Simile In Quotes & Sayings
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Top Simile In Quotes

Today was a very cold and bitter day, as cold and bitter as a cup of hot chocolate, if the cup of hot chocolate had vinegar added to it and were placed in a refrigerator for several hours. — Lemony Snicket

My emotions swirl like leaves caught in the breath of a dust devil, and the only thing I can seem to hold onto is the anger. — Emily Murdoch

They were contemplating moving into another house or, more exactly, loudly saying to each other, so as to be overheard by anyone who might be listening, that they were contemplating moving, when all at once the fiend was gone, as happens with the moskovett, that bitter blast, that colossus of cold air that blows on our eastern shores throughout March, and then one morning you hear the birds, and the flags hang flaccid, and the outlines of the world are again in place. — Vladimir Nabokov

It's no use telling us that something was 'mysterious' or 'loathsome' or 'awe-inspiring' or 'voluptuous.' By direct description, by metaphor and simile, by secretly evoking powerful associations, by offering the right stimuli to our nerves (in the right degree and the right order), and by the very beat and vowel-melody and length and brevity of your sentences, you must bring it about that we, we readers, not you, exclaim, 'how mysterious!' or 'loathsome' or whatever it is. Let me taste for myself, and you'll have no need to tell me how I should react. — C.S. Lewis

They passed, leaving a trail of foxfire shuffled up out of the wet leaves like stars plowed in a ship's wake. — Cormac McCarthy

Wie Gott in Frankreich' was the expression used by the Jews of Eastern Europe to describe perfect happiness. I puzzled over this simile for many years, and I think I can interpret it now. God would be perfectly happy in France because he would not be troubled by prayers, observances, blessings and demands for the interpretation of difficult dietary questions. Surrounded by unbelievers He too could relax toward evening, just as thousands of Parisians do at their favorite cafes. There are few things more pleasant, more civilized than a tranquil terrasse at dusk. — Saul Bellow

My body felt like tangled rubber bands and dried-out pens and sticky paper clips, like the contents of a drawer where you put the things you don't have anywhere else to put, and I knew that the mind and body are connected, and that my bodily sensations were just messages from my mind, but I just wished there was a box or a drawer or a hole in the ground where I could put all this, all this mind and body stuff that I didn't know what else to do with. — Catherine Lacey

Your eyes flash like Fourth-of-July sparklers, headlights on a mountain road, sparks in a short-circuited toaster. — Dennis Vickers

There were those Hosts who thought something better could have been said and better thoughts therefore thought, had I only been made to do other things than I had. That I could have been a better simile for those in need of one to speak precisely; to speak about those somethings other than me that I was - they would have asserted - like. But those critics of course couldn't say what those thoughts would have been, because they could not have them. — China Mieville

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

In my art history degree course, we did a module on palimpsests - medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.
Sometimes I have a sense that this house - our relationship in it, with it, with each other - is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame. — J.P. Delaney

Excitement is simple: excitement is a situation, a single event. It mustn't be wrapped up in thoughts, similes, metaphors. A simile is a form of reflection, but excitement is of the moment when there is no time to reflect. Action can only be expressed by a subject, a verb and an object, perhaps rhythm -- little else. Even an adjective slows the pace or tranquilizes the nerve. — Graham Greene

Good writing is always a breaking of the soil, clearing away prejudices, pulling up of sour weeds of crooked thinking, stripping the turf so as to get at what is fertile beneath. It would be amusing to carry the simile further. Those bulbs that flower in the sand and wither! The gay fiction annual that has to be planted again every year! Those experimental plants from Russia, France, and Greenwich Village that are always getting winter killed - confound 'em! - is it worth while planting them again? The stocky perennial that keeps coming up and coming up - so easy to grow and so ugly. Scarlet sage that gives a touch of fiery sin to the edge of the suburbanite's concrete walk! And then the good flowers - as honest as they are beautiful! The well-ordered gar den! The climbing rose that escapes and is the most beautiful of all! — Henry Seidel Canby

Things which had at first felt like signs, if I analysed them for too long, ended up feeling like the movements of my own reflection in dark glass. — Olivia Sudjic

