, separate, staring at the rain and the loud wet world beyond the huge glass. — Ray Bradbury

We have almost always been linked," Brigitte told Nynaeve without taking her eyes from Cain's. "He is usually born well before me - so I know my time approches again when I cannot find him - and I usually hate him at first sight in the flesh. But we nearly always end lovers or wed. A simple story, but I think we have spun it out in a thousand variations. — Robert Jordan

But though she's told a longer version of the story a thousand times before to a thousand different people, she gets the feeling that Oliver might understand better than anyone else. It's something about the way he's looking at her, his eyes punching a neat little hole in her heart. She's knows it's not real: It's the illusion of closeness, the false confidence of a hushed and darkened plane, but she doesn't mind. For the moment, at least, it feels real. — Jennifer E. Smith

Such fascinating things, libraries. She closes her eyes. She could
walk inside and step into a murder, a love story, a complete account
of somebody else's life, or mutiny on the high seas. Such potential;
such adventure - there's a shimmer of malfeasance in trying other
ways of being. — Ashley Hay

Well, we're originally from Glace Bay."

Grandma Elsie's eyes glittered. She was looking at one of her own, a lost Cape Bretoner in need of help and offering a new story. "Tell me all about it, dear. — Beatrice Rose Roberts

So she steeled herself. "I have never told anyone this story. No one in the world knows it. But it's mine," she said, blinking past the burning in her eyes, "and it's time for me to tell it."
Rowan leaned back on the rock, bracing his palms behind him.
"Once upon a time," she said to him, to the world, to herself, "in a land long since burned to ash, there lived a young princess who loved her kingdom . . . very much."
And then she told him of the princess whose heart had burned with wildfire, of the mighty kingdom in the north, of its downfall and of the sacrifice of Lady Marion. — Sarah J. Maas

I sit on the bench in front of Bell's Market and think about Homer Buckland and about the beautiful girl who leaned over to open his door when he come down that path with the full red gasoline can in his right hand - she looked like a girl of no more than sixteen, a girl on her learner's permit, and her beauty was terrible, but I believe it would no longer kill the man it turned itself on; for a moment her eyes lit on me, I was not killed, although a part of me died at her feet. (from the short story Mrs. Todd's Shortcut) — Stephen King

When you use single character viewpoint, you tell the main character's story - and only his or her story. Every single thing in the plot - whether it's an event, problem, emotion, or consequence - should be revealed through that main character's eyes. Your main character needs to be on center stage throughout the entire story, acting and reacting to what is happening in the plot. To do that effectively, reveal only your main character's emotions and thoughts. Tell your reader only what your main character is feeling, not the feelings of other characters. — Tracey E. Dils

She swallows and looks down at her hands clenched in her lap. "I don't like this story." "Should I jump to the ending? Spoiler alert: the hero saves her." Tabby looks over at me, her eyes shining like gems in the dark. "A real hero would teach the princess how to save herself. — J.T. Geissinger

Tell me everything about this woman you once knew. Tell me everything she ever told you about Jesus of Nazareth."
Marcus saw the fever in his eyes. "Why?" he said, frowning. "Why does it matter?"
"Just tell me, Marcus Lucianus Valerian. Tell me everything. From the beginning. Let me decide for myself what matters."
And so Marcus did as he was asked. He gave in to his deep need to speak of Hadassah. And all the while he talked of her, he failed to see the irony in what he was doing. For as he told the story of a simple Judean slave girl, Marcus Lucianus Valerian, a Roman who didn't believe in anything, proclaimed the gospel of Jesus Christ. — Francine Rivers

Andrew closed his eyes for a moment, breathing in the memories of that night as the rest of the world moved on around him. He realized that even after all this time he hadn't forgotten the smile she seemed to have patented, the light blue tank top she wore so well, or the way she had laughed when he accidentally spilled an entire can of Mountain Dew on the carpet she'd spent hours steam cleaning. And although he hadn't kissed Cooper McKay that night, or even held her hand, he could still remember the feeling of finding out that love at first sight did truly exist. — Joey Jones

