Story Building Quotes & Sayings

Rapport-Building Stories People who have gone through tough situations will feel better after talking about it. If you share your tough stories, it may remind the listener of a similar scenario, and he may want to share his stories as well. It is a great way to get people to open up and encourage them to share their own stories. Also, if you can relate to a person's story and share your own story, that is powerful for creating a connection and building rapport. An advantage of telling rapport-building stories is that it does make people feel better, and it also forges new friendships. Often, we can be reluctant to share stories because we don't want to be too vulnerable, but once we do, we can enrich the lives of those who hear our stories. It is difficult not to be appreciative of a person after learning their story. — Matt Morris

The building is a ginormous 175-story office building that juts into the sky like a glass and steel erection. — Andrew Shaffer

The first Parikrma school started in a slum where there were 70,000 people living below the poverty line. Our first school was on a rooftop of a building inside the slums, a second story building, the only second story building inside the slums. And that rooftop did not have any ceiling, only half a tin sheet. That was our first school. — Shukla Bose

What I hadn't expected was to be blindsided by a history lesson that betrayed every hard-won experience I'd had as a player and now a coach at the same school I'd attended. . . Whoever was responsible for sending a championship team into virtual obscurity was either a serious egomaniac or just plain mean. It stung.

After all, wasn't the story told at today's funeral the stuff of legacies? Of school lore passed on to the next class, and the next, building institutional pride as well as magical identities that made every kid in the state want to play there? — Jo Kadlecek

I heard a delightful - and possibly apocryphal - story about what happened when the British introduced golf to India in the 1820s. Upon building the first golf course there, the Royal Calcutta, the British discovered a problem: Indigenous monkeys were intrigued by the little white balls and would swoop down out of the trees and onto the fairways, picking them up and carrying them off. This was a disruption, to say the least. In response, officials tried erecting fences to keep the monkeys out, but the monkeys climbed right over. They tried capturing and relocating the monkeys, but the monkeys kept coming back. They tried loud noises to scare them away. Nothing worked. In the end, they arrived at a solution: They added a new rule to the game - "Play the ball where the monkey drops it. — Ed Catmull

I made so many mistakes in running the company so far, basically any mistake you can think of I probably made. I think, if anything, the Facebook story is a great example of how if you're building a product that people love you can make a lot of mistakes — Mark Zuckerberg

If you are building a thirty-story building and you use worm-eaten wood for the frame, inferior structural supports, and other fourth-rate, low-grade materials, what kind of finished product do you think you will wind up with? No need to answer. So if you're building a human body and the material that will become your blood, bones, skin, organs-indeed, every cell of your body-is inferior and of poor quality, what kind of body do you think you will wind up with? No need to answer. — Harvey Diamond

A document from the reign of King Henry VIII described one of the two actual axes used for the beheadings. The story was that the relic was displayed in the church; it gave both the church and the street their odd names. In the early 1560s refugees from Spain used it as a place of worship but by then it was in a state of disrepair. It was demolished shortly thereafter, taken down to the foundation. Another building, the one which Thomas and Belinda Russell owned today, was built in 1620 on the ruins of the ancient church. — Bill Thompson

Your story is not a picture of life; it lacks the elements of truth. And why? Simply because you run straight on to the end; because you do not analyze. Your heroes do this thing or that from this or that motive, which you assign without ever a thought of dissecting their mental and moral natures. Our feelings, you must remember, are far more complex than all that. In real life every act is the
resultant of a hundred thoughts that come and go, and these
you must study, each by itself, if you would create a living
character. 'But,' you will say, 'in order to note these fleeting
thoughts one must know them, must be able to follow them in their capricious meanderings.You have simply to make use of hypnotism, electrical or human, which gives one a two-fold being, setting free the witness-personality so that it may see, understand, and remember the reasons which determine the personality that acts. — Jules Verne

