Stephen King Story Quotes & Sayings

I believe the first draft of a book - even a long one - should take no more than three months ... Any longer and - for me, at least - the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity. — Stephen King

As he was shaking off, it came to Jake Chambers that the Pere would never do this again, or grin at him and point his finger; or cross himself before eating. They had killed him. Taken his life. Stopped his breath and pulse. Save for dreams, the Pere was now gone from the story. Jake began to cry. — Stephen King

The movie is actually from a book by Stephen King called The Body. When they were gonna put it to a motion picture, they found the story was a bit too strong for the title The Body, based on a young kid's movie. It would be too heavy. — Ben E. King

Dastardly devious, cleverly conceived, and just a whole lot of fun to read, DEATH PERCEPTION is Lee Allen Howard on fire and at his finest. Rife with winsome weirdness, it's like the mutant stepchild of Carl Hiaasen and Stephen King, mixing a truly unique paranormal coming-of-age story with a quirky cast of offbeat noir characters into a novel that's simply unforgettable ... and hilariously original. A supernatural crime story, blazing with creative intrigue ... don't miss it. — Michael Arnzen

And what about those [writers' workshop] critiques, by the way? How valuable are they? Not very, in my experience, sorry. A lot of them are maddeningly vague. I love the feeling of Peter's story, someone may say. It had something ... a sense of I don't know ... there's a loving kind of you know ... I can't exactly describe it ...
It seems to occur to few of the attendees that if you have a feeling you just can't describe, you might just be, I don't know, kind of like, my sense of it is, maybe in the wrong fucking class. — Stephen King

When you write a story, you're telling yourself the story. When you rewrite, your main job is taking out all the things that are not the story. — Stephen King

More than anything else I wanted to get inside my readers' defenses, wanted to rip them and ravish them and change them forever with nothing but story. And I felt I could do those things. I felt I had been made to do those things. — Stephen King

I will not waste it arguing about the merits of this short story or that poem. Why would I, when all such opinions are subjective, and no final resolution can ever be reached?" Some — Stephen King

Diligence, word-lust, empathy equal growing objectivity and then what? Story. Story. Dammit, story! — Stephen King

When you write a story, you are telling yourself the story. When you rewrite, your main job is taking out all the things that are NOT the story...Your stuff starts out being just for you...but then it goes out. Once you know what the story is and get it right, as right as you can...it belongs to anyone who wants to read it, or criticise it. — Stephen King

In our world you got your mystery and suspense stories . . . your science fiction stories . . . your Westerns . . . your fairy tales. Get it?" "Yes," Roland said. "Do people in your world always want only one story-flavor at a time? Only one taste in their mouths?" "I guess that's close enough," Susannah said. "Does no one eat stew?" Roland asked. — Stephen King

Well then, I'm going to tell you a secret almost every newspaper man and woman who's been at it awhile knows: in real life, the number of actual stories - those with beginnings, middles, and ends - are slim and none. But if you can give your readers just one unknown thing (two at the very outside) and then kick in what Dave Bowie there calls a musta-been, your reader will tell himself a story. — Stephen King

Then I got back to the house, and all I worried about was my story and the people in it
bags of bones which were putting on flesh daily. — Stephen King

There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good stories seem to come quite literally from nowhere, sailing at you right out of the empty sky. — Stephen King

The most important things to remember about back story are that (a) everyone has a history and (b) most of it isn't very interesting. — Stephen King

For a moment the dark and fearsomely sad thoughts which inhabit her mind grow even sadder and darker; Lisey thinks they will either kill her or drive her insane. — Stephen King

I loved you then and I love you now and I have loved you every second in between. — Stephen King

Babyluv: If you need an anchor to hold your place in the world-not Boo'ya Moon but the one we shared, use the african. You know how to get it back. Kisses-at least a thousand, Scott
P.S. Everything the same. I love you. — Stephen King

And watch out for the blade, Constant Reader. It is a Stephen King story, after all. — Stephen King

Remember that 'plumber in space' is not such a bad setup for a story. — Stephen King

And, of course, one of the great true facts of the world is this: for every old-timer who dies, there's a new old-timer coming along. And a good story never dies; it is always passed down. — Stephen King

I don't understand this at all. I don't understand any of this. Why does a story have to be socio-anything? Politics ... culture ... history ... aren't those natural ingredients in any story, if it's told well? I mean ... ' He looks around, sees hostile eyes, and realizes dimly that they see this as some sort of attack. Maybe it even is. They are thinking, he realizes, that maybe there is a sexist death merchant in their midst. 'I mean ... can't you guys just let a story be a story? — Stephen King