When I closed the door Grandmother was already seated at her spinning wheel. Her foot was on the treadle but her eyes were thoughtfully on me. The spinner was beautifully carved of dark oak with leaves twining their way round and round the outer rim. It must have been very old, as the designs were too fanciful to have been made i the new England. She called to me and asked me if I could spin. I told her yes, well enough, but that I could sew better, which was a statement only half true. A camp surgeon would have a better hand with a cleaver to a limb than I with a needle on the cloth. She spun the wool through knotted fingers glistening with sheep's oil and wrapped the threads neatly around the bobbin. Gently probing, she teased out the story of our days in Billerica just as she teased out the fine thread from the mix and jumble of the coarse wool in her hands. — Kathleen Kent

Tim had seen a documentary once about how certain carnivorous plants lure in food with tiny, fine, hair-like cilia, which wave and wave and gradually draw the speck of food - or fly as the case might be - down into their gullet. Talking to Lily Beaufort was like that. Her eyes were like information vacuums and her sympathetic little murmurs were like the tiny waving cilia hairs drawing out his life story with seductive ease.
And maybe Tim had been in need of someone to talk to, because he could not shut up. — Eli Easton

Someday," I say softly, "you'll tell me the whole story. I'll wait."
"When you know the whole story, you won't want me anymore. I'm that girl."
"Don't count on that."
When I lift my eyes to her face, she's watching me with something like wonder. "What?"
She shakes her head, "I can't figure you out."
"Good." I cup her face in my palms and trace her bottom lip with my thumb. "Then maybe you won't be able to figure out how to push me away. — Lexi Ryan

Raven, lying on the sandy ground, covered in creepy-crawlies. Spiders, cockroaches, termites, ants, crickets - they smother her, nibble on her, devouring her from hair to toenails in seconds, leaving just a skeleton behind. Apple, standing at the podium on Legacy Day. Poof, she disappears. And reappears in a goblin cave. The goblin troop moves in, brandishing salad bowls and chopping knives. Daring Charming, no story to call home, thins and melts into a wisp of a ghost, swimming endlessly through walls. The crowded Charmitorium at Ever After High, Headmaster Grimm on the stage. "And remember, students, no matter what you do, don't follow the example of the worst, most despised, most selfish character in all of Ever After history - Raven Queen!" "Boo!" the students yell. "Boo!" says the Daring ghost. Apple's head in a goblin bowl opens her eyes and looks straight at Raven. "Boo! — Shannon Hale

It wasn't a hard kiss, but it wasn't particularly soft either. It was just perfect. The perfect amount of sweet and hot, and...
She put her hands on his chest, shoving him backward. "Please don't mess with me. Please. Just talk to me."
Jackson's eyes shadowed with regret as he slowly released her wrist, lifting a hand to her face. The back of his fingers stroked her cheek softly. "Talk to you?"
She nodded.
"What shall I talk about?" he whispered.
"How about the fact that you're supposed to be in Houston right now? It's the only reason I came over."
"I was in Houston," he said.
"For what, an hour?" she asked.
"Probably about that, yeah." He was watching her mouth as his thumb brushed softly over her lips.
Her breath caught at the tenderness in his touch - in his eyes.
"What happened?"
His eyes flicked up to hers. "You want the full story, or the important part?"
"The important part," she whispered.
"I love you. — Lauren Layne

Rebecca uttered a low dry laugh, not facetiously, but more like a stitch coming apart at the seam. A wound opened. Her eyes were opening to a world she had denied for so long. She looked up at Frank and knew, just like in the books, hatred, real hatred is a Gollum that hides under the mountain of our hearts. It buries itself deep underground where no light can touch. And it waits. Rebecca thought of Tolkien and Bilbo and Frodo and that old grey wizard, she thought that maybe they were right. Perhaps "there are older and fouler things in the deep places of the world - in the deep places of our hearts." And as she sat on the floor with Tom Johnson's Glock aimed at her husband's head, Rebecca looked into the space where his eyes should have been. She looked at what was now only darkness and felt something on the other side, something not her husband, looking back. — Thomas S. Flowers

