Story About Us Quotes & Sayings
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What story will our kids be telling about us someday, do you suppose?" "It'll be a lot more romantic than two senators matchmaking," I said. "They'll say that we were meant to be together no matter what. For us, stars aligned, the gods smiled - prob'ly there was a tidal wave someplace, too, and we just haven't heard about it yet." "A Homeric epic, it sounds like. Have another glass of champagne and tell me more." * — Therese Anne Fowler

tell me even though lies soft words
it was about to kill me with you that statue
i still in the art of love a baby
between us seas and mountains
you still can't understand
that all men are babies
so if i stood before your love quietly
then quietness in the love is love
our words in love are killing our love
and letters are dying after they're said
love stories may drive you crazy
cause its all full of fantasies
love is not a story,my dear
where the stars marry each other by the end
its to get hot blooded for anything silly
it's our misery, it's our killing doubting
it's this hand that assassin us
and we accept that hand that assassin — Nizar Qabbani

My weakness consists in not having a discriminating eye for the incidental
for the externals,
no eye for the hod of the rag-picker or the fine linen of the next mean. Next man
that's it. I have met so many men." he pursued, with momentary sadness
"met them too with a certain, certain impact, let us say; like this fellow, for instance
and in each case all I could see was merely a human being. A confounded democratic quality of vision which may be better than total blindness, but has been of no advantage to me
I can assure you. Men expect one to take into account their fine linen. But I never could get up any enthusiasm about these things. Oh! It's a failing; and then comes a soft evening; a lot of men too indolent for whist
and a story ... " [p.44] — Joseph Conrad

Giving feels good, but it's also good for the bottom line. Charity is a viable growth strategy for a lot of companies. Our customers get excited to be a part of what we're doing. If you ask anyone wearing Toms how they first heard about us, most won't mention an advertisement; they'll say a friend told them our story. — Blake Mycoskie

We read about you to be with you, to walk in someone else's shoes, to experience another life. Some of those lives are hard, and others are easy, but we're with you every step of the way. We read about people in impossible situations because we're dealing with horrible things ourselves, in our lives. And you going through your story helps us with ours, no matter how yours ends. — James Riley

I've always enjoyed that kind of thing - thinking about the production of narrative and why it is that when we read a novel, we don't notice the fact that someone who might be very close-mouthed or tight-lipped is perfectly willing to tell us a story in 600 or 700 pages. — Matthew Tobin Anderson

The party line is that some of the most profound truths about us are things that we stop saying in the middle, but i think they do it to make us feel important — Ned Vizzini

It's a great story for us whenever an entrepreneur makes a crazy amount of money and we get to tell the world about it. For the entrepreneur? Not so much. Hitherto unknown relatives, entrepreneurs seeking angel investments, money managers and supposed baby-mamas all come out of the woodwork with dollar signs in their eyes. — Sarah Lacy

Story!" The dwarf snorted. "You'll be talking about "happily ever after" next. Do we look happy? There's no happily ever after for us. Miserabily ever after, more like. — John Connolly

One of the things I didn't like about school is that every time they told a story about a rich guy in school, he was an evil guy. Our school system is programming us to think the rich are greedy and evil. — Robert Kiyosaki

Our teacher made us write a story about what we want to be when we're big," Noah tells him.
"What did you write?"
"I wrote that I wanted to concentrate on being little first."
"That's a very good answer."
"Isn't it? I would rather be old than a grown-up. All grown-ups are angry, it's just children and old people who laugh."
"Did you write that?"
"Yes."
"What did your teacher say?"
"She said I hadn't understood the task."
"And what did you say?"
"I said she hadn't understood my answer. — Fredrik Backman

The historical truth is a fiction. OK, I did whatever I could to find out what happened from
surviving friends, family and media, but that is simply a skeleton upon which the story is draped.
This is the unmasking of the myth, and, as Jean Cocteau put it: "Man seeks to escape himself
in myth, and does so by any means at his disposal. Drugs, alcohol, or lies. Unable to withdraw
into himself, he disguises himself. Lies and inaccuracy give him a few moments of comfort."
I wanted to go beyond a recreation of the past to discover meaning in the degradation of my
addiction experience. The past is another country and not my prime interest. It's more what
the past can tell us about how we deal with the present moment.
- William Pryor — William Pryor

We all spin stories. That's what we do. We want people to see certain things about us and not others. What matters is whether you let others in to the truest story, the one that's the hardest to tell. — Maya Lang

