Sound Equipment Quotes & Sayings

I love the balls-to-the-walls rule-breaking approach the Beatles had in the studio (which I emulate), although I don't try to make my songs "sound" like their songs. But every time I crank a knob of some piece of equipment, or plug an instrument into the "wrong" amp/effect, I am channeling the Beatles. — Alan Cohen

I don't really listen to my old stuff, but on occasion, I would either hear a track on the radio or a friend might play me one, and there was generally a bit of an edgy sound to it, which was mainly due to the digital equipment that we were using, which was state of the art at the time - and I think everyone felt pressured to be working that way. — Kate Bush

The modern recording studio, with its well-trained engineers, 24-track machines and shiny new recording consoles, encourages the artist to get involved with sound. And there have always been artists who could make the equipment serve their needs in a highly personal way - I would single out the Beatles, Phil Spector, the Beach Boys and Thom Bell. — Jon Landau

The guitar. Rubbing the gentle polish
On Every smooth contour.
On the lap. Knowing every curve
As the light shines from it.

On stage a planned metamorphosis
Takes places as the hours go by and the
Space is transformed to a concert hall.
The energetic nemesis has struck.

The risers are transformed into a stage
And black boxes turned into powerful
Pieces of sound equipment.
The spring is taut.

Backstage while pandemonium
Sweeps the hall and people
Crowd the arena as ants flow to a cake.

The stage is set, the
Instruments tuned and placed.
The musicians work out last minute
Kinks as the lights dim.

An intense force hits the spectators.
Energy is released in every form.
A power rage beyond comprehension. — David Morrell

To me, an untrained ear, a young person at the time, I would hear off the different feels, all these different sounds, and then years later realize that everyone had used the same equipment, just to their own ends. — Rob Brown

What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important. — Chris McCormack

I am an audiophile. It's almost like a virus. I'm completely crazy about the quality of sound. It's interesting and painful at the same time; you have to really spend a lot of money on the equipment. — Eric Ripert

The equipment you've got really dictates what you're going to do. When I started touring, there were no monitors, so I had to take the sound from the hall, and of course it was on a delay, so I would sing, and then I would hear it back, but later. It was very weird. — Marianne Faithfull

Most electronic equipment uses the principle of amplification. You need filters, modulators and mixing equipment which have gain stages. By piling these components up, I was able to work without any sound generators and I made several pieces in that manner. — David Tudor

He who possesses a reasonable, sound theoretical equipment will perceive correctly, however neurotic or wicked he may be personally; he who lacks it or possesses an unsound one, will perceive incorrectly, however pure of neurotic tensions or compulsions he may be. — Ernest Gellner

With all tools at my disposal, I'm 100% into chasing tone and checking out new equipment and "geeking" out during sound check by taking too much time. — John Petrucci

Playing a show is a monumental hassle. You've got to schlep all your heavy equipment into the van, then you've got to drive for five hours, then you have to schlep all the heavy equipment out of the van, onto the stage, set it up, do the sound check, hang around for three hours, then play the show, which is incredibly draining. — Juliana Hatfield

I realized that equipment really had little to do with why I sound like the way I sound. — Pat Metheny

Just as the digital dominance of the recording studio seemed complete, analog had its revenge. Musicians, producers, and engineers searching for the sound of the music that inspired them - roots Americana, blues, and classic rock - began thinking about how the process of recording affected the sound. These artists, including White, Dave Grohl, and Gillian Welch, began experimenting with old tape machines and vintage studio equipment, returning to the analog methods they'd once used. Critics and fans noted that these albums sounded different - more heartfelt, raw, and organic - and the industry began to take notice. — David Sax

European films had art. And it was easy to make a European film. They didn't come from the studio system, they weren't shot in sound studios, and that's a good thing, because in the studio system those movies would never have had a chance. And since we were coming from Europe, it was natural for us to use that simple style. Small budgets, less equipment, that was just how it was. — Vilmos Zsigmond