The first building she reached appeared to be an old barn. Only one young guard stood before its bolted door, staring at her with wide eyes, holding up his sword in defense, She heated his sword and he dropped it, his expression barely changing, as if he had been expecting that. She held up her two swords to his throat, but they were two heavy, so she dropped one and held the other with both hands. "Where are the two Bayern boys kept?" The soldier shook his head. BURN HIM, prompted the fire. The excitement of burning was simmering in her, heating her up for more action. — Shannon Hale

He tried to remember Moon Child's eyes, but was no longer able to. He was sure of only one thing: that her glance had passed through his eyes and down into his heart. He could still feel the burning trail it had left behind. That glance, he felt, was embedded in his heart, and there it glittered like a mysterious jewel. And in a strange and wonderful way it hurt.
Even if Bastian had wanted to, he couldn't have defended himself against this thing that had happened to him. However, he didn't want to. Oh no, not for anything in the world would he have parted with that jewel. All he wanted was to go on reading, to see Moon Child again, to be with her.
IT never occurred to him that he was getting into the most unusual and perhaps the most dangerous of adventures. But even if he had known this, he wouldn't have dreamed of shutting the book. — Michael Ende

His intense blue gaze held hers, willing her to believe. She pulled in a shaky breath. Each second, he'd said. This second, then another, then another, until she believed all the time. She closed her eyes. She wanted to trust in him, in them. Why did it have to be so darn hard?

Using his hold on her wrist, he drew her closer, leaned down to rest his cheek against hers. "I'm yours," he murmured near her ear. "You have me. Believe that, baby."

She nodded and slipped her arms about his neck, holding on hard. "I'm trying."

"I know." He rested a hand against her spine, dropped a kiss on the curve of her shoulder. "One second at a time, Angel. We have all the time you need. — Linda Winfree

Ariya was tall and fine-boned, with large doe-eyes framed by long lashes. She moved about the one-story house with a self-possessed grace in her purple dress. We thought she would make a good model. She could sell anything but perfume, because she always had a smell: parsley, cilantro, chicken, goat, sour sop, shop cheese. — Jenelle Jack Pierre

You're maybe eighteen. Your mother didn't love you enough so you decided to pierce your lip and brand your body to piss her off. You hang around this band because they make you feel like you belong. And most days you wish you were in a band of your own, but you know that probably will never happen." I met his eyes waiting.
I'm twenty. my mother has an assload of tattoos herself, she thinks its art. I have a lip ring because it turns girls on when I do this." He licked his lip, lingering on the metal for a couple intense seconds. My eyes fluttered with nervousness. — Holly Hood

As Robin thought about what he had just said, Noah got up from the chair and knelt down in front of her. 'How about I give you three reasons? Morning, day, and night.'
She narrowed her eyes.
'Stay ... so every morning when I open my eyes, you'll be the first thing I see. Stay ... so every day when I'm with you, I can show you all over again exactly how much you mean to me. And stay ... so every night when you lay your head down next to mine, you'll know ... you'll know just how much you're loved.'
Her eyes drifted to the water as she thought for a moment, returning to look deep into Noah's eyes.
'Okay, Noah ... I'll stay. — Sebastian Cole

I ask myself: Is he or she the main character in his or her life? What is her motive? Or is she a secondary character in her own tale? Is she in the process of editing herself out of her story, because her husband, her career, her children or her job are consuming her entire text?" Max Jordan's eyes widened. "I've got about thirty thousand stories — Nina George

He slowly crossed the barn to squat down in front of her, never once looking away. His callused palm was warm around her icy fingers. "You must never lie to me," he said softly. "Whatever your story, be it good or bad, I will accept. I am not your father, who will storm and rage at you when disappointed." And the warmth in his eyes made her believe every word he spoke was true. "You are perfectly and beautifully made," Michael continued. "You are exactly as God intended for you to be, and I love you precisely as you are. — Elizabeth Camden

His thumb touched her lower lip, his eyes fixed on her. As if he couldn't be stopped, the words flowed out of his mouth. I want to take you in my arms, to kiss you long and hard, to touch you like you've never been touched, to give you the pleasure I feel running in your veins. — Chris Lange

Her direct stare probed, as if the story of my life were written in my eyes in a few succinct lines that she could read. — Dean Koontz