At Pixar, Toy Story 2 taught us this lesson - that we must always be alert to shifting dynamics, because our future depends on it - once and for all. Begun as a direct-to-video sequel, the project proved not only that it was important to everyone that we weren't tolerating second-class films but also that everything we did - everything associated with our name - needed to be good. Thinking this way was not just about morale; it was a signal to everyone at Pixar that they were part owners of the company's greatest asset - its quality. — Ed Catmull

Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road ... — Terri Windling

Who is telling us about the false self today? Who is even equipped tell us? Many clergy have not figured this out for themselves, since even ministry can be a career decision or an attraction to "religion" more than the result of an encounter with God or themselves. Formal religious status can maintain the false self rather effectively, especially if there are a lot of social payoffs like special respect, titles, salaries, a good self image, or nice costumes. It is no accident that the religious "Pharisees" became the symbolic bad guys in the Jesus story. — Richard Rohr

There was something about the story she told us...that didn't seem right to him. He didn't buy the idea they'd been lovers. He reckoned it was something else. It's the sort of thing he used to pick up on, when I worked with him. You know as well as I do, sir, in a case like this you collect all sorts of facts, but only a few really matter, and Mr Madden had a gift for spotting them. Not that he always knew why: often it was just something he felt - a sort of instinct, I suppose - though he would have said it was simply a matter of paying attention. That's what he used to tell me. — Rennie Airth

True love is a different story. When it happens, individuals usually feel in touch with each other's core identity. Embarking on such a relationship is frightening precisely because we feel there is no place to hide. We are known. All the ecstasy that we feel emerges as this love nurtures us and challenges us to grow and transform. — Bell Hooks

For me, seeing our history told in this light, the ones who did rebel, the ones who did revolt, the revolutionaries, excited me. Seeing this story of the Underground Railroad ... and that is such a proud part of our history that not a lot of us know about, where these brave men and women, they were heroes, really helped tear down the system of slavery just by running. — Jurnee Smollett

More than a building that houses books and data, the library has always been a window to a larger world
a place where we've always come to discover big ideas and profound concepts that help move the American story forward ...
Libraries remind us that truth isn't about who yells the loudest, but who has the right information. Because even as we're the most religious of people, America's innovative genius has always been preserved because we also have a deep faith in facts.
And so the moment we persuade a child, any child, to cross that threshold into a library, we've changed their lives forever, and for the better. This is an enormous force for good. — Barack Obama

Because of our forgetfulness, God has created the physical world to be mnemonic, to help us daily remember that we are not alone, that we are not at the center, that life is not primarily about us, and that there is a grander story than the little stories of our individual lives. Physical things are meant to remind us of the grandeur and glory of the One who created all those things, set them in motion, and keeps them together by the awesome power of his will. — Paul David Tripp

Over the course of the years, I've learned [that] fashion is a fascinating business about selling magic. It is done on the backs of our optimism and our insecurity. It is as much psychology as commerce. But I've also learned that every day we make split second decisions about people based on their attire and those decisions can have powerful implications - see the story of Trayvon Martin and his hoodie. It's important for us to understand how fashion works and how we connect to it. — Robin Givhan

It is a rare American who does not have some story about how music has made our lives richer and more interesting, how it has changed our moods, brought out the best in our character and even sometimes helped us earn a living. — Lamar Alexander

I do not share the pessimism of the age about the novel. They are one of our greatest spiritual, aesthetic and intellectual inventions. As a species it is story that distinguishes us, and one of the supreme expressions of story is the novel. Novels are not content. Nor are they are a mirror to life or an explanation of life or a guide to life. Novels are life, or they are nothing. — Richard Flanagan

So I told [the doctor] about my hay fever, which used to rage just in summertime but now simmers the year round, and he listened listlessly as though it were a cock and bull story; and we sat there for a few minutes and neither of us was interested in the other's nose, but after a while he poked a little swab up mine and made a smear on a glass slide and his assistant put it under the microscope and found two cells which delighted him and electrified the whole office, the cells being characteristic of a highly allergic system. The doctor's manner changed instantly and he was full of the enthusiasm of discovery and was as proud of the two little cells as though they were his own. — E.B. White

The official line is that, after the war, women couldn't wait to leave the offices and assembly lines and government agencies. But the real story was that the economy couldn't have men coming home without women going home, not unless it wanted a lot of unemployed vets. So the problem became unemployed women. "How you gonna keep us down on the farm after we've seen the world,"' she ad-libs to the old World War I tune. 'Enter the women's magazines, and cookbook publishers, and all these advertising agencies carrying on about the scourge of germs in the toilet bowl, and scuffs on the kitchen floor, and, my favorite, house B.O. Enter chicken hash that takes two and a half hours to prepare. I can just hear them sitting around the conference tables. 'That'll keep the gals out of trouble. — Ellen Feldman