Whoever said misery loves company was full of shite. Whatever can go wrong will go wrong, however ... that guy was onto something. — Stephen King

I'd have you see the like this; I'd have you see them very well. Will you? They are clustered around Suzie's Cruisin Trike, embracing in the aftermath of their victory. I'd have you see them this way not because they have won a great battle - they know better than that, every one of them - but because now they are ka-tet for the last time. The story of their fellowship ends here, on this make-believe street and beneath this artificial sun; the rest of the tale will be short and brutal compared to all that's gone before. Because when ka-tet breaks, the end always comes quickly.
Say sorry. — Stephen King

I still think that of all the people doing top fiction today, John D. MacDonald is the best.He was my model as a kid. If there are people out there that want to write, all you need to do is read 20 of his stories to get an idea what it takes to make a story kick over. — Stephen King

Your job during or just after the first draft is to decide what something or somethings yours is about. Your job in the second draft - one of them, anyway - is to make that something even more clear. This may necessitate some big changes and revisions. The benefits to you and your reader will be clearer focus and a more unified story. It hardly ever fails. — Stephen King

Although I don't know for sure, I'd bet my dog and lot that John Grisham never worked for the mob. All of that is total fabrication (and total fabrication is the fiction-writer's purest delight). He was once a young lawyer, though, and he has clearly forgotten none of the struggle. Nor has he forgotten the location of the various financial pitfalls and honeytraps that make the field of corporate law so difficult. Using plainspun humor as a brilliant counterpoint and never substituting cant for story, he sketches a world of Darwinian struggle where all the savages wear three-piece suits. And - here's the good part - this is a world impossible not to believe. Grisham has been there, spied out the land and the enemy positions, and brought back a full report. He told the truth of what he knew, and for that if nothing else, he deserves every buck The Firm made. — Stephen King

Stephen King started to read comics first, I started to watch films and little reading books...Now everything has changed Stephen King reads books and watch films, I read comics, watch films, read books listen to audiobooks...
This are two different stories, you were challanged to open them, good job you open them now but can you try to start a new life??
To start by opening a new book??
Meeting with new characters??
With new writers??
With one new book which has a story which you haven't heard??
Probably, you aren't still ready! — Deyth Banger

* I have always wanted to publish a novel with the last thirty pages simply left out. The reader would be mailed these final pages by the publisher upon receipt of a satisfactory summary of everything that had happened in the story up to that point. That would certainly put a spoke in the wheels of those people who TURN TO THE END TO SEE HOW IT CAME OUT. — Stephen King

You stole my story and something's got to be done about it. — Stephen King

In many cases when a reader puts a story aside because it 'got boring,' the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling. — Stephen King

As a rule, I don't worry about genre. I just want to tell a good story, with characters that interest me and my readers. — Stephen King

Story is something happening to someone you have been led to care about. — Stephen King

Then her face tilted up to his, and he was looking into her eyes again. He had heard of drowning in a woman's eyes in some poem or story, and thought it ridiculous. He still thought it ridiculous, but understood it was perfectly possible, nonetheless. And she knew it. He saw concern in her eyes, perhaps even fear. — Stephen King

Do people in your world always want only one story-flavor at a time? Only one taste in their mouths? — Stephen King

A short story is like a kiss in the dark. — Stephen King

Who is that trip-trapping upon my bridge?'
Miss Davies spoke in the low, growling tones of the troll in the story. Some of the little ones covered their mouths and giggled, but most only watched her solemnly, accepting the
voice of the troll as they accepted the voices of their dreams, and their grave eyes reflected the eternal fascination of the fairy tale: would the monster be bested ... or would it feed? — Stephen King

His head seems to bulge with the story; it is a little scary, the way it needs to get out. He feels that if it cannot escape by way of his racing hand that it will pop his eyes out in its urgency to escape and be concrete. — Stephen King

There is a folk tale that before birth, every human soul knows all the secrets of life and death and the universe. But then, just before birth, an angel leans down, puts his finger to the new baby's lips, and whispers "Shhh."' Harris touches his philtrum. 'According to the story, this is the mark left by the angel's finger. Every human being has one. — Stephen King

Stephen King is not a guy who keeps secrets the same goes and for Jeffery Deaver. But Jeffery Deaver creates characters and plays with them, Stephen King knows with who is playing, Jeffery Deaver just goes as how will happen, I think that and he doesn't know where the story lines will go. — Deyth Banger

Some things you never forgot. She had come to believe that the very things the practical world dismissed as ephemera - things like songs and moonlight and kisses - were sometimes the things that lasted the longest. They might be foolish, but they defied forgetting. And that was good.
That was good. — Stephen King

