Short Lines Quotes & Sayings

He was still a kid inside. His body had grown, stretched, towered, tanned its skin, hardened its muscle, darkened its tawny shock of long hair, tightened its lines around jaw and eyes, thickened fingers and knuckles, but the brain didn't feel as if it had grown in sympathy with the rest. It was still green, full of tall, lush oaks and elms in summer; a creek ran through it, and the kids climbed around on its convolutions shouting, This way, gang - we'll take a short-cut and head them off at Dead Man's Gulch! — Ray Bradbury

No poet is required to write in stanzas, or indeed in regular forms at all. Coleridge's 'Dejection: An Ode' has a rhyme scheme and sequence of long and short lines that goes without regular pattern, following the mood and whim of the poet. Such a form is known as an irregular ode. — James Fenton

The closer they come to transcending technique and the memorization of lines
the closer to really beginning to act, in short
the more Chinese they begin to seem. Happy now approaches Miss Forsythe to pick her up in the restaurant with a wonderful formality, his back straight, head high, his hand-gestures even more precise and formal, but with a comic undertone that ironically comes closer to conveying the original American idea of the scene than when he was trying to be physically sloppy and "relaxed"
that is, imitating an American. I think that by some unplanned magic we may end up creating something not quite American or Chinese but a pure style springing from the heart of the play itself
the play as a nonnational event, that is, a human circumstance. — Arthur Miller

But I am I now; and so many other millions are so irretrievably their own special variety of 'I' that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratching on the paper ... I ... I ... I ... I ... I ... I. — Sylvia Plath

If I were fierce, and bald, and short of breath,I'd live with scarlet Majors at the Base,And speed glum heroes up the line of death. — Siegfried Sassoon

Are you okay with what we ordered?" Angeline asked him. "You didn't pipe up with any requests."
Neil shook his head, face stoic. He kept his dark hair in a painfully short and efficient haircut. It was the kind of no-nonsense thing the Alchemists would've loved. "I can't waste time quibbling over trivial things like pepperoni and mushrooms. If you'd gone to my school in Devonshire, you'd understand. For one of my sophomore classes, they left us alone on the moors to fend for ourselves and learn survival skills. Spend three days eating twigs and heather, and you'll learn not to argue about any food coming your way."
Angeline and Jill cooed as though that was the most rugged, manly thing they'd ever heard. Eddie wore an expression that reflected what I felt, puzzling over whether this guy was as serious as he seemed or just some genius with swoon-worthy lines. — Richelle Mead

So for whatever reason those short lines just felt right to me, in my physical self. They were right for the movement of the poems. Some poems in the book have longer lines. — Matthew Zapruder

You can have a pretty good first line but not a strong enough thought to tag along more lines and sometimes in the middle words become bored and make war on one another. Notebooks are full of these fragments, shrapnel of our intention. Life is short on conclusions and that's why it's often a struggle to end a poem. — Jim Harrison

Horne Fisher had in him something of the aristocrat, which is very near to the anarchist. It was characteristic of him that he turned into this dark and irregular entry as casually as into his own front door, merely thinking that it would be a short cut to the house. He made his way through the dim wood for some distance and with some difficulty, until there began to shine through the trees a level light, in lines of silver, which he did not at first understand. The next moment he had come out into the daylight at the top of a steep bank, at the bottom of which a path ran round the rim of a large ornamental lake. — G.K. Chesterton

When I'm in a city that's just clean, concrete lines, I get really short of breath and confused. It's much more interesting to me when nature is creeping back and tearing the mortar apart between the bricks. — Feist

I thought a bit of poetry might be interesting - I even write a few lines myself. I composed a short poem for my mum's 70th birthday recently. When I recited it I saw the glint of a tear in her eye ... although I guess it wasn't the quality of the poetry was that making her cry! — Iain Dowie

Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier's. — Lee Child

Lines
I die but when the grave shall press
The heart so long endeared to thee
When earthy cares no more distress
And earthy joys are nought to me.
Weep not, but think that I have past
Before thee o'er the sea of gloom.
Have anchored safe and rest at last
Where tears and mouring can not come.
'Tis I should weep to leave thee here
On that dark ocean sailing drear
With storms around and fears before
And no kind light to point the shore.
But long or short though life may be
'Tis nothing to eternity.
We part below to meet on high
Where blissful ages never die. — Emily Bronte

After a few short years (fifteen, to be exact - brief by his count, interminable by hers), surrounded by all this vegetative rampancy, she was feeling increasingly unsure of herself. She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. As a novelist she needed this. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.
But here, on the sparsely populated island, human culture barely existed and then only as the
thinnest veneer. — Ruth Ozeki

