Short Sad Death Quotes & Sayings

In the beginning we start with roses. The king's flower right? Only they wilt in less than a day, especially when exposed to the elements. But Carnations? Oh, what a beautiful flower. They come in every color. True, some are painted, but that doesn't mean they are less beautiful, and they never wilt. — Ruth McLeod-Kearns

After long stormes and tempests sad assay, Which hardly I endured heretofore: in dread of death and daungerous dismay, with which my silly barke was tossed sore: I doe at length descry the happy shore, in which I hope ere long for to arryue: fayre soyle it seemes from far and fraught with store of all that deare and daynty is alyue. Most happy he that can at last atchyue the ioyous safety of so sweet a rest: whose least delight sufficeth to depriue remembrance of all paines which him opprest. All paines are nothing in respect of this, all sorrowes short that gaine eternall blisse. — Edmund Spenser

Becky was a weed. Nobody ever wanted them taking over the bigger, prettier plants. People went to all extremes to make them go away. They sprayed poison, pulled until the roots gave way. They felt only like their garden was complete when every tendril was extirpated. This was how she felt from birth. — Ruth McLeod-Kearns

For people condemned to death, tradition prescribes an austere ceremony, calculated to emphasize that all passions and anger have died down, and that the act of justice represents only a sad duty towards society which moves even the executioner to pity for the victim. Thus the condemned man is shielded from all external cares, he is granted solitude and, should he want it, spiritual comfort; in short, care is taken that he should feel around him neither hatred nor arbitrariness, only necessity and justice, and by means of punishment, pardon. But to us this was not granted, for we were many and time was short. And in any case, what had we to repent, for what crime did we need pardon? — Primo Levi

I'm not sure it is possible to articulate grief through language. You can say, I was so sad I thought my bones would collapse. I thought I would die. But language always falls short of the body when it comes to the intensity of corporeal experience. The best we can do is bring language in relationship to corporeal experience-bring words close to the body-as close as possible. Close enough to shatter them. Or close enough to knock a body out. To bring language close to the intensity of experiences like love or death or grief or pain is to push on the affect of language. Its sounds and grunts and ecstatic noises. The ritual sense of language. Or the cry. — Lidia Yuknavitch