She's Always There Quotes & Sayings

Or, if you want to go just a wee bit deeper, we could talk about the nature of freedom itself. Does freedom mean that you are allowed to do whatever you want to do? Or we could talk about all the limiting influences in your life that actively work against your freedom. Your family genetic heritage, your specific DNA, your metabolic uniqueness, the quantum stuff that is going on at a subatomic level where only I am the always-present observer. Or the intrusion of your soul's sickness that inhibits and binds you, or the social influences around you, or the habits that have created synaptic bonds and pathways in your brain. And then there's advertising, propaganda, and paradigms. Inside that confluences of multifaceted inhibitors," she sighed, "what is freedom really? — Wm. Paul Young

The street signs", she replied simply. I simply felt stupid. "When you learn how to read, you can read Stop, Go, and the colors matter too!"
"Yeah?", (sigh).
"Yup! That leaf is green, it means Go. The yellow like the bus means careful. The red is Stop. Oh and there's crossing guards. And if you fall anyway you don't have to worry."
"Really? Why not?"
"Because you can always get up. And see?" she showed me her scar once more, "It hurts at first, but then it heals. — Yaritza Garcia

I said, I want to tell you something.
She said, you can tell me tomorrow.
I had never told her how much I loved her.
She was my sister.
We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father's shed were sighing.
The sheets were rising and falling around me with Anna's breathing.
I thought about waking her.
But it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled onto my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you ... It's always necessary. — Jonathan Safran Foer

Her voice was so melancholy that Gansey was struck all at once by what he and Blue really lost by keeping their relationship a secret. Blue radiated psychic energy for others, but touch was where she gained hers back. She was always hugging her mother or holding Noah's hand or linking her elbow in Adam's or resting her boots on Ronan's legs as they sat on the sofa. Touching Gansey's neck just between his hair and his collar. This worry in her tone demanded fingers braided together, arms on shoulders, cheeks rested against chests.
But because Gansey was too cowardly to tell Adam about falling in love with her, she had to stand there with her sadness by herself.
Aurora took Blue's hand. — Maggie Stiefvater

Jem's knees gave out, and he sank to the trunk at the foot of his bed, still playing. He played Will breathing the name Cecily, and he played himself watching the glint of his own ring on Tessa's hand on the train from York, knowing it was all a charade, knowing, too, that he wished that it wasn't. He played the sorrow in Tessa's eyes when she had come into the music room after Will had told her she would never have children. Unforgivable, that, what a thing to do, and yet Jem had forgiven him. Love was forgiveness, he had always believed that, and the things that Will did, he did out of some bottomless well of pain. Jem did not know the source of that pain, but he knew it existed and was real, knew it as he knew of the inevitability of his own death, knew it as he knew that he had fallen in love with Tessa Gray and that there was nothing he or anyone else could do about it. — Cassandra Clare

After seeing amazing magical places like Neverland, Oz, Narnia and Wonderland, why did you ever want to leave?"
The girls looked to one another; they had never been asked the question before, at least in Alex's mind.
"Because no matter where you go or what you see, you'll always want to be where you belong," Lucy said.
"Your home is where you feel most comfortable and loved," Wendy said.
"It's a part of you," Alice added. "It's where your family is."
"There's no place like home," Dorothy said, as if it was the first time she'd ever said those words.
Alex appreciated what they had to say, but wasn't sure if she entirely agreed. "I wonder, though, if home sometimes isn't where you're from," she said.
The girls looked at her as if she had already answered her own question. Alex wondered if that had been the real question lingering in her mind all along. — Chris Colfer

Hey Sydney, she said, giving me a small, crooked smile as she entered the room. Her flashing, dark eyes were friendly, but they were also assessing everything in the room, much as Eddie's gaze was. It was a guardian thing. Rose was about my height and dressed very casually in jeans and a red tank top. But, as always, there was something as exotic and dangerous about her beauty that made her stand out from everyone else. She was like a tropical flower in this dark, stuffy room. One that could kill you. — Richelle Mead

So are you going to tell me what happened last night?"
"You were there. You saw what happened."
"No. Last night ... that wasn't you."
"The last time you saw me I was jumping off the wall, Megan."
Megan's gaze burns into me. She isn't backing down. "You were always a daredevil, but you never had a death wish. The girl I knew was always running towards something. Last night ... you were running away. — Ally Carter

Hey, there, Kizuki, I thought. Unlike you, I've chosen to live - and to live the best I know how. Sure, it was hard for you. What the hell, it's hard for me. Really hard. And all because you killed yourself and left Naoko behind. But that's something I will never do. I will never, ever, turn my back on her. First of all, because I love her, and because I'm stronger than she is. And I'm just going to keep on getting stronger. I'm going to mature. I'm going to be an adult. Because that's what I have to do. I always used to think I'd like to stay 17 or 18 if I could. But not any more. I'm not a teenager any more. I've got a sense of responsibility now. I' m not the same person I was when we used to hang out together. I'm 20 now. And I have to pay the price to go on living. — Haruki Murakami

