Skin There Quotes & Sayings

Then there were the people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konarak; warrior caste, Brahmin, and untouchable; Hindu, Muslim, Christian, Buddhist, Parsee, Jain, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incomparable beauty, India. — Gregory David Roberts

Sadhana Start by paying attention to everything you think of as yourself just before you fall asleep: your thoughts, your emotions, your hair, your skin, your clothes, your makeup. Know that none of this is you. There is no need to make any conclusion about what "you" are or what "truth" is. Truth is not a conclusion. If you keep the false conclusions at bay, truth will dawn. It is like your experience of the night: the sun has not gone; it is just that the planet is looking the other way. You're thinking, reading, talking about the self, because you're too busy looking the other way! You haven't paid enough attention to know what the self really is. What is needed is not a conclusion, but a turnaround. If you manage to enter sleep with this awareness, it will be significant. Since there is no external interference in sleep, this will grow into a powerful experience. Over time, you will enter a dimension beyond all accumulations. — Sadhguru

And for a moment there, despite the bruising, despite the snarled dirty hair, despite her sunburned skin and the suffering in her eyes that she refused to let defeat her, she was one of the prettiest things he'd ever seen.
~Dallas and Amy~ — Cindy Gerard

There are a lot of signs. One of the things that makes me most nervous is the disappearance of the frogs. They're going downhill all over the planet. Frogs are susceptible to all kinds of problems, because they require water to breed and their skin is very porous. Their condition is nerve racking. — Paul R. Ehrlich

Essentially, if our secrets are secrets because we are told to be ashamed, then we must share them. There is no shame in being sad or struggling or trying to heal. We are all desperate, depraved and sacred. We are all terrible and brillIant. I can list all the things that can make a girl want to escape her own body (re: patriarchy). But I'd rather list all the things that make me want to stay in my body, and adorn it like a home, rub oils into my skin, tell it how sorry I am for trying to leave, for trying to hurt it into submission — Warsan Shire

I felt my way up the cliffs to the south until I found a patch of machair a few yards long and a few wide, where I pitched my tent and settled to sleep. The stars stood sharp above. It felt odd to be on rock again, not sea, to think of the ground on which I lay extending down to the floor of the Minch. Lying there, I could still feel the day at sea, blood and water slopping about in my bag of skin, the tidal churn of my liquid body, a roll and sway in the skull. My mind beat back north against the current, thinking of the puffins' flight, the lines we leave behind us, the spacious weave, our wake, then sleep. — Robert Macfarlane

There is no birthright in the white skin that it shall say that wherever it goes, to any nation, amongst any people, there the people of the country shall give way before it, and those to whom the land belongs shall bow down and become its servants. — Annie Besant

Tally yanked her hand away and stuck it behind her back. "God. I am so sorry." She'd touched him. Felt the heat of his tanned skin, felt the crisp hairs at his groin ... felt ... oh, man.
"Nice try, but no cigar. Want to go for two out of three?"
Tally closed her eyes and blew out a breath. "Oh, this day just gets better and better."
"It's certainly looking up for me." With an amused glance, the pirate hitched his shorts back over the sharp angle of his hipbones. There'd been so sign of a tan line. — Cherry Adair

There followed a time when everything was dull. The things that had meant something lost importance, though they were still there, like bruises on the body that fade to hard lumps under the skin. — Tracy Chevalier

He said against her fragile, pedal soft skin, "You know how this goes, don't you?"
"In a general sort of way," she whispered unsteadily. She ran her hands up his arms and dug her fingers into his shoulders. "You diddle here, I suck there. Or maybe you suck, and I diddle. Or both. Couple of pats, and ten or fifteen thrusts. 'Oh baby, your so good, I can't take it,' pow, et cetera, 'let's go raid the fridge. — Thea Harrison

Safe Sex
If he and she do not know each other, and feel confident
they will not meet again; if he avoids affectionate words;
if she has grown insensible skin under skin; if they desire
only the tribute of another's cry; if they employ each other
as revenge on old lovers or families of entitlement and steel
then there will be no betrayals, no letters returned unread,
no frenzy, no hurled words of permanent humiliation,
no trembling days, no vomit at midnight, no repeated
apparition of a body floating face-down at the pond's edge — Donald Hall

Easy, vampire." She pulled his hands away from his neck and held them against his chest. He was strong, though, and she had to plaster the weight of her body on his to ease his struggle and keep him from tearing at his own skin. "I know it hurts, but the ash is working." She hoped. God, she hoped. If she'd made things worse, she'd never forgive herself. Gradually, he stopped fighting, but he kept hold of her hands, even when she tried to extricate herself from his grip. Between her thighs, he was hot, his body so wide she figured she'd feel the tug of tightness in the morning. Dear God, what would sex with him be like, if just holding him still gave her muscle strains? And why in the world would her mind go there? — Larissa Ione