It's not as if he's good-looking, because he's not. Sometimes he's so plain that he looks bland. But it's his voice and his mannerisms that fill him with some kind of color. I listen to his voice and its resonance hooks me in. The worry lines on his forehead, his expression when he twists his face into a smile, and the way his whole face lights up when he laughs those short bursts of laughter. — Melina Marchetta

When you're in a show, all through rehearsals Tech Week hovers out there like a magical holy grail. In reality, Tech Week is always a train wreck of missed cues, forgotten lines, malfunctioning set pieces and short tempers. — S.M. Stevens

As for free will, there is such a narrow crack of it for man to move in, crushed as he is from birth by environment, heredity, time and event and local convention. If I had been born of Italian parents in one of the caves in the hills I would be a prostitute at the age of 12 or so because I had to live (why?) and that was the only way open. If I was born into a wealthy New York family with pseudo-cultural leanings, I would have had my coming-out party along with the rest of them, and be equipped with fur coats, social contacts, and a blase pout. How do I know? I don't; I can only guess. I wouldn't be I. But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper ... I ... I ... I ... I ... I ... I. — Sylvia Plath

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. — William Strunk Jr.

You come to this place, mid-life. You don't know how you got here, but suddenly you're staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn't. When the midwife says, 'It's a boy,' where does the girl go? When you think you're pregnant, and you're not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines. — Hilary Mantel

I don't have a lot of time. I can give a poem a couple of lines, a short story a paragraph, and a novel a few pages, then if I can stop reading without a sense of loss, I do, and I go on to something else. — Flannery O'Connor

Practice your improv more than learn your lines. 'Cause there's no way you'll be able to learn all those lines in a short time. You have to realize what you know and what you don't know - and what you don't know, just come up with three alternate lines or improv that you can put in that spot. — Anthony Mackie

A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face. — Jorge Luis Borges

A local train ... moved gently off up the line with a very singular motion indeed, in which the leap of a frog, the bounce of a pogo-stick, and the canter of a very short fat pony all were brought to mind. — Honor Tracy

Facts are but the Play-things of lawyers,
Tops and Hoops, forever a-spin ... Alas, the Historian may indulge no such idle Rotating. History is not Chronology, for that is left to Lawyers,
nor is it Remembrance, for Remembrance belongs to the People. History can as little pretend to the Veracity of the one, as claim the Power of the other,
her Practitioners, to survive, must soon learn the arts of the quidnunc, spy, and Taproom Wit,
that there may ever continue more than one life-line back into a Past we risk, each day, losing our forebears in forever,
not a Chain of single Links, for one broken Link could lose us All,
rather, a great disorderly Tangle of Lines, long and short, weak and strong, vanishing into the Mnemonick Deep, with only their Destination in common. — Thomas Pynchon

The poet lives and writes at the frontier between deep internal experience and the revelations of the outer world. There is no going back for the poet once this frontier has been reached; a new territory is visible and what has been said cannot be unsaid. The discipline of poetry is in overhearing yourself say difficult truths from which it is impossible to retreat. Poetry is a break for freedom. In a sense all poems are good; all poems are an emblem of courage and the attempt to say the unsayable; but only a few are able to speak to something universal yet personal and distinct at the same time; to create a door through which others can walk into what previously seemed unobtainable realms, in the passage of a few short lines. — David Whyte

One of my many theories about short stories is that their titles and first lines ought to be memorable, because if not memorable they will not be remembered, and if not remembered the stories will not be reprinted (because no one can find them). — Damon Knight

Fallacy, Fallacy. - He cannot rule himself; therefore that woman concludes that it will be easy to rule him, and throws out her lines to catch him;-the poor creature, who in a short time will be his slave. — Friedrich Nietzsche

In this week I see such a picture of life, hard and joyful pressed up together and sleeping in the same bed. They come knit together. The lines of pain run through the joy and remind us to go all in, because life is short. The joy edges the pain and gives us a reason to rise. — Anna White

One of the greatest tragedies in my life is my deafness, for it's been over twenty years now since I've been able to hear notes. When I listen to music it's as if the letters in a text were changing places with one another, rendering the words unintelligible and muddying the lines. I'd consider my old age redeemed if my hearing were to come back, for music would be the gentlest opiate, calming my fears as I move toward death. In any case, I suppose the only chance I have for that kind of miracle involves nothing short of a visit to Lourdes. — Luis Bunuel

