Speech Writer Quotes & Sayings
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Top Speech Writer Quotes
If you're a speech writer for a president, you don't really see all that much of him because there's so many layers between you and him. But with a vice president, it's different. — Christopher Buckley
We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us. Above all, we have to look at the total design of a writer's work, the title he gives to it, and the his main theme, which means his point in writing it, to understand that literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows. [p.32] — Northrop Frye
And remember whatever discipline you're in, whether you're a musician or a photographer, fine artist or a cartoonist, writer, a dancer, a singer, a designer... whatever you do, you have a thing that's unique. You have the ability to make art. — Neil Gaiman
Everyone asks for freedom for himself,
The man free love, the businessman free trade,
The writer and talker free speech and free press. — Robert Frost
Every writer's difficult journey is a movement from silence to speech. We must be intensely private and interior in order to find a voice and a vision - and we must bring our work to an outside world where the market, or public outrage, or even government censorship can destroy our voice. — Sara Paretsky
Speech destroys the functions of love, I think - that's a hell of a thing for a writer to say, I guess, but I believe it to be true. If you speak to tell a deer you mean it no harm, it glides away with a single flip of its tail. The word is the harm. Love isn't what these asshole poets like McKuen want you to think it is. Love has teeth; they bite; the wounds never close. No word, no combination of words, can close those lovebites. It's the other way around, that's the joke. If those wounds dry up, the words die with them. Take it from me. I've made my life from the words, and I know that is so. — Stephen King
A writer, I think, is someone who pays attention to the world.
[Speech upon being awarded the Friedenspreis des Deutschen Buchhandels (Peace Prize of the German Book Trade), Frankfurt Book Fair, October 12, 2003] — Susan Sontag
If you can come up with a snappy little slogan, then you have a future in winning tagline competitions or being a political speech writer. — Mark Victor Hansen
For the introvert, conversation can be a very limited forum for self-expression. When a song moves you, a writer "gets" you, or a theory enlightens you - you and its creator are connecting in a realm beyond sight or speech. — Laurie A. Helgoe
Metaphor isn't just a fancy turn of speech. It shapes our thoughts and feelings, reaches out to grasp new experience, and even binds our five disparate senses. James Geary's fascinating and utterly readable I is an Other brings the news on metaphor from literature and economics, from neuroscience and politics, illuminating topics from consumer behavior to autism spectrum disorders to the evolution of language. As a writer, as a teacher, and as someone just plain fascinated by how our minds work, I've been waiting years for exactly this book. — James Richardson
Indeed a good quotation hardly ever comes amiss. It is a pleasing break in the thread of a speech or writing, allowing the speaker or writer to retire for an instant while another and greater makes himself heard. And this calling-up of the deathless dead implies also a community of mind with them, which the reader will not grudge the author lest he should seem to deny it to himself. — William Francis Henry King
Let every
writer
tell his
own
lies
That's freedom
of the
press. — Norman Mailer
There is no such thing as realistic dialogue. If you [simply recorded] the real conversation of any people and played it back from the stage, it would be impossible to listen to. It would be redundant ... The good dialogue writer is the one who can give you the impression of real speech. — Joseph L. Mankiewicz
Alliteration seems to offend people. — Dean Koontz
Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads, - a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne. — Henry James
In Islam there is a line between let's say freedom and the line which is then transgressed into immorality and irresponsibility and I think as far as this writer is concerned, unfortunately, he has been irresponsible with his freedom of speech. Salman Rushdie or indeed any writer who abuses the prophet, or indeed any prophet, under Islamic law, the sentence for that is actually death. It's got to be seen as a deterrent, so that other people should not commit the same mistake again. — Cat Stevens
[My] interest as a writer is not in reflecting actual human speech, which, of course, does not occur in sentences and is totally undiagrammable ... My interest is in trying to reflect the reality of experience-how we feel when we talk to each other, how we feel when we're engaging with questions that interest us. — John Green
The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit - for gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and of emulation. I hold that a writer who does not believe in the perfectibility of man has no dedication nor any membership in literature.