I love her bare legs from a distance. When she's standing by a pool. When she's facing the water, thinking. Her legs are white as watermelon rind, veined blue from cold. There's that 'H' shape behind her knees. The H trembles softly with the swimming-water cold. — Jaclyn Moriarty

Jesus got up one day a little later than usual. He had been dreaming so deep there was nothing left in his head. What was it? A nightmare, dead bodies walking all around him, eyes rolled back, skin falling off. But he wasn't afraid of that. It was a beautiful day. How 'bout some coffee? Don't mind if I do. Take a little ride on my donkey, I love that donkey. Hell, I love everybody. — James Tate

How do they do it, the ones who make love
without love? How do they come to the
come to the come to the God come to the
still waters, and not love
the one who came there with them, light
rising slowly as steam off their joined
skin? — Sharon Olds

The rather blurred background to the face that formed over the vid plate seemed faintly familiar - ah yes, the Security Ops room at Ryoval Biologicals. Baron Ryoval had arrived personally on that scene as promised. It took only one glance at the dusky, contorted expression on Ryoval's youthful face to fill in the rest of the scenario. Miles folded his hands and smiled innocently. "Good morning, Baron. What can I do for you?" "Die, you little mutant!" Ryoval spat. "You! There isn't going to be a bunker deep enough for you to burrow in. I'll put a price on your head that will have every bounty hunter in the galaxy all over you like a second skin - you'll not eat or sleep - I'll have you - " Yes, — Lois McMaster Bujold

The three of us do not go out very often as the three of us. I think Daniel is perfect for Jed, which is the highest compliment I can give. But my friendship isn't with him, and Jed understands that. When we hit the road, we hit it together alone.
We get to the bridge, out undestined destination. Even though there's no sign, no arrow, Jed turns at the last minute and parks us in a verge right before the bridge leaves the ground.
The trunk pops open, and Jed runs round back to retrieve a bag of oranges and a sweatshirt that fits me better.
Shall we make like lizards and leap? he asks.
I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin.
Would you stroll me down the promenade instead? I ask back.
Most certainly, my splendid.
There is no word for our kind of friendship. Two people tho don't see each other a lot, but can make each other effortlessly happy. — David Levithan

I knew the facts of death before I knew the facts of life. There never was a time when I didn't see the skull beneath the skin. — P.D. James

Jim Rosato was recently married, to a Greek nurse. Rosato was half Irish and half Italian, and there was a pool on at the 1st as to which of the two would arrive at work wearing the other's skin as a hat within the year. — Warren Ellis

When I ask French parents what they most want for their children, they say things like "to feel comfortable in their own skin" and "to find their path in the world." They want their kids to develop their own tastes and opinions. In fact, French parents worry if their kids are too docile. They want them to have character.

But they believe that children can achieve these goals only if they respect boundaries and have self-control. So alongside character, there has to be cadre. — Pamela Druckerman

She made each suture perfectly - one neat stitch after another - until they were lined up across Archer's wounds like sharp black letters, as if every set of stitches was a healing word Doc had written to keep his skin together. There — Traci Chee

I'm really happy in my own skin. There's a lot of judgment that can come from outside sometimes, and there's media scrutiny that is placed on a lot of women in the public eye, and I just couldn't care less. I really couldn't care less. 'I would sometimes say in my twenties, 'oh, I couldn't care less', but I think I probably did. Now I genuinely don't and that's a lovely, liberating thing to experience. — Kate Winslet

Final Disposition

Others divided closets full of mother's things.
From the earth, I took her poppies.
I wanted those fandango folds
of red and black chiffon she doted on,
loving the wild and Moorish music of them,
coating her tongue with the thin skin
of their crimson petals.

Snapping her fingers, flamenco dancer,
she'd mock the clack of castanets
in answer to their gypsy cadence.
She would crouch toward the flounce of flowers,
twirl, stamp her foot, then kick it out
as if to lift the ruffles, scarlet
along the hemline of her yard.

