Solnit Quotes & Sayings

Few remember that there was no significant US homeless population before the 1980s, that Ronald Reagan's new society and economy created these swollen ranks of street people. Even — Rebecca Solnit

I wrote it in one sitting early the next morning. When something assembles itself that fast, it's clear it's been composing itself somewhere in the unknowable back of the mind for a long time. It wanted to be written; it was restless for the racetrack; it galloped along once I sat down at the computer. — Rebecca Solnit

Congressional Republicans refused to reauthorize the Violence Against Women Act because they objected to the protection it gave immigrants, transgender women, and Native American women. (Speaking of epidemics, one of three Native American women will be raped, and on the reservations 88 percent of those rapes are by non-Native men who know tribal governments can't prosecute them. — Rebecca Solnit

Much fuss has been made over the idea of the frontier, as though it were a line advancing east to west, but the West was settled piece meal, and Indians fled in many directions to escape the tightening noose of the railroad lines and towns. — Rebecca Solnit

There are comparatively few articles about whether men are happy or why their marriages also fail or how nice or not their bodies are, even the movie-star bodies. — Rebecca Solnit

I made my first home there and had been happy, because to be alienated in one's own country, in one's own hometown, among one's kin and peers, was problematic, but nothing could be more natural than to be alienated in a foreign country, and so there I had at last naturalized my estrangement. This may be one of the underappreciated pleasures of travel: of being at last legitimately lost and confused. — Rebecca Solnit

When someone doesn't show up, the people who wait sometimes tell stories about what might have happened and come to half believe the desertion, the abduction, the accident. Worry is a way to pretend that you have knowledge or control over what you don't
and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown. Perhaps fantasy is what you fill up maps with rather than saying that they too contain the unknown. — Rebecca Solnit

Mutual aid and pleasure are linked, that the ties that bind are grounds for celebration as well as obligation. — Rebecca Solnit

Taking care of the elderly comes without the vast literature of advice and encouragement that accompanies other kinds of commitments, notably romantic love and childbearing. It sneaks up on you as something that is not supposed to happen, or rather you crash into this condition that you have not been warned about, a rocky coast not on the map. In the preferred stories the last years of life are golden and the old all ripen into wisdom, not decay into diseases that mimic mental illness and roll backward into chaotic childhood and beyond. — Rebecca Solnit

To use language is to enter into the territory of categories, which are as necessary as they are dangerous. — Rebecca Solnit

I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map ... nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin's terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home. — Rebecca Solnit

Books are solitudes in which we meet. — Rebecca Solnit

I STILL THINK THE REVOLUTION IS TO MAKE THE WORLD SAFE FOR POETRY, MEANDERING, FOR THE FRAIL AND VULNERABLE, THE RARE AND OBSCURE, THE IMPRACTICAL AND LOCAL AND SMALL. — Rebecca Solnit

A comprehensive utopia may be out of reach, but the effort to realise it shapes the world for the better all the same. The belief may not be true, but it is useful. Belief makes the world. — Rebecca Solnit

For me, before I learned how to read I was really interested in story and in landscape and nature. I decided to become a writer almost as soon as I learned to read. — Rebecca Solnit

Women have routinely been punished and intimidated for attempting that most simple of freedoms, taking a walk, because their walking and indeed their very beings have been construed as inevitably, continually sexual in those societies concerned with controlling women's sexuality. — Rebecca Solnit

[T]he radical geographer Iain Boal had prophesied, The longing for a better world will need to arise at the imagined meeting place of many movements of resistance, as many as there are sites of closure and exclusion. The resistance will be as transnational capitalism. — Rebecca Solnit

Perhaps walking is best imagined as an 'indicator species,' to use an ecologist's term. An indicator species signifies the health of an ecosystem, and its endangerment or diminishment can be an early warning sign of systemic trouble. Walking is an indicator species for various kinds of freedom and pleasures: free time, free and alluring space, and unhindered bodies. — Rebecca Solnit

This is a paradise of rising to the occasion that points out by contrast how the rest of the time most of us fall down from the heights of possibility, down into diminished selves and dismal societies. Many now do not even hope for a better society, but they recognize it when they encounter it, and that discovery shines out even through the namelessness of their experience. Others recognize it, grasp it, and make something of it, and long-term social and political transformations, both good and bad, arise from the wreckage. The door to this ear's potential paradises is in hell. — Rebecca Solnit