Lady Sylvia McCordle: Mr Weissman
Tell us about the film you're going to make.
Morris Weissman: Oh, sure. It's called "Charlie Chan In London". It's a detective story.
Mabel Nesbitt: Set in London?
Morris Weissman: Well, not really. Most of it takes place at a shooting party in a country house. Sort of like this one, actually. Murder in the middle of the night, a lot of guests for the weekend, everyone's a suspect. You know, that sort of thing.
Constance: How horrid. And who turns out to have done it?
Morris Weissman: Oh, I couldn't tell you that. It would spoil it for you.
Constance: Oh, but none of us will see it. — Julian Fellowes

There's just something about the way he sings. It makes me think of when it snows outside, and the fire is warm, and Podo is telling us a story while you're cooking, and there's no place I'd rather be
but for some reason I still feel ... homesick. — Andrew Peterson

I don't know what I was looking for . . . I felt empty. I guess. Not hearing from you made it all seem surreal, like you were never there, a dream, a figment of my imagination.
I went to your site that day to . . . I guess, double-check.
I thought. . . maybe you wrote something, a new story . . . a message . . . anything.
I did find a new story . . .
It wasn't about us . . .
And I ended up feeling even emptier. — Stjepan Sejic

I understood when I was quite small that there were two special things about the Jews. That we'd endured for over 3,000 years despite everything that had been thrown at us, and that we had an extraordinarily dramatic story to tell. — Simon Schama

I used to tell the story about as a young man in high school one of the professors came in and put a broad white sheet on the board with a dot in the right hand corner and said, "Boys, what do you see?" And we all shouted, a black dot. He stood back and said, "not a single one of you saw the broad white sheet, you all saw the black dot." He went on to tell us to focus on the broader picture, don't focus on the negative. — Kofi Annan

Life is messy. Grit and grace come at us fast, side by side. Sometimes the grit becomes overwhelming and diminishes our spirit. What's good seems lost and gone forever. This is a story about the pathway back to what's beautiful, when the way back seems impossible. — Sharon E. Rainey

the whole Bible is itself a missional phenomenon. The writings that now comprise our Bible are themselves the product of and witness to the ultimate mission of God. The Bible renders to us the story of God's mission through God's people in their engagement with God's world for the sake of the whole of God's creation. The Bible is the drama of this God of purpose engaged in the mission of achieving that purpose universally, embracing past, present and future, Israel and the nations, "life, the universe and everything," and with its centre, focus, climax, and completion in Jesus Christ. Mission is not just one of a list of things that the Bible happens to talk about, only a bit more urgently than some. Mission is, in that much-abused phrase, "what it's all about. — Christopher J.H. Wright

If the first step in establishing a professional identity is claiming our interests and talents, then the next step is claiming a story about our interests and talents, a narrative we can take with us to interviews and coffee dates ( ... ) a story that balances complexity and cohesion is frankly, diagnostic. — Meg Jay

Don't. I understand. I knew going into this that a story about us was also going to be a story about the two of you. And it should be. He was a big part of your life, and I'm okay with your history. It made you who you are. And I happen to be in love with who you are. — S.C. Stephens

The more power they have over your emotions, the less likely you'll trust your own reality and the truth about the abuse you're enduring. Knowing the manipulative tactics and how they work to erode your sense of self can arm you with the knowledge of what you're facing and at the very least, develop a plan to retain control over your own life and away from toxic people. . . . Taking back our control and power . . . means seeking validating professional help for the abuse we've suffered, detaching from these people in our lives, learning more about the techniques of abusers, finding support networks, sharing our story to raise awareness, and finding appropriate healing modalities that can enable us to transcend and thrive after their abuse. — Shahida Arabi

Theme is great for people who like to approach stories that way, but it's an organizing principle that helps us write a story that has some weight; it's not something that all readers have to care about. — Kurt Busiek

We don't feel pressure of, 'Let's make this really raunchy.' It's more about making a good story, which is 10 times harder. The raunchy stuff's really easy for us. — Matt Stone

It's all about truth," he said. "We don't trust governments because they don't tell us the truth. They make every story sound like it's good news, even when it's not. Those who are in power sing their own praises. Those who aren't in power criticise those that are. And no-one tells the whole truth. That's why we look for conspiracies. We know we are being lied to. We just don't know what they are lying to us about. — Will Once

Equity bids us be merciful to the weakness of human nature; to think less about the laws than about the man who framed them, and less about what he said than about what he meant; not to consider the actions of the accused so much as his intentions; nor this or that detail so much as the whole story; to ask not what a man is now but what he has always or usually been. — Aristotle.