I had worked for a newspaper of sorts, word got around, and I became editor of our local school newspaper, The Drum. I don't recall being given any choice in this matter; I think I was simply appointed. My second-in-command, Danny Emond, had even less interest in the paper than I did. Danny just liked the idea that Room 4, where we did our work, was near the girls' bathroom. "Someday I'll just go crazy and hack my way in there, Steve," he told me on more than one occasion. "Hack, hack, hack." Once he added, perhaps in an effort to justify himself: "The prettiest girls in school pull up their skirts in there." This struck me as so fundamentally stupid it might actually be wise, like a Zen Koan or an early story by John Updike. — Stephen King

Because writers remember everything, Paul. Especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels, not amnesia. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is that ability to remember the story of every scar. Art consists of the persistence of memory. Who — Stephen King

Book-buyers aren't attracted, by and large, by the literary merits of a novel; book-buyers want a good story to take with them on the airplane, something that will first fascinate them, then pull them in and keep them turning the pages. This happens, I think, when readers recognize the people in a book, their behaviors, their surroundings, and their talk. When the reader hears strong echoes of his or her own life and beliefs, he or she is apt to become more invested in the story. I'd argue that it's impossible to make this sort of connection in a premeditated way, gauging the market like a racetrack tout with a hot tip. — Stephen King

During that reading, the top part of my mind is concentrating on story and toolbox concerns: knocking out pronouns with unclear antecedents (I hate and mistrust pronouns, every one of them as slippery as a fly-by-night personal-injury lawyer), adding clarifying phrases where they seem necessary, and of course, deleting all the adverbs I can bear to part with (never all of them; never enough). Underneath, — Stephen King

Isn't bravery always sort of beautiful? — Stephen King

I sit on the bench in front of Bell's Market and think about Homer Buckland and about the beautiful girl who leaned over to open his door when he come down that path with the full red gasoline can in his right hand - she looked like a girl of no more than sixteen, a girl on her learner's permit, and her beauty was terrible, but I believe it would no longer kill the man it turned itself on; for a moment her eyes lit on me, I was not killed, although a part of me died at her feet. (from the short story Mrs. Todd's Shortcut) — Stephen King

Once you know what the story is and get it right - as right as you can, anyway - it belongs to anyone who wants to read it. — Stephen King

No, it's not a very good story - its author was too busy listening to other voices to listen as closely as he should have to the one coming from inside. — Stephen King

I'm constantly trying to make what Stephen King called head movies or skull movies: things should be playing out on the inside of your eyes, if you will, without you having to think about me as an author being present.
I have no interest in being present, in intervening between you and the work. My job is to be as invisible as possible. My job is to say, 'Hey, I wrote this book and I'm on the cover, bye bye!'
The story should have its own momentum; it should make its own way. I have no patience for that showy kind of writing, which is all about how clever the writer is. Postmodern stuff just leaves me totally cold.
I'm much more interested in being drawn into a book, and I want to create the kind of writing which hopefully makes you turn and turn the pages. — Clive Barker

His story is simple, because simple is always best. — Stephen King

Insofar as story is concerned, and pleasure is concerned, there are not enough Stephen Kings to go around. — Stephen King

The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story ... Writing is seduction. Good talk is part of seduction. — Stephen King

The important question has nothing to do with whether the talk in your story is sacred or profane; the only question is how it rings on the page and in your ear. If you expect it to ring true, then you must talk yourself. Even more important, you must shut up and listen to others talk. — Stephen King

It is completely raw, the sort of thing I feel free to do with the door shut - it's the story undressed, standing up in nothing but its socks and undershorts. — Stephen King

I can't get why people are afraid of books or films which are horror. What's the scary of the film "Cube 1,2,3" - Yeah it was brutal I get scary, but after an hour I'm fine. I just continue to live my life. I check out "Saw", the most brutal film ever watched, yeah I could have some kind a bad thoughts and other stuff about the film. Like to think that this guy "Saw", is there with the bike, but after few days everything it went on the right path. I had chance to see what is the real face of the killers - "Saw" and what does goverment do "Cube"!