And so, I dug up, soil and all,
the thistle-toothed and gray-green clumps
of leaves, the testicle seedpods and hairy stems
both out of season, to transplant them in my less-exotic garden. There, they bloom
her blood's abandon, year after year,
roots holding, their poppy heads nodding
a carefree, opium-ecstatic, possibly forever sleep. — Jane Glazer

She isn't a storm or a leader or a king or a war or anyone whose life and death makes noise. The problem is words. There is skin, yes. And then, inside that, there is your language, the casual, inherited magic spells taht make your skin real. It's too late now
even if we could say "Shut up" or "Where's my dinner?" in the first language, the real language, the words weren't born in us. And unless your skin and your language touch each other without interruption, there is no word strong enough to make you understand that it matters that you live. The things that really "stay" are an Orisha, a kind night, a pretended boy, a garden song that made no sense. Those come closer to being enough. — Helen Oyeyemi

The fourth elf was younger than the others. This showed in the perfection of her skin, the agility and speed of her movements, and in the brightness of her dress. Her long silk garment was yellow and gold and green, and she wore a blue silk choker with a trailing silver scarf at her neck matching another at her waist. There was fire in her dark eyes which added to her overpowering beauty. — Ian Livingstone

When I think back about my immediate reaction to that redheads girl, it seems to spring from an appreciation of natural beauty. I mean the heart pleasure you get from looking at speckled leaves or the palimpsested bark of plane trees in Provence. There was something richly appealing to her color combination, the ginger snaps floating in the milk-white skin, the golden highlights in the strawberry hair. it was like autumn, looking at her. It was like driving up north to see the colors. — Jeffrey Eugenides

Cold. Foggy cold. Soaking through fabric, biting into the skin, clutching the bones until flesh crawled.
There was no moonlight, only orange, smoky lanterns, and the light made the snow glitter and turned the shadows into blood. — Erik Tavares

There are times when any amount of being within the world is like rubbing bare skin against sandpaper, when any form of motion is a kind of abrasion, leaving you raw and pink and vulnerable to the next thing. At these times I prefer to close my eyes and be still, still like the cups or candles or crackers on the table, nerveless and open. I closed my eyes and tried to think of the thing furthest from my situation. — Alexandra Kleeman

The intruder hesitated, turned, and anchored itself in the corner, where the ceiling met the wall. It sat there, fastened to the paneling by enormous yellow talons, still and silent like a gargoyle in full sunlight. I took a swig from the bottle and set it so I could still see the creatures reflection. Nude and hairless, it didn't carry a single ounce of fat on its lean frame. Its skin stretched so tight over the cords of muscle, it threatened to snap. Like a thin layer of wax melted over an anatomy model.
Your friendly neighbourhood Spiderman. — Ilona Andrews

The name itself is trouble. "Slough" means, literally, muddy field. A snake sloughs, or sheds, its dead skin. John Bunyan wrote of the "slough of despond" in Pilgrim's Progress. In the 1930s, John Betjeman wrote this poem about Slough: Come friendly bombs and fall on Slough! It isn't fit for humans now, There isn't grass to graze a cow, Swarm over, Death! Then he got nasty. To this day, the residents of Slough rankle when anyone mentions the poem. The town's reputation as a showpiece of quiet desperation was cemented when the producers of the TV series The Office decided to set the show in Slough. — Eric Weiner

Edin Viso's poetry and prose bear the obvious marks of dark drama-of a soul variously splayed apart and cinched back together...This is a book of psalms-at once craggy and rough as the Balkan landscape, and sublime as sunrise on the Aegean Sea. There are calluses on the palms, dried blood on the knuckles, and dirt under the fingernails of these pieces. And there is grace...Edin is a poet who knows the value of a blanket, a single orange, a moment shared...He is a man who is unafraid, and who does, in the pages before you, "take off his skin and dance in his bones.". — Stephen T. Berg

He broke off the kiss then, running his lips across her cheek and setting them to her ear, taking the soft lobe between his teeth and biting gently, sending waves of pleasure caressing through her body as he laved the sensitive skin there. From far away, Callie heard a whimper... and belatedly realized that it was her own.
His lips curved at her ear as he spoke, his arch breathing making the words more a caress than a sound. "Kisses should not leave you satisfied."
He returned his lips to hers, claiming her mouth again, robbing her of all thought with a rich, heady caress. All she wanted was to be closer to him, to be held more firmly. And, as though he could read her thoughts, he gathered her closer, deepening the kiss. His heat consumed her; his soft, teasing lips seemed to know all of her secrets.
When he lifted his mouth from hers, she had lost all strength. His next words pierced through her sensual haze.
"They should leave you wanting. — Sarah MacLean

Pale hair fell in waves to his shoulders, framing a face mortal females considered a sensual feast. They didn't know the man was actually a devil in angel's skin. They should have, though. He practically glowed with irreverence, and there was an unholy gleam in his green eyes that proclaimed he would laugh in your face while cutting out your heat. Or laugh in your face while you cut out his heart. — Gena Showalter

