Stanwyck Quotes & Sayings

After that, things happened very quickly. She gave me a key to her house, and I gave her a key to my apartment. If we were in town, we spent every weekend together. She cooked for me - she was good in the kitchen, but then she was good everywhere. We watched the Friday night fights on TV, and on Saturday or Sunday afternoons we'd go for long walks in the mountains above Malibu. Occasionally we would go to a movie, slipping in after the lights went down. Whenever we went out, Barbara [Stanwyck] would wear a scarf over her head, or a kind of hat, so it would be hard to tell who she was. For the next four years, we became part of each other's lives. In a very real way, I think we still are. Barbara proved to be one of the most marvelous relationships of my life. I was twenty-two, she was forty-five, but our ages were beside the point. She was everything to me - a beautiful woman with a great sense of humor and enormous accomplishments to her name. — Robert Wagner

I went to Hollywood to test for Martha Ivers and I thought I was going to play the part that Van Heflin played.But they wanted me to play the part of Barbara Stanwyck's husband, so I played that. Then when I finished the movie, I went back to Broadway and did another flop. — Kirk Douglas

The more you kick something that's dead, the worse it smells. — Barbara Stanwyck

Barbara Stanwyck movies drove me nuts, like 'Ball of Fire' and 'Double Indemnity.' I used to go cuckoo when I would see those films. — Richard LaGravenese

Sponsors obviously care more about a ninety-second commercial and want to pay you more than any guest star gets for a ninety-minute acting performance. — Barbara Stanwyck

I took Miss Stanwyck home and had a great time listening to her dish the party and everyone there. We went in for a nightcap, and I ended up spending the night. We enjoyed each other's company to the fullest. — Farley Granger

As Titanic began production, there was an immediate chemistry between Barbara and myself - a lot of looks across the room. At this point Barbara Stanwyck was a legendary actress, universally respected for her level of craft and integrity. She also had the most valuable thing a performer can have: good taste. Besides a long list of successful bread-and-butter pictures, Barbara had made genuine classics for great directors: The Bitter Tea of General Yen and Meet John Doe for Frank Capra, Stella Dallas for King Vidor, The Lady Eve for Preston Sturges, Ball of Fire for Howard Hawks, and Double Indemnity for Billy Wilder. Barbara carried her success lightly; her attitude was one of utter professionalism and no noticeable temperament. As far as she was concerned, she was simply one of a hundred or so people gathered to make a movie - no more, no less. — Robert Wagner

Eyes are the greatest tool in film. Mr. Capra taught me that. Sure it's nice to say very good dialogue, if you can get it. But great movie acting - watch the eyes! — Barbara Stanwyck

Back in the days of Barbara Stanwyck and Bette Davis, beauty wasn't the be-all and end-all it is today. — Marcia Gay Harden

Barbara Stanwyck and I began our relationship on Titanic, although we had actually met years before. For a time, my father had an eight-acre ranch in Chatsworth, across from the racetrack. Martha Scott also lived there, and I used to take care of her horse. We'd go riding, and I would see Barbara and her husband, Robert Taylor, riding. I would go trotting along with them, never thinking I'd be involved with her someday. Later, Barbara had a beautiful ranch at the corner of Devonshire and Reseda, with her agent, Zeppo Marx. It's now a shopping center, but when Barbara owned the ranch, it had paddocks that were impeccably maintained and run, like everything Barbara touched. — Robert Wagner

Attention embarrasses me. I don't like to be on display. — Barbara Stanwyck

I would say she [Barbara Stanwyck] did her job as best she could; an honest day's work for an honest day's pay - and when it was over, it was over. — Victoria Wilson

My only problem is finding a way to play my fortieth fallen female in a different way from my thirty-ninth. — Barbara Stanwyck

Put me in the last fifteen minutes of a picture and I don't care what happened before. I don't even care if I was IN the rest of the damned thing - I'll take it in those fifteen minutes. — Barbara Stanwyck

The boy's got a lot to learn and I've got a lot to teach. — Barbara Stanwyck

I'm a tough old broad from Brooklyn. Don't try to make me into something I'm not. If you want someone to tiptoe down the Barkley staircase in crinoline and politely ask where the cattle went, get another girl. — Barbara Stanwyck

Barbara [Stanwyck] was the first woman I ever loved. — Robert Wagner

I've published many biographies over the years and enjoyed working with writers on their research, discussing it, thinking about it and how it revealed their subject - and one day the impulse came to me to write a life of someone. I made a long list of possible subjects and [ Barbara] Stanwyck was on the list. — Victoria Wilson

Looking is an important part of Stanwyck's acting: many performers have beautiful eyes (for example, Henry Fonda), or use their eyes expressively (most remarkably, perhaps, Bette Davis), but few use them so attentively to observe and survey others and the world [as Stanwyck]. — Andrew Klevan

Egotism - usually just a case of mistaken nonentity. — Barbara Stanwyck

If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s. — Richard Corliss

Her first really great role, the one that cemented the "Jean Arthur character," was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). "Jean Arthur is my favorite actress," said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. " ... push that neurotic girl ... in front of the camera ... and that whining mop would magically blossom into a warm, lovely, poised and confident actress." Capra obviously recognized that Jean was often frustrated in her career choice. — Eve Golden

A star is only as good as her last picture. — Barbara Stanwyck

I bought a gun safe with velvet shelves and a built-in dehumidifier to house the hundreds of original [Barbara] Stanwyck letters I amassed that I first kept in the lettuce crisper of a refrigerator in my basement. — Victoria Wilson

I'm a tough old broad from Brooklyn. I intend to go on acting until I'm ninety, and they won't need to paste my face with make-up. — Barbara Stanwyck