When you grow up", I said, "do you ever stop feeling little and weak?"
"No," she says. "There's always a little frail and tiny thing inside, no matter how grown-up you are. — David Almond

Sydney, don't leave Adrian because of me."
"It's more complicated than that," I said automatically.
"It's really not," she said. "From everything I've seen and heard, you're just afraid. You've always controlled every detail of your life. When you couldn't-like with the Alchemists-you found a way to seize back that control."
"There is nothing wrong with wanting control," I snapped.
"Except that we can't always have it, and sometimes that is a good thing. A great thing, even," she added. "And that's how it is with Adrian. No matter how hard you try, you aren't going to be able to control your feelings for him. You can't help loving him, and so you're running away. I'm just an excuse. — Richelle Mead

It made a romantic tale. The young rouge, cheating death, returning to his grieving lover. But in reality? Ashyn had always known life did not resemble one of her book stories or Moria's bard tales, and yet there was a part of her that hoped it did. The more she saw, the more she realized she was wrong. People made up stories because that is what they wanted from their world. A place where goodness, kindness, and honor were rewarded. They were not rewarded. The people of Edgewood could attest to that. - Sea Of Shadows — Kelly Armstrong

The statute of limitations . . . She's put it behind her. Or I hope she has. She'd have put it behind her, Eve thought, but it was always behind you. In a corner, in the dark. Squatting there behind you and chuckling in its throat. — J.D. Robb

Jane, who is much better at reading guide books than I am (I always read them on the way back to see what I missed, it's often quite a shock), discovered something wonderful in the book she was reading. Did I know, she asked, that Brisbane was originally founded as a penal colony for convicts who committed new offences after they had arrived in Australia ? I spent a good half hour enjoying this single piece of information. It was wonderful. There we British sat, poor grey sodden creatures, huddling under our grey northern sky that seeped like a rancid dish cloth, busy sending those we wished to punish most severely to sit in bright sunlight on the coast of the Tasman Sea at the southern tip of the Great Barrier Reef and maybe do some surfing too. No wonder the Australians have a particular kind of smile that they reserve exclusively for use on the British. — Douglas Adams

Hello, old friend. And here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone. So know that we lived well and were very happy. And above all else, know that we will love you always. Sometimes I do worry about you though. I think once we're gone you won't be coming back here for awhile. And you might be alone. Which you should never be. Don't be alone, Doctor. And do one more thing for me. There's a little girl waiting in a garden. She's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that if she's patient, the days are coming that she'll never forget. Tell her she'll go to see and fight pirates. She'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived. And save a whale in outer space. Tell her, this is the story of Amelia Pond. And this is how it ends. — Steven Moffat

The fear of today," he said, "always overrides the fear of tomorrow. It's a basic fact of the dramatic emotions that the part is greater than the whole. If you see a glamour star on the screen in a position of great danger, you fear for her with one part of your mind, the emotional part. Notwithstanding that your reasoning mind knows that she is the star of the picture and nothing very bad is going to happen to her. If suspense and menace didn't defeat reason, there would be very little drama. — Raymond Chandler

I lifted my wand, hoping she would see this as a dramatic move, not a threat. "Why once, in my bunker at Charing Cross Station, I stalked the
deadly prey known as Jelly Babies."
Neith's eyes widened. "They are dangerous?"
"Horrible," I agreed. "Oh, they seem small alone, but they always appear in great numbers. Sticky, fattening - quite deadly. There I was, alone
with only two quid and a Tube pass, beset by Jelly Babies, when ... Ah, but never mind. When the Jelly Babies come for you ... you will find out on
your own."
She lowered her bow. "Tell me. I must know how to hunt Jelly Babies."
I looked at Walt gravely. "How many months have I trained you, Walt?"
"Seven," he said. "Almost eight."
"And have I ever deemed you worthy of hunting Jelly Babies with me?"
"Uh ... no. — Rick Riordan

Later, the talk turned to all the other guys/girls who were currently hot for the two of them. 'There's this total dweeb named Robert who's always calling me, and I feel bad because he's really nice, but I'm totally not interested,' Phoebe told Pablo.

'Believe me, I know what that's like,' Pablo told Phoebe. 'There's this girl at Hunter who's, like, obsessed with me. She's, like, this big fat girl. Ass like a truck. She's always writing me these love letters. Maybe I should fuck her. You know, just to be nice.' (Smile, smile.)

'You're so bad.' (Phoebe shaking her head; Pablo loving it; Phoebe loving it, too. What was more ego-enhancing than making dumb jokes at the expense of ugly women? Phoebe could never decide whom she hated more--other people or herself.) — Lucinda Rosenfeld

So what? You act all mysterious to seem more interesting?"

"What's that supposed to mean?"

"You're always wandering off or running away," he said. "But you're a lot more
interesting when you're just being yourself you know. When you're actually here."

"I have no idea what you're talking about," Emma said coldly. "Where else would I be?"