As Harold took a bite of Bavarian Sugar cookie, he finally felt as if everything was going to be okay. Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy ... there are Bavarian Sugar cookies. And, fortunately, when there aren't any cookies we can still find reassurance in a familiar hand on our skin ... or a kind and loving gesture ... or a subtle encouragement ... or a loving embrace ... or an offer of comfort ...
And we must remember that all these things, the nuances, the anomalies, the subtleties which we assume only accessorize our days, are in fact here for a much nobler and larger cause. They are here to save our lives. — Zach Helm

There is a profound difference between fighting to avoid death and fighting in order to live. Men who fight to avoid death preserve their dignity and one and all - men, women and children - defend it jealously, tenaciously, fiercely ... When men fight to avoid death they cling with a tenacity born of desperation to all that constitutes the living and eternal part of human life, the essence, the noblest and purest element of life: dignity, pride, freedom of conscience. They fight to save their souls. But after the liberation men had to fight in order to live ... It is a humiliating, horrible thing, a shameful necessity, a fight for life. Only for life. Only to save one's skin. — Curzio Malaparte

Praise the green earth. Chance has appointed her home, workshop, larder, middenpit. Her lousy skin scabbed here and there by cities provides us with name and nation. — Basil Bunting

The Fish She stands over a fish, thinking about certain irrevocable mistakes she has made today. Now the fish has been cooked, and she is alone with it. The fish is for her - there is no one else in the house. But she has had a troubling day. How can she eat this fish, cooling on a slab of marble? And yet the fish, too, motionless as it is, and dismantled from its bones, and fleeced of its silver skin, has never been so completely alone as it is now: violated in a final manner and regarded with a weary eye by this woman who has made the latest mistake of her day and done this to it. — Lydia Davis

You must convince your readers that your characters are flesh and blood rather than words on dead skin, that their loves and hatreds and passions are as deep and present as the readers' own. Your task is to delight, to pleasure, to lift your reader to another sphere of being and then strand him there, floating above the earth and panting for more lines. — Bruce Holsinger

I liked him, there was no doubt about that. But I wasn't sure if he was good for me or not. I didn't always stick to things that were good for me - positively railed against it sometimes - but he was a different type of not good for me. He did things to my mind and body that I hadn't ever experienced before.
But it wasn't as if I could get him out of my head either: every moment I had free would suddenly be crammed with thoughts of him. His soft lips, the gentle urgency with which they'd kissed me. The intoxicating smell of his skin. His moss-green eyes that would follow everything I said, then would meet my eyes so we could share a smile. It was driving me slowly and pleasurably insane. — Dorothy Koomson

It's like he has emotional amnesia ... I think you have to accept that the person you knew isn't there at the moment. I was witness to how much he loved you. I have the photos. This isn't the person we knew. I don't recognize this person. He's shed his skin. Her heart is broken too. She has to say the thing that will give me back my life. She draws on every reserve. I see how much it hurts her and it hurts me too. I came from her joy and her pain, I lived in it and I live in it now. — Emma Forrest

The damage was permanent; there would always be scars. But even the angriest scars faded over time until it was difficult to see them written on the skin at all, and the only thing that remained was the memory of how painful it had been. — Jodi Picoult

They ask me what kind of perfume I wear or how I choose a signature scent or what to wear to what occasion. The truth is, I just go into the perfumery and pick out the most beautiful smell. I sniff the scent and then see with my mind's eye the vision that it brings to my heart. If I want to wear that vision with me every day until the bottle is all used-up, then that's the perfume I'll purchase. And I do use it up until there's nothing left and only then do I go out to buy another one. Another vision for another year or two. Fragrance, to me, is about wearing a perspective on your skin. The scent itself is the vehicle by which you can be reminded of those pictures that those notes have opened in your soul. — C. JoyBell C.

Now why should there be a special word for a man with dark skin? There was no special word for a man with blue eyes, or large ears, or curly hair. — Isaac Asimov

The alley and the music all fell away, and there was nothing but her and the rain and Jace, his hands on her ... He made a noise of surprise, low in his throat, and dug his fingers into the thin fabric of her tights. Not unexpectedly, they ripped, and his wet fingers were suddenly on the bare skin of her legs. Not to be outdone, Clary slid her hands under the hem of his soaked shirt, and let her fingers explore what was underneath: the tight, hot skin over his ribs, the ridges of his abdomen, the scars on his back. This was uncharted territory for her, but it seemed to be driving him crazy: he was moaning softly against her mouth, kissing her harder and harder, as if it would never be enough, not quite enough - — Cassandra Clare

I was no stranger to bar fights. You'd think they'd be rare in a place like the University, but liquor is the great leveler. After six or seven solid drinks, there is very little difference between a miller on the outs with his wife and a young alchemist who's done poorly on his exams. They're both equally eager to skin their knuckles on someone else's teeth. — Patrick Rothfuss