- Steinbeck Nobel Prize Acceptance Speech — John Steinbeck
All this happened in much less time than it takes to tell, since I am trying to interpret for you into slow speech the instantaneous effect of visual impressions. — Joseph Conrad
Ted Sorrenson, JFK's presidential speech writer, when asked how it came about that he wrote the "ask not what you can do ... " speech, he would answer 'ask not.' — Peggy Noonan
Genuine bravery for a writer ... It is about calmly speaking the truth when everyone else is silenced, when the truth cannot be expressed. It is about speaking out with a different voice, risking the wrath of the state and offending everyone, for the sake of the truth, and the writer's conscience. — Murong Xuecun
I met Jon Lovett, who was just coming off of three years of being a presidential speech writer and had just arrived here to be a comedy writer in Hollywood. I thought he was super green, in terms of this world, but he knows so much about the world that we're attempting to write about. — Josh Gad
Writing will never be perfect in a poet's eye that is why we need people's criticism good or bad, whether or not it gives a positive or negative frame to our work. We are first at hand to fight against the real and the normal in our writing as our outspoken, brimming voice bring truths to light so vividly and intensely for mass consumption that we so long for in our hearts. When the poet, not jubilant, neither spirited, allows his mind to quiet, allows the survival of and realises that all figures of speech matters; when God has witnessed the culmination of his progress; when the writer is almost in a hypnotic stance. Then the poet cannot stop himself when he is in the right place, then he can guess at the intensity, the prowess of his pen, his prolific writing and the intelligence behind his words becomes a self portrait kind of like what Vincent van Gogh used to do when he was depressed and lonely, fighting against the feelings of isolation and rejection by the establishment. — Abigail George
Speech is highly elliptical. It would scarcely be endurable otherwise. Ellipsis is indispensable to the writer or speaker who wants to be brief and pithy, but it can easily cause confusion and obscurity and must be used with skill. — Bergen Evans
There's a lot about being "A Writer" that has nothing to do with writing. That's one thing I've discovered. You've got to meet with the sales force, and you've got to have all these luncheons, and be gracious, and you've got to give a lot of presentations and you've got to give a lot of speeches, and you've got to be on tour. — Augusten Burroughs
It's fortunate that I am a writer, because that has helped me understand the properties of words. They are what have made life complex. In the battle for status in the animal kingdom, power and aggressiveness have been all-important. But among humans, once they acquired speech, all that changed. — Tom Wolfe
The ancient commission of the writer has not changed. He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement.
[Nobel Prize Acceptance Speech] — John Steinbeck
When another writer in another house is not free, no writer is free. — Orhan Pamuk
There are two qualities that make fiction. One is the sense of mystery and the other is the sense of manners. You get the manners from the texture of existence that surrounds you. The great advantage of being a Southern writer is that we don't have to go anywhere to look for manners; bad or good, we've got them in abundance. We in the South live in a society that is rich in contradiction, rich in irony, rich in contrast, and particularly rich in its speech — Flannery O'Connor
When Steinbeck was awarded the Nobel Prize for Literature in 1962, only five Americans had previously been so honored. Accepting the prize in Stockholm, he gave an impassioned speech in which he argued that "the ancient commission of the writer has not changed. He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement. — John Steinbeck
It is not certain whether the effects of totalitarianism upon verse need be so deadly as its effects on prose. There is a whole series of converging reasons why it is somewhat easier for a poet than a prose writer to feel at home in an authoritarian society.[ ... ]what the poet is saying- that is, what his poem "means" if translated into prose- is relatively unimportant, even to himself. The thought contained in a poem is always simple, and is no more the primary purpose of the poem than the anecdote is the primary purpose of the picture. A poem is an arrangement of sounds and associations, as a painting is an arrangement of brushmarks. For short snatches, indeed, as in the refrain of a song, poetry can even dispense with meaning altogether. — George Orwell
Tolerance has come to mean that no one is right and no one is wrong and, indeed, the very act of stating that someone else's views are immoral or incorrect is now taken to be intolerant (of course, from this same point of view, it is all right to be intolerant of those who hold to objectively true moral or religious positions). Once the existence of knowable truth in religion and ethics is denied, authority (the right to be believed and obeyed) gives way to power (the ability to force compliance), reason gives way to rhetoric, the speech writer is replaced by the makeup man, and spirited but civil debate in the culture wars is replaced by politically correct special-interest groups who have nothing left but political coercion to enforce their views on others. — J.P. Moreland
The "sayings" of a community, its proverbs, are its characteristic comment upon life; they imply its history, suggest its attitude toward the world and its way of accepting life. Such an idiom makes the finest language any writer can have; and he can never get it with a notebook. He himself must be able to think and feel in that speech - it is a gift from heart to heart. — Willa Cather
I maintain that cultural sensitivity should be replaced by cultural awareness. Awareness implies research, consideration, thought, and judiciousness ...