"You know what I mean," he said, a rough edge to his voice. "It's like you're so busy trying not to act like your family that you've never even stopped to consider that it might not be such a bad thing."

"Well what about you?" she shot back, aware of the bitterness in her words.
"You complain about your dad not wanting you around, and then you complain when he wants you to stay home for school. You can't have it both wars."

"Well neither can you," he said. " You can't keep everyone at arms length and then expect them to be there for you when you need them. — Jennifer E. Smith

As she wrote her pulse quickened to the pleasure of forming the phrases,--her blood warmed to the joy of the working. She was experiencing a return of the familiar sensation of happiness in constructing. Quite suddenly, in fancy she caught in the far distance a glimpse of silver wings. It gave her a warm thrill of gratification too deep for words. Immediately she knew through some inner consciousness, that no matter what the future would hold--joy or sorrow, happiness or grief--that no matter where life's paths would lead her--through sharp and stony ways or beside still waters--buried deep within her was an indestructible capacity to visualize a white bird flying. She might never get close to the way of its winging, but always there would be joy in lifting her eyes to the glory of its distant flight. — Bess Streeter Aldrich

Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release ...
So she had to satisfy herself with the idea of love
loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist. — Jonathan Safran Foer

I walked down the hall and saw that [she] was sitting on the floor next to a chair. This is always a bad sign. It's a slippery slope, and it's best just to sit in chairs, to eat when hungry, to sleep and rise and work. But we have all been there. Chairs are for people, and you're not sure if you are one. — Miranda July

It has always seemed to me that if one falls in love with any gentleman one becomes instantly blind to his faults.But I am not blind to your faults, and I do not think that everything you do or say is right! Only - Is it being - not very comfortable - and cross - and not quite happy, when you aren't there?" "That, my darling," said his lordship,taking her ruthlessly into his arms,"is exactly what it s!" "Oh - !" Frederica gasped, as she emerged from an embrace which threatened to suffocate her. "Now I know! I am in love! — Georgette Heyer

And it wasn't just the subjugation of human beings that distressed her but the level of daily, almost casual brutality. Even for routine punishments there were blood-stained stakes, lead-tipped whips. She's always rather admired the Romans, for their literacy, their order, their engineering, their respect for the law. Now, she was finding, she'd never fully imagined this side of their civilisation. — Stephen Baxter

Does freedom mean that you are allowed to do whatever you want to do? Or we could talk about all the limiting influences in your life that actively work against your freedom. Your family genetic heritage, your specific DNA, your metabolic uniqueness, the quantum stuff that is going on at a subatomic level where only I am the always-present observer. Or the intrusion of your soul's sickness that inhibits and binds you, or the social influences around you, or the habits that have created synaptic bonds and pathways in your brain. And then there's advertising, propaganda, and paradigms. Inside that confluence of multifaceted inhibitors," she said, sighing, "what is freedom really? — Wm. Paul Young

There's always this one girl. She's desperate and she's weird and she's jealous, and you're stuck with her, no matter how hard you try to get her off your back. Just throw some really fucked-up self-esteem issues into the mix and you have Kara. — Courtney Summers

There's always something we don't know anything about." she said. "More than we like to admit. The more we discover, the more we realize we don't fully understand. Our world, our solar system, the universe... it all adds up. I mean, when you think about it-- do we even know that much about ourselves? — Ross Montgomery

How to describe what she felt as she stood at the head of an all-new cobblestone drive looking at the rebuilt facade of what had once been a weary old Cape? There was relief that the hard work was done, and surprise - always surprise - that everything had come together so well. There was also a sense of ownership. Caroline hadn't asked to be the mouthpiece of the show, but after nearly ten years as host, it was her baby as much as anyone's. Gut — Barbara Delinsky

On this thanksgiving, I would like to thank that one girl, who never lost hope despite all odds were against her, who always worked, and moved on, despite losing all friends just after leaving school, a time when you need friends the most! Who had immense strength and will-power and so much inspiration inside her that she ended up being happy, satisfied, and successful, all alone.
That one girl who always smiles in the mirror, and says, 'Bitch, you have a long way to go, and you gotta travel all alone, depending upon anyone will make you weak, so buck up, there's a lot you gotta do!' On this thanksgiving, I thank myself, my soul for being so majestically robust!
I would have thanked other people, but sadly, nobody ever helped me, more than I helped myself ... — Mehek Bassi

Sometimes you wake up, and there's a little voice inside your head that tells you that today is a special day. For a lot of kids, it sometimes happens on their birthday, and always on Christmas morning.
I remember exactly one of those Christmases, when I was little and my dad was still alive. I felt it again, eight or nine years later, the morning that Justin Demourn came to pick me up from the orphanage. I felt it one more time the morning Justin brought Elaine home from whatever orphanage she had been in.
And now, the little voice was telling me to wake up. That it was a special day.
My little voice is some kind of psycho. — Jim Butcher

Any girl that's in a professional setting has to have a certain amount of decorum, but there's always a different story going on, when she goes home. — Stana Katic