Her religious poetry was surprisingly slender, and as I was eager to know more about her religion, I asked her about this aspect of her poetry. She replied with these lines from Keats' Ode to a Grecian Urn: 'Beauty is truth, truth beauty'
that is all Ye know on eath, and all ye need to know'. Do not ask me to immortalise the great Mystery of Life. I am just a humble worker. For beauty, look to the Pslams, to Isaiah, to St. John of the Cross. How could my poor pen scan such verse? For truth, look to the Gospels
four short accounts of God made Man. There is nothing more to say. — Jennifer Worth

Counting lines is probably a good idea if you want to print it out and are short on paper, but I fail to see the purpose otherwise. — Erik Naggum

As an attorney, I assure you the law isn't a line engraved in marble, immovable and unchangeable through the centuries. Rather ... the law is like a string, fixed at both ends but with a great deal of play in it very loose, the line of the law so you can stretch it this way or that, rearrange the arc of it so you are nearly always short of blatant theft or cold-blooded murder safely on the right side. That's a daunting thing to realize but true. — Dean Koontz

The echoes of my knock were still ringing when the door swung open, revealing a short, cheerfully curvy woman with spiky brown hair streaked with bleach-white lines that looked more accidental than anything else. She was wearing an electric orange T-shirt that read DO NOT TAUNT THE OCTOPUS, jeans, and a lab coat, and was pointing a hunting rifle at the middle of my chest. — Mira Grant

Decades would pass. A few short sections would be formed in time into strangely resurrected, trunkless legs-tourist sites, sacred sites, national sites.
For the line was broken, as all lines finally are; it was on longing for meaning and hope, but the annals of the past are a muddy story of chaos only.
And of that colossal ruin, boundless and buried, the lone and level jungle stretched far away. Of imperial dreams and dead men, all that remained was long grass. — Richard Flanagan

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go. — Michael Chabon

Are tou trying to be annoying?" I demanded. My patience was not waning, but entirely gone. "Because if you are, then be assured, you have succeeded."
Jared and Wes looked at me with shocked eyes.
"I am female," I complained. "That 'it' business is really getting on my nerves."
Jared blinked in surprise, then his face settled back into harder lines. "Because of the body you wear?"
Wes glared at him.
"Because of me," I hissed.
"By whose definition?"
"How about by yours? In my species, I am the one that bears young. Is that not female enough for you?"
That stopped him short. I felt almost smug.
'As you should', Melanie approved. 'He's wrong and he's being a pig about it'.
Thank you.
'We girls have to stick together'. — Stephenie Meyer

I can't actually explain why my lines got shorter, but they did. Just as I can't explain why my early poems were 'all image' and my current ones are relatively abstract. The sense of the line changed with the theme, somehow my ear (or brain or heart/mind) fell in love with a short line and very very simple words. — Gregory Orr

We hear much of special interest groups. Well, our concern must be for a special interest group that has been too long neglected. It knows no sectional boundaries or ethnic and racial divisions, and it crosses political party lines. It is made up of men and women who raise our food, patrol our streets, man our mines and factories, teach our children, keep our homes, and heal us when we're sick - professionals, industrialists, shopkeepers, clerks, cabbies, and truck drivers. They are, in short, "We the people," this breed called Americans. — Ronald Reagan

I look at the natural geological record as a history of the world imperfectly kept and written in a changing dialect; of this history we possess the last volume alone, relating only to two or three countries. Of this volume, only here and there a short chapter has been preserved; and of each page, only here and there a few lines. — Charles Darwin

They drove together under the stars to the lake, where they sat with fishing poles in a metal rowboat and waited for something to bite. Zack ate the toast, Uncle Orson gave some pointers, and then they cast their lines, again and again, into the pale fog. Dawn broke. The sunrise cracked. Clouds settled across the sky. The fog scattered as the air heated. And they still weren't catching anything. And that whole time, the exact same gull was circling overhead. "Nothing's happening," Zack complained. But Uncle Orson smiled at the clouds and smiled at the rowboat and smiled at the gull and smiled at the poles. "Nothing has to happen," Uncle Orson had said. — Matthew Baker

I think the Eritrean government is aware that any full-scale invasion of Ethiopia along the lines of 1998 could turn out to be suicidal ... And we will not respond to any provocation short of all-out invasion. We are already engaged in a much more fruitful war - against poverty. — Meles Zenawi

Our physical health is dependent upon energy. We have a short lifespan compared with past Yuga's. We are made up of energy lines. The reason people lived longer is because there was less negative energy in the world. — Frederick Lenz

Long-lived persons have one or two lines which extend through the whole hand; short-lived persons have two lines not extending through the whole hand. — Aristotle.