She was truly happy for the first time in her life, and it felt just like living in a small room painted all white, with windows looking out onto impenetrable forest. — Alexandra Kleeman

I can only put it sufficiently curtly in a careless simile. A Socialist means a man who thinks a walking-stick like an umbrella because they both go into the umbrella-stand. Yet they are as different as a battle-ax and a bootjack. — G.K. Chesterton

My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation. — Clark Ashton Smith

Her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman's lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow. — Thomas Hardy

He was looking at me like I was a very nice thing of his that wasn't working quite like it should, like he'd found a defect, a defect that was extremely disappointing because he had spent a lot of time doing his research and believed he had gotten a thing that was guaranteed against these kinds of defects, and maybe there was some kind of glitch in the system and maybe he needed to have a professional assess the situation, give him an estimate. — Catherine Lacey

A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it. — L.M. Montgomery

Even the beauty of the landscape was an abstraction, like the beauty of a man in an advertisement for a cologne you could not smell. — Garth Risk Hallberg

I asked the boy who wept what it felt like, crystal meth, the prettiest name for a drug besides heroin. Crystal methamphetamine. His head fell back. He closed his eyes, then opened them. 'Come on, you know . . . you're just high as fuck.' Then in a dramatic whisper: 'Everything goes silent like a midnight of the mind. — Hannah Lillith Assadi

Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things - like composing a fresh metaphor, but on a more complex scale. One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn't work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer's real world and the writer's fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It's world making and the peopling of those worlds, complete with time lines and heartache. — David Mitchell

There was one fledgling PUA, in particular, whom Papa bonded with: a twenty-two-year-old Canadian who had discovered the pickup scene when his mother stumbled across a seduction website. He called himself Tyler Durden, after the seditious character in Fight Club. And like a virus or a demagogue (choose your simile), he would eventually change the course of the community and everyone in it. He — Neil Strauss

A surprising number, like options in the cereal aisle, liberal studies graduates working fast food, people who don't know Shakespeare coined the phrase break the ice. — Dennis Vickers

Questions swirled in my brain like terrified bait minnows in a bucket. — Julian May

There was this hot, yellowy stillness the air always got in the minutes before the last bell, as if it were stiffening itself to be shattered. — Garth Risk Hallberg

My chest bumps like a dryer with shoes in it. — David Foster Wallace

T.H. moved through the forest like the melody of a well-known song, in perfect harmony with his surroundings. — Charles De Lint

Sitting in an armchair under yellow lamplight in front of a black window in an apartment whose only other light was the milky rainbow of the Wurlitzer, Richard was like a giant, welcoming ear. Or a reflecting device, beaming her best self back at her. — Garth Risk Hallberg

It was no ill simile by which Plato set forth the unreasonableness of a philosopher's meddling with government. 'If a man,' says he, 'were to see a great company run out every day into the rain and take delight in being wet - if he knew that it would be to no purpose for him to go and persuade them to return to their houses in order to avoid the storm, and that all that could be expected by his going to speak to them would be that he himself should be as wet as they, it would be best for him to keep within doors, and, since he had not influence enough to correct other people's folly, to take care to preserve himself.' "Though, — Thomas More

But no. That was analogy rather than homology. What in the humanities they would call a heroic simile, if he understood the term, or a metaphor, or some other kind of literary analogy. And analogies were mostly meaningless - a matter of phenotype rather than genotype (to use another analogy). Most, of poetry and literature, really all the humanities, not to mention the social sciences, were phenotypic as far as Sax could tell. They added up to a huge compendium of meaningless analogies, which did not help to explain things, but only distorted perception of them. A kind of continuous conceptual drunkenness, one might say. Sax himself much preferred exactitude and explanatory power, and why not? If it was 200 Kelvin outside why not say so, rather than talk about witches' tits and the like, hauling the whole great baggage of the ignorant past along to obscure every encounter with sensory reality? It was absurd. — Kim Stanley Robinson

Emotions unreel in her like spools of cotton. — Louise Erdrich

The purple, formalized, iridescent, gelatinous bladder of a Portuguese man-of-war was floating close beside the boat. It turned on its side and then righted itself. It floated cheerfully as a bubble with its long deadly purple filaments trailing a yard behind in the water. — Ernest Hemingway,

