Stone With Face Quotes & Sayings

But they were not living, thought Harry: They were gone. The empty words could not disguise the fact that his parents' moldering remains lay beneath snow and stone, indifferent, unknowing. And tears came before he could stop them, boiling hot then instantly freezing on his face, and what was the point in wiping them off or pretending? He let them fall, his lips pressed hard together, looking down at the thick snow hiding from his eyes the place where the last of Lily and James lay, bones now, surely, or dust, not knowing or caring that their living son stood so near, his heart still beating, alive because of their sacrifice and close to wishing, at this moment, that he was sleeping under the snow with them. — J.K. Rowling

It would be possible to become a Stone Age native. For over 30 years, I programmed and conditioned myself to this end. In the last 10 of it, I would say I realistically experienced the physical, mental, and emotional reality of the Stone Age. But to borrow a Buddhist phrase, eventually came a setting face-to-face with pure reality. I learned that it is not possible for human beings as we know them to live off the land. — Jon Krakauer

i gut fruit with my mouth
push tongue into black belly of papaya
peel lychee with teeth
bite into ripe pear
suck on stone of mango
all of this, over the kitchen sink
barefoot
middle of winter
sticky hands pushing hair away from face
moaning into sweet flesh
the whole time
your name flat against the roof of my mouth. — Warsan Shire

Sweet Evelyn, I think, I should have loved you better.
Possessing perfect knowledge I hover above him as he hacks me to bits. I see his rough childhood. I see his mother doing something horrid to him with a broomstick. I see the hate in his heart and the people he had yet to kill before pneumonia gets him at eighty-three. I see the dead kid's mom unable to sleep, pounding her fists against her face in grief at the moment I was burying her son's hand. I see the pain I've caused. I see the man I could have been, and the man I was, and then everything is bright and new and keen with love and I sweep through Sam's body, trying to change him, trying so hard, and feeling only hate and hate, solid as stone. — George Saunders

Too many of my friends are dead, and others wrecked
By various diseases of the intellect
Or failing body. How am I still upright?
And even I sleep half the day, cough half the night.

How did it come to this? How else but through
The course of years, and what its workings do
To wood, stone, glass and almost all the metals,
Smouldering already in the fresh rose petals.

Our energy deceived us. Blessed with the knack
To get things done, we thought to get it back
Each time we lost it, just by taking breath -
And some of us are racing yet as we face death.

Well, good to see you. Sorry I have to fly.
I'm struggling with a deadline, God knows why,
And ghosts keep interrupting. Think of me
The way I do of you. Quite often. Constantly. — Clive James

For goodness sake,' they'll cry, 'you cannot argue against it
two times two is four! Nature doesn't consult you; it doesn't give a damn for your wishes or whether its laws please or do not please you. You must accept it as it is, and hence accept all consequences. A wall is indeed a wall ... ' And so on and so forth. Good God, what do I care about the laws of nature and arithmetic if, for one reason or another, I don't like these laws, including the 'two times two is four'? Of course, I cannot break through this wall with my head if I don't have the strength to break through it, but neither will I accept it simply because I face a stone wall and am not strong enough. — Fyodor Dostoyevsky

The priest gazed around my cell and answered in a voice that sounded very weary to me. 'Every stone here sweats with suffering, I know that. I have never looked at them without a feeling of anguish. But deep in my heart I know that the most wretched among you have seen a divine face emerge from their darkness. That is the face you are asked to see.'
This perked me up a little. I said I had been looking at the stones in these walls for months. There wasn't anything or anyone in the world I knew better. Maybe at one time, way back, I had searched for a face in them. But the face I was looking for was as bright as the sun and the flame of desire - and it belonged to Marie. — Albert Camus

Ezra felt his heart cry out, as though it were branded by the stone he now held. Then he roared against the tide of regret and anguish that suddenly filled him, a piercing grief for he knew not what. Ezra cast the first stone. Stephen was struck hard. But he straightened, lifted his eyes and his voice to heaven, and cried, "Lord Jesus, receive my spirit." The stones rained down upon him even as his face was lifted to the heavens, shining with that same light as in the Council chamber. The last words Ezra heard him speak were, "Lord, do not charge them with this sin. — Janette Oke

BALLROOMS OF MARS"

"You gonna look fine
Be primed for dancing
You're gonna trip and glide
All on the trembling plane
Your diamond hands
Will be stacked with roses
And wind and cars
And people of the past

I'll call you thing
Just when the moon sings
And place your face in stone
Upon the hill of stars
And gripped in the arms
Of the changeless madman
We'll dance our lives away
In the Ballrooms of Mars