In a traditional TV show or movie, your hero is always where the action is. But in real life, at the end of the movie 'Fargo,' when Bill Macy is arrested, Marge is nowhere to be found because it's a different jurisdiction, and she wouldn't be there. I took that to heart. — Noah Hawley

Always she had sounded sympathetic, always she had appeared to understand. But inside there was a bit of her that said that they couldn't have tried hard enough. If Celia had a daughter who was desperately unhappy at school and who had lost four stone in weight, she wouldn't hang around
she'd try to cope with it. If she had a father who couldn't cope she'd have him to live with her. Only now was she beginning to realize that it was not to be so simple. People had minds of their own. And her mother's mind was like a hermetically sealed box in a vault of a bank. — Maeve Binchy

Blue had never believed in death until then. Not in a real way. It happened to other people, other families, in other places. It happened in hospitals or automobile crashes or battle zones. It happened
now she remembered Gansey's words outside Gwenllian's tomb
with ceremony. With some announcement of itself. It didn't just happen in the attic on a sunny day while she was sitting in the reading room. It didn't just HAPPEN, in only a moment, an irreversible moment. It didn't happen to people she had always known. But it did. And there would now forever be two Blues: the Blue that was before, and the Blue that was after. The one who didn't believe, and the one who did. — Maggie Stiefvater

Laws on killing, even God's demands, didn't allow for peace. Not always. There'd still be pain; missing that child would break her parents' hearts. But what Helen knew, what she'd seen in those woods, would be too much for them, for everybody. — Alan Heathcock

There's a woman I see who's not my therapist, but she's like an old friend who's a therapist in profession. She lets me talk to her like a therapist once in a while, and she does a great thing. Whenever I have a big dilemma, like this is a big problem in my life, she always says, 'Wow, you're going to have to figure that out.' — Louis C.K.

I assure you, Miss Durham, there is always recourse. Consequence is a faithful companion in all deeds, whether good or bad, and it can teach us like nothing can to change our ways when we have done wrong. Besides, if there is no repentance, then what was the point of God's great sacrifice?" "I do not know," she answered — V.R. Christensen

A part of me will probably always be waitin' for her. And even when I get to the end of this life and she's not there, I think I'll still just wait. It's the cruel reality of love, I think - that once you find it, it's yours to carry. And even if you lose it and never find it back again, I think you still just keep on carrying it ... and waitin' - long after the curtain closes. — Laura Miller

She nodded, or rocked, or both. "It's a stable number, three. Fives and sevens are good, too, but three is the best. Things are always growing to three or shrinking to three. Best to start there. Two is a terrible number. Two is for rivalry and fighting and murder."
"Or marriage," Adam said, thinking.
"Same thing," Persephone replied. — Maggie Stiefvater

Knees and your shirt caught in your zipper." "I don't remember that part," Dickie said. "Did I used to do that?" "Yes." Dickie started laughing. "I wasn't making a lot of money back then. I couldn't afford a hotel room." "It's not funny!" I said. "Sure it is. Grass stains and rug burns are always funny." He looked over at Morelli. "She didn't like to do doggy." Morelli slid a look at me and smiled. There wasn't much I didn't like — Janet Evanovich

She had not been his and now she was his. Or she had always been his and just now knew it. Cora's attention detached itself. It floated someplace past the burning slave and the great house and the lines that defined the Randall domain. She tried to fill in its details from stories, sifting through the accounts of slaves who had seen it. Each time she caught hold of something - buildings of polished white stone, an ocean so vast that there wasn't a tree in sight, the shop of a colored blacksmith who served no master but himself - it wriggled free like a fish and raced away. She would have to see it for herself if she were to keep it. — Colson Whitehead

You know how there's always the one girl in drama school who can cry at the drop of a hat? She has that emotional well she can tap into in a second? I'm not that girl. It takes a lot to get me to that place. — Condola Rashad

By contrast, my wife at fifty-two yeas old seems to me just as attractive as the day I first met her. If I were to say this out loud, she would say, 'Douglas, that's just a line. No one prefers wrinkles, no one prefers grey.' To which I'd reply, 'But none of this is a surprise. I've been expecting to watch you grow older ever since we met. Why should it trouble me? It's the face itself that I love, not that face at twenty-eight or thirty-four or fourty-three. It's that face.'
Perhaps she would have liked to hear this but I had never got around to saying it out loud. I had always presumed there would be time and now, sitting on the edge of the bed at four a.m., no longer listening out for burglars, it seemed that it might be too late. — David Nicholls

There is always something wrong with redheads. The hair is kinky, or it's the wrong color, too dark and tough, or too pale and sickly. And the skin - it rejects the elements: wind, sun, everything discolors it. A really beautiful redhead is rarer than a flawless forty-carat pigeon-blood ruby - or a flawed one, for that matter. But none of this was true of Kate. Her hair was like a winter sunset, lighted with the last of the pale afterglow. And the only redhead I've ever seen with a complexion to compare with hers was Pamela Churchill's. But then, Pam is English, she grew up saturated with dewy English mists, something every dermatologist ought to bottle. — Truman Capote