It is surprising to see what superficial, inconsequential reasonings satisfy the most part of mankind. A piece of wit, a jest, a simile, or a quotation of an Author, passes for a mighty argument ... This weakness and effeminacy of mankind in being persuaded where they are delighted, have made them the sport of orators, poets, and men of wit. — John Arbuthnot

Faded like morning fog in the rising sun, sports team logo on a cheap T-shirt, ninety-nine dollar paint job on a Chevy. — Dennis Vickers

Flipped through memories like old copies of National Geographic, pages in a yellowing high-school year book, cable-television channels looking for a baseball game. — Dennis Vickers

...shame spreads through his body like a drop of red dye in water. — Zak Ebrahim

Watching a dog try to chew a large piece of toffee is a pastime fit for gods. Mr. Fusspot's mixed ancestry had given him a dexterity of jaw that was truly awesome. He somersaulted happily around the floor, making faces like a rubber gargoyle in a washing machine. — Terry Pratchett

If the first king of any country was by election, that likewise establishes a precedent for the next; for to say, that the right of all future generations is taken away, by the act of the first electors, in their choice not only of a king, but of a family of kings for ever, hath no parrallel in or out of scripture but the doctrine of original sin, which supposes the free will of all men lost in Adam; and from such comparison, and it will admit of no other, hereditary succession can derive no glory. For as in Adam all sinned, and as in the first electors all men obeyed; as in the one all mankind were subjected to Satan, and in the other to Sovereignty; as our innocence was lost in the first, and our authority in the last; and as both disable us from reassuming some former state and privilege, it unanswerably follows that original sin and hereditary succession are parallels. Dishonorable rank! Inglorious connexion! Yet the most subtile sophist cannot produce a juster simile. — Thomas Paine

Lugh's decided to stick with bein mad at me. It's like traveling with a storm cloud. One of them that hangs low an heavy. The kind that builds an broods an keeps on buildin an brood in till everybody's got a sick headache. — Moira Young

Asking an eight-year-old girl if something is a little over-the-top is like asking a Texan if there are too many jalapenos in the salsa. The answer is always no. -Liberty Jones — Lisa Kleypas

Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous. — George Orwell

Old Marley was as dead as a doornail.
Mind! I don't mean to say that, of my own knowledge, what there is particularly dead about a doornail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a doornail. — Charles Dickens

I praise mirth" [Eccl. viii. 15]. This means the righteous man rejoices when he performs a meritorious act. "And of joy, what doth this do?" [Eccl. ii. 2] alludes to rejoicing that comes not through a Heaven-pleasing deed. This teaches that the divine presence (Shekhina) comes not by sadness, by indolence, by hilarity, by levity, by gossip, or by senseless talk, but through rejoicing in a meritorious deed; as it is written: "Now bring me a minstrel; and when the minstrel played, the power of the Lord was upon him" [II Kings, iii. 15]. Rabba said: The same (should be done) in order to enjoy good dreams. R. Jehudah says: The same (should be done) to predispose one's self for legislative work, as Rabba did: Before commencing to expound a Halakha he introduced it with a simile and caused the masters to become joyful; afterward, he sat down in the fear of the Lord and began to expound the Halakha. — Michael Rodkinson

Studied all year and wrote in my journal like a nun works a Rosary, dog with a new bone, bee in his hive's back room. — Dennis Vickers

I knew I had no lyrical quality, a small vocabulary, little gift of metaphor. The original and striking simile never occurred to me. Poetic flights ... were beyond my powers. On the other hand, I had an acute power of observation, and it seemed to me that I could see a great many things that other people missed. I could put down in clear terms what I saw ... I knew that I should never write as well as I could wish, but I thought, with pains, that I could arrive at writing as well as my natural defects allowed. — W. Somerset Maugham

He'd felt like a jack-o-lantern for the past few days, as if his guts had been yanked out with a fork and dumped in a heap while a grinning smile stayed plastered on his face. — Cassandra Clare

It was a smooth silvery voice that matched her hair. It had a tiny tinkle in it, like bells in a doll's house. I thought that was silly as soon as I thought of it. — Raymond Chandler

Detonations crash in from nearby like walls she's a void at the center of. — Garth Risk Hallberg