Jack must have looked confused, and Sienna leaned closer to him as she explained. Her perfume was sharp and floral, and he took a deep breath, enjoying the fresh fragrance after a day on the road smelling dust and tar.
"When we were in high school, Uncle Renzo brought us down here to the pier at Monterey for a birthday dinner, and he spun Georgie a story about his grandmother going to sleep at the table when he was a little boy, and drowning in her chowder."
Jack grinned as Sienna continued the story. "He had her sucked in, hook line and sinker, for the whole night until she started to cry, and then he took pity on her."
Sienna smiled as she looked at Jack. Her long, delicate neck arched gracefully as her head turned slowly from side to side, and Jack got another whiff of her perfume. Her eyes were hooded and Jack sensed she was waiting for something. — Annie Seaton

Every story I read about Google is about us vs some other company, or something else, and I really don't find that interesting. We should be building great things that don't exist. Being negative is not how we make progress. — Larry Page

Because here's the thing. We can do a lot in thirty-five days." He sat on the bed and pulled her down next to him. "I mean, think about books and movies. You can watch a great love story in two hours, right? Or read one in maybe two days? So imagine what we can do with thirty-five. We can celebrate a whole year of holidays. We can lock the door at night and turn the music up and memorize each other. We can taste and smell and touch every single thing we love about this whole town, so we never forget, no matter who we turn into out there." He hugged her hands tightly with his. "And then when it's time to leave each other, we'll go off smiling into the future, and we won't be distracted by all that 'when will I find true love' stuff people always worry about because they don't know how it feels. Because we'll already know how it feels. And if neither one of us ever gets another great love story, this one will be enough to last our whole entire lives. — J.C. Lillis

Strange, the impact of History, the grip it had on us, yet it was nothing but words. Accidental accretions for the most part, leaving most of the story out. We have not yet begun to explore the true power of the Word, I thought. What if we broke all the rules, played games with the evidence, manipulated language itself, made History a partisan ally? Of course, the Phantom was already onto this, wasn't he? Ahead of us again. What were his dialectical machinations if not the dissolution of the natural limits of language, the conscious invention of a space, a spooky artificial no-man's land, between logical alternatives. I loved to debate both sides of any issue, but thinking about that strange space in between made me sweat. Paradox was one thing I hated more than psychiatrists and lady journalists. — Robert Coover

Do stories, apart from happening, being, have something to say? For all my skepticism, some trace of irrational superstition did survive in me, the strange conviction, for example, that everything in life that happens to me also has a sense, that it means something, that life speaks to us about itself through its story, that it gradually reveals a secret, that it takes the form of a rebus whose message must be deciphered, that the stories we live compromise the mythology of our lives and in that mythology lies the key to truth and mystery. Is it an illusion? Possibly, even probably, but I can't rid myself of the need continually to decipher my own life. — Milan Kundera

Perhaps you can relate to feeling in the middle, to having questions in the air. I don't know about you, but I hope to live a good story. To see things invisible and watch them come to life. The critics will probably always be there calling us fools or crooks, but we should just keep going. They can't see what we see and the are not the thing that drives us. — Jamie Tworkowski

The inflections of community are important because they get at the very meanings of marriage. Marriage is a gift God gives the church. He does not simply give it to the married people of the church, but to the whole church, just as marriage is designed not only for the benefit of the married couple. It is designed to tell a story to the entire church, a story about God's own love and fidelity to us — Lauren F. Winner

Tony Abbott might think coal's good for humanity, of course it was an important driver in the story of the Australian nation. But when we're talking about the 21st Century and those industries that are gonna take us forward, it won't be coal. — Richard Di Natale

But evil things, in robes of sorrow,
Assailed the monarch's high estate;
(Ah, let us mourn, for never morrow
Shall dawn upon him desolate!)
And round about his home the glory
That blushed and bloomed,
Is but a dim-remembered story
Of the old time entombed. — Edgar Allan Poe

People know us best for our entrepreneurial success as the founders of Three Dog Bakery; what they don't know is that we owe it all to a gigantic deaf dog named Gracie. But even though Gracie sowed the seeds of our success, this isn't a book about "making it." This is the story of a dog who was born with the cards stacked against her, but whose passionate, joyful nature helped her turn what could have been a dog's life into a victory of the canine spirit - and, in the process, save two guys who thought they were saving her. — Dan Dye

Now from science we have a new creation story, which is very alluring and very exciting. It's not about deposing all the other wisdom stories about creation that humanity has gathered, but it certainly supplements it. It offers a real universal view because it's beyond any particular religion, ethnicity, nation and so forth. As we're struggling as a species to come together as a tribe, it provides us our basic framework, because it's from creation stories that ethics derive. Today's creation story from science is that we come from 14 billion years of an organic unfolding of the universe and are connected physiologically with every being in the universe. We all share the same atoms and the same molecules. That's truly significant and important at this time in history. We're all kin, we're all interdependent. And that's the basis of compassion, which was Jesus's ultimate teaching. — David L. Felten