GreenMile was a sad story, I still can't believe that Stephen King has written it! — Deyth Banger

Language does not always have to wear a tie and lace-up shoes. The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story ... to make him/her forget, whenever possible, that he/she is reading a story at all. — Stephen King

Plot is, I think, the good writer's last resort and the dullard's first choice. The story which results from it is apt to feel artificial and labored. I lean more heavily on intuition, and have been able to do that because my books tend to be based on situation rather than story. Some of the ideas which have produced those books are more complex than others, but the majority start out with the stark simplicity of a department store window display or a waxwork tableau. I want to put a group of characters (perhaps a pair; perhaps even just one) in some sort of predicament and then watch them try to work themselves free. My job isn't to help them work their way free, or manipulate them to safety - those are jobs which require the noisy jackhammer of plot - but to watch what happens and then write it down. — Stephen King

An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this. — Stephen King

Short Brief Story, How I started to make this which you see today?
I'm talking about the works, most people doubt about that I will become a writer. Most people said me this, you must drink a lot of teas, to become a writer (you must have a rich vocabulary and many other stuff!). But check out what Stephen King said in his book "Memoir and Craft" this
amazed me.
Most people know him as an actor or as an book writer...Maybe this can change some people opinions which didn't believe in me (in their opinions), I just show in my books a new world, YEAH I read some books in this time, I watched some films, I finished some games, some interesting stuff happened and many other things. But the best thing everything as much as possible was added in the books Series The Life Of One Kid! — Deyth Banger

It didn't scare him the way he had thought it would. There was still the unshakable, blind assurances that this organism Ray Garraty could not die. The others could die, they were extras in the movie of his life, but not Ray Garraty, star of that long-running hit film, The Ray Garraty Story. — Stephen King

Thank God for tunnel vision. Thank God for selective perception. Because without it, we might as well all be in a Lovecraft story. — Stephen King

The most classic horror tale of this latter type is the Old Testament story of Job, who becomes human Astro-Turf in a kind of spiritual Superbowl between God and Satan. — Stephen King

I come to you and you see me whole,' he says. 'You love me all the way around the equator and not just for some story I wrote. When the door closes and the world's outside, we're eye to eye. — Stephen King

The audience burst into applause and hallelujahs. I kept trying to make sense of it, and kept coming up short. Here were people who routinely used their computers to stay in touch with their friends and get the news of the day, people who took weather satellites and lung transplants for granted, people who expected to live lives thirty and forty years longer than those of their great-grandparents. Here they were, falling for a story that made Santa and the Tooth Fairy look like gritty realism. — Stephen King

Pet Sematary 1 is one crazy story and film. — Deyth Banger

Their situation was becoming ever harder to deny: they were characters in someone's story. This whole world
— Stephen King

It's also important to remember it's not about the setting, anyway - it's about the story, and it's always about the story. — Stephen King

I never think of stories as made things; I think of them as found things. As if you pull them out of the ground, and you just pick them up. Someone once told me that that was me low-balling my own creativity. That might or might not be the case. But still, on the story I am working on now, I do have some unresolved problem. It doesn't keep me awake at nights. I feel like when it comes down, it will be there ... — Stephen King

Around 1980, I'd been writing short stories, all to no success; so I wrote a fan letter to Stephen King and asked "How long should it take an aspiring writer to either get published or know when to give up?" Lo and behold, King wrote back to me in long hand with blue flair pen on 14-inch paper, purveying a very nice, helpful note; in it he said my letter proved a "command of the language," that I should never give up, and that it would take years to succeed, not months. "That's cold comfort but it's the truth." This was the ultimate encouragement for a young writer to be who didn't know shit about the market. I took Mr. King's advice and actually sold my first novel little more than a year later. I'll always be copiously grateful for this advice, and it's the same advice I give aspiring writers now (along with the story of King's reply!). — Edward Lee

When the reader hears strong echoes of his or her own life and beliefs, he or she is apt to become more invested in the story. — Stephen King

1408 Film by Stephen King freak me out, the story also freak me out. But watching the film how is made, how much reverses were shown just terrified me. The ending was suprising! — Deyth Banger

The woman who entered had the plump, matronly figure of the Good Gramma in a children's story and the beady eyes of a dick in a department store. — Stephen King

My take on all these things is pretty simple. It's all on the table, every bit of it, and you should use anything that improves the quality of your wiring and doesn't get in the way of your story. If you like an alliterative phrases-the knights of nowhere battling the nabobs of nullity-by all means throw it in and see how it looks on paper. If it seems to work, it can stay. If it doesn't (and to me this one sounds pretty bad, like Spiro Agnew crossed with Robert Jordan), well that delete key is on your machine for a good reason. — Stephen King

When you write you tell yourself a story. When you rewrite you take out everything that is NOT the story. — Stephen King

The part of me that creates the stories exists only in solitude. The one who shows up to share anecdotes and answer questions is a poor substitute for the story-maker. — Stephen King

When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done. — Stephen King

When you came right down to it, how did anyone know they weren't a character in some writer's story, or a transient thought in some bus-riding schmoe's head, or a momentary mote in God's eye? — Stephen King