High-pitched squeal like a beauty pageant contestant found best in show, Oprah audience member given a new Chevy, rookie actress surprised with an unlikely Oscar. — Dennis Vickers

It was pouring earlier, great sheets of rain, and now the clouds outside the window are crystal tipped like mountain peaks in the sky, rays emanating downward like an illustration in a children's bible. — Christina Baker Kline

The expression 'to lose one's faith', as one might a purse or a ring of keys, has always seemed to me rather foolish. It must be one of those sayings of bourgeois piety, a legacy of those wretched priests of the eighteenth century who talked so much.
Faith is not a thing which one 'loses', we merely cease to shape our lives by it. That is why old-fashioned confessors are not far wrong in showing a certain amount of scepticism when dealing with 'intellectual crises', doubtless far more rare than people imagine. An educated man may come by degrees to tuck away his faith in some back corner of his brain, where he can find it again on reflection, by an effort of memory: yet even if he feels a tender regret for what no longer exists and might have been, the term 'faith' would nevertheless be inapplicable to such an abstraction, no more like real faith, to use a very well-worn simile, than the constellation of Cygne is like a swan. — Georges Bernanos

Charlie tried to focus on what she was saying, but his head felt packed with gauze. Like no one could reach him in here, where it hurt. — Garth Risk Hallberg

The words were clumsy in my mouth, like typing with hammers. — David Levithan

Then she spotted in the corner, glowing wonderfully, a Wurlitzer jukebox. ' Holy shit!' It was like being on a commuter train through the Bronx and seeing among the piles of crushed cars a pasture with a lone white horse. — Garth Risk Hallberg

As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a leaky boat. Well, except for that fact that boats are not generally round, orange and on fire. Hmm. Come to think of it, in no way whatsoever did the sun, in this instance, resemble a leaky boat. My apologies. That was a dreadful attempt at simile. Please allow me to try again.
As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a self-luminous, gaseous sphere comprised mainly of of hydrogen and helium. — Cuthbert Soup

I was confused by this sudden glare of attention; it was as if the characters in a favorite painting, absorbed in their own concerns, had looked up out of the canvas and spoken to me. — Donna Tartt

And than suddenly he was there, charging down the hallway like death in a cowboy duster. — Richelle Mead

And then it hits me like a fast, open-palmed, stinging smack in the face.
Having a ghost boyfriend
WAS
weird — Lisa Schroeder

A simile, to be perfect, must both illustrate and ennoble the subject; must show it to the understanding in a clearer view, and display it to the fancy with greater dignity; but either of these qualities may be sufficient to recommend it ... That it may be complete, it is required to exhibit, independently of its references, a pleasing image; for a simile is said to be a short episode. — Samuel Johnson

How would it alter Juliet's love perception to learn the sea is but a rounded jug of water? Would her sensuous analogy turned simple simile unveil to her the limits of herself? Or would she forget the ocean, that deplorable casket, and turn on the true bottomless tumbler, the only running tap: the sky? It may have lost the title 'heavens' when its gods were dethroned, but its infinity reigns. So long as you walk, it reigns. So long as I talk and you listen, there's a voice and ears to keep it active, moving, and reason to say: look! infinity lives. And when we and the other consciousnesses pass, though it in part dies with us, still it reigns. It will, in a sense, plod on, like a lifeless coffin through its own space, sails set for nothing, unstoppable when trailing its fabric. — Richard Ronald Allan

If she were here I wouldn't be able to keep my hands off her. I would hold her so close she'd beg me to let her breathe. I'd kiss her so hard she'd plead for mercy. I'd unfasten her clothing and lie with her on that hard bed, and what was between us would be as far above the ordinary congress between man and woman as the stars are above their pale reflections in the lake below. — Juliet Marillier

To me, it appears no unjust simile to compare the affairs of this great Continent to the mechanism of a clock, each state representing some one or other of the smaller parts of it which they are endeavoring to put in fine order without considering how useless & unavailing their labor is unless the great Wheel or Spring which is to set the whole in motion is also well attended to & kept in good order. — George Washington

Life, he realize, was much like a song. In the beginning there is mystery, in the end there is confirmation, but it's in the middle where all the emotion resides to make the whole thing worthwhile. — Nicholas Sparks

Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito
out! Every simile that would have made sub-moron's mouth twitch
gone! Any aside that explained the two-bit philosophy of a first-rate writer
lost!
Every story slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read Shakespeare read like Dostoevsky read like
in the finale
Edgar Guest. Every word of more than three syllables had been razored. Every image that demanded so much as one instant's attention
shot dead. — Ray Bradbury

High School is like a spork: it's a crappy spoon and a crappy fork, so in the end it's just plain useless. — John Mayer

You were sizzling, like sausages in a frying pan. — Kristina Adams

When she did walk, to the bathroom between the chairs and the customers leaning back in them, oblivious to her manoeuvres, the sight felt strangely moving and profound, like a baby, or a veteran getting out of a wheelchair, or a deer in snow. That is perhaps overdoing it. Maybe I didn't quite know that at the time, but it was striking. If you have not seen a deer in snow, I mean: moving with precision, but as if she might leap away in a completely different direction at any moment. — Olivia Sudjic

[T]he wisdom of our ancestors is in the simile. — Charles Dickens

The palimpsests of molecules need not be overwritten, for machines make once-ephemeral words persist: they collect in gutters; they pile up and require sweeping; they hang in air like morning fog. — Dexter Palmer

Disappeared like fog in a stiff morning breeze, teen revilers when a squad car creeps up the driveway, roaches when the kitchen light comes on. — Dennis Vickers

Even in dying, a Thennanin ship was reputed to be not worth putting out of its misery. In battle they were slow, unmaneuverable - and as hard to disable permanently as a cockroach. — David Brin

I was wary of my sister's cooking, which invariably consisted of a tubular pasta and economy cheese, charred black on the surface, with either tinned tuna or lardy mince lurking beneath the molten crust ... So that evening, in a tiny flat in Tooting, I was pushed into the tiny kitchen where sixteen people sat crammed around a tiny trestle table designed for pasting wallpaper, one of my sister's notorious pasta bakes smouldering in its centre like a meteorite, smelling of toasted cat food. — David Nicholls

When I'm not writing, I'm thinking about writing. Filling pages and people with inspiration. When my thoughts don't want to rest on a page, we argue. We argue that one merely is ready just too comfortable playing in The Nile [denial] river. So we compromise. We grow,
water metaphors
and plant simile trees
of golden-almond
manifested love dreams.
Then at that moment, we forgot what we were arguing about.
Beauty can do that for you.
That's the beauty of writing. — Antonia Perdu

The patches are the stories. Hold onto that. And the muddy zigzag of ducktape against the cracked doorglass. There's four kids who sleep here, a nuff for the fingers on each otherses hands. There's room in each of them for one important thing. They're a band. It's not they're in a band. They're a band. Four spikes of ducktape, up and down, like mountain peaks or a sawblade. Every band's got a sign, something to sew on your jacket, gouge on the wall at a show. Four spikes up and down say MEATHEADS, and you picked a fucked window to knock at, tourist. They're the best band in the world. — Noah Wareness

Nadine found herself standing in front of a row of streaming faces, like waxworks of forgotten celebrities being melted down before coming back as more contemporary figures. — Pascal Garnier

His voice is muddy, that's what it is. Dark and brown and muddy. A note to it like coffee left too long on the burner. And unsweetened, bitter chocolate. But there's dirt in it too, deep, dark dirt, like the garden in October. — Jael McHenry

To argue with a man who has renounced the use and authority of reason, and whose philosophy consists in holding humanity in contempt, is like administering medicine to the dead, or endeavoring to convert an atheist by scripture. — Thomas Paine

Tolstoy does not tell us how things look to the author; he tells us how they look to the characters. In short, he does not use simile and metaphor. (That astonishing assertion in Wood's review is what got me started reading Tolstoy in the first place. How can anyone write without using metaphor and simile? That would be like - never mind.) — John Mark Reynolds

Sweating like a fat woman in a sauna, nun with a tattoo on her tit, overweight jockey. — Dennis Vickers