When the subject of kids first came up years ago, I'd joked that the only thing I could imagine worse than me as a mother was Clay as a father. I couldn't have been more wrong. Clay was an amazing parents. The guy who couldn't spare a few minutes to hear a mutt's side of the story could listen to his kids talk all day. The guy who couldn't sit still through a brief council meeting could spend hours building Lego castles with his kids. The guy who solved problems with his fists never even raised his voice to his children. And if sometimes Clay was a little too indulgent, a little too slow to discipline, preferring to leave that to me, I was okay with it. He supported and enforced my decisions and we presented a unified front to our children, and that was all that mattered. — Kelley Armstrong

one might call this state ["youth" (but that seems inaccurate)] "remembering" but memory is quite eerie like caging a dream, and when I recite the rote details the real event slithers further from me because the telling of it reshapes it, every touch alters it, until it is unrecognizable except as a story [a doppelganger (immediately not myself) a writhing poltergeist summoned to snap at me from the darkness~or benign but vague, like a whisper making it better to remain silent, but I can't~the past is a narrative (that writes us) immanent in the present [proving there is cause and effect in the immaterial (the mythic becomes carnal by leaving marks on the body)] symbol by symbol, building up invisible scars — David David Katzman

The lion landed in the snow well below the outcrop, at least thirty feet below where he'd been lying on the tree branch. The same as jumping from the roof of a three-story building. I saw him just as he hit, disappearing in an explosion of soft snow. Before I could picture how broken he would be, he erupted from the snow in another leap that covered twenty feet, straight down the side of the hill we'd toiled up. His body began to ball up in mid-air and he crashed down into the snow again, only to reappear a moment later, stretched out and bounding. In a few seconds he was into the bottom of the draw and out of sight. — Pete Fromm

I never found a way to write about it until I wrote this letter to you, Ruler, when I realized it was a story you needed to hear. Not how the kittens suffered during those weeks they were wandering inside the dark building with no way out - though surely there's something there too - but how they saved themselves. How frightened those kittens were, and yet how they persisted. How when two strangers offered up their palms, they stepped in. — Cheryl Strayed

When I was handed a hammer, my first project was building a three-story tree house. — Ty Pennington

I could not disagree more," said Ganesh, my father giving me a hidden wink. "If we build toward them they'll see it as hostile and we'll be pulled into a confrontation. Now, I agree that we've got to expand - these last few days in Bridewell have clearly shown that. Within a few years Bridewell and the towns against the sea will be at maximum capacity, and then what will we do? We have over ten miles between us and Ainsworth, which I think is a good healthy distance. We can't expand off the cliffs from Lathbury or Turlock, so those are dead ends. Bridewell is stuck in the middle with no place to grow. I think our best option is to start building two-and three-story buildings. Grow up instead of out. We could grow to twice our size if we just abolished the single-level rule. — Patrick Carman

There's two or three kids out there trying to make good music, and the rest of them sound like it's been strained through some kind of white toast or something. It all sounds just too neat and perfect, with no surprise to it at all. No story, no nothing. It's like building cars, like an assembly line. It doesn't sound like anything that came from a guitar. — Merle Haggard

But that is the way of the place: down our many twisting corridors, one encounters story after story, some heroic, some villainous, some true, some false, some funny, some tragic, and all of them combining to form the mystical, undefinable entity we call the school . Not exactly the building, not exactly the faculty or the students or the alumni more than all those things but also less, a paradox, an order, a mystery, a monster, an utter joy. — Stephen L. Carter

This is why I loved the support groups so much, if people thought you were dying, they gave you their full attention. If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window. You had their full attention. People listened instead of just waiting for their turn to speak. And when they spoke, they weren't just telling you a story. When the two of you talked, you were building something, and afterward you were both different than before. — Chuck Palahniuk