I remember liking to write stories pretty early on. In fourth or fifth grade, they would give us the beginning of a story, and we were supposed to finish it. I remember liking that. But I didn't think about deciding to become a writer until high school at about the age of 16. — Jeffrey Eugenides

Think, guys. What was strange about the story Uncle Goerge told us?"
"That a woman outsmarted the men", Mike said. For which he received a scowl that did a thunderstorm justice. — Sigmund Brouwer

There are species on this planet we've never seen. They live in lands and seas that no human has ever explored, and they are struggling to survive in a world unknown to us...We destroy their homes. And then they are gone, before we even have a chance to meet them.
Every species on this planet tells a story, an evolutionary novel packed with generations upon generations of knowledge. Letting those species disappear is like setting fire to every library on earth...the key to understanding life itself- is right here: millions of years of trial and error, data we can never even hope to accrue on our own...The only way we will ever learn what animals have to teach us about ourselves- about life- is if we keep them around. — Christie Wilcox

My job (and yours, if you decide this is a viable approach to storytelling) is to make sure these fictional folks behave in ways that will both help the story and seem reasonable to us, given what we know about them (and what we know about real life, of course). — Stephen King

Tell me about school, NoahNoah," the old man says..."Our teacher made us write a story about what we want to be when we're big," Noah tells him. "What did you write?""I wrote that I wanted to concentrate on being little first. — Fredrik Backman

I read from the Gospels, about the disciples. They reminded me of us. They had Jesus right there, like we have His words, and they still said and did stupid things. But Jesus loved them. After he was raised from the dead, one morning he made them breakfast, because they'd been out all night fishing. That story amazed me. You'd think dying on a Roman cross was enough, — Jill Penrod

Funny how people that don't believe in nothin' are so quick to believe every crazy story about people like us. — Dean Koontz

We share good news, then, neither to show our neighbors why Christianity is "right" nor to save people from the corrupting influence of other religions, but to name the story that helps us tell the truth about ourselves. — Jonathan Wilson-Hartgrove

So let us be bold in our efforts and even bolder in our vision. Let us tell the story of an America becoming - of a nation breaking free from the limits of its own arrested development and transforming into the place we were told about in school but which never really existed as such. Just because that place has been a cruel and taunting mirage for so long does not mean we cannot mold it into a reality. As the Student Non-Violent Coordinating Committee (SNCC) - one of the premier civil rights groups of our nation's history - used to say, Come, let us build a new world together. — Tim Wise

The problem may be a literary one: we are given a single story line about what makes a good life, even though not a few who follow that story line have bad lives. We speak as though there is one good plot with one happy outcome, while the myriad forms a life can take flower - and wither - all around us.
Even those who live out the best version of the familiar story line might not find happiness as their reward. This is not necessarily a bad thing. I know a woman who was lovingly married for seventy years. She has had a long, meaningful life that she has lived according to her principles. But I wouldn't call her happy; her compassion for the vulnerable and concern for the future have given her a despondent worldview. What she has had instead of happiness requires better language to describe. There are entirely different criteria for a good life that might matter more to a person - honor, meaning, depth, engagement, hope. — Rebecca Solnit

All of our faith and practice arise out of the drama of Scripture, the "big story" that traces the plot of history from creation to consummation, with Christ as its Alpha and Omega, beginning and end. And out of the throbbing verbs of this unfolding drama God reveals stable nouns - doctrines. From what God does in history we are taught certain things about who he is and what it means to be created in his image, fallen, and redeemed, renewed, and glorified in union with Christ. As the Father creates his church, in his Son and by his Spirit, we come to realize what this covenant community is and what it means to belong to it; what kind of future is promised to us in Christ, and how we are to live here and now in the light of it all. The drama and the doctrine provoke us to praise and worship - doxology - and together these three coordinates give us a new way of living in the world as disciples. — Michael S. Horton

Nothing can change the past, including thought. However, dwelling on thoughts about the past does change our experience of the Now. When we drag the past into the present, everything else that belongs to the Now is marginalized and overlooked. All we see is the past or, more accurately, our story about it. All we can ever have of the past is our story about it, and that story is very unsatisfying. Our stories about the past don't feed our soul like the Now does. And worse, any story is usually a sad tale that keeps us caught up in negative feelings, and then those feelings become our current experience of life. — Gina Lake