Pity the poor screenwriter, for he cannot be a poet. He cannot use metaphor and simile, assonance and alliteration, rhythm and rhyme, synecdoche and metonymy, hyperbole and meiosis, the grand tropes. Instead, his work must contain all the substance of literature but not be literary. A literary work is finished and complete within itself. A screenplay waits for the camera. If not literature, what then is the screenwriter's ambition? To describe in such a way that as a reader turns pages, a film flows through the imagination. — Robert McKee

A friend ... sort of. Ren watches me like I'm a cookie jar he wouldn't mind being caught with his hands in. — Andrea Cremer

Using a metaphor in front of a man as unimaginative as Ridcully was like a
red flag to a bu ... was like putting something very annoying in front of
someone who was annoyed by it. — Terry Pratchett

Deep ridges crossed his forehead like terraces in a Thai hillside, tucks in a leather cushion, troughs across a bloodhound's jowls. — Dennis Vickers

If you disagree with something, it's easier to say 'you suck' than to figure out and explain exactly what you disagree with. You're also safe that way from refutation. In this respect trolling is a lot like graffiti. Graffiti happens at the intersection of ambition and incompetence: people want to make their mark on the world, but have no other way to do it than literally making a mark on the world. — Paul Graham

Coincidence obeys no laws and if it does we don't know what they are. Coincidence, if you'll permit me the simile, is like the manifestation of God at every moment on our planet. A senseless God making senseless gestures at his senseless creatures. In that hurricane, in that osseous implosion, we find communion. — Roberto Bolano

He was going to die soon, you knew when you saw those eyes. There was no sign of life in his flesh, just the barest traces of what had once been a life. His body was like a dilapidated old house from which all furniture and fixtures have been removed and which awaited now only its final demolition. — Haruki Murakami

His touch was like a bard's on his instrument, and it awakened a deep and mysterious music in my body. — Juliet Marillier

From Pythagoras (whether by way of Socrates or not) Plato derived the Orphic elements in his philosophy: the religious trend, the belief in immortality, the other-worldliness, the priestly tone, and all that is involved in the simile of the cave; also his respect for mathematics, and his intimate intermingling of intellect and mysticism. — Bertrand Russell

In mainstream literature, a trope is a figure of speech: metaphor, simile, irony, or the like. Words used other than literally. In SF, a trope - at least as I understand the usage - is more: science used other than literally. — Edward M. Lerner

Is it the smoke?' the boy said, shivering slightly. 'I've never touched the stuff, myself, but how it claws at one ... like a thorn in every one of your fingers, and a string around your heart ... and one fees it always. Nagging. Nagging. — Eleanor Catton

She crooned on until her cigarette was gone. The ash in the wind blew around us like hesitant snow. — Hannah Lillith Assadi

Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born. — Salman Rushdie

Deciding whether or not to trust a person is like deciding whether or not to climb a tree because you might get a wonderful view from the highest branch or you might simply get covered in sap and for this reason many people choose to spend their time alone and indoors where it is harder to get a splinter. — Lemony Snicket

To explain the matter I will employ a simile, which yet, I confess is very dissimilar; but its dissimilitude is greatly in favour of my sentiments. A rich man bestows, on a poor and famishing beggar, alms by which he may be able to maintain himself and his family. Does it cease to be a pure gift, because the beggar extends his hand to receive it? Can it be said with propriety, that 'the alms depended partly on THE LIBERALITY of the Donor, and partly on THE LIBERTY of the Receiver,' though the latter would not have possessed the alms unless he had received it by stretching out his hand? Can it be correctly said, BECAUSE THE BEGGAR IS ALWAYS PREPARED TO RECEIVE, that 'he can have the alms, or not have it, just as he pleases?' If these assertions cannot be truly made about a beggar who receives alms, how much less can they be made about the gift of faith, for the receiving of which far more acts of Divine Grace are required! — James Arminius

Verbal imagery (such as a simile or a description of a place or an event) is more physical, more bodily, than thinking or feeling, but less physical, more internal, than the actual sounds of the words. Imagery takes place in "the imagination," which I take to be the meeting place of the thinking mind with the sensing body. What is imagined isn't physically real, but it feels as if it were: the reader sees or hears or feels what goes on in the story, is drawn into it, exists in it, among its images, in the imagination (the reader's? the writer's?) while reading. — Ursula K. Le Guin