Just the same as I mix each track to connect them together to build a story, it's the same with the message, each scripture and passage is building up a story and a testimony in a way that's going to connect with people. — Robert Hood

was Superman. He jumped off a building - a skyscraper, no less - thinking he could fly away, and died when he found that he couldn't. I don't know if he was wearing his super suit at the time. Noel Thomas's story began with the same ending, though the means weren't so dramatic. She sat in my office, slim black purse on the floor next to her, hands folded on her lap, and calmly related that her father had killed himself. She wanted to know why. — Judy K. Walker

More than a building that houses books and data, the library has always been a window to a larger world
a place where we've always come to discover big ideas and profound concepts that help move the American story forward ...
Libraries remind us that truth isn't about who yells the loudest, but who has the right information. Because even as we're the most religious of people, America's innovative genius has always been preserved because we also have a deep faith in facts.
And so the moment we persuade a child, any child, to cross that threshold into a library, we've changed their lives forever, and for the better. This is an enormous force for good. — Barack Obama

Plausible development, building from what we know about what really did go on, and a whacking good story ... Surrounded by Enemies delivers on both, big-time. So hold on to your hats, folks. You're in for quite a ride. — Harry Turtledove

There can be little doubt that in many ways the story of bridge building is the story of civilisation. By it we can readily measure an important part of a people's progress. — Franklin D. Roosevelt

I always thought that the movie had to be really raw, very edgy, that everything had to be super grounded and feel very real. If this was going to be a story about kids discovering time travel and building a time machine that we needed to believe that they really did it . — Dean Israelite

I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing. — Adriana Trigiani

And we learned, perhaps the hard way, that church isn't static. It's not a building, or a denomination, or a 501(c)(3) nonprofit organization. Church is a moment in time when the kingdom of God draws near, when a meal, a story, a song, an apology, and even a failure is made holy by the presence of Jesus among us and within us. — Rachel Held Evans

His characters may be cardboard, but each has a clear, uncomplicated purpose. Every moment of the story contributes to building conflict. — Donald Maass

To power the country by building 186,000 fifty-story wind turbines - and running 19,000 miles of new transmission lines - just seems impractical and preposterous compared to the idea of building a hundred new nuclear facilities primarily on the sites we already have. — Lamar Alexander

Contributor Shannon Mayer is the author of Rylee Adamson series. Every author has a different way of building their story — Anonymous

I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story. — Renzo Piano

Facebook's headquarters is a two-story building at the end of a quiet, tree-lined street. Zuckerberg nicknamed it the Bunker. Facebook has grown so fast that this is the company's fifth home in six years - the third in Palo Alto. There is virtually no indication outside of the Bunker's tenant. — Jose Antonio Vargas

The inside operation of Congress - the deals, the compromises, the selling out, the co-opting, the unprincipled manipulating, the self-serving career-building - is a story of such monumental decadence that I believe if people find out about it they will demand an end to it. — Bella Abzug

Plot and scene are still the hardest things for me, though I think they're the building blocks of what makes a story work. — Dan Chaon

In [James Kelman's story] 'The Third Man, or Else the Fourth,' four men stand around a fire, on a freezing day. They appear to be out of work, and very poor. They talk about politics, about an old man who was recently found dead in a cold tenement building, about prison. One of the men, Arthur, starts describing a dream he had. Like most dreams, it is incomprehensible; it gathers pace, and we are drawn into it, and then it fizzles out. Kelman makes a funny, implicit connection between maintaining the fire (the narrator goes off to get "burnables") and maintaining a story: everything is potentially burnable, everything can be used. — James Wood

[David] Salle's studio, on the second floor of a five-story loft building, is a long room lit with bright, cold overhead light. It is not a beautiful studio. Like the streets outside, it gives no quarter to the visitor in search of the picturesque. It doesn't even have a chair for the visitor to sit in, unless you count a backless, half-broken metal swivel chair Salle will offer with a murmur of inattentive apology. Upstairs, in his living quarters, it is another story. But down here everything has to do with work and with being alone. — Janet Malcolm