The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, the spiritual quest of the ancients with the modern search for identity, always the one, shape-shifting yet marvelously constant story that we find. — Phil Cousineau

things started getting better when the people of West Point slum starting singing "No one is coming to save us!" It was a turning point. It meant they understood that local leaders were their best hope for surival. The people were finally in charge of their own future. The story turned from being about the failure of outsiders to the success of community resilience. And in the coming months when West Point slum's death toll fell far short of projections, citizens and local leaders could look at each other and say, "We did this ourselves! — Marc Maxmeister

Are there books about us or something? This makes Pressia angry - the idea that this world is a subject of study, a story, instead of filled with real people, trying to survive. — Julianna Baggott

My hope is that you will see this book for what it is...a conversation about the core questions that call us into humanity. Who am I? What am I? Who created me? What is my purpose? This is the story about the journey through the mysteries that make up the depths of life. — Julia J. Gibbs

But there's a decision that I find God is asking us to make: whether we are going to choose to interpret our circumstances based on what we hold to be true about God, or whether we're going to judge what we hold to be true about God based on our circumstances. — Laura Story

I want you to read 'God Sees the Truth, but Waits,' " said Mother. "Tolstoy writes about a man, wrongly accused of a murder, who spends the rest of his life in a prison camp. Twenty-six years later, as a convict in Siberia, he meets the true murderer and has an opportunity to free himself, but chooses not to. His longing for home leaves him and he dies." I ask Mother why this story matters to her. "Each of us must face our own Siberia," she says. "We must come to peace within our own isolation. No one can rescue us. My cancer is my Siberia." Suddenly, two white birds about the size of finches, dart in front of us and land on the snow. — Terry Tempest Williams

I think the roots of this antagonism to science run very deep. They're ancient. We see them in Genesis, this first story, this founding myth of ours, in which the first humans are doomed and cursed eternally for asking a question, for partaking of the fruit of the Tree of Knowledge. It's puzzling that Eden is synonymous with paradise when, if you think about it at all, it's more like a maximum-security prison with twenty-four hour surveillance. It's a horrible place. Adam and Eve have no childhood. They awaken full-grown. What is a human being without a childhood? Our long childhood is a critical feature of our species. It differentiates us, to a degree, from most other species. We take a longer time to mature. We depend upon these formative years and the social fabric to learn many of the things we need to know. — Ann Druyan

If we wish to know about a man, we ask 'what is his story
his real, inmost story?'
for each of us is a biography, a story. Each of us is a singular narrative, which is constructed, continually, unconsciously, by, through, and in us
through our perceptions, our feelings, our thoughts, our actions; and, not least, our discourse, our spoken narrations. Biologically, physiologically, we are not so different from each other; historically, as narratives
we are each of us unique. — Oliver Sacks

Georgia took once a creative-writing course, and what the instructor told her was: Too many things. Too many things going on at the same time; also too many people. Think, he told her. What is the important thing? What do you want us to pay attention to? Think.
Eventually she wrote a story that was about her grandfather killing chickens, and the instructor seemed to be pleased with it. Georgia herself thought that it was a fake. She made a long list of all the things that had been left out and handed it in as an appendix to the story. The instructor said that she expected too much, of herself and of the process, and that she was wearing him out.
The course was not a total loss, because Georgia and the instructor ended up living together. — Alice Munro

Carol and I have found that unless God baptizes us with fresh outpourings of love, we would leave New York City yesterday! We don't live in this crowded, ill-mannered, violent city because we like it. Whenever I meet or read about a guy who has sexually abused a little girl, I'm tempted in my flesh to throw him out a fifth-story window. This isn't an easy place for love to flourish. But Christ died for that man. What could ever change him? What could ever replace the lust and violence in his heart? He isn't likely to read the theological commentaries on my bookshelves. He desperately needs to be surprised by the power of a loving, almighty God. If the Spirit is not keeping my heart in line with my doctrine, something crucial is missing. I can affirm the existence of Jesus Christ all I want, but in order to be effective, he must come alive in my life in a way that even the pedophile, the prostitute, and the pusher can see. — Jim Cymbala

In my heart of hearts I knew I was wrong. The World Cup was about to begin in the United States. The planet was interested in nothing else. And in any case, whatever happened in Rwanda, it would always be the same old story of blacks beating up on each other. Even Africans would say, during half-time of every match, "They're embarrassing us, they should stop killing each other like that." Then they'll go on to something else. [9-10] — Boubacar Boris Diop