Sensitivity denies equal access to language. It segregates and censors based on the background of the writer rather than the content of the story. No society can embrace cultural sensitivity and retain full capacity for freedom of speech. — Scott M. Roberts
Surprise is when a prime minister is assassinated during his speech. Suspense is when an assassin lurks while the prime minister speaks. Balancing surprise and suspense is the job of the thriller writer. — Ashwin Sanghi
I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten. — Francis Ford Coppola
This suspension of one's own reality, this being entirely alone in a strange city (at times I wondered if I had lost the power of speech) is an enriching state for a writer. Then the written word ... takes on an intensity of its own. Nothing gets exteriorized or dissipated; all is concentrated within. — May Sarton
Literature is as old as speech. It grew out of human need for it and it has not changed except to become more needed. The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, and their responsibilities have been decreed by our species ... the writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit - for gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and of emulation. I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature. — John Steinbeck
The writer harked back to Lord Byron's maiden speech in the House three years before: "I have been in some of the most oppressed provinces in Turkey, but never, under the most despotic of infidel Governments, did I behold such squalid wretchedness as I have seen since my return in the very heart of a Christian country." Mrs. — Marion Chesney
The mind of a generation is its speech. A writer makes aspects of that speech enduring by putting them in print. He whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation. That's history. A writer who writes straight is the architect of history. — John Dos Passos
Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose, and especially of any kind of political writing. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house. — George Orwell
Speech destroys the function of love, I think-that's a hell of a thing for a writer to say, I guess, but I believe it to be true. If you speak to tell a deer you mean it no harm, it glides away with a single flip of its tail. Love has teeth; they bite; the wounds never close. No word, no combination of words can close those love bites. it's the other way around, that's the joke. If those wounds dry up, the words die with them. — Stephen King
Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had.
[Commencement Speech; Mount Holyoke College, May 23, 1999] — Anna Quindlen
Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper. — John Dos Passos
Another segment of society that has constructed a language of its own is business. People in business say that toner cartridges are in short supply, that they have updated the next shipment of these cartridges, and that they will finalize their recommendations at the next meeting of the board. They are speaking a language familiar and dear to them. Its portentous nouns and verbs invest ordinary events with high adventure; executives walk among toner cartridges, caparisoned like knights. We should tolerate them
every person of spirit wants to ride a white horse. — William Strunk Jr.
Among the many queer things about the American economy is this: A writer can get more money for a bungling speech at a bankrupt college than he can get for a short-story masterpiece. What's more, he can sell the speech over and over again, and no one complains. — Kurt Vonnegut Jr.
Because there are hundreds of different ways to say one thing, I, being a writer, songwriter, and poet, speak childishly and incoherently. In speech there is so much to decide in so little time. — Criss Jami
In reality, Hemingway didn't appeal to plumbers or roofers who read books; he was a rich man's writer, with the vocabulary and hunting instinct of the blue-collar workingman. But Hemingway had the unfailing genius of an inventor, and each book he wrote was new, sparkling new, something that hadn't been seen in American prose, something that merged common speech with uncommon clarity, something that verged on poetry. — Gerald Hausman
It is difficult to call myself a writer, even when I stand at a podium to receive a prize, I feel uncomfortable calling myself a writer - I am merely a word criminal. — Murong Xuecun