Books can make a difference in dispelling prejudice and building community: not with role models and recipes, not with noble messages about the human family, but with enthralling stories that make us imagine the lives of others. A good story lets you know people as individuals in all their particularity and conflict; and once you see someone as a person - flawed, complex, striving - you've reached beyond stereotype. — Hazel Rochman

Then a very large komodo breaks into view, spooked by our trespass, and scrambles up the vertical face of the bluff, like an alligator scaling a four-story building. — David Quammen

The hospital was a low and narrow building of a single story, with a small garden. — Victor Hugo

Each song is a small universe to me. Each song has a story of its own. Each has a full life to express in order to be complete, so it often happens that the building to a big crescendo feels right in the recording or writing process. — Damien Rice

It's time for us to join the line of your madmen all chained together.
Time to be totally free, and estranged.
Time to give up our souls, to set fire to structures and run out in the street.
Time to ferment.
How else can we leave the world-vat and go to the lip?
We must die to become true human beings.
We must turn completely upside down
like a comb in the top of a beautiful woman's hair.
Spread out your wings as a tree lifts in the orchard.
As seed scattered on the road,
as a stone melts to wax,
as a candle becomes the moth.
On a chessboard the king is blessed again with his queen.
With our faces so close to the love mirror, we must not breathe, but change to a cleared place where a building was and feel the treasure hiding inside us.
With no beginning or end,
we live in lovers as a story they know.
If you will be the key, we'll be tumblers in the lock. — Rumi

I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a signboard had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles - no matter the imminent peril - these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from common sense and its logic, that we know the world to be good. — Vladimir Nabokov

We're at maybe 1% of what is possible. Despite the faster change, we're still moving slow relative to the opportunities we have. I think a lot of that is because of the negativity ... Every story I read is Google vs someone else. That's boring. We should be focusing on building the things that don't exist. — Larry Page

Isn't there a flaw in the logic of that phrase - speak truth to power? It assumes that power doesn't know the truth. But power knows the truth just as well, if not better, than the powerless know the truth. Enron knows what it's doing. We don't have to tell it what it's doing. We have to tell other people what Enron is doing. Similarly, the people who are building the dams know what they're doing. The contractors know how much they're stealing. The bureaucrats know how much they're getting in bribes.
Power knows the truth. There isn't any doubt about that. It is really about telling the story. Good fiction is the truest thing that ever there was. Facts are not necessarily the only truths. Facts can be fiddled with by economists and bankers. There are other kinds of truth. It's about telling the story. As a writer, that's the best thing I can do. It's not just about digging up facts. — Arundhati Roy

Withholding things in a story is no good if you aren't building to something substantial. It becomes foreplay without the main event, and no one wants that. — J.J. Abrams

Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder. — Jane Gardam

Making a story from the messy thoughts and half-thoughts in her head, building a world and lives and taking them apart again, fitting the pieces together another way until it feels right, as right as she can make it feel. — Caitlin R. Kiernan

On Hayao Miyazaki
I told Miyazaki I love the "gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said, "It's called ma. Emptiness. It's there intentionally."
Is that like the "pillow words" that separate phrases in Japanese poetry?
"I don't think it's like the "pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, but if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb. — Roger Ebert

It's actually easier to do autobiographical stories. The story is already there. It's a matter of carving away what doesn't fit rather than building up from nothing. — Craig Thompson

The dangerously high level of stupidity surplus was once again the lead story in The Owl that morning. The reason for the crisis was clear: Prime Minister Redmond van de Poste and his ruling Commonsense Party had been discharging their duties with a reckless degree of responsibility that bordered on inspired sagacity. Instead of drifting from one crisis to the next and appeasing the nation with a steady stream of knee-jerk legislation and headline-grabbing but arguably pointless initiatives, they had been resolutely building a raft of considered long-term plans that concentrated on unity, fairness and tolerance. It was a state of affairs deplored by Mr. Alfredo Traficcone, leader of the opposition Prevailing Wind Party, who wanted to lead the nation back to the safer ground of uniformed stupidity. — Jasper Fforde