You talk about day
I'm talking 'bout night time
When the monsters call out
The names of men
Bob Dylan knows
And I bet Alan Freed did
There are things in night
That are better not to behold

You dance
With your lizard leather boots on
And pull the strings
That change the faces of men
You diamond browed hag
You're a gutter-gaunt gangster
John Lennon knows your name
And I've seen his — Marc Bolan

Snuggle up with a hot fireman! Meet Tanner West.
Sharon looked up into the most gorgeous face she had ever seen. Eyes like dark chocolate, deep and warm, stared out at her from a face that looked like it could have been chiseled in stone. Skin the color of burnished copper, high cheekbones, a sharp nose, full lips, and a cleft chin. How the hell had she failed to notice him before? Her heart skipped a beat and she ran her gaze down the rest of his body. He was tall, well over six feet, she would guess, with broad shoulders that tapered into a trim waist. His thighs, encased in worn denim, fit like a second skin against legs the size of tree trunks, and oh my, what lay between those thighs ... Her attention snapped back to his face and she could feel the heat of a blush suffuse her skin. — Tamara Hoffa

Archdeacon Peter's face was like stone. He was the worst kind of Christian, Philip realized: he embraced all of the negatives, enforced every proscription, insisted on all forms of denial, and demanded strict punishment for every offense; yet he ignored all the compassion of Christianity, denied its mercy, flagrantly disobeyed its ethic of love, and openly flouted the gentle laws of Jesus. That's what the Pharisees were like, Philip thought; no wonder the Lord preferred to eat with publicans and sinners. — Ken Follett

Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lincoln's as an early American archetype, it was haunting, handsome, almost beautiful." I can't imagine what the great rail splitter's reaction would have been to this, though I sure was pleased. — Buster Keaton

That's what you asked him?"
"Yeah, why?" Gina scrunched her face with confusion.
"I thought you were going to say something juicy."
"Like what?"
"I don't know, like if he would be your sex slave or something like that."
"Kelly! Why would I ask him that?"
"He's a hot guy, you're a hot girl. We're in a super romantic castle on the coast." Kelly waved her hand around the room for emphasis. "Why the hell not generate some heat in between these cold stone walls? — Lisa Carlisle

His hands came up to my head, around my cheek and under my hair.
His handsome face was no longer chiseled in stone, but open and naked and raw. "I love you. I'm in love with you and I will be for the rest of my life. — Emma Scott

He ran a hand over his face and shook his head. "Lass, I have never lied to you. I adore you and there have never been any other women from the future here. And these"- he flung a tampon in the air- "cleaning swabs, I cannot fathom why they upset you so greatly, but I assure you I have never let the maids use them."
Lisa's brow furrowed. No man could be so stupid. "Cleaning Swabs?"
He snatched up a gun and jerked the barrel in her direction, and an unwrapped tampon shot out. It was coated with black from the slow corrosion of the steel. She eyed it for a moment, bent, and plucked it from the floor. "You clean your guns with these?"
He lowered the gun. "Is that not the purpose for which they were designed? I vow I could not conceive of another."
Didn't you read the box?"
There were too many words I didn't understand! — Karen Marie Moning

long, pointed nose jutted forth from its cheeks, its face more leather than stone. Like a mask. Rye did not come from a home with many rules, but the ones she lived by were absolute and unbreakable. The first House Rule flashed through her mind. HOUSE — Paul Durham

Wait," Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my
wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one
woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back.
"What are you doing?"
"I ... " He appeared to have no idea himself. "I wanted to see your freckle."
A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to
beg for one last kiss. As fast as his expression had softened, it was back to stone again.
"What do you want from me, Kai?"
"For starters?" His voice lowered to sexy, dangerous depths. "I want to introduce myself to every freckle on your body."
A powerful shiver ripped through me. — Wendy Higgins

Roebling rejoined the Army of the Potomac in February 1863 back at Fredericksburg, where he was quartered late one night in an old stone jail, from which he would emerge the following morning with a story that would be told in the family for years and years to come. The place had little or no light, it seems, and Roebling, all alone, groping his way about, discovered an old chest that aroused his curiosity. He lifted the lid and reaching inside, his hand touched a stone-cold face. The lid came back down with a bang. Deciding to investigate no further, he cleared a place on the floor, stretched out, and went to sleep. At daybreak he opened the chest to see what sort of corpse had been keeping him company through the night and found instead a stone statue of George Washington's mother that had been stored away for safekeeping. — David McCullough

At least her nice boss was going to come out ahead, she thought. Gerald would marry Sadie and have a perfectly wonderful life while Nicky grew old taking dictation. It didn't bear thinking about.
Maybe she could do what she'd threatened Winthrop with - get married and have children. Sure. Nothing easier. First, she had to find a man. And who could measure up to old stone face? — Diana Palmer