TV spots are short. If you can't hold folks' attention for 20 seconds before revealing the brand, find another line of work. — Lee Clow

In short, the animal and vegetable lines, diverging widely above, join below in a loop. — Asa Gray

I read somewhere that a man should tell the story of his life at the age of forty, and this deadline is fast approaching as I write these lines, only a few short weeks remain before this ominous birthday arrives. — Juan Gabriel Vasquez

Have it compose a poem- a poem about a haircut! But lofty, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter S!!" [sic] ... .
Seduced, shaggy Samson snored.
She scissored short. Sorely shorn,
Soon shackled slave, Samson sighed,
Silently scheming
Sightlessly seeking
Some savage, spectacular suicide."
("The First Sally (A) or The Electronic Bard"
THE CYBERIAD) — Stanislaw Lem

I like my first lines short and declarative. No complicated sentences. Of course, that's not really a Scott thing. It's pretty classic grab-the-reader technique. — Scott Westerfeld

God clues us in to the fact that, "As the heavens are higher than the earth, so are my ways higher than your ways and my thoughts than your thoughts." In short, God is not logical. This is not to say that he is illogical, only that he is not limited by logic. Simplified, "logic" is connecting the dots. We identify the dots we consider relevant, then connect them into lines and patterns. God, on the other hand, may see that, beneath one of the dots is a stack of a trillion more dots, each of which may be combined with the others. Little wonder that our ways and meanings frequently fail to match God's ways and meanings. Great wonder that, when they don't, we tend to fault him. — Ron Brackin

My father worked on assembly lines in Detroit while I was growing up. Every day, I watched him do what he needed to do to support the family. But he told me, 'Life is short. Do what you want to do.' — Anita Baker

As they approached a puddle, he laid his hand against the small of her back to steer her around it, and her stomach flipped over.
Stupid, traitorous stomach, performing acrobatics for the likes of Dom Manton. Why couldn't it do that with Edwin? He, at least, wanted to marry her.
But sadly, Edwin didn't have smoldering eyes the exotic color of the finest jade. Or hair cropped unfashionably short, which only emphasized the carved masculine lines of his face. Or a body that looked so amazing in blue superfine it made a grown woman want to weep.
She would not weep over Dom's body, curse it! — Sabrina Jeffries

Not for a minute did I believe that this wasn't goodbye. Still, I had loved and been loved in return, and there was nothing greater than that. It far outweighed the alienation of all the previous years.
Bones thought five months was too short; I was amazed I'd been granted joy for so long.
"I love you," he moaned, or maybe I said it. I couldn't tell the difference anymore. The lines had
dissolved between us. — Jeaniene Frost

Justin Hermann is one of the best new voices in short fiction-deep and entertaining as hell, with many funny lines, unexpected turns of events, and great insights. Wonderful stories: each one is a trip! — Josip Novakovich

There's an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how they were written to allow primary emotion, elemental emotion, to matter enormously but to give the thing an extraordinary flow so you don't notice at what point that you're actually overwhelmed by this. There's no showiness, at all. It's the opposite of showiness. I think, if it was a painting, it could be very grey abstract, almost, with some lines and very, very beautiful. But you wouldn't have a notion of where the beauty was.
(Talking about the short stories of Alistair MacLeod, who he discovered while working on The Modern Library.) — Colm Toibin

The belt slid down her thin hips, and she nervously gripped at it, pulling it up. Short sleeves showed her very thin arms and big delicate elbow joints. Her body was all concave and jerkily fluid lines; it moved with sensitive looseness, loosely threaded together: each movement had a touch of exaggeration , as though some secret power kept springing out. — Elizabeth Bowen

There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on, the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning. — Taylor Swift

Prose is when all the lines except the last go on to the end. Poetry is when some of them fall short of it. — Jeremy Bentham

I suppose the more you have to do, the more you learn to organize and concentrate-or else get fragmented into bits. I have learned to use my 'ten minutes'. I once thought it was not worth sitting down for a time as short as that; now I know differently and, if I have ten minutes, I use them, even if they bring only two lines, and it keeps the book alive. — Rumer Godden

My first serious attempts at writing were made in 1868, and I took up two very different lines of composition; I wrote some short stories of a very flimsy type, and also a work of a much more ambitious character, 'The Lives of the Black Letter Saints.' — Annie Besant

It was on the day, or rather the night, of 27 June 1787, between the hours of eleven and twelve, that I wrote the last lines of the last page in a summer-house in my garden ... I will not dissemble the first emotions of joy on the recovery of my freedom, and perhaps the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind by the idea that I had taken my everlasting leave of an old and agreeable companion, and that, whatsoever might be the future date of my history, the life of the historian must be short and precarious. — Edward Gibbon