If this were simply a story about the past, it would be appropriate to write, at the conclusion of Acts 28 as at the conclusion of a film, "The End." But since the story is unfinished, it is more appropriate to conclude it with, "RSVP," like an invitation that awaits a response. This is what Luke demands from us: not satisfied curiosity about the past, but a response here and now. RSVP! — Justo L. Gonzalez

I steer clear of telling. I can't come out with it; the outlandish truth of me. How can I reveal this to someone innocent and unsuspecting? With those who know my story I talk freely about us ... but with others I keep it hidden, the truth. I keep it under wraps because I don't want to shock or make anyone distressed ... I try to keep a distance from those who are innocent of my reality. At best I am vague. I feel deceitful at times, but I can't just drop it on someone, I feel. It's too horrifying, too huge. — Sonali Deraniyagala

That's very important about stories. They touch something that is human in us and is probably unchanging. Perhaps this is why the important knowledge is passed through stories. It's what holds a culture together. Culture has a story, and every person in it participates in that story. They world is made up of stories; it's not made up of facts. — Krista Tippett

Our governor in Massachusetts, Deval Patrick, once told a story about his grandma. She said, "Don't call people 'the poor.' Call people broke. Broke is temporary." I try not to say "the poor" because it sounds like a sentence, like I'm putting people in a box, far away from those of us who can make ends meet. But someone who is broke, on the other hand, is a peer. — Molly Phinney Baskette

Someday, if we won, if humanity survived, we'd be in the history books. Me and Jake and Rachel and Cassie and Tobias and Ax. They'd be household names, like generals from World War II or the Civil War. Patton and Eisenhower, Ulysses Grant and Robert E. Lee. Kids would study us in school. Bored, probably.
And then the teacher would tell the story of Marco. I'd be a part of history. What I was about to do. Some kid would laugh. Some kid would say, "Cold, man. That was really cold."
I had to do it, kid. It was a war. It's the whole point, you stupid, smug, smirking little jerk! Don't you get it?
It was the whole point. We hurt the innocent in order to stop the evil. Innocent Hork-Bajir. Innocent Taxxons. Innocent human-Controllers. How else to stop the Yeerks? How else to win?
No choice, you punk. We did what we had to do.
"Cold, man. The Marco dude? He was just cold. — Katherine Applegate

One of the things you have to do when you edit your work is make sure that when you use the first person, it's about more than you. We need the story of us. — Barry Lopez

Far from being aloof or detached from power, the church is all about power - the end of power, meaning the purpose of power, the taming of power, and the unleashing of power for true flourishing. The church proclaims the true story of power. By telling the whole story from Genesis to Revelation, with its astonishing bookends of good, very good and glorious news, the church recognizes and affirms our human ambitions and aspirations, placing them in the context where they truly make sense and can find their rightful place. By telling the full truth about idolatry and injustice, not least by recalling the stories of how our own heroes fell into compromise and foolishness, the church makes clear just how damaging our pride is to ourselves, our neighbors and the whole groaning creation. And by recounting over and over the immense cost of redemption, the church leads us to abashed and grateful humility before the one who gave up everything for us. — Andy Crouch

As sneakily addictive as a game of Pong (which was named, we're told, after the narrator's dad), this zany zip-line of a novel takes the piss out of the Asian-American 'good immigrant' story. Full of charming antiheroes making comically bad choices, the story dazzles us with its absurdity, which makes its eventual wisdom--about lineage, ethnicity, and the meaning of family--all the more wonderfully surprising. — Michael Lowenthal

That's the thing about choices. They're an act of knowledge, of faith, of love. It's how we make them that sets us apart, because every single day, worlds are colliding, and our choices shape so much more than just our own story. And if we want to change this world for the better, then we must be the best possible version of ourselves, because who we are in each moment is a gift to the universe. This is what the present is: when the sum of one person's past meets a world's collective future. — Sarah Ayoub

Walt Disney was a story man, and he knew that we were thinking story. That's why he dug us so much and he hired us to work for him. We always thought about the story. That was more important than any words and any music. That's all it's about. — Richard M. Sherman

One of the things I find exciting about Joan of Arc is how clearly the story of her life reveals the creation of myth, a process in which every one of us is involved - every one of us who tells stories and all those who listen, each informing the other. — Kathryn Harrison

What is miraculous about the past is that we have succeeded
God knows how
in making thousands and millions of individual human beings, lock well enought into one another to give us what looks like a common past, a shared story. — J.M. Coetzee

I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure. — J.H. Wyman

I still have nightmares of dead comrades, a long time ago, talking to me. 'Emmanuel, don't forget about us, don't give up, keep telling our story.' — Emmanuel Jal