They did not even have to clean off his face to know that the dead man was a stranger. The village was made up of only twenty-odd wooden houses that had stone courtyards with no flowers and which were spread about on the end of a desert-like cape. There was so little land that mothers always went about with the fear that the wind would carry off their children and the few dead that the years had caused among them had to be thrown off the cliffs. But the sea was calm and bountiful and all the men fitted into seven boats. So when they found the drowned man they simply had to look at one another to see that they were all there. — Gabriel Garcia Marquez

A lover finds his mistress asleep on a mossy bank; he wishes to catch a glimpse of her fair face without waking her. He steals softly over the grass, careful to make no sound; he pauses
fancying she has stirred: he withdraws: not for worlds would he be seen. All is still: he again advances: he bends above her; a light veil rests on her features: he lifts it, bends lower; now his eyes anticipate the vision of beauty
warm, and blooming, and lovely, in rest. How hurried was their first glance! But how they fix! How he starts! How he suddenly and vehemently clasps in both arms the form he dared not, a moment since, touch with his finger! How he calls aloud a name, and drops his burden, and gazes on it wildly! He thus grasps and cries, and gazes, because he no longer fears to waken by any sound he can utter
by any movement he can make. He thought his love slept sweetly: he finds she is stone dead.
I looked with timorous joy towards a stately house: I saw a blackened ruin. — Charlotte Bronte

Shouldering the duffel bag with the Marine Corps bulldog, Old Man knocked Jan's photo off the bed table. He turned to stone staring down at the photo. His face then splintered into hurt. Tears seeped into his eyes. He grappled for the nearest bedpost and slumped forward on extended arms. His shoulders jerked and head sagged a little while his heart broke. Old Man cried the mute cry of men of his generation. — Ed Lynskey

He stared at Esmelda with a face like glass, nothing hidden. What I saw there wasn't steel or fire or stone. Feelings stirred in me and I had to look away. I knew what I saw because I'd felt them, too - understanding, sadness, compassion ... forgiveness. — Deborah Wheeler

I see the pain of miserly love in young people,' I say. 'You don't have that kind of melancholy on your face. But I'm careful not to step on your feet when I speak with you. It's not like dancing. It's like a stone walkway with a little grass between the cracks. It's strong but I will try to tread carefully and not ruin it. In Muslim homes you leave your shoes outside. This is how I behave with you. — Erri De Luca

Kneeling on St. Mary's stone floor she had envisioned the candles and the cold, but not Lady Imeyne, waiting for Roche to make a mistake in the mass, not Eliwys or Gawyn or Rosemund. Not Father Roche, with his cutthroat's face and worn-out hose.

She could never in a hundred years, in seven hundred and thirty-four years, have imagined Agnes, with her puppy and her naughty tantrums, and her infected knee. I'm glad I came, she thought. In spite of everything. — Connie Willis

So this is the "smug idiot thinks he's funny" face, Kami observed. Not to be confused with other "smug idiot" variants. — Sarah Rees Brennan

There is a Hand to turn the time,
Though thy Glass today be run,
Till the Light hath brought the Towers low
Find the last poor Preterite one ...
Till the Riders sleep by ev'ry road,
All through our crippl'd Zone,
With a face in ev'ry Mountainside
And a Soul in ev'ry stone
Now Everybody - — Thomas Pynchon

The greatest minds and the most advanced engineering went into its creation. They carved the prison out of solid rock from the face of the
mountains just north of the lake. They sealed it not only with metal, stone, and wood but also with ancient and powerful enchantments. In the end, when it was finished, it was believed to be the most secure prison in the world."
"They must have had some really nasty criminals back then to go to so much trouble," Hadrian said.
"No," Myron replied matter-of-factly, "just one."
"One?" Alric asked. "An entire prison designed to hold just one man?"
"His name was Esrahaddon. — Michael J. Sullivan

Her face was plastered with layers of powder and looked like a face of stone. And with her noble profile, she seemed, on the triangular, moss-covered pedestal hidden by her cape, like a crumbling goddess in a park. — Marcel Proust

For all his clever ideas, Maven has nothing to say to this. He just stares, his breath coming in tiny, scared puffs. I know the look on his face; I wear it every time I'm forced to say good-bye to someone.
"It's too bad we didn't stay longer," I murmur, looking out at the river. "I would have liked to die close to home."
Another breeze sends a curtain of my hair across my face but Maven brushes it away and pulls me close with startling ferocity.
Oh.
His kiss is not at all like his brother's. Maven is more desperate, surprising himself as much as me. He knows I'm sinking fast, a stone dropping through the river. And he wants to drown with me.
"I will fix this," he murmurs against my lips. I have never seen his eyes so bright and sharp. "I won't let them hurt you. You have my word. — Victoria Aveyard

Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it. — Cassandra Clare

Every stone here sweats with suffering, I know that. I have never looked at them without a feeling of anguish. But deep in my heart I know that the most wretched among you have seen a divine face emerge from their darkness. That is the face you are asked to see. — Albert Camus

With such luck as this, he rode the beast in the jaunty way that she deserved, back north, seemingly back from Mexico, pulling up finally at an outlying bar-ex-saloon (they had covered the old adobe face with knotty pine, substituted big stone matades for the cuspidors) and having brought her wrecklessly this far did not park her in the little parking lot but in front of the church next door. They had lifted that face too and neonized, but it did no good, they seemed to know they had no chance against an older god, their doors were closed. Thus one could join the pagan worshipers with a self-righteous shrug, through latticed doors. — Douglas Woolf

A step lower and strangeness creeps in: perceiving that the world is "dense", sensing to what a degree a stone is foreign and irreducible to us, with what intensity nature or a landscape can negate us. At the heart of all beauty lies something inhuman, and these hills, the softness of the sky, the outline of these trees at this very minute lose the illusory meaning with which we had clothed them, henceforth more remote than a lost paradise. The primitive hostility of the world rises up to face us across millenia. — Albert Camus

Thump Milton loomed over Ree, a fabled man, his face a monument of Ozark stone, with juts and angles and cold shaded parts the sun never touched. — Daniel Woodrell

The claw slipped again. It came off the edge of the stone and Hadrian felt his stomach rise as he fell. He dropped less than two stories and landed in a thick pile of straw, but it still hurt. With the wind knocked from him, he lay staring up at the sky and the wall.
Royce's shadow crossed his face. "That was pathetic."
"You're enjoying this a little too much for me to think you're honestly trying to help."
"Trust me. I want you to improve. I want you to fall from much higher up. — Michael J. Sullivan

The principal difference between her "seductive" and her other self-portraits was the absence of self-awareness in the former and its strong presence in the latter. With time, she became brutally direct. In her later self-portraits she was no longer beautiful, merely odd-looking. She did not seduce, she simply drew attention to herself. Her face became hard, serious. The pronounced cheekbones and heavy eyebrows looks as if they had been carved out of stone. The stern black eyes looked either straight through or straight past the viewer. She deliberately exaggerated the brutality of her self-portraits. She was saying: Look at me, I'm alive and it hurts. These self-portraits were like attestations to her existence: one, two, three, four...Exhibitionism, they said. But for her, painting self-portraits was a kind of magical rite, a kind of exorcism. — Slavenka Drakulic

The two thought themselves alone. But all the while, one watched with the night-wide eyes of love. While they paced the pebbled paths between the silent flowers' spiked arrays, sage Thyme spied upon each pale sigh, peeping between bloom and leaf. And while they sat side by side and hand in hand on the stained stone bench beneath the spreading wisteria, Thyme watched unwinking from the midnight face of the mute sundial. And while they lay lazy on the soft grass, swearing the sweet oaths of love and longing, and whispering as they parted that though long lives might pass like a night and the New Sun sunder the centuries, yet never should they ever part, Thyme crept and cried, counting seconds that spilled with the sand from the hourglass, and scenting the soft breezes that cooled the child's burning cheek with his sad spice. The — Gene Wolfe

Hopscotch is played with a pebble that you move with the tip of your toe. The things you need : a sidewalk, a pebble, a toe, and a pretty chalk drawing, preferably in colors. On top is Heaven, on the bottom is Earth, it's very hard to get the pebble up to Heaven,you almost always miscalculate and the stone goes off the drawing. But little by little you start to get the knack of how to jump over the different squares (spiral hopscotch, rectangular hopscotch, fantasy hopscotch, not played very often ) and then one day you learn how to leave Earth and make the pebble climb up into Heaven (Et tous nos amours, Emmanuele was sobbing face down), the worst part of it is that precisely at that moment,
when practically no one has learned how to make the pebble climb up into Heaven, childhood is over all of a sudden and you're into novels, into the anguish of the senseless divine trajectory, into the speculation about another Heaven that you have to learn to reach too. — Julio Cortazar

With so much unknown in this life, how little it takes for a face, a grove of trees, an outcropping of stone to become familiar. — Larry Watson