Species tend to bite sometimes during the sharing of sex but we never break the skin. There are only two ways this usually happens. I had to bite you to assert my control if we fought for dominance during sex or because I wanted to mark you to show other males you belonged to me." He blinked. "I am sorry. I lost control and I wanted to completely own you in that moment. I wanted all of you. — Laurann Dohner

His hold on her arm. There were deep red marks on her skin. "Gods," he whispered. His voice was hoarse. "Your sister is sick with grief. She cannot know what she is saying. — George R R Martin

Vain is your boast in that you have scratched the sole of my foot ... A worthless coward can inflict but a light wound. When I wound a man, though I but graze his skin, it is another matter, for my weapon will lay him low. His wife will tear her cheeks out for grief and his children will be fatherless: there he will rot, reddening the earth with his blood, and vultures, not women, will gather round him. — Homer

There were history's gifts to my family-and if the resources of that grocer, the fruits of those riots, the possibilities of that culture, and the privileges of that skin tone had been extended to others, how many more would now live a life of fulfillment, in a beautiful house high on a hill? — Malcolm Gladwell

There comes a day when you've become comfortable in your skin. But God as my witness, I am going to try to do everything I can to keep this ass together for as long as I possibly can - without going against nature. — Zoe Saldana

It is great to be desperate for the word of God. It is also assential to have the spirit of discernment because there are many vultures and wolves in sheep skin in the Body of Christ. They are longing to devour those who are genuinely seeking for Kingdom of God. — Euginia Herlihy

And the lamp having at last resigned itself to death.
There was nothing now but firelight in the room,
And every time a flame uttered a gasp for breath
It flushed her amber skin with the blood of its bloom. — Charles Baudelaire

I put my hand in my pocket and squeeze my rocks and wonder if there is a word for the marks you get on your palm when you squeeze something so hard that the skin is on the verge of ripping. — Amy Zhang

Margaret herself hadn't known her body was a parish bell tolling at every heartbreak she heard of, and that night with Pete calmly sitting on the edge of her favorite chair, invading her private room with words this room was sealed from, she felt it just as a bell would. It struck her right inside, until her bronze skin rang out the news. Not of Pete's story, which had not even made him cry, but some other story she'd been trying not to tell herself. So she sat stiffly there and wept, clanging and clanging like a thing that tested its own breaking. — Andrew Sean Greer

There seems to be a different Chicago around every street corner, behind every bar, and within every apartment, two-flat, cottage, or bungalow. City of immigrants or city of heartless plutocrats, say what you will, Chicago almost defies interpretation. In many ways Chicago is like a snake that sheds its skin every thirty years or so and puts on a new coat to conform to a new reality. — Dominic A. Pacyga

In high school I had some famously egregious fashion missteps. I was really out there in fashion, I think because I wanted attention. I would wear crazy patterns, skin-tight pants and giant platform shoes. — Busy Philipps

People are like lice - they get under your skin and bury themselves there. You scratch and scratch until the blood comes, but you can't get permanently deloused. — Henry Miller

Time slowed. He was thinking in colors and sensations now, not words. The curve of her breast. The shimmer of her skin. The way her breath caught when he touched her - there. — Rebecca Rivard

Thousands of mosquitoes had already bitten all of us on chest and arms and ankles. Then a bright idea came to me: I jumped up on the steel roof of the car and stretched out flat on my back. Still there was no breeze, but the steel had an element of coolness in it and dried my back of sweat, clotting up thousands of dead bugs into cakes on my skin, and I realized the jungle takes you over and you become it. — Jack Kerouac

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn't have known. There was smoke in her nose, thick and black, and she couldn't breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn't her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol' hands with scars on the fingers. Men's hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and- — Angele Gougeon

Classically, cosmetics companies will take highly theoretical, textbookish information about the way that cells work - the components at a molecular level or the behavior of cells in a glass dish - and then pretend it's the same as the ultimate issue of whether something makes you look nice. "This molecular component," they say, with a flourish, "is crucial for collagen formation." And that will be perfectly true (along with many other amino acids which are used by your body to assemble protein in joints, skin, and everywhere else), but there is no reason to believe that anyone is deficient in it or that smearing it on your face will make any difference to your appearance. In general, you don't absorb things very well through your skin, because its purpose is to be relatively impermeable. When you sit in a bath of baked beans for charity, you do not get fat, nor do you start farting. — Ben Goldacre

There is always something taboo, something repressed, unadmitted, or just glimpsed quickly out of the corner of one's eye because a direct look is too unsettling. Taboos lie within taboos, like the skin of an onion. — Alan Watts

Inside all of us, she reflected, were smiling bones. She would do her best to remember from now on that even on the hardest days there was always a smile underneath her skin. — Dan Rhodes