At nearly five hundred meters long, it was the size of a 130-story building. Alex had said it was 250,000 tons dry weight, — James S.A. Corey

It is not the task of a writer to 'tell all,' or even to decide what to leave in, but to decide what to leave out. Whatever remains, that meager sum of this profane division, that's the bastard chimera we call a 'story.' I am not building, but cutting away. And all stories, whether advertised as truth or admitted falsehoods, are fictions, cleft from the objective facts by the aforementioned action of cutting away. A pound of flesh. A pile of sawdust. Discarded chips of Carrara marble. And what's left over.
Houses Under The Sea — Caitlin R. Kiernan

Across the street at the New Orleans headquarters of the Lighthouse for the Blind - a two-story building attached to a four-story stucco lighthouse - another Christmas party was under way, and Wright watched as the sightless guests arrived. Then, before his eyes, a curious scene unfolded. As they were greeted by their hosts, the blind whites were escorted to a large room at the front of the house, whereas the blind Negroes were taken to the rear, where they stayed. Separated. Transfixed, Wright had to look twice before it dawned on him: 'They couldn't see to segregate themselves — Gilbert King

When we did the pilot, I sort of pictured this guy pirating a signal and then this story unfolding of him building this satellite and these robots and watching these bad movies. — Joel Hodgson

What are we doing? Are we talking? Are we having fun? Are we building, destroying, remembering, or forgetting love? — Antonia Perdu

There is no one story that will replace the American dream, but stories
like this one - and there are thousands - can inform the myth or myths
we create for building and preserving the next culture. In order to do so,
however, we must recognize that we cannot live without myth, for it is an
essential part of our humanity. If we attempt to do so - given the fact that
something in us needs myth - we
will only create more myths that echo
the American dream - with themes of heroism, greed, entitlement, narcissism,
exploitation, exceptionalism, and myriad abuses of power. How we prepare for and navigate collapse will provide the raw materials for the myths we make and will live by in a postindustrial world. — Carolyn Baker

The Empire State Building was tall. So what? Just proved New York builders didn't know when to stop at a good story. — Craig L. Rice

Yes, she was the girl playing basketball with all the boys in the park, collecting cans by the side of the road, keeping secret pet kittens in an empty boxcar in the woods, walking alone at night through the rail yards, teaching her little sister how to kiss, reading out loud to herself, so absorbed by the story, singing sadly in the tub, building a fort from the junked cars out in the meadow, by herself in the front row at the black-and-white movies or in the alley, gazing at an eddy of cigarette stubs and trash and fall leaves, smoking her first cigarette at dusk by a pile of dead brush in the desert, then wishing at the stars
she was all of them, and she was so much more that just just her that I still didn't know. — Davy Rothbart

I do have a stunt double because there are certain things that they won't let me do. Like they won't set fire to me. They won't like let me jump off a 20 story building. There are certain big stunts that it's just impossible to get insurance to let me do, but for the most part I'd say I do probably 75% of my stuff. — Alex O'Loughlin

When the reader has stopped to wonder at your delamificatious vocabulary, or, worse, when the reader has stopped because the word you've used has no more meaning to him than a random ptliijnbvc of letters, the reader is not involved in your story ... Generally, saying 'edifice' instead of 'building' doesn't tell your reader anything about the building; it tells the reader that you know that word edifice. — Howard Mittelmark

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way. — Marc Webb

I think that it's premature to call Libya a democracy because political order is still so fragile there and the command by the state over the means of violence is still so inadequate that I think state building remains a major challenge. And until the militias can be reined in and the authority of the democratically-elected state can really be firmly established, there's still tremendous fragility and vulnerability in the unfolding story in Libya. — Larry Diamond

My creative workday starts with strong breakfast tea and a few minutes of journaling, both of which help me get my head in the story. So much of story-building for me involves immersing myself in the character and situation I'll be working on, just the way an actor does when playing a role. — Therese Fowler