Reading is also traveling, with the eyes along the length of an idea, which can be folded up into the compressed space of a book and unfolded within your imagination and your understanding. — Rebecca Solnit

I wonder sometimes what would happen if victory was imagined not just as the elimination of evil but the establishment of good... — Rebecca Solnit

When you are well, your own body is a sealed country into which you need not explore far, but when you are unwell, there is no denying that you are made up of organs and fluids and chemistry and that the mechanisms by which your body operates are not invincible. — Rebecca Solnit

I roam around a lot in my territory, but what I learn at one end inflects and opens up my understanding at the other. — Rebecca Solnit

At a certain fork in the road of automatization, Europeans chose to have more time, and they work far less than we do and get much longer vacations. We chose to have more stuff, the stuff sold to us through those beckoning adjectives-bigger, better, faster: Jet Skis, extra cars, second homes, motor homes, towering slab TVs, if not the time to enjoy them or to enjoy less commodified pleasures. — Rebecca Solnit

I talked about places, about the ways that we often talk about love of place, by which we mean our love for places, but seldom of how the places love us back, of what they give us. They give us continuity, something to return to, and offer a familiarity that allows some portion of our lives to remain connected and coherent ... And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite. — Rebecca Solnit

Writing is saying to no one and to everyone the things it is not possible to say to someone. — Rebecca Solnit

The exercise of democracy begins as exercise, as walking around, becoming familiar with the streets, comfortable with strangers, able to imagine your own body as powerful and expressive rather than a pawn. — Rebecca Solnit

I was arguing not that everyone should read books by ladies - though shifting the balance matters - but that maybe the whole point of reading is to be able to explore and also transcend your gender (and race and class and orientation and nationality and moment in history and age and ability) and experience being others. — Rebecca Solnit

My friend Chip Ward speaks of "the tyranny of the quantifiable," of the way what can be measured almost always takes precedence over what cannot: private profit over public good; speed and efficiency over enjoyment and quality; the utilitarian over the mysteries and meanings that are of greater use to our survival and to more than our survival, to lives that have some purpose and value that survive beyond us to make a civilization worth having. — Rebecca Solnit

To be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender ... — Rebecca Solnit

What escapes categorization can escape detection altogether — Rebecca Solnit

Howard Zinn wrote in 1988, in what now seems like a lost world before so many political upheavals and technological changes arrived, "As this century draws to a close, a century packed with history, what leaps out from that history is its utter unpredictability. — Rebecca Solnit

Only citizens familiar with their city as both symbolic and practical territory, able to come together on foot and accustomed to walking about their city, can revolt. Few remember that "the right of the people peaceably to assemble" is listed in the First Amendment of the U.S. Constitution, along with freedom of the press, of speech, and of religion, as critical to a democracy. — Rebecca Solnit

But the real difficulties, the real arts of survival, seem to lie in more subtle realms. There, what's called for is a kind of resilience of the psyche, a readiness to deal with what comes next. These captives lay out in a stark and dramatic way what goes on in every life: the transitions whereby you cease to be who you were. — Rebecca Solnit

A garden path,' write the landscape architects Charles W. Moore, William J. Mitchell, and William Turnbull, 'can become the thread of a plot, connecting moments and incidents into a narrative. The narrative structure might be a simple chain of events with a beginning, middle, and end. It might be embellished with diversions, digressions, and picaresque twists, be accompanied by parallel ways (subplots), or deceptively fork into blind alleys like the althernative scenerios explored in a detective novel. — Rebecca Solnit

How will you go about finding that thing the nature of which is totally unknown to you? (Plato) The things we want are transformative, and we don't know or only think we know what is on the other side of that transformation. Love, wisdom, grace, inspiration- how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else? — Rebecca Solnit

Read good writing, and don't live in the present. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Literature is not high school and it's not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. — Rebecca Solnit

A lot of people think of political activism as some grim duty, and I think we do have an obligation to be citizens - to be informed and engaged. — Rebecca Solnit

So many men murder their partners and former partners that we have well over a thousand homicides of that kind a year - meaning that every three years the death toll tops 9/11's casualties, though no one declares a war on this particular kind of terror. (Another way to put it: the more than 11,766 corpses from domestic-violence homicides between 9/11 and 2012 exceed the number of deaths of victims on that day and all American soldiers killed in the "war on terror.") — Rebecca Solnit