Who cares if there are lumps on my thighs? I'm guilty of having human legs made up of fat, muscle, and skin, and sometimes when you sit, they get bumpy! — Kristen Bell

Neither one of us said anything. There was no need for words at the moment, what we'd needed to say to each other had been fully expressed with our bodies, each word communicated artfully with the touch of our fingertips and the slide of our skin against one another's - so for the moment - we were all talked out. — D.T. Dyllin

Dan's skin was beginning to lose color. "Oh, har-har. A library, right? Just to make me crazy. 'Cause there's no reason we would go to a library. Right? I mean, we don't need to research Peoria, do we?"
Amy began heading for the building. "Not Peoria. Something else."
"Not funny, Amy!" Dan called as she pushed open the heavy brass doors. "Amy...Amy? — Peter Lerangis

Uninvited, the thought of you stayed too late in my head,
so I went to bed, dreaming you hard, hard, woke with your name,
like tears, soft, salt, on my lips, the sound of its bright syllables
like a charm, like a spell.

Falling in love
is glamorous hell; the crouched, parched heart
like a tiger ready to kill; a flame's fierce licks under the skin.
Into my life, larger than life, beautiful, you strolled in.

I hid in my ordinary days, in the long grass of routine,
in my camouflage rooms. You sprawled in my gaze,
staring back from anyone's face, from the shape of a cloud,
from the pining, earth-struck moon which gapes at me

as I open the bedroom door. The curtains stir. There you are
on the bed, like a gift, like a touchable dream.

"You — Carol Ann Duffy

Livy." His voice deepened to nearly guttural. Desire unfurled in her abdomen. Then reality slammed her in the face.
"Are you glamoring me?" she asked, anger rippling along her skin.
His eyebrows drew down. "Glamoring?"
"Yeah. What vampires do." She put her hands on her hips. "Making me want you."
He chuckled again. "Oh, you want me, and it's all you. There's no such thing as glamoring."
Truth. She opened her senses, and he was definitely telling the truth. "Oh. — Rebecca Zanetti

Even Proust - there's a famous passage where Odette opens the door with a cold, she's sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so - the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting's blotchy cheeks. Even through a copy Proust was able to re-dream that image, re-shape reality with it, pull something all his own from it into the world. Because - the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times. — Donna Tartt

From my experience and observing a lot of other people that often times that only happens - a transformational experience or shedding of the skin - happens when we are at the end of our road and there is pain involved. We have to change or we continue to live in that almost intolerable pain. — Ray McKinnon

I pushed her shiny blond hair away from her face and leaned down, our faces only inches apart. She inhaled softly, our lips so close I could feel her breath and the scent of her skin, like honeysuckle in springtime. She smelled like sweet tea and old books, like she had always been here.
I pulled my fingers through her hair and held it at the back of her neck. Her skin was soft and warm, like a Mortal girl's. There was no electric current, no shocks. We could kiss for as long as we wanted. If we had a fight, there wouldn't be a flood or a hurricane, or even a storm. I wouldn't find her on the ceiling of her bedroom. No windows would shatter. No exams would catch fire.
Liv held up her face to be kissed.
She wanted me. — Kami Garcia

Love will push every button, try every faith, challenge every strength, trigger every weakness, mock every value, and then leave you there to die. And then you will be ready to be born at last, to become a soul who is strong enough to take love on. You'll be a romantic mystic who has achieved the elements: you endured the flames of love, you were baptized in the waters of love, and now you can soar like only a mystic can through the skies and skin of a lover's heart. — Marianne Williamson

The day Stamp Paid saw the two backs through the window and then hurried down the steps, he believed the undecipherable language clamoring around the house was the mumbling of the black and angry dead. Very few had died in bed, like Baby Suggs, and none that he knew of, including Baby, had lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the weight of the whole race sitting there. You needed two heads for that. Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. — Toni Morrison

I don't want to know about love.'
'But you should, my child. You need to know about love. The things people will do for love. All truths come down to love, do they not? One way or another, they do. See, there is a difference between love and need. Sometimes, what you feel is immediate and without rhyme or reason.' She sat up a little straighter. 'Two people see each across a room or their skin brushes. Their souls recognize the person as their own. It doesn't need time to figure it. The soul always knows ... whether it's right or wrong. — Jennifer L. Armentrout

He kissed her, and knew he was trying to tell her the depth of how he felt. Even as he lost himself in her, felt her hair sweep across his face, his chest, her lips meet his skin, her fingers, he understood that there were people for whom one other was their missing part. — Jojo Moyes