I'm not much of a believer in the so-called character story; I think that in the end, the story should always be the boss. — Stephen King

My job (and yours, if you decide this is a viable approach to storytelling) is to make sure these fictional folks behave in ways that will both help the story and seem reasonable to us, given what we know about them (and what we know about real life, of course). — Stephen King

The book is not the important part. The book is the delivery system. The important part is the story and the talent. — Stephen King

What would writing this sort of story mean to others? — Stephen King

I have several books I can read over and over. With fiction, it's 'The Stand' by Stephen King, which is my favorite all time. I read that at least once a year, the version which has 100,000 extra words, which is like the director's cut and unabridged. I love the story. I love the social connotation to it. — Corey Taylor

You see something, then it clicks with something else, and it will make a story. But you never know when it's going to happen. — Stephen King

Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right - as right as you can, anyway - it belongs to anyone who wants to read it. Or criticize it. If you're very lucky ... more will want to do the former than the latter. — Stephen King

Did he have a story, one where his wife was either a little bit cracked or an outright villain? I thought yes. And did people believe it? The answer to that one was easy. It doesn't matter if you're talking 1958, 1985, or 2011. In America, where surface has always passed for substance, people always believe guys like Frank Dunning. 4 — Stephen King

Is he immortal do you think? Because I've seen much in my years, and heard rumors of much more, but never of a man or woman who lived forever."
" I don't think he needs to be immortal. I think all he needs to do is write the right story. Because some stories do live forever — Stephen King

In a brilliant fusion of fact and fiction, Jayne Anne Phillips has written the novel of the year. It's the story of a serial killer's crimes and capture, yes, but it's also a compulsively readable story of how one brave woman faces up to acts of terrible violence in order to create something good and strong in the aftermath. Quiet Dell will be compared to In Cold Blood, but Phillips offers something Capote could not: a heroine who lights up the dark places and gives us hope in our humanity. — Stephen King

I hope you liked them, Reader; that they did for you what any good story should do
make you forget the real stuff weighing on your mind for a little while and take you away to a place you've never been. It's the most amiable sort of magic I know. — Stephen King

There are, occasionally, writers who are able to combine both story and style. They are, of course, the best. You get a spectacular view and you also get to look at it from the backseat of a chauffeur-driven Cadillac. In the field of fantasy, those writers able to combine story-as-narration with story-as-style are even rarer. But there are a few ... the late Theodore Sturgeon, the early Ray Bradbury ... and Richard Christian Matheson. A brilliant chip off the old block. — Stephen King

I'm afraid of all kinds of things. I'm afraid of failing at whatever story I'm writing - that it won't come up for me, or that I won't be able to finish it. — Stephen King

I think it is harder to write a story that appeals to the intellect. But, when you tie onto one, you can do it quite deeply. It really depends on the type of idea you have to begin with. — Stephen King

The exhausted mind is obsession's easiest prey. — Stephen King

Stories and novels consist of three parts: narration, which moves the story from point A to point B and finally to point Z; description, which creates a sensory reality for the reader; and dialogue, which brings characters to life through their speech. — Stephen King

There is a story in the book Night Shift, called 'The Mangler,' about a laundry machine that takes on a sort of malignant life. I worked in a laundry for about a year and a half after I got out of college. It was the only job I could find to support my wife and our first child. There was a fellow there that had no hands or forearms. He simply had hooks. This is one of the things that they don't tell you about when you become management. You have to wear a tie. It was this fellow's tie that did him in. — Stephen King

The book which I read by Stephen Hand, Freedy VS Jason, was incrediable. I also check out and the book Zodiac, again an incrediable story. The Stand by Stephen King was again on incrediable story, a long book and film, but incrediable!
Theory of Everything where it put it me I still can't believe, it was unique story, I had chance to see who is Stephen Hawking really! — Deyth Banger

President Obama awarded a National Medal of Arts to author Stephen King. You know, because if there's anyone who can relate to the story of a guy trapped in a mansion that's driving him insane, it's Obama. — Jimmy Fallon

It was that kind of story. The kind that's like a sneeze which threatens but never quite arrives. — Stephen King

I responded (and with rather touching wholeheartedness) to the sweep of Tolkien's imagination-to the ambition of his story-but I wanted to write my own kind of story, and had I started then, I would have written his ... Thanks to Mr. Tolkien, the twentieth century had all the elves and wizards it needed. — Stephen King

There are books full of great writing that don't have very good stories. Read sometimes for the story ... don't be like the book-snobs who won't do that. Read sometimes for the words
the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book. — Stephen King