Western man has tried for too many centuries to fool himself that he lives in a rational world. No. There's a story about a man who, while walking along the street, was almost hit on the head and killed by an enormous falling beam. This was his moment of realization that he did not live in a rational world but a world in which men's lives can be cut off by a random blow on the head, and the discovery shook him so deeply that he was impelled to leave his wife and children, who were the major part of his old, rational world. My own response to the wild unpredictability of the universe has been to write stories, to play the piano, to read, listen to music, look at paintings - not that the world may become explainable and reasonable but that I may rejoice in the freedom which unaccountability gives us. — Madeleine L'Engle

What readers seek is an experience different from their own. Story is how readers dream. Story is what sells the book. The power of the premise is what captures the reader, editor, or agent's attention - not the characters and prose. Unless we care about the story we will never welcome the actors on stage. It is this power of desire that pulls us into the story. — Eddie Jones

It is my secrecy which makes you unhappy, my evasions, my silences. And so I have found a solution. Whenever you get desperate with my mysteries, my ambiguities, here is a set of Chinese puzzle boxes. You have always said that I was myself a Chinese puzzle box. When you are in the mood and I baffle your love of confidences, your love of openness, your love of sharing experiences, then open one of the boxes. And in it you will find a story, a story about me and my life. Do you like this idea? Do you think it will help us to live together? — Anais Nin

I cried, sitting by her bed, and I told her the story of us. "It's about the feed," I said. "It's about this meg normal guy, who doesn't think about anything until one wacky day, when he meets a dissident with a heart of gold." I said, "Set against the backdrop of America in its final days, it's the high-spirited story of their love together, it's laugh-out-loud funny, really heartwarming, and a visual feast." I picked up her hand and held it to my lips. I whispered to her fingers. "Together, the two crazy kids grow, have madcap escapades, and learn an important lesson about love. They learn to resist the feed. Rated PG-13. For language," I whispered, "and mild sexual situations. — M T Anderson

Why else do we read fiction, anyway? Not to be impressed by somebody's dazzling language - or at least I hope that's not our reason. I think that most of us read these stories that we know are not 'true' because we're hungry for another kind of truth: The mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. — Orson Scott Card

As Neil Postman said about the scientific view: In the end, science does not provide the answers most of us require. Its story of our origins and our end is, to say the least, unsatisfactory. To the question, "How did it all begin?", science answers, "Probably by an accident." To the question, "How will it all end?", science answers, "Probably by an accident." And to many people, the accidental life is not worth living. (Science and the Story That We Need) — John Eldredge

Lay your life down. Your heartbeats cannot be hoarded. Your reservoir of breaths is draining away. You have hands, blister them while you can. You have bones, make them strain-they can carry nothing in the grave. You have lungs, let them spill with laughter. With an average life expectancy of 78.2 years in the US (subtracting eight hours a day for sleep), I have around 250,00 conscious hours remaining to me in which I could be smiling or scowling, rejoicing in my life, in this race, in this story, or moaning and complaining about my troubles. I can be giving my fingers, my back, my mind, my words, my breaths, to my wife and my children and my neighbors, or I can grasp after the vapor and the vanity for myself, dragging my feet, afraid to die and therefore afraid to live. And, like Adam, I will still die in the end. — N.D. Wilson

Of all the stories our mother told us when we were girls, the story about Lenz and the snowflakes and the sky was our favorite. We were children ourselves; we empathized with a little boy's failure to understand an adult's message. We got why his misapprehension was cute and silly, but we also got why it was wonderful, why this was a glorious way to see the world; not reduced to one of its component colors, but broad and encompassing and mystical, and the whole thing revolving around little old you. — Judith Claire Mitchell

It's about more than us, now, can't you see? I love you, of course I do, but some things ... some things just have to be done. — Natasha Farrant

Let us again pretend that life is a solid substance, shaped like a globe, which we turn about in our fingers. Let us pretend that we can make out a plain and logical story, so that when one matter is despatched - love for instance - we go on, in an orderly manner, to the next. — Virginia Woolf

It was said of him that he had once been for a short time in Bedlam; they had done him the honour to take him for a madman, but had set him free on discovering that he was only a poet. This story was probably not true; we have all to submit to some such legend about us. — Victor Hugo

The first time I read Isaac Babel was in a college creative writing class. The instructor was a sympathetic Jewish novelist with a Jesus-like beard, an affinity for Russian literature, and a melancholy sense of humor, such that one afternoon he even "realized" the truth of human mortality, right there in the classroom. He pointed at each of us around the seminar table: "You're going to die. And you're going to die. And you're going to die." I still remember the expression on the face of one of my classmates, a genial scion of the Kennedy family who always wrote the same story, about a busy corporate lawyer who neglected his wife. The expression was confused. — Elif Batuman