The question for each man to settle is not what he would do if he had means, time, influence and educational advantages; the question is what he will do with the things he has. The moment a young man ceases to dream or to bemoan his lack of opportunities and resolutely looks his conditions in the face, and resolves to change them, he lays the corner-stone of a solid and honorable success. — Hamilton Wright Mabie

He cradled her face between his hands, angled his mouth over hers, and welcomed the bliss she offered. Boldly, she gave her tongue the freedom to roam within his mouth. She sighed. He moaned.
He thought a man could become spoiled touching a woman. He might never want to touch stone again. Stone wasn't warm. It didn't alter its shape with the gentlest of pressures. Stone didn't breathe so he could feel its moisture on his face. Rocks didn't make soft sounds that he'd carry with him until the day he died. — Lorraine Heath

Oh, Timothy, how could you not have loved someone all these years? Loving absolutely seeps from you, like a spring that bubbles up in a meadow." "Maybe you can convince me of that, but I doubt it. I find myself niggardly and self-seeking, hard as stone somewhere inside. Look how I've treated you." "Yes, but you could never deceive me into thinking you were hard as stone. You've always betrayed your tenderness to me, something in your face, your eyes, your voice ..." "Then I have no cover with you?" "Very little." " 'Violet only wanted a friend,' " he quoted, " 'but every time she tried to have one, she did something that chased them away. — Jan Karon

Death lurks in the shadows, just out of view.

Now and then I see his reaching hand, uncertain of the blurry image that passes before my eyes, but conscious of the crippling influence of his touch.

Some say Death rears an ugly head, so hideous a view the beholder can scarcely gasp their last breath. Others call him beautiful, a sweet relief to look upon. But these are rumors babbled by the unknowing. For Death is like the gorgon, Medusa, who when perceived, turns the body to stone.

Those who know Death take the knowledge of his shadowed face with them to wherever it is he leads our dearly departed by the hand. All who are left behind must wait their turn to glance into the eyes of the one who will close our mouths forever. — Richelle E. Goodrich

As he continued to load the barrow, he moved slower and slower, like a machine winding down. Eventually he stopped completely and stood for a long minute, still as stone. Only then did his composure break. And even with no one there to see, he hid his face in his hands and wept quietly, his body wracked with wave on wave of heavy, silent sobs. — Patrick Rothfuss

There's a stone I had made for Luke at the top of the hill road, where the pasture opens wide and the setting sun highlights the words carved into its face. "That'll do, Luke, that'll do." The words are said to working dogs all over the world when the chores are done and the flock is settled: "That'll do dog, come home now, your work is done." Luke's work is done too. He took my heart and ran with it, and he's running still, fast and strong, a piece of my heart bound up with his, forever. — Patricia McConnell

She could feel the hot tears pouring down her face, and she pressed it against the stone. MacGowan, you stupid bastard, she thought. Why did you have to go and get yourself killed? I care about you.
Care about you. Stupid phrase. She knew the truth, and right then the least she could do for the man who'd died protecting her was to admit it. She was stupidly, idiotically in love with him. He didn't deserve it, she was smart enough to know better, but all the rationalization in the world didn't help. It simply was. — Anne Stuart

I stooped under the rude lintel, and there he sat upon a stone outside, his gray eyes dancing with amusement as they fell upon my astonished features. He was thin and worn, but clear and alert, his keen face bronzed by the sun and roughened by the wind. In his tweed suit and cloth cap he looked like any other tourist upon the moor, and he had contrived, with that catlike love of personal cleanliness which was one of his characteristics, that his chin should be as smooth and his linen as perfect as if he were in Baker Street. — Arthur Conan Doyle

Come with me, the river said, close your eyes and quiet your limbs and float with me into the wonder and mystery of the canyons, see the unknown and the little known, look upon the stone gods face to face, see Medusa, drink my waters, hear my song, feel my power, come along and drift with me toward the distant, ultimate and legendary sea ... — Edward Abbey

He'd been about to turn away when she lifted her face to the moon and sang.
It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent
This language was ancient, each word full of power and rage and agony.
She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself.
And the the song finished, its end as butal and sudden as Nehemia's death had been.
She stood there a few moments, silent and unmoving. — Sarah J. Maas

We sit down with a copy of Rolling Stone from the early eighties to argue about whether Face Dances by the Who (John's choice) or Emotional Rescue from the Stones (my choice) was the lamest sellout album for a super group. — Kirstin Cronn-Mills

I watched her carve her mistakes in stone, and they arranged themselves around her. They became a maze with walls that reached the sky. Because she learned from so few of them, she was lost. Because she didn't have faith in anything, she didn't try to find a way out. I watched her try to face her fears alone, too proud to ask for help, too stubborn to admit she was afraid, too small to fight them, too tired to fly away. — Amy Zhang