There's a kind of activism that's more about bolstering identity than achieving results, one that sometimes seems to make the left the true heirs of the Puritans. Puritanical in that the point becomes the demonstration of one's own virtue rather than the realization of results. And puritanical because the somber pleasure of condemning things is the most enduring part of that legacy, along with the sense of personal superiority that comes from pleasure denied. The bleakness of the world is required as contrasting backdrop to the drama of their rising above. — Rebecca Solnit

Given a choice between their worldview and the facts, it's always interesting how many people toss the facts. — Rebecca Solnit

The backlash against feminism remains savage, strong, and omnipresent, but it is not winning. The world has changed profoundly, and it needs to change far more. — Rebecca Solnit

The more we heat up the planet, the more it costs all of us, not just in money, but in colossal famines, displacements, deaths, and species extinctions, as well as in the loss of some of the things that make this planet a blue-green jewel, including its specialized habitats from the melting Arctic to bleaching coral reefs. — Rebecca Solnit

Always, just beyond all these things, was the silver sea, the lace border around all land like the silence around sounds or the unknowns beyond all knowledge. — Rebecca Solnit

A path is a prior interpretation of the best way to traverse a landscape. — Rebecca Solnit

Women in the online gaming community have been harassed, threatened, and driven out. Anita Sarkeesian, a feminist media critic who documented such incidents, received support for her work, but also, in the words of a journalist, 'another wave of really aggressive, you know, violent personal threats, her accounts attempted to be hacked. And one man in Ontario took the step of making an online video game where you could punch Anita's image on the screen. And if you punched it multiple times, bruises and cuts would appear on her image.' The difference between these online gamers and the Taliban men who, last October, tried to murder fourteen-year-old Malala Yousafzai for speaking out about the right of Pakistani women to education is one of degree. Both are trying to silence and punish women for claiming voice, power, and the right to participate. Welcome to Manistan. — Rebecca Solnit

As for me, the grounds of my hope have always been that history is wilder than our imagination of it and that the unexpected shows up far more regularly than we ever dream. — Rebecca Solnit

She was making the case that we should resist on principle, even though it might be futile. I had just begun trying to make the case for hope in writing, and I argued that you don't know if your actions are futile; that you don't have the memory of the future; that the future is indeed dark, which is the best thing it could be; and that, in the end, we always act in the dark. The effects of your actions may unfold in ways you cannot foresee or even imagine. They may unfold long after your death. That is when the words of so many writers often resonate most. — Rebecca Solnit

Not to know yourself is dangerous, to that self and to others. Those who destroy, who cause great suffering, kill off some portion of themselves first, or hide from the knowledge of their acts and from their own emotion, and their internal landscape fills with partitions, caves, and minefields, blank spots, pit traps, and more, a landscape turned against itself, a landscape that does not know itself, a landscape through which they may not travel. — Rebecca Solnit

The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest). — Rebecca Solnit

To say that everything without exception is going straight to hell is not an alternative vision but only an inversion of the mainstream's 'everything's fine.' — Rebecca Solnit

Domestic violence, mansplaining, rape culture, and sexual entitlement are among the linguistic tools that redefine the world many women encounter daily and open the way to begin to change it. — Rebecca Solnit

[B]eauty is one of the things that make you cry and so maybe beauty is always tied up in tears. — Rebecca Solnit

Women worldwide ages 15 through 44 are more likely to die or be maimed because of male violence than because of cancer, malaria, war and traffic accidents combined, — Rebecca Solnit

Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in remote places it isn't an absence but the presence of something else, a kind of humming silence in which solitude seems as natural to your species as to any other, words strange rocks you may or may not turn over. — Rebecca Solnit

Children, Landon said, are good at getting lost, because "the key in survival is knowing you're lost": they don't stray far, they curl up in some sheltered place at night, they know they need help. — Rebecca Solnit

It's not that bad things never happen. But there's a pattern in which most people are calm, resourceful, altruistic, and they improvise emergency systems that work really well - whether it's getting the babies out of a collapsed hospital or putting together a community kitchen to feed everybody for the next few months. — Rebecca Solnit