What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly. — Peter Tork

I had the great idea of using markers to gently color the ants so I could tell them apart, but I learned that this is exactly like somebody trying to gently color on you with a thirty-story building.
Without dwelling on the tragedy, I'd just like to say that I'm deeply sorry to Mr. Purple and the surviving Purple family. — Jim Benton

An important part of building a new culture was allowing people to complain about their past. At first, the more they complained, the worse the past would seem. But by venting, people could start to resolve the past. By bitching and bitching and bitching, they could exhaust the drama of their own horror stories. Grow bored. Only then could they accept a new story for their lives. Move forward. — Chuck Palahniuk

Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen. — James Cameron

It's of course important to mention that when DJing, I'm building my own story through the music. I'm figuring out what song to play next, what song to play after that, and how the two will blend together. How the emotion is going to develop from one song to another. So I first build that storyline. — Steve Aoki

The engineer and historian of engineering Henry Petroski presents a very elegant point. Had the Titanic not had that famous accident, as fatal as it was, we would have kept building larger and larger ocean liners and the next disaster would have been even more tragic. So the people who perished were sacrificed for the greater good; they unarguably saved more lives than were lost. The story of the Titanic illustrates the difference between gains for the system and harm to some of its individual parts. — Nassim Nicholas Taleb

What is the "Once upon a time" of your brand story? Ask yourself this: "How does what I'm building help consumers close the gap between who they are today and who they want to be tomorrow? — Laura Busche

This house had a small front garden, black railings and a lawn in need of mowing. Two white front doors had been crammed together side by side, showing that the three-story building had been converted into upper and lower flats. A girl called Robin Ellacott lived on the ground floor. Though he had made it his business to find out her real name, inside his own head he called her The Secretary. He had just seen her pass in front of the bow window, easily recognizable because of her bright hair. — Robert Galbraith

Whoever places his trust into a system will soon be without a home. While you are building your third story, the two lower ones have already been dismantled. — Franz Grillparzer

Wordlessly they settled on a third-story ledge near Patriarch's Pond, of the roof across from Luce's window, where they used to watch her sleep. The memory would be fresher in Daniil's mind, but the faint recollection of Luce lying dreaming under the covers still sent a warm rush across Daniel's wings.
Both were somber.In the bombed-out city, it was sad and ironic that her building had been spared when she hadn't. They stood in silence in the cold night,both carefully tucking back their wings so that they wouldn't accidentially touch. — Lauren Kate

Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants. — William Butler Yeats

I'm convinced Midnight Gulch can't be the only magical town in the world. I bet there's a snicker of magic on every street, in every old building, every broken heart, every word of a story. Maybe it's hidden away and you need to look harder for it. Or maybe the magic is right there, right in front of you, and all you have to do is believe. — Natalie Lloyd

About five years ago I saw a mockingbird make a straight vertical descent from the roof gutter of a four-story building. It was an act as careless and spontaneous as the curl of a stem or the kindling of a star. — Annie Dillard

But, while Starkfield is modeled on a fairly specific place (New England), we can also think of it as any place that a person gets stuck in, any place where it seems impossible to stay, and impossible to leave. This can be a geographical location, a state of mind, a building or a city, or tiny kitchen on a broken down farm.

When we notice that there is also a "Springfield" in the story, we realize that Starkfield (stark meaning, hard, bare, difficult) really is supposed to be the place of eternal hardship. Springfield is the place Zeena goes to visit doctors and get medicine. This is perhaps to emphasize that Starkfield has the absolute worst kind of winters you can imagine. This also emphasizes that spring (and health) is always a false promise for the characters — Unknown

A big part of the story is American imperialism, and the flip side of that is the building up of the national security state here at home. — Peter Kuznick