When I made you say my name, you couldn't pretend nothing was happening between us, could you? Was that it? I wanted to get inside you, inside your heart," he said huskily. "Did I?" "A little." "Good." He traced her face with one finger again. "A woman is either a wall or a door, beloved." She gave a bleak laugh and looked at him. "Then I guess I'm a door a thousand men have walked through." "No. You are a wall, a stone wall, four feet thick and a hundred feet high. I can't get over you all by myself, but I keep trying." He kissed her. "I need help, Tirzah. — Francine Rivers

Princess Caspida, I have nothing but respect and admiration for you. Truly you will be the queen this city needs. But I can't marry you."
The princess stands still as stone, her face unreadable. "Why not, Prince Rahzad?"
"I am sorry," he replies. "The truth is, I am in love, but not with you."
He turns to me, and my spirit takes flight like a flock of doves, startled and erratic. I cannot move, cannot speak, as he takes my hands in his and looks me earnestly in the eye. He presses the ring into my palm, and the gold feels as if it burns my skin.
"This belongs to you, and you alone. I've been so blind, Zahra. So caught up in the past that I've failed to see what's happening in front of me. I've been such an idiot, I don't know how I can expect anything from you. But I have to try. I have to tell the truth, and the truth is . . . I love you. — Jessica Khoury

Zane Hollander stood in profile a few feet away. Sophie's breath caught. Up close, he looked like he'd been carved from the most glorious, most gorgeous stone on the planet. His blond hair was straight, on the longer side and sticking up in GQ messiness. Square jaw, high cheekbones, perfect nose. Then he turned and pierced her with ice-blue eyes that knocked her off-balance.
Literally.
She tripped over her own feet and face-planted right into the sand. — Robin Bielman

Slumped to the floor. The pit of blackness welcomed her to let go and fall into the murky depths where conscience and pain ceased to exist.
Hands to her head, face to the stone, screaming without sound, she pushed back hard.
For nine months she'd tasted happiness, a chance at the closest thing she'd known to peace and a real life. For nine months the rage and violence that had defined so many of her years had finally ebbed, and now those who had no right had come with impunity to rip her out of this newfound calm, throwing her into an impossible situation where no matter what she did or what she chose, the end result would be a return to madness. — Taylor Stevens

She drew her knees up and dropped her chin on the top of them, smiling at him. Watching him. Caressing him with soft eyes. "You're going to go out there and act all tough, aren't you?"
"That's my intention, yes." He slipped a knife into his boots. It took discipline to keep his face pure stone when she made him want to laugh.
-Lexi & Gavriil — Christine Feehan

1SA17.49 And David put his hand in his bag, and took thence a stone, and slang it, and smote the Philistine in his forehead, that the stone sunk into his forehead; and he fell upon his face to the earth. 1SA17.50 So David prevailed over the Philistine with a sling and with a stone, and smote the Philistine, and slew him; but there was no sword in the hand of David. — Anonymous

Any high school boy or girl knows how to calculate the force with which a stone he or she throws will hit someone in the face, but nothing in those equations they use will tell them whether or not to throw it ... To solve the problem of values we must know what is valuable. Consciousness is the most valuable commodity ... To bring values into science, we need to connect science with what is valuable consciousness. — Ravi Gomatam

Jamie's own face was lined with shadow, the firelight showing the mark of time and struggle on his flesh as wind and rain mark stone. — Diana Gabaldon

What term do you employ when you speak of your progenitor?"
I answered with the term I'd always wanted to employ.
"Sonovabitch."
"To his face?" she asked.
"I never see his face."
"He wears a mask?"
"In a way, yes. Of stone. Of absolute stone. — Erich Segal

It's a dangerous game Cherrycoke's playing here. Often he thinks the sheer volume of information pouring in through his fingers will saturate, burn him out...she seems determined to overwhelm him with her history and its pain, and the edge of it, always fresh from the stone, cutting at his hopes, at all their hopes. He does respect her: he knows that very little of this is female theatricals, really. She has turned her face, more than once, to the Outer Radiance and simply seen nothing there. And so each time has taken a little more of the Zero into herself. It comes down to courage, at worst an amount of self-deluding that's vanishingly small: he has to admire it, even if he can't accept her glassy wastes, her appeals to a day not of wrath but of final indifference... — Thomas Pynchon

I want to be with you." My words brought a hugegrin to his incredibly beautiful face.
"You're my present and my future,Sadie, I will
use whatever power I have to make you happy."
He leaned down and touched his perfect lips to mine, and my heart took flight. I would never get tired of his kiss. Jax Stone was my everything. — Abbi Glines