[Meryl Streep] just sent me an email, and I was like, "That's perfect." She was like, "Yes, Viola, now that you've just had your vow renewal ... this is the best part of your life now. There's not anything that you don't know anymore in terms of what's good and bad out there, so now you can just fly." She's always imparting wisdom like that. — Viola Davis

You imagine that there's no use struggling against fate, that she will always have her way, no matter what we do. But don't you see? It's our very efforts to cheat fate, or to change it, that make things come to pass in the way they were meant to. — Gary L. Blackwood

She frowned, thinking of going down there and explaining herself all over again, reliving the horror of finding Mimi's body and trying not to think of how she'd looked when they'd dragged her up and out of the ravine. No sooner had she thought it than she heard Mimi's voice, chastising her over a year ago.

"You hide from life, Catherine. Even when you're in the middle of it, standing toe to toe with all the bad guys you bring in, you manage to keep an emotional distance. I understand why you do it, but ultimately, you're the one who will suffer. You're the one who's going to grow old alone."

Cat blinked back tears, remembering what she'd told her.

I won't be alone, Mimi. I'll always have you.

Obviously she had been wrong. — Sharon Sala

I nestled into the nook of Mum's arm. Then lay on a cushion on her lap. I fell asleep like that. She's all bones and hard edges. She's never been comfortable, but she's always been there. — Nathan Filer

My grandmother once told my mother that there is a splice of quartz inside each of us, like the quartz inside a compass or clock. We feel the stone glow warm when we find what it is we are meant to do. My grandmother was a singer; voice was her quartz, a second heartbeat that reminded her always of who she was. My mother's quartz is dance and Joaquin's is the piano. The saddest souls in the world, my mother believes, are those who never discover this thing within them. There is a difference between those who wander in search of that glow and those who wander in hopes of evading it. It is frightening, after all - that first awakening when the radiance within threatens to topple you. Even more terrifying is the decision to allow the fire to continue smoldering, because the brighter you let it get, the more terrible the darkness should you ever let it out."

- Elizabeth Genovise "Irises" (O. Henry prize winner 2016) — Elizabeth Genovise

I bet if we all threw our problems in a huge pile and saw everyone else's, we'd grab ours back. Don't compare your life to others'. You have no idea what their journey is about. That's why I always give people the benefit of the doubt; it's one of my rules to live by. There may be a reason why someone is having a bad day, there's often something that we can't see. She is not necessarily a bad person, just someone facing a bad situation. — Robin Roberts

An egg is not likely to grow on its own," said the crow crossly.
"She's right," said Edward. "I've never seen a grown-up egg."
"The egg doesn't grow!" cried the bird. "It's what's inside that grows."
"Then why don't you sit on what's inside?" Avon asked.
"Because there's a shell."
"What makes you so sure there's something inside?" asked Edward.
"It's always been that way!" insisted the crow. — Avi

It's the southern way, Doctor." "The southern way?" she said. "My mother's immortal phrase. We laugh when the pain gets too much. We laugh when the pity of human life gets too ... pitiful. We laugh when there's nothing else to do." "When do you weep ... according to the southern way?" "After we laugh, Doctor. Always. Always after we laugh. — Pat Conroy

I stare at her. I've always known that it's impossible to argue with Belinda, not because she's particularly good at it, but because she's so bad at it- that there is no common ground to work from. She simply sees the world she wants to see it and no amount of logic can change her mind. — Rick Yancey

She stood straight and still, her arms at her side. Her eyebrows had the graceful arch of a raptor's wings in flight. Her green eyes came unafraid to his. The connection was so intense that it threatened to drain his sense of self. He felt that he had always known her, that she had always been a part of him, that her needs were his needs. She held him with her gaze as surely as a grip of iron would, searching his eyes as if searching his soul, seeking an answer to something. I am here to help you, he said in his mind. He meant it more than any thought he had ever had.
The intensity of her gaze relaxed, loosening its hold on him. In her eyes he saw something that attracted him more than anything else. Intelligence. He saw it flaring there, burning in her, and through it all he felt an overriding sense of her integrity. Richard felt safe. — Terry Goodkind

There's no 'we'," Della said. "There's you and there's me. I'll work with you on the case, but I don't trust you."
He exhaled. "Then I guess I'll have to win your trust back."
She rolled her eyes. "I'm not your concern."
"You will always be my concern," he said softly. "We all need someone, Della. That doesn't mean you aren't strong. — C.C. Hunter

Doctor Mahfouz was always yammering on about how everyone had humanity in them. From Mahlia's experience, the doctor was sliding high, but now, as she looked at this sergeant named Ocho, she wondered if there was some bit of softness in this hard scarred boy that she might be able to work. — Paolo Bacigalupi