Have you noticed,' she asked, straightening the counting frames to her liking before closing the cupboard doors and turning toward him, 'that at church when the clergyman is giving his sermon everyone's eyes glaze over and many people even nod off to sleep? But if he suddenly decides to illustrate a point with a little story, everyone perks up and listens. WE were made to tell and listen to stories, Joel, It is how knowledge was passed from person to person and generation to generation before there was the written word, and even afterward, when most people had no access to manuscripts or books and could not read them even if they did. Why do we now feel that storytelling should be confined to fiction and fantasy? Can we enjoy only what has no basis in fact? — Mary Balogh

They sat close to each other, and he told her a story about her eyes. They were beautiful dark lakes in which her thoughts swam about like mermaids. And her forehead was a snowy mountain, grand and shining. These were lovely stories. — Hans Christian Andersen

Jack must have looked confused, and Sienna leaned closer to him as she explained. Her perfume was sharp and floral, and he took a deep breath, enjoying the fresh fragrance after a day on the road smelling dust and tar.
"When we were in high school, Uncle Renzo brought us down here to the pier at Monterey for a birthday dinner, and he spun Georgie a story about his grandmother going to sleep at the table when he was a little boy, and drowning in her chowder."
Jack grinned as Sienna continued the story. "He had her sucked in, hook line and sinker, for the whole night until she started to cry, and then he took pity on her."
Sienna smiled as she looked at Jack. Her long, delicate neck arched gracefully as her head turned slowly from side to side, and Jack got another whiff of her perfume. Her eyes were hooded and Jack sensed she was waiting for something. — Annie Seaton

I listen to the rain talk to the leaves. She tells a story of love and
leaving (isn't that always the story? Isn't that always the punchline?)
She tells it softly like someone who has recently lost something that
cannot be replaced. She closes her eyes and remembers. The leaves
quietly wait. They love in silence. They understand in the dark. And I
too begin to understand. We are all part pouring rain, part fallen
leaves. We are all part of the world, and we all have a story. — Emm Roy

Do you mind not intoning the responses, Jeeves?" I said. "This is a most complicated story for a man with a headache to have to tell, and if you interrupt you'll make me lose the thread. As a favour to me, therefore, don't do it. Just nod every now and then to show that you're following me."
I closed my eyes and marshalled the facts.
"To start with then, Jeeves, you may or may not know that Mr Sipperley is practically dependent on his Aunt Vera."
"Would that be Miss Sipperley of the Paddock, Beckley-on-the-Moor, in Yorkshire, sir?"
"Yes. Don't tell me you know her!"
"Not personally, sir. But I have a cousin residing in the village who has some slight acquaintance with Miss Sipperley. He has described her to me as an imperious and quick-tempered old lady ... But I beg your pardon, sir, I should have nodded."
"Quite right, you should have nodded. Yes, Jeeves, you should have nodded. But it's too late now. — P.G. Wodehouse

In a dark layer of Esme's memory there was a kiss. Vividly she recalled Mihai in the snow, naked and fanged. That kiss had conjured ancient passions a god had tried to erase, and Esme remembered the pressure of it and even knew the flavor of that black river. But it belonged to someone else. Tom's kiss, by contrast, wasn't passionate.Esme didn't even have time to close her eyes and tilt her face up to meet it, and it landed crooked and only half on her lips. It was clumsy and it ended quickly. And it was hers. — Laini Taylor

She was this girl living in a bottomless hole of her thoughts.
One day she saw a light. She felt the warmth and walked in its direction.
It was there that she found him.
He spoke to her and wove tendrils of love on her heart.
His compassion was over whelming for her.
His words, his love, his eyes- everything about him was so pure, so true.
Her heart was getting intertwined with the love he was bestowing upon her.
The mesh of affection he weaved around her heart made it breathe. And live.
Vine by vine the mesh thickened.
Today, he is her beloved. They are inseparable.
He smiles, she smiles. They weave dreams.
She loves him beyond infinity.
He has her heart strings. And as he walks, she walks with him. — Geetansha Sood