Current public diplomacy and foreign policy making reduces the role of American citizens to mere spectators. The USIA's model of democracy and the free market is promoted as the superpower version of economic globalization, packaged and ready for shipping to clients throughout the world. In this version, foreign capital flows freely while the movement of people, particularly the world's poor, is strictly controlled. Such a commercial package speaks first and foremost for government 'partners,' the Fortune 500 corporations, which are the primary beneficiaries as well as the bankrollers of the American political process. This is a packaged story of America that is incomplete and undemocratic. Where do workers and communities fit into the story? How do private citizens play a part in building dialogue across cultures? — Nancy Snow

Is this true on smaller scales too? Apart from a visible fragment is everybody largely invisible - invisible like the magic part of magic mushrooms and the song part of songbirds? Maybe the balance between one's visibility and invisibility is like the balance between the salt and the water in the blood, delicate and critical, as becomes obvious when the balance deteriorates: people with an invisibility deficiency seem like paper dolls, subject to crumple. Other people have the opposite problem: they cannot be seen building a bicycle, nor making lentil soup, nor knitting a green wool sweater by candlelight; neither can you look down from your second-story window in the morning and see them tromping off through the snow — Amy Leach

You ever hear about that experiment an American journalist did in Moscow in the 1970s? He just lined up at some building, nothing special about it, just a random door. Sure enough, someone got in line behind him, then a couple more, and before you knew it, they were backed up around the block. No one asked what the line was for. They just assumed it was worth it. I can't say if that story was true. Maybe it's an urban legend, or a cold war myth. Who knows? — Max Brooks

The swells were amazing! As big as three-story apartment buildings! — Abby Sunderland

I heard a story once in the Orient about two architects who went to see the Buddha. They had run out of money on their projects and hoped the Buddha could do something about it. 'Well, I'll do what I can,' said the Buddha, and he went off to see their work. The first architect was building a bridge, and the Buddha was very impressed. 'That's a very good bridge,' he said, and he began to pray. Suddenly a great white bull appeared, carrying on its back enough gold to finish construction. 'Take it,' said the Buddha, 'and build even more bridges.' And so the first architect went away very happy. The second architect was building a wall, and when the Buddha saw it he was equally impressed. 'That's a very good wall,' he said solemnly, and began to pray. Suddenly the sacred bull appeared, walked over to the second architect, and sat on him. — Colin Higgins

A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see. — Dan Chaon

Uncontainable is a love story. Kip and Sharon's love for each other, their precious family, their business journey of joy and, most of all, their pure and uncontainable love for their employees and their families is clear and happy proof that the future of business is building love cultures. Oh, and when you have love on the inside customers shower uncontainable love back at ya from the outside. Love on brother! — Roy Spence

Building a museum case and filling it with types of mussels is one way of knowing mussels; but on the shore, a mussel leads to a crab or a curious stone, which leads to another thing and eventually leads back to mussels, which is another and perhaps a more far-reaching way to know mussels. The sea that always seems like a metaphor, but one that is always moving, cannot be fixed, like a heart that is a like a tongue that is like a mystery that is like a story that is like a border that is like something altogether different and like everything at once. One thing leads to another, and this is the treasure that always runs through your fingers and never runs out. — Rebecca Solnit

So, I mean, there's still vast swaths of the city that are suffering from a lack of jobs and poor housing and poor public schools, but they are building momentum - you know, techies, foodies, artists, musicians, all coming to Detroit. So there is this vibrancy. You see it in the newspapers every day - some story about the new Detroit. — David Maraniss

None of them had cars, either. There was no future in which most of these families would ever have cars. There was maybe one car for every thousand people, yet almost everyone had a driveway. It was almost like building the driveway was a way of willing the car to happen. The story of Soweto is the story of the driveways. It's a hopeful place. - — Trevor Noah

She'd been lax in her responsibilities as the building owner because her tenants were her friends. Emmylou rented out the left half of the bottom floor space for her massage studio. Chaz rented the tiny center section for his various artistic enterprises. Amery's graphic design business was on the right bottom half and she lived in the loft that spanned the length of the two-story building. — Lorelei James