Feminism has both undone the hierarchy in which the elements aligned with the masculine were given greater value than those of the feminine and undermined the metaphors that aligned these broad aspects of experience with gender. So, there goes women and nature. What does it leave us with? One thing is a political mandate to decentralize privilege and power and equalize access, and that can be a literal spatial goal too, the goal of our designed landscapes and even the managed ones
the national parks, forests, refuges, recreation areas, and so on. — Rebecca Solnit

But explaining men still assume I am, in some sort of obscene impregnation metaphor, an empty vessel to be filled with their wisdom and knowledge. A Freudian would claim to know what they have and I lack, but intelligence is not situated in the crotch - even if you can write one of Virginia Woolf's long mellifluous musical sentences about the subtle subjugation of women in the snow with your willie. — Rebecca Solnit

For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening. — Rebecca Solnit

Thanks to demographics, that conservative push is not going to work-the United States is not going to be a mostly white country again- and because genies don't go back into bottles and queer people are not going back into the closet and women aren't going to surrender. It's a war, but I don't believe we're losing it, even if we won't win it anytime soon either; rather, some battles are won, some are engaged, and some women are doing really well while others suffer. And things continue to change in interesting and sometimes even auspicious ways. — Rebecca Solnit

Everywhere people are at work to build a better world in which we - and some of the beauty of this world - will be guaranteed to survive. Everywhere they are at war with the forces threatening us and the planet. — Rebecca Solnit

... a certain kind of wanderlust can only be assuaged by the acts of the body itself in motion, not the motion of the car, boat, or plane. — Rebecca Solnit

If it's not clear enough in the piece, I love it when people things to me they know and I'm interested in but don't yet know. It's when they explain things to me I know and they don't that the conversation goes awry. — Rebecca Solnit

The naively cynical measure a piece of legislation, a victory, a milestone not against the past or the limits of the possible, but against their ideas of perfection... — Rebecca Solnit

You can use the power of words to bury meaning or to excavate it. — Rebecca Solnit

Too many writers cannot come to terms with the ways in which the past, like the future, is dark. There is so much we don't know, and to write truthfully about a life, your own or your mother's, or a celebrated figure's, an event, a crisis, another culture is to engage repeatedly with those patches of darkness, those nights of history, those places of unknowning. They tell us that there are limits to knowledge, that there are essential mysteries, starting with the notion that we know just what someone thought or felt in the absence of exact information. — Rebecca Solnit

Every walker is a guard on patrol to protect the ineffable. — Rebecca Solnit

Sometimes, cause and effect are centuries apart — Rebecca Solnit

What we dream of is already present in the world. — Rebecca Solnit

Every minute of every hour of every day you are making the world, just as you are making yourself, and you might as well do it with generosity and kindness and style. — Rebecca Solnit

Explorers, the historian Aaron Sachs wrote me in answer to a question, 'were always lost, because they'd never been to these places before. They never expected to know exactly where they were. Yet, at the same time, many of them knew their instruments pretty well and understood their trajectories within a reasonable degree of accuracy. In my opinion, their most important skill was simply a sense of optimism about surviving and finding their way. — Rebecca Solnit

The blue of distance comes with time, with the discovery of melancholy, of loss, the texture of longing, of the complexity of the terrain we traverse, and with the years of travel. — Rebecca Solnit

The implication that women as a category are unreliable and that false rape charges are the real issue is used to silence individual women and to avoid discussing sexual violence, and to make out men as the principal victims. — Rebecca Solnit

For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back. — Rebecca Solnit

Not to find one's way in a city may well be uninteresting and banal. It requires ignorance - nothing more," says the twentieth-century philosopher-essayist Walter Benjamin. "But to lose oneself in a city - as one loses oneself in a forest - that calls for quite a different schooling." To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin's terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender, a psychic state achievable through geography. — Rebecca Solnit

Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other. — Rebecca Solnit

People rescue each other. They build shelters and community kitchens and ways to deal with lost children and eventually rebuild one way or another. — Rebecca Solnit

Americans have swapped the awkward phrase "same-sex marriage" for the term "marriage equality." The phrase is ordinarily employed to mean that same-sex couples will have the rights different-sexed couples do. But it could also mean that marriage is between equals. That's not what traditional marriage was. — Rebecca Solnit

We have an abundance of rape and violence against women in this country and on this Earth, though it's almost never treated as a civil rights or human rights issue, or a crisis, or even a pattern. Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender. — Rebecca Solnit