Jane Austen is thus a mistress of much deeper emotion than appears upon the surface. She stimulates us to supply what is not there. What she offers is, apparently, a trifle, yet is composed of something that expands in the reader's mind and endows with the most enduring form of life scenes which are outwardly trivial. Always the stress is laid upon character... The turns and twists of the dialogue keep us on the tenterhooks of suspense. Our attention is half upon the present moment, half upon the future...Here, indeed, in this unfinished and in the main inferior story, are all the elements of Jane Austen's greatness. — Virginia Woolf

It's a dangerous game Cherrycoke's playing here. Often he thinks the sheer volume of information pouring in through his fingers will saturate, burn him out...she seems determined to overwhelm him with her history and its pain, and the edge of it, always fresh from the stone, cutting at his hopes, at all their hopes. He does respect her: he knows that very little of this is female theatricals, really. She has turned her face, more than once, to the Outer Radiance and simply seen nothing there. And so each time has taken a little more of the Zero into herself. It comes down to courage, at worst an amount of self-deluding that's vanishingly small: he has to admire it, even if he can't accept her glassy wastes, her appeals to a day not of wrath but of final indifference... — Thomas Pynchon

Kerrigan?" she tried again.
"Aye, Lady Mouse. I am here."
Relieved, she smiled at the sound of his voice in her head. During the day, he was oft silent. But at night ... at night he would speak softly to her and tell her of his travels through time as he eluded those who were after him.
"Where are you today, my lord?"
"I'm in Venice, during a carnival. It's beautiful here. There are minstrels and acrobats all around. Plenty of places to hide from Morgen and her spies."
"You are safe?"
"Aye, Lady Mouse. I am always safe. But I've no wish to talk about me. How are you doing?"
"I miss you."
She swore she could feel his pain as well as her own.
"I miss you as well and I think of you constantly."
-Kerrigan and Seren communicating though their thoughts as they were apart. — Kinley MacGregor

Actually," the chief guardian said in a calm voice, "you have no rights at all. But I am going to tell you the decision so that there will be no misunderstanding. "The orphan girl Kira will stay. She will have a new role." He gestured toward the Singer's robe, still spread out on the table. "Kira," he said, looking at her, "you will continue your mother's work. You will go beyond her work, actually, since your skill is far greater than hers was. First, you will repair the robe, as your mother always did. Next, you will restore it. Then your true work will begin. You will complete the robe. — Lois Lowry

And to me it is one of the most odious things in a girl's life, that there must always be some supposition of falling in love coming between her and any man who is kind her, and to whom she is grateful. — George Eliot

My parents traveled a lot, so my grandparents practically raised me. My grandmother and I really bonded in the kitchen. She's this amazing southern cook, and I would always help her - whether it was cracking eggs or stirring the green beans. It takes me back there. — Hillary Scott

Each time my mother went psychotic, I hoped it would be the last time. Afterward she would tell me, 'I think that was the final episode. I think I had a breakthrough.' And I would believe-for a few months-that it was true. That she was back to stay. Maybe it was like having a rock star mother who was always on the road. Were there Benatar children? Did they sit around and wonder if their mom's Hell is for Children tour was going to be her last tour? — Augusten Burroughs

Pella felt relieved to sit across from someone who was willing to act so unreservedly glum in her presence, as if she weren't there. David never did that
David's eyes were always right on her, probing, admiring, assessing, enjoying. That was what he called love. — Chad Harbach

No man could bring himself to reveal his true character, and, above all, his true limitations as a citizen and a Christian, his true meannesses, his true imbecilities, to his friends, or even to his wife. Honest autobiography is therefore a contradiction in terms: the moment a man considers himself, even in petto, he tries to gild and fresco himself. Thus a man's wife, however realistic her view of him, always flatters him in the end, for the worst she sees in him is appreciably better, by the time she sees it, than what is actually there. — H.L. Mencken

The peculiar idea that bigger is better has been around for at least as long as I have, and it's always bothered me. There is within it the implication that it is more difficult for God to care about a gnat than about a galaxy. Creation is just as visible in a grain of sand as in a skyful of stars.
The church is not immune from the bigger-is-better heresy. One woman told of going to a meeting where only a handful of people turned out, and these faithful few were scolded by the visiting preacher for the sparseness of the congregation. And she said indignantly, 'Our Lord said *feed* my sheep, not count them!' I often feel that I'm being counted, rather than fed, and so I am hungry. — Madeleine L'Engle

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn't have known. There was smoke in her nose, thick and black, and she couldn't breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn't her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol' hands with scars on the fingers. Men's hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and- — Angele Gougeon

It's funny about me,' Sophia said. 'I always feel like such a nice girl whenever there's a storm.'
"'You do?' Grandmother said. 'Well, maybe ...' Nice, she thought. No. I'm certainly not nice. The best you could say of me is that I'm interested. [pp. 150-151] — Tove Jansson

It was Cinder's voice. "Hello, dearest Aunt Levana," she said, her tone light and taunting. "I'm sorry to interrupt, but I wanted to make sure I had your full attention. First, allow me to congratulate you. It seems you finally have everything you've always wanted. Now, it's my turn." There — Marissa Meyer