Scurvy became a problem. This disease comes from a deficiency of vitamin C, and it causes the victim's connective tissue to break down. The Irish called scurvy black leg, because it made the blood vessels under the skin burst, giving a victim's limbs a black appearance. The cure for scurvy is fresh food - meat, vegetables, or fruit - none of which was available to the poor in Ireland. There — Ryan Hackney

We stand there, neither one of us speaking or moving, for several minutes. There's not a single kiss passed between us, not a single graze of my hand across her skin, not a single word spoken ... yet somehow, this is the most intimate moment I've ever shared with anyone.
Ever. — Colleen Hoover

There's good sex, and then there's sex where the memory takes up permanent residence in your brain, changes the fucking chemical balance or something so that you crave it like a damn fix. It makes you jones for it, gets under your skin like an itch. That's the kind of sex this is. — Sabrina Paige

It was not necessary to leave to learn that. But there were other reasons to go. If a person had a child but no husband, a room but no house, a place but no home, a will but no way, and if a person was losing her son and herself, little by little, day by day, because she knew what she knew in her skin and bones but not what her sister-in-law knew in her books and pamphlets, then yes, it was necessary. — Jamie Zeppa

What comes in when daylight leaves is a kind of certainty: that beneath the skin there is a secret, some mystery both black and bright. You feel this mystery in every breath, you see it in every shadow, you expect to plunge into it at every turn of a step. — Stephen King

If I had to wish for something, just one thing, it would be that Hannah would never see Tate the way I did. Never see Tate's beautiful, lush hair turn brittle, her skin sallow, her teeth ruined by anything she could get her hands on that would make her forget. That Hannah would never count how many men there were, or how vile humans can be to one another. That she would never see the moments in my life that were full of neglect, and fear, and revulsion, moments I can never go back to because I know they will slow me down for the rest of my life if I let myself remember them for one moment. Tate, who had kept Hannah alive that night, reading her the story of Jem Finch and Mrs. Dubose. And suddenly I know I have to go. But this time without being chased by the Brigadier, without experiencing the kindness of a postman from Yass, and without taking along a Cadet who will change the way I breath for the rest of my life. — Melina Marchetta

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat's. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille. — Cassandra Clare

I felt a warm hand on the skin of my lower back."
I twisted my neck, looked up and there he was.
I held my breath and he asked, "You comin' or what?"
That was it. That was his pickup line. "You comin' or what?"
I went. — Kristen Ashley

I should have known. I should have known from the beginning. I was raised in another world. A world where royal blood is not a license to rule, a world whose wizards do more than sneer from their high towers, a world where life is not so cheap, where justice does not come as a knife in the night, a world where we know that the texture of a race's skin shouldn't matter -
And yet for you, born in this world, to question what others took for granted; for you, without ever touching the Sword, to hear the scream that had to be stopped at all costs -
"I don't trust you either," Hirou whispered, "but I don't expect there's anyone better," and he closed his eyes until the end of the world. — Eliezer Yudkowsky

But Hannah's friend didn't understand the volatile balancing act between art and sanity, that the act of creation was like walking a tightrope during an earthquake. She didn't understand Hannah's stupid need for validation, or that the size of the audience increased the stakes and multiplied the fear. She didn't understand that creativity was dangerous, that, yes, there were some people who could stand before a canvas, paint a sunset that would bring the world to its knees, and return to their loved ones as a complete person who didn't hurt, didn't cry, didn't spill blood to appease the host of fickle muses. But Hannah did. Hannah's best ideas - sometimes her only ideas - were buried beneath the skin. — Jake Vander Ark

He's made himself a rabbit-skin cap, Jim, and a rabbit-skin collar that he buttons on outside his coat. They ain't got but one overcoat among 'em over there, and they take turns wearing it. They seem awful scared of cold, and stick in that hole in the bank like badgers. — Willa Cather

Family quarrels are bitter things. They don't go according to any rules. They're not like aches or wounds, they're more like splits in the skin that won't heal because there's not enough material. — F Scott Fitzgerald

I knew a sudden shyness. There was a look on his face, a stillness to his body that had never been there before. Though I couldn't give the emotion a name, I felt it, too. We had something special. Something hard to define. Something past friendship.

"I must go now," I said and rose up on tiptoe to kiss his cheek, marveling at its velvet skin. "Thank you for the book."