People always say the greatest love story in the world is Romeo and Juliet. I don't know. At fourteen, at seventeen, I remember, it takes over your whole life." Alice was worked up now, her face flushed and alive, her hands cutting through the night-blooming air. "You think about nobody, nothing else, you don't eat or sleep, you just think about this ... it's overwhelming. I know, I remember. But is it love? Like how you have cheap brandy when you're young and you think it's marvelous, just so elegant, and you don't know, you don't know anything ... because, you've never tasted anything better. You're fourteen."
It was no time for lying. "I think it's love"
You do?"
I think maybe it's the only true love."
She was about to say something, and stopped herself. I'd surprised her, I suppose. "How sad if you're right," she said, closing her eyes for a moment. "Because we never end up with them. How sad and stupid if that's how it works. — Andrew Sean Greer

So she told me a story. A story about a boy who was born with very green eyes, and the man who was so captivated by their color that he searched the world for a stone in exactly the same shade." His voice is fading now, falling into whispers so quiet I can hardly hear him. "She said the boy was me. That this ring was made from that very same stone, and that the man had given it to her, hoping one day she'd be able to give it to me. It was his gift, she said, for my birthday." He stops. Breathes. "And then she took it off, slipped it on my index finger, and said, 'If you hide your heart, he will never be able to take it from you'. — Tahereh Mafi

You are radiant."
"Yes, she is."
Daniel.
She turned to him. His blond hair and violet eyes, the strong cut of his shoulders, the full lips that had brought her back to life a thousand times. They had loved each other even longer than Luce had realized. Their love had been strong since the early days of Heaven. Their relationship spanned the entire story of existence. She knew where she'd first met Daniel on Earth-right here, on the singled fields of Troy while the angels were falling-but there was an earlier story. A different beginning to their love.
When? How had it happened?
She searched for the answer in his eyes-but she knew she wouldn't find it there. She had to look back in her own soul. She closed her eyes. — Lauren Kate

The night she'd been captured, she'd also snapped, and come SO CLOSE to killing the person she most wanted to destroy before someone knocked her out and she awoke in a rotting dungeon. She smiled bitterly as she opened her eyes. It was always the same story, the same loss. — Sarah J. Maas

The story is told of Lincoln's first meeting with Mary at a festive party. Captivated by her lively manner, intelligent face, clear blue eyes, and dimpled smile, Lincoln reportedly said, "I want to dance with you in the worst way." And, Mary laughingly told her cousin later that night, "he certainly did. — Doris Kearns Goodwin

In the center of the sofa were two oblong companion pillows, shouldered so closely together that they looked like the Decalogue tablets. They were white, or had been white, and painfully stitched upon them with blue thread were companion mottoes, companion pictures. In the left pillow lies a girl, her long blue hair asprawl about her face, her eyes innocently shut, asleep. The motto: I SLEPT AND DREAMED THAT LIFE WAS BEAUTY. But the story continued, and on the next pillow her innocence is all torn away: there she stands, gripping a round broom; her hair now is pinned up severely and behind her sits a disheartening barrel churn. I WOKE AND FOUND THAT LIFE WAS DUTY. The pillows sat, stuffed and stiff as disapproving bishops; they could, he thought, serve as twin tombstones for whole gray generations. — Fred Chappell

A friend of mine once saw Mandela in a South African airport and told me this story. The president had noticed a lady who was walking by with her daughter, a beautiful five- or six-year-old girl, with blond hair and blue eyes. Mandela walked up to this little girl and leaned down and shook her hand, and he said, "Do you know who I am?" And the child smiled and said, "Yes, you are President Mandela." Mandela said, "Yes, I am your president. And if you work very hard in school and you learn a lot and you are nice to everybody, you too could grow up to be President of South Africa." Just — Nelson Mandela

At their core, Tiger Eyes, Forever ... , and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick) — Jennifer O'Connell

Daniel had one more question. He hated asking it, but her answer would be exceedingly important to him. The knot in his throat had returned, but he tried to speak around it. "Do you pity me, Story?" For the second time that night, she surprised him. "No. I pity the sixteen-year-old boy. Of course I do. How could I not?" Story rose from the windowsill and placed her hands on his chest. She waited until he met her eyes to continue. "But I don't pity the man. The man took a tragedy and used it to give himself purpose. The man is magnificent. — Tessa Bailey