You can drop a mouse down a thousand-yard mine shaft and, on arriving at the bottom, it gets a slight shock and walks away. A rat would probably be killed, though it can fall safely from the eleventh story of a building, a man is broken, a horse splashes. — John B. S. Haldane

DON'T ABUSE ME, I've never flown one of these things before." Richard Reiss put the tip of his tongue between his teeth and squinted at the controls. While he did this, building blocks, tree limbs, and swirling leaves scudded past the plastic windscreen. Chaison stared at the ambassador. "Richard, why are you dressed as a clown?" Ballooning pantaloons and a polka-dotted top spilled out around the edges of Reiss's seat; he had red smudges on his cheeks that he'd obviously been trying to rub off. The ambassador turned with great dignity, fixed Chaison with a steely eye and said, "It is a very long story, and one I find I would rather not relate. — Karl Schroeder

Twilight is the first series of books I've ever read. I didn't get into the Harry Potter series, even though I love the movies. Twilight really caught my attention and held it. I'm really excited to see the book adapted to film and excited that our band gets to be a part of the phenomenon. I chose the title "Decode" because the song is about the building tension, awkwardness, anger and confusion between Bella and Edward. Bella's mind is the only one which Edward can't read and I feel like that's a big part of the first book and one of the obstacles for them to overcome. It's one added tension that makes the story even better. — Hayley Williams

Here's the thing. I hate kids. Always have.
I mean, I know the job of the race, biologically speaking, is to achieve immortality through reproduction, but the idea of getting impregnated and blowing up like a balloon as I serve as a carrier and service unit for this other person who will eventually burst out of me in the most terrifying way imaginable, then carry on using me one way or another for the rest of my life, is right up there with throwing myself off the top of a twenty-story building. If I have a biological clock, it is digital and does not tick. — Isobelle Carmody

Science fiction, as a genre is fundamentally about ideas. It's about asking an impossible question, "What if...?" and building a story out of the answer.

Romance on the other hand, is fundamentally about relationships. The hypothetical romance transposed to the past could be rewritten without the futuristic elements and still work as a story, which is something that can't happen with SF. It works in romance, because the story is the relationship and that depends on character, not setting.

Lots of books take elements from multiple genres, and there are elements that put them into one genre or another, but setting isn't a key determinant. — Dave Robinson

Mine could not be a story about the building of character, but about its erosion, about the slow accumulation of small forces and events that ultimately dries the soul and leaves the heart empty. — Gonzalo Munevar

The effect of the brainwashing is that we tend to think like the man who, having fallen off a 100-story building is heard to say as he passes the fiftieth floor, 'So far, so good! — Allen Carr

Every story I read about Google is about us vs some other company, or something else, and I really don't find that interesting. We should be building great things that don't exist. Being negative is not how we make progress. — Larry Page

The story of a man who saw three fellows laying bricks at a new building:
He approached the first and asked, What are you doing?
Clearly irritated, the first man responded, What the heck do you think I'm doing? I'm laying these darn bricks!
He then walked over to the second bricklayer and asked the same question.
The second fellow responded, Oh, I'm making a living.
He approached the third bricklayer with the same question, What are you doing?
The third looked up, smiled and said, I'm building a cathedral.
At the end of the day, who feels better about how he's spent his last eight hours? — Bill Vaughan

Having to call your customer service department is like falling off a six story building. — Jon Jones

Am I like the optimist who, while falling ten stories from a building, says at each story, I'm all right so far? — Gretel Ehrlich

Jesus is building his Church, not only by constitutions and codes, but by shaping hearts and minds to his way of life. We are a family, not a firm, scattered and yet gathered. Biblical equality is not the endgame; it is one of the means to God's big ending: all things redeemed, all things restored. Jesus feminism is only one thread in God's beautiful woven story of redemption. Begin here: right at the feet of Jesus. Look to Love, and yes, our Jesus - he will guide you in your steps, one after another, in these small ways until you come at last to love the whole world. — Sarah Bessey