Oh no, she was never elitist. She said that far too many women are the accomplices of cruel, indifferent men. They lie for these men. They lie to their own children. Because their fathers treated them exactly the same way. These women always retain some hope that love is hiding behind the cruelty, so that the anguish doesn't drive them mad. Truth is, though, Max, there's no love there. — Nina George

You have cable?" He nodded toward her TV.
She tossed him the clicker. "Sure do. And if I remember, there's a Godzilla marathon on TBS tonight."
"Sweet," the vampire said, kicking his legs out. "I always root for the monster."
She smiled at him. "Me, too. — J.R. Ward

She eyed him but said nothing. Why did he always have to pull out the truth?
"It's not like I haven't seen you pee before. Go ahead."
"Eww, you have not!"
"Yup, you were six and you had to go and there was no one else to take you."
Oh God ... she'd been so humiliated she must have blanked it from her memory. — Dee Tenorio

The hardest lesson is Clare's solitude. Sometimes I come home and Clare seems kind of irritated; I've interrupted some train of thought, broken into the dreary silence of her day. Sometimes I see an expression on Clare's face that is like a closed door. She has gone inside the room of her mind and is sitting there knitting or something. I've discovered that Clare likes to be alone. But when I return from time traveling she is always relieved to see me. — Audrey Niffenegger

Look. I'm your expert consultant for a rather pathetic monetary wage, and under that agreement I have the option of selecting a technical assistant. He's mine."

She blew out a breath, paced to the window. Paced back. "Not just yours. It makes him mine, too. I don't know how to deal with a teenaged type person."

"Ah, well, I'd say you'd deal with him as you deal with everyone else. You order him around, and if he argues or doesn't jump quickly enough you freeze his blood with one of those vicious looks you're so good at and verbally abuse him. It always works so well for you."

"You think so?"

"There, see." He cupped her chin. "There it is now. I can actually feel my blood running cold. — J.D. Robb

The thing about a mom is that she's always there. She's the one who rubs your back when you have the flu, who manages to notice you have no clean underwear and does your wash for you, who stocks the refrigerator with all the foods you love without having to ask. The thing about a mom is that you never imagine taking care of her, instead of the other way around. — Jodi Picoult

Dilly clapped her hands as she bounced on her feet, her excitement bubbling over even more. "They come ta help you, Mr. T. See? I tole ya there'd be someone. There's always someone that comes when you need them. Always, always, always. — Jackie Castle

I pushed her shiny blond hair away from her face and leaned down, our faces only inches apart. She inhaled softly, our lips so close I could feel her breath and the scent of her skin, like honeysuckle in springtime. She smelled like sweet tea and old books, like she had always been here.
I pulled my fingers through her hair and held it at the back of her neck. Her skin was soft and warm, like a Mortal girl's. There was no electric current, no shocks. We could kiss for as long as we wanted. If we had a fight, there wouldn't be a flood or a hurricane, or even a storm. I wouldn't find her on the ceiling of her bedroom. No windows would shatter. No exams would catch fire.
Liv held up her face to be kissed.
She wanted me. — Kami Garcia

I don't want to know about love.'
'But you should, my child. You need to know about love. The things people will do for love. All truths come down to love, do they not? One way or another, they do. See, there is a difference between love and need. Sometimes, what you feel is immediate and without rhyme or reason.' She sat up a little straighter. 'Two people see each across a room or their skin brushes. Their souls recognize the person as their own. It doesn't need time to figure it. The soul always knows ... whether it's right or wrong. — Jennifer L. Armentrout

I have too much to lose, she said, if I cross that line. Like what? I said. She could not think of anything that day so she said she'd get back to me. Since then I've been thinking what I would lose if I cross my line & I haven't come up with anything either. There's always another line somewhere. — Brian Andreas

Accepting a religion, any, is a lot like someone in love. It doesn't matter what the beloved does or says, he or she will get a pass ... Forever. It's easier that way. It's too difficult to accept fault or to admit contradictions or falsehoods. Someone who is religious is in love, and there is no talking them out of it, regardless of what others would take as silly notions or irrational thinking. I no longer try. Life is brief, despite what those longing for an afterlife might really need to believe. Peace and acceptance is something, however, I'll always back, no matter what vehicle it rides in on. — Benjamin Kane Ethridge

Always praise your kid even if he/she is unresponsive to learning. By insulting them and putting them down, you will only push them away and make them feel inadequate around other kids. Have faith that your child's brain is an evolving planet that rotates at its own speed. It will naturally be attracted to or repel certain subjects. Be patient. Just as there are ugly ducklings that turn into swans, there are rebellious kids that turn into serious innovators and hardcore intellectuals. — Suzy Kassem