Barbara Stanwyck, in particular, was peerless in everything from high and low comedy to drama to musicals to film noir. She never took a false step. — Eve Golden

I'm now the Lord of the Brighton Manor. — Barbara Stanwyck

There is a point in portraying surface vulgarity where tragedy and comedy are very close. — Barbara Stanwyck

Career is too pompous a word. It was a job, and I have always felt privileged to be paid for what I love doing. — Barbara Stanwyck

Toward the end of her life a burglar broke into her house and pistol-whipped her. She was an elderly woman by then, and it sent her into a downward spiral. When she was in the hospital dying, I called, and she asked me not to come and see her; she wanted me to remember her as she was. I felt I had to honor her request. As we talked, she told me she was wearing the four-leaf clover necklace I had given her. Barbara [Stanwyck] was cremated wearing it, and her ashes were scattered over Lone Pine. The fact that a piece of me remained with her at the end was and is some consolation for her loss. — Robert Wagner

Stanwyck was slim, and remained so over her career. Regardless of the obligations and pressures regarding size and shape for women in Hollywood, or her own needs and desires as an actress and a person, or the occasions within the films that show off her body, Stanwyck rarely advertises a superficial fantasy of feminine appearance. She is too busy exploring the subtlety of interactions. — Andrew Klevan

[On Marilyn Monroe:] Her body has gone to her head. — Barbara Stanwyck

Through the early 1930s, Barbara Stanwyck established her reputation in a field overflowing with other young Broadway starlets: Bette Davis, Miriam Hopkins, Katharine Hepburn, Claudette Colbert, Joan Blondell. Barbara was lower-keyed and less mannered than Davis and Hepburn; less glamorous than Colbert. She was "real," and she also proved to be the personification of no-nonsense professionalism, making her popular with directors and coworkers alike. — Eve Golden

I couldn't remember my name for weeks. I'd be at the theater and hear them calling 'Miss Stanwyck, Miss Stanwyck,' and I'd think 'Where is that dame? Why doesn't she answer? By crickie, it's me! — Barbara Stanwyck

It's perhaps not the future I would choose. I still think it's possible to make a success of both marriage and career even though I didn't. But it's not a bad future. And I'm not afraid of it. — Barbara Stanwyck

I promised Coop two things before he died," I said. "One, I'd get his cut of the score to his wife. Two, I'd send Stanwyck to hell where he belongs. I'm keeping those promises." "The latter," Caitlin said dryly, running a sharp red fingernail down her menu as she read it over, "can be arranged, with pleasure." "I'm in," Pixie said. "Let's kill him." The table fell quiet. — Craig Schaefer

And my parents knew, because Barbara [Stanwyck] called their house a few times looking for me. I finally told them we were seeing each other, although I didn't give them all the details. They met her once, at a party at Clifton Webb's house, and my mother was upset that I was in love with an older woman. As for my father, as with most other events in my life, he was not in my corner. And I eventually told Spencer Tracy about it. All he said was, "Wonderful! Are you happy? If you're happy, that's all that matters. — Robert Wagner

Barbara [Stanwyck] and me in our only scene alone in Titanic. It wasn't much of a scene, but it sparked one of the most intense and rewarding relationships of my life. — Robert Wagner

There were giants striding the screen in the 1930s and '40s: four actresses so talented, hardworking and versatile that they became laws unto themselves. Joan Crawford and Bette Davis have also become high-camp figures of fun, as they both had such wildly theatrical offscreen lives, and their performances could sometimes veer into self-parody. But Barbara Stanwyck and Claudette Colbert stand the test of time in each and every film: our memories of them are not overshadowed by scandals or vituperative daughters. One rarely sees a Stanwyck or Colbert drag queen. But these ladies were fully the equal - sometimes the superior - of Davis and Crawford. — Eve Golden

I was lucky enough to make four pictures with Barbara. In the first I turned her in, in the second I killed her, in the third I left her for another woman, and in the fourth I pushed her over a waterfall. The one thing all these pictures had in common was that I fell in love with Barbara Stanwyck - and I did, too. — Fred MacMurray

In The New Biographical Dictionary of Film, David Thomson argues that Brennan should have won awards for even better performances in To Have and Have Not (1944), My Darling Clementine (1946), Red River (1948), The Far Country (1955), and Rio Bravo (1959). Thomson counts no less than twenty-eight high caliber Brennan performances in still more films, including These Three (1936), Fury (1936), Meet John Doe (1941), and Bad Day At Black Rock (1955). Brennan worked with Hollywood's greatest directors - John Ford, Howard Hawks, William Wyler, King Vidor, and Fritz Lang - while also starring in Jean Renoir's Hollywood directorial debut, Swamp Water (1941). To discuss Brennan's greatest performances is also to comment on the work of Gary Cooper, Henry Fonda, Dana Andrews, Spencer Tracy, John Wayne, Humphrey Bogart, Lauren Bacall, Anne Baxter, Barbara Stanwyck, Lana Turner, Linda Darnell, Ginger Rogers, Loretta Young, and many other stars. — Carl Rollyson

It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense. — James Gray

Occasionally, on screen, Barbara [Stanwyck] had a wary, watchful quality about her that I've noticed in other people who had bad childhoods; they tend to keep an eye on life because they don't think it can be trusted. After her mother was killed by a streetcar, she had been raised in Brooklyn by her sisters, and from things she said, I believe she had been abused as a child. She had lived an entirely different life than mine, that's for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person. — Robert Wagner

You want the story of my life?
Big ideas, small results. — Barbara Stanwyck