There's a tale in the Caballa that suggests that the Angel of Death is so beautiful that upon seeing it (or him, or her) you fall in love so hard, so fast, that your soul is pulled out through your eyes. I like that story. — Neil Gaiman

It was her. No one had eyes like that. Eyes as pure as the sky on a fresh, wintery morning. Ones that sucked him in and refused to let go. No one had her touch. Feather light and warm. A touch that sizzled his insides and brought him to his knees.
And no one had that pure, simple, cherry-vanilla scent. The sweetness that was only her, like she was a dessert made just for him. To lick, nibble, and enjoy. — Justine Dell

For the first time in my whole damn life I can look into a girls eyes and find her looking right back at me. Not passed me. Not around me. Into me. — Marilyn Grey

Closing my eyes, I breathe in the air around me.
When I slowly re-enter the world, I look into the most intense brown eyes I've ever seen. My breathing catches. I can't look away. Fuck, he's hot. I can literally feel my brain cells frying. Who's dumb as a rock now, Alexis?
I feel completely frozen and can't move. I don't even think I want to. Blink, Richards, blink."

-Alexis

What happens to someone who has everything figured out and doesn't let anyone rattle her?
To some love is exciting. To her, it's a nuisance. — Kristina Steiner

A girl about her own age reached out and took hold of her hand. The girl was tall and thin. She had long black hair streaked with red, and the whites of her green eyes stood out against the black coal dust that covered her face. Her blue and white dress hung in tatters, and was blackened by coal dust and smeared with blood. The girl smiled and Rosie could see that in her other hand she was holding her red umbrella. — Denny Taylor

She had an emptiness in her eyes like a ghost tired of haunting. — Stuart Jaffe

Who is that trip-trapping upon my bridge?'
Miss Davies spoke in the low, growling tones of the troll in the story. Some of the little ones covered their mouths and giggled, but most only watched her solemnly, accepting the
voice of the troll as they accepted the voices of their dreams, and their grave eyes reflected the eternal fascination of the fairy tale: would the monster be bested ... or would it feed? — Stephen King

At night, before she went to sleep in her cabin down in the quarters, she remembered Mawu's story and told herself that she was a god, a powerful god. Each and every day, she reminded herself of this so that she wouldn't fall backward. She was more than eyes, ears, lips, and thigh. She was a heart. She was a mind — Dolen Perkins-Valdez

Then her face tilted up to his, and he was looking into her eyes again. He had heard of drowning in a woman's eyes in some poem or story, and thought it ridiculous. He still thought it ridiculous, but understood it was perfectly possible, nonetheless. And she knew it. He saw concern in her eyes, perhaps even fear. — Stephen King

Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster. — Jim Butcher

Besides the neutral expression that she wore when she was alone, Mrs. Freeman had two others, forward and reverse, that she used for all her human dealings. Her forward expression was steady and driving like the advance of a heavy truck. Her eyes never swerved to left or right but turned as the story turned as if they followed a yellow line down the center of it. She seldom used the other expression because it was not often necessary for her to retract a statement, but when she did, her face came to a complete stop, there was an almost imperceptible movement of her black eyes, during which they seemed to be receding, and then the observer would see that Mrs. Freeman, though she might stand there as real as several grain sacks thrown on top of each other, was no longer there in spirit. — Flannery O'Connor

Is that shooting star just a happy accident or has the universe had it planned for a thousand years?"
He tilted his face to the sky, his eyes tracking an imaginary star as it screamed to earth. He looked back to her. "Either way, you can't stop it. You can beg it to slow down or you can just enjoy the show."
"Am I the star in this story or you?"
Blake wrinkled his nose and chuckled. "Was that a bad analogy? I meant we're the star, Livia. Us. This." He shrugged his shoulders like it was the most obvious thing in the world. "Us being in the same atmosphere is either a great cosmic catastrophe or the most serendipitous rendezvous. — Debra Anastasia

You remember?' he said incredulously. 'What could you possibly remember?' he asked, staring at her, waiting for the answer.
The beauty from within her soul shined brightly through her loving eyes as she looked deep into Noah's now melting eyes.
'I remember - I love you,' she said in a soft voice, nervously biting her lip. — Sebastian Cole