The stars we are given. The constellations we make. That is to say, stars exist in the cosmos, but constellations are the imaginary lines we draw between them, the readings we give the sky, the stories we tell. — Rebecca Solnit

We talk about politicians being in public life, but they seldom appear in the public space where everyone is free to appear as a citizen. — Rebecca Solnit

Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice. — Rebecca Solnit

In the bare room under the old library on the hill in the town at the tip of the small peninsula on the cold island so far from everything else, I lived among strangers and birds. — Rebecca Solnit

The world you live in is not a given; much of what is best in it has been built through the struggles of passionate activists over the last centuries. They won us many freedoms and protected many beauties. Count those gifts among your growing heap. — Rebecca Solnit

Activism is not a journey to the corner store. It is a plunge into the unknown. The future is always dark. — Rebecca Solnit

Writers are solitaries by vocation and necessity. I sometimes think the test is not so much talent, which is not as rare as people think, but purpose or vocation, which manifests in part as the ability to endure a lot of solitude and keep working. Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone. — Rebecca Solnit

I have been in recent years the author of a bestiary and director of some atlas projects; I've written criticism, editorials, reports from a few front lines, letters, a great many political essays ... , more personal stuff, essays for artists' books, and more ... Nonfiction is the whole realm from investigative journalism to prose poems, from manifestos to love letters, from dictionaries to packing lists. — Rebecca Solnit

A procession is a participants' journey, while a parade is a performance with an audience. — Rebecca Solnit

That thing we call a place is the intersection of many changing forces passing through, whirling around, mixing, dissolving, and exploding in a fixed location. To write about a place is to acknowledge that phenomena often treated separately - ecology, democracy, culture, storytelling, urban design, individual life histories and collective endeavors - coexist. They coexist geographically, spatially, in place, and to understand a place is to engage with braided narratives and sue generous explorations. — Rebecca Solnit

To tell a story is always to translate the raw material into a specific shape, to select out of the boundless potential facts those that seem salient. — Rebecca Solnit

Violence is one way to silence people, to deny their voice and their credibility, to assert your right to control over their right to exist. About three women a day are murdered by spouses or ex-spouses in this country. It's one of the main causes of death for pregnant women in the United States. At — Rebecca Solnit

The evening hour, too, gives us the irresponsibility which darkness and lamplight bestow," [Woolf] writes. "We are no longer quite ourselves. As we step out of the house on a fine evening between four and six, we shed the self our friens know us by and become part of that vast republican army of anonymous trampers, whose society is so agreeable after the solitude of one's own room." Here she describes a form of society that doesn't enforce identity but liberates it, the society of strangers, the republic of the streets, the experience of being anonymous and free that big cities invented. (Woolf's Darkness) — Rebecca Solnit

The problem may be a literary one: we are given a single story line about what makes a good life, even though not a few who follow that story line have bad lives. We speak as though there is one good plot with one happy outcome, while the myriad forms a life can take flower - and wither - all around us.
Even those who live out the best version of the familiar story line might not find happiness as their reward. This is not necessarily a bad thing. I know a woman who was lovingly married for seventy years. She has had a long, meaningful life that she has lived according to her principles. But I wouldn't call her happy; her compassion for the vulnerable and concern for the future have given her a despondent worldview. What she has had instead of happiness requires better language to describe. There are entirely different criteria for a good life that might matter more to a person - honor, meaning, depth, engagement, hope. — Rebecca Solnit

There is no one as dangerous as he or she who has nothing to lose. — Rebecca Solnit

The fight for free space-for wilderness and for public space-must be accompanied by a fight for free time to spend wandering in that space. Otherwise the individual imagination will be bulldozed over for the chain-store outlets of consumer appetite, true-crime titillations, and celebrity crises. — Rebecca Solnit

Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world through the body and the body through the world. — Rebecca Solnit

There is no good answer to being a woman; the art may instead lie in how we refuse the question. — Rebecca Solnit

To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain with the author as a guide
a guide one might not always agree with or trust, but who can at least be counted on to take one somewhere. — Rebecca Solnit

Vengeance and forgiveness are about reconciling the accounts, but accounting is an ugly description of the tangled ways we're connected. I sometimes think everything comes out even in the end, but an end that arches beyond the horizon, beyond our capacity to perceive or measure, and that in many cases those who trespass against you do so out of a misery that means the punishment preceded and even precipitated the crime. Maybe that's acceptance. — Rebecca Solnit