Oh! to be a child again. My only treasures, bits of shell and stone and glass. To love nothing but maple sugar. To fear nothing but a big dog. To go to sleep without dreading the morrow. To wake up with a shout. Not to have seen a dead face. Not to dread a living one. To be able to believe. — Fanny Fern

With the last of the sun flickering orange light across her face, she hitched up her long skirt and started the steep climb to the stone circle. — Valerie Biel

One by one the angels had come to the top of Har Megiddo where I sat, holding her body close to mine after she'd died. I'd fought alongside them in battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. the angels weren't supposed to feel emotions, but they were all weeping. All of them. Their tear stained their flawless faces like rain running in rivulets across stone. Azrael was the only one of then who came to me, knelt in front of me and took her from my arms. He was the angel of death come to carry his sister home. I din't want to give her up, knowing it would be the last time I ever saw her face. I had died on that wretched hill with her. — Courtney Allison Moulton

The feeling of being trapped, of being helpless against his strength, his lust, and what my body needed was almost overwhelming. My eyes shuttered closed at the effort of not struggling in his harsh grasp. He whispered against my face, and I could not focus enough to see him. "Do you want to ride the storm?" His breath was hot against my skin. His voice promised no gentleness, no compromise. I knew the kind of sex he was offering, and the thought of it tightened things low in my body, drew another small sound from my throat. "Yes," I whispered, "yes." The roll of thunder echoed down the hallway, shuddering between the stone walls. The sound seemed to vibrate out of his body and into mine as if my body were a tuning fork struck against the rim of some great metal cup. His voice growled against my skin, with the taste of thunder in it. "Good," he said and forced me to my knees. — Laurell K. Hamilton

Lighter and lighter, until at last the sun touched the tops of the still trees, a poured the radiance over the hill. in the glow, the water of the chateau fountain seem to turn to blood, and the stone faces crimsond. the coral of the birds was loud and high, and, on the weather-beaten sill of the great window of the bed-chamber of monsieur the morquis, one little bird sang its sweetest song with all its might. at this,the nearest stone face seemed to stare amazed, and, with open mouthand dropped under-jaw, looked awe- stricken. — Charles Dickens

Touch the stone,' said Beliah, 'and you will touch "reality", or what the ignorant of all ages think "reality" is. That kind of truth will kill you, man. You won't see morning! I have kept you all your life from such things as remorse, terror, pity. Touch the stone, and those same angels will change you into an old poor pathetic deluded dying creature. Hubert, a nurse has to shave you, your hand shakes so much. You know that don't you? You dribble at every orifice, Hubert. You've begun to smell this past year or two...' He suddenly howled as if I had actually touched the stone,'YOU WILL BE RAVAGED IN FIRES OF GRACE!'
I heard Nurse McGregor in the next ward. 'Good evening,' came her cheerful voice to the looney who had strangled his sweetheart and then buried her in his garden. 'Is it cocoa tonight, or tea, or milk?"
Beliah was weeping. Outside the eaves dripped. The whole earth was drenched with the grief of Beliah. He wept inside me. I felt his marvellous tears on my face. — George Mackay Brown

The waitress came by with a pot of black coffee. She was a smallish woman, about forty, still had some of her looks left, but she had a hardness to her face. Money and bad men were the only things that left that much stone in a woman. I nudged my cup in her direction, and she served her purpose in life. — L. Joseph Shosty

I stare at the polished metal, examining my reflection. The girl I see is both familiar and foreign, Mare, Mareena, the lightning girl, the Red Queen, and no one at all. She does not look afraid. She looks carved of stone, with severe features, hair braided tight to her head, and a tangle of scars on her neck. She is not seventeen, but ageless, Silver but not, Red but not, human - but not. A banner of the Scarlet Guard, a face on a wanted poster, a prince's downfall, a thief... a killer. A doll who can take any form but her own. — Victoria Aveyard

Does the work get easier once you know what you are doing?"
"Your lungs grow thick with stone dust and your eyes bleary from the sun and fragments thrown up by the chisel. You pour your lifeblood out into works of stone for Romans who will take your money in taxes to feed soldiers who will nail your people to crosses for wanting to be free. Your back breaks, your bones creak, your wife screeches at you, and your children torment you with open begging mouths, like greedy baby birds in the nest. You go to bed every night so tired and beaten that you pray to the Lord to send the angel of death to take you in your sleep so you don't have to face another morning. It also has its downside. — Christopher Moore

Whatever task you're set, find some way to love it. Sunny wondered if Josiah's words applied to standing with a face of stone so the person in front of her wouldn't know how much she wanted to scream. — Megan Hart