As I listened to the radio tell her story, it was hard to not think education should look more like this - paint splotches and messy smocks in a cramped studio - and less like large lecture halls with passive students parked in seats for ninety minutes at a time, eyes glued to a slide presentation. — Jeff Goins

No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you ... " Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen. — Patrick Rothfuss

Steve's throat swelled with tension as the intimacy of the moment became more tangible. He moved his eyes from the dark, reflective river, to the dark, reflective pupils in Diane's eyes. They seemed to quiver with tenderness - but then they would grow distant. He found himself continually surprised at the "aliveness" of the person standing just a foot away from him now. She wasn't inanimate: she would flinch if he pinched her, and answer if he asked her. And she was beautiful."
From "The Grand Unified Story"
a short story in Zack Love's Stories and Scripts: an Anthology — Zack Love

In her questioning eyes her story of pain is spilling silently out. But Lore does not want to know that story. There is time, right now, for her pain only. — Pamela Erens

Bobby's eyes widened. Then he swallowed like there was an anvil in his throat.
"You want me ... "
She waited for him to continue but he didn't seem capable. So she shifted and the pain brought him back from wherever his glazed gaze had taken him.
"You want me to rip your underwear off?"
Given the need to clamp her thighs together, she didn't care how he worded it. She nodded.
"I think I've died and gone to Heaven," he murmured.
"You will if you don't watch it, Wichowski. Just ... reach under ... — Dee Tenorio

Her brown hair was pulled back in a ponytail, and her flawless skin had a slight sheen from her dash across the parking lot and up the stairs. Sexy, but he suspected the fantasy the sheen inspired was better than the reality. She was the job. Probably wore Kevlar to bed. End of story. Still, he did enjoy playing with her. He liked her big blue eyes, cute little nose, slim athletic body, and her earnest dedication to making the world a more law-abiding place. It made his dedication to crime much more interesting. — Janet Evanovich

Our story begins eight years ago when Ms.
Jacobs was living in London with Mr. McAllister.
However, she had to leave the country urgently
due to a family emergency."
"Considering the 'he-was-dead' defence, I'm
sure this will be hugely entertaining." Lily didn't
see it but she heard the scoffing behind Nate's attorney's
tone, that would be attorney number two
or Sarcastic Attorney. Her startled eyes moved to
the man who, she noted distractedly, was staring
at her with extreme distaste.
"Well, I'm not sure one would describe losing
both of one's parents in a plane crash as 'entertaining',"
Alistair noted blandly. — Kristen Ashley

I asked a queen once why she didn't want me. She wasn't a powerful queen, not a monarch of Spain or of Albania. Just a little kingdom of nowhere, but she married well and she had a crown. The queen of nowhere looked at me with her clear grey eyes and said: "Because I don't want to be in a story." Princesses usually grow up to be queens. The cleverness sticks long after the beauty goes. — Catherynne M Valente

As she appears in the room, her face is still covered by the hood of her coat, but I can see the outline of her chin, and a faint glow that frightens me. She slowly pulls back the hood and her eyes bore into me. Eyes red with flame, it is though they are scanning my soul, deep within me."

From 'She Blames Me' (Banfield Tales) — Michael Braccia

Instead, I practiced different forms of reading. The possibilities offered by books are legion. The solitary relationship of a reader with his or her books breaks into dozens of further relationships: with friends upon whom we urge the books we like, with booksellers (the few who have survived in the Age of Supermarkets) who suggest new titles, with strangers for whom we might compile an anthology. As we read and reread over the years, these activities multiply and echo one another. A book we loved in our youth is suddenly recalled by someone to whom it was long ago recommended, the reissue of a book we thought forgotten makes it again new to our eyes, a story read in one context becomes a different story under a different cover. Books enjoy this modest kind of immortality. — Alberto Manguel

To all those who care,
You can't forever.
Time steals the years,
And your reflection in the mirror.
But I can still see the story in your eyes,
And your timeless passion that's never died.
While your skin became tired,
Your heart became strong,
The present became the past,
And your memories like a song.
And though the moment at hand is all that we have,
You've taught me to live it like it is our last.
Since two words don't say 'thank you' the way they are meant to,
I'll try all my life to be something like you. — Crystal Woods