He drew me into his embrace and sighed. "Thank you for the stars. — Elizabeth Langston

Hat came before has dissolved from me, lost like milk teeth. But I think, rather, that it has always been as it is, and there was never a beforethis nor will there be an afternow. I am accepting. This is not a thing to be solved, or conquered, or destroyed. It is. I am. We are. We conjugate together in darkness, plotting against each other, the Labyrinth to eat me and I to eat it, each to swallow the hard, black opium of the other. We hold orange petals beneath our tongues and seethe. It has always been so. It grinds against me and I bite into its skin.. — Catherynne M Valente

Horace, hands on hips, paced around the circle, frowning as he studied them. They were a scruffy bunch, he thought, and none too clean. Their hair and beards were overlong and often gathered in rough and greasy plaits, like Nils's. There were scars and broken noses and cauliflower ears in abundance, as well as the widest assortment of rough tattoos, most of which looked as if they had been carved into the skin with the point of a dagger, after which dye was rubbed into the cut. There were grinning skulls, snakes, wolf heads and strange northern runes. All of the men were burly and thickset. Most had bellies on them that suggested they might be overfond of ale. All in all they were as untidy, rank smelling and rough tongued a bunch of pirates as one could be unlucky enough to run into. Horace turned to Will and his frown faded. 'They're beautiful,' he said. — John Flanagan

My first kiss ... and it was everything I'd imagined it to be, with the exception of there being an audience for it. But it was hard to acknowledge them or their cheering and whistles. Flames scorched my already heated skin. Dez's lips moved against mine, working the tight seam open. I gasped, wondering where in the world he'd learned to kiss like that. Jealousy flared like a beacon on the heels of that thought. Okay. I didn't want to know how he'd learned. — Jennifer L. Armentrout

AS I TELL MY PATIENTS, your skin, hair, and nails are repairable and replaceable, and most of your organs can be revitalized. But the brain is the one organ you can't replace (no matter what you've seen in horror movies). The brain is where your life resides. It governs all aspects of your health as well as your emotional state. And while you can't get a new brain, you can improve the one you have. There are many different ways to literally make your brain younger which can enhance every facet of your health. This chapter will show how you can lose weight permanently once you balance your brain. Without taking the brain into account, you can diet for the rest of your life and never be happy with the results. — Eric R. Braverman

I inspect everything more closely, and there is about every surface - the river, the forest, the bark of the trees, the underbrush between them, even my own skin - there is about it all the unmistakable texture of linen stretched and framed. And this is when I feel the camel's hair brush and the oil paint dabbing tenderly, meticulously, at the space below my navel. — Caitlin R. Kiernan

I descended to the ocean floor and encountered bloated, symmetrical creatures with pumping white hearts and translucent skin. Collapsed blue civilizations lived down there, fissured and antiseptic, craggy with barnacles and blistering rust. I reached into the heart of the earth, the sky, the moon. I colonized language, mathematics, schemes of chemical order and atomic weight. I studied the manufacture of automobiles, microcircuitry, Kleenex and planets. I memorized the gross national products of nations and hemispheres, the populations of cities and states and principalities, the achievements of presidents, tyrants and kings. I was trying to learn what I suspect Mom had learned already: that there were journeys we all make alone that take us far away from one another. — Scott Bradfield

I let my hands fall to the bed. Her mouth crafts a warm path to mine. There we share the taste of my tears as her top lip slides between my own and her tongue warms the inside of my mouth. Her hand slides up my neck, nails grazing the skin, till she finds purchase in my hair, tugging slightly at the tangle. Shivers lance my body.
Gone is any semblance of resistance. All the guilt that kept me from betraying Eo with Mustang is swept away in the chaos inside me. All the guilt I have for knowing she is a Gold and I am a Red vanishes. I'm a man, and she's the woman I want. — Pierce Brown

She gets on you under your skin like a tattoo she'll always be there! — Jason Aldean

I look down, trying to see my skin like she does. Underneath the soft, cerulean-blue glow, there are so many lines it looks like a roadmap. I'm so used to the ruts and puffy scars crisscrossing my arms that I forget about them sometimes. They're the legacy of the questionable talent that's kept me alive as often as it's gotten me in trouble.
The story of my life is written in the wounds on my skin. I just wish other people could read the story, too. It'd save me a lot of explaining. — Erica Cameron

Holy smoke! We lost our last match and there's a storm coming!
Party On!
A flash flood swept away all our gear and we're twenty miles from the trailhead!
Party On!
My femur bone's sticking through my skin and I've gotta cross that river!
Party On! — Cody Lundin

The whole world is pressing in on me, like a weight on my chest, slowly pushing me down and down. And there's nothing between me and this weight but my flimsy skin. It's not enough. It won't protect me. It doesn't keep anything out. The outside will keep pressing in until my ribs are crushed, and then my organs, my heart and liver and stomach ... — Natalie Standiford

There was a sensible part of me somewhere that clutched its pearls and hissed that I better not give up my V-card in a CELLAR, but when Archer's hands slid under my shirt and onto the skin of my back, I started thinking that a cellar was as good a place as any. — Rachel Hawkins