The Poet With His Face In His Hands
You want to cry aloud for your
mistakes. But to tell the truth the world
doesn't need anymore of that sound.
So if you're going to do it and can't
stop yourself, if your pretty mouth can't
hold it in, at least go by yourself across
the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets
like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you
want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched
by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything. — Mary Oliver

At first glance, she thought him a statue; an apparition in the deluge of rain. He sat perched on top of a mausoleum, crouched like a gargoyle with his elbows on his knees, hood shrouding his face. Three stone crosses rose behind him giving him the appearance a post-apocalyptic monk guarding a sacred shrine. That — Martina McAtee

He stood beneath the white tower, and looked up at it with that mournful expression which his face always carried in repose: for one moment he thought of climbing up its cracked and broken stone, and then from its summit screaming down at the silent city as a child might scream at a chained animal. — Peter Ackroyd

The community of Partageuse had drifted together like so much dust in a breeze, settling in this spot where two oceans met, because there was fresh water and a natural harbor and good soil. Its port was no rival to Albany, but convenient for locals shipping timber or sandalwood or beef. Little businesses had sprung up and clung on like lichen on a rock face, and the town had accumulated a school, a variety of churches with different hymns and architectures, a good few brick and stone houses and a lot more built of weatherboard and tin. It gradually produced various shops, a town hall, even a Dalgety's stock and station agency. And pubs. Many pubs. — M.L. Stedman

We could go back," he said. In the dome light of the car, his face looked hard as stone. "We could go back to your house. I can stay with you always. We can know each other's bodies in every way, night after night. I could love you." His nostrils flared, and he looked suddenly proud. "I could work. You would not be poor. I would help you."
"Sounds like a marriage," I said, trying to lighten the atmosphere. But my voice was too shaky.
"Yes," he said. — Charlaine Harris

We wait all these years to find someone who understands us, I thought, someone who accepts us as we are, someone with a wizard's power to melt stone to sunlight, who can bring us happiness in spite of trials, who can face our dragons in the night, who can transform us into the soul we choose to be. Just yesterday I found that magical Someone is the face we see in the mirror: It's us and our homemade masks. — Richard Bach

See thou, whatsoever be thy name
whether Fate, Life, or Devil! I cast thee down my gauntlet, I challenge thee to battle! Men of faint heart may bow before thy mysterious power, thy face of stone may inspire them with dread, in thy unbroken silence they may discern the birth of calamity and an impending avalanche of woe. But I am daring and strong, and I challenge thee to battle! Let us draw our swords, and join our bucklers, and rain such blows upon each other's crests as shall cause the very earth to shake again! Ha! Come forth and fight with me! — Leonid Andreyev

Nimander wondered if he had discovered the face of the one true god. Naught else but time, this ever changing and yet changeless tyrant against whom no creature could win. Before whom even trees, stone and air must one day bow. There would be a last dawn, a last sunset, each kneeling in final surrender. Yes, time was indeed god, playing the same games with lowly insects as it did with mountains and the fools who would carve fastnesses into them. At peace with every scale, pleased by the rapid patter of a rat's heart and the slow sighing of devouring wind against stone. Content with a star's burgeoning light and the swift death of a raindrop on a desert floor. — Steven Erikson

Hundreds of thousands of years ago our ancestors of the dim and distant past faced the same problems which we must face, possibly in these same primeval forests. That we are here today evidences their victory.
What they did may we not do? And even better, for are we not armed with ages of superior knowledge, and have we not the means of protection, defense, and sustenance which science has given us, but of which they were totally ignorant? What they accomplished, Alice, with instruments and weapons of stone and bone, surely that may we accomplish also. — Edgar Rice Burroughs

Take my memories of my mother, and the feelings that went with them. I do not want to know them at all. Take the ache in my throat when I think of Molly, take all the sharp-edged, bright-colored days I recall with her. Take their brilliance and leave me but the shadows of what I saw and felt. Let me recall them without cutting myself on their sharpness. Take my days and nights in Regal's dungeons. It is enough to know what was done to me. Take it to keep, and let me stop feeling my face against that stone floor, hearing the sound of my nose breaking, smelling and tasting my own blood. Take my hurt that I never knew my father, take my hours of staring up at his portrait when the great hall was empty and I could do so alone. Take my - Fitz. Stop. You give her too much, there will be nothing left of you. — Robin Hobb

The gold of a lowland lord is as worthless as a half man's promises' Gunthor said.
'Half a man I may be' Tyrion said. 'Yet I have the courage to face my enemies. What do the Stone Crows do, but hide behind rocks and shiver with fear as the knights of the Vale ride by? — George R R Martin