I understand perfectly. Darquesse isn't a separate entity. She isn't another person. She's you. If you make the wrong choices, if you stop loving the people who love you, if you allow the world to twist and turn and change you, then yes, the future we've seen will come to pass. But if you fight, and if you kick, and struggle, and refuse to give in to the apathy, or the anger, or the hopelessness, then you'll change the future, and you'll walk your own path. And I'll be right there beside you, Valkyrie. I'll always be beside you. — Derek Landy

Sitting cross-legged on her bed, I watch her take out her gear. She's been smoking so much the room stinks of it. Over the last few weeks, I've seen her do it so often I've resisted the urge. It's surreal, like I'm watching me from outside my body. My willpower is fragile at the best of times, but my resolve is always weaker in the evening.
I feel a dread and a revulsion for what I'm about to do, but there's a stronger feeling, an unutterable longing. I crack.
'Give us a line,' I say. — Christine Lewry

There comes a moment in every woman's life when something she was tightly holding on to - just slips from her hands. Sometimes it's a dream. Sometimes it's a place . . . a person . . . a purpose. Sometimes it's the life you always thought you'd be living. — Kristen Welch

Nothing lasts," she says, and there's a little crack in her voice. "You think it's going to. You think, 'Here's something I can hold on to,' but it always slips away. — Tim Tharp

It's peculiar to me,' she said, 'that everybody pays so much attention to living and so little to dying. Why are these high-powered scientists always screwing around trying to prolong life instead of finding pleasant ways to end it? There must be a hell of a lot of people in the world like me--who want to die but haven't got the guts. — Horace McCoy

The Fire

When a human is asked about a particular fire,
she comes close:
then it is too hot,
so she turns her face -

and that's when the forest of her bearable life appears,
always on the other side of the fire. The fire
she's been asked to tell the story of,
she has to turn from it, so the story you hear
is that of pines and twitching leaves
and how her body is like neither -

all the while there is a fire
at her back
which she feels in fine detail,
as if the flame were a dremel
and her back its etching glass.

You will not know all about the fire
simply because you asked.
When she speaks of the forest
this is what she is teaching you,

you who thought you were her master. — Katie Ford

I'm always constantly doing stuff with Beyonce in mind. Anytime I hear a beat I think she'll love, I'll put something to it and go from there and hopefully it's something that she's in the mood for doing.What exactly were you trying to accomplish with this song? — Bryce Wilson

Because for every girl in the history of girls there is always that one guy she can't seem to shake. Even though she knows he's not just bad for her but probably the worst thing. — Laekan Zea Kemp

Stop asking that," she said angrily. There was no stopping the tears now. "You always ask that. Why. Like there's an answer for everything. Not everybody has your life, you know, or your family. In your life, things happen for reasons. People make sense. But that's not my life. Nobody in my life makes sense ... — Rainbow Rowell

out-of-doors there was quite a snow-storm. "It is the white bees that are swarming," said Kay's old grandmother. "Do the white bees choose a queen?" asked the little boy; for he knew that the honey-bees always have one. "Yes," said the grandmother, "she flies where the swarm hangs in the thickest clusters. She is the largest of all; and she can never remain quietly on the earth, but goes up again into the black clouds. Many a winter's night she flies through the streets of the town, and peeps in at the windows; and they then freeze in so wondrous a manner that they look like flowers. — Hans Christian Andersen

. "You can't be here."

"Can't, shouldn't, wouldn't, won't," she whispered. "No one saw me go. No one thinks to look for someone who's always there. They are all looking for you."

"How did you find us?"

"You tick, I tock," she said, her voice so soft that only his ears could pick it up. "I would hear you anywhere." — Victoria Schwab

Jane." Molly rubbed her arm. "You've got so much going on! You don't need this Pembrook Park, and you definitely don't need Mr. Darcy."
"I know. I mean, he's not even real. He's not, he's not, I know he's not, but maybe ... "
"There's no maybe. He's not real."
Jane groaned. "But I don't want to have to settle."
"You always do. Every single guy you ever dated was a settle."
She sat up. "None of them loved me, did they? Ever. Some of them liked me or I was convenient but ... Am I truly that pathetic?"
Molly smoothed her hair. "No, of course not," she said, which meant, Yes, but I love you anyway. — Shannon Hale

Wasn't really, to tell you the truth. No shock at all." Then he went on: "I always told her she should go, told her she should go and find love, you know, true love. She deserves it, don't you think? That's where she's gone now. Off to find true love. Perhaps she'll find it too. Out there, on the South China Sea, who knows? Perhaps she'll meet a traveller, in a port, in a hotel, who knows? She's become a romantic, you see? I had to let her go." There were now tears welling in his eyes. — Kazuo Ishiguro

You know where this Yaqui girl is going to be in a few years if she doesn't change? She'll still be there, same as always in her old neighborhood
a nobody with nothing. And guess what? That's her worst fear. — Meg Medina

Did you look up 'incubus'?" Ren asked, in her ear. She heard a smile in his voice.

"Yes. Let's see, 'a lascivious spirit supposed to have sexual intercourse with women in their sleep,' if I remember right."

"There. And you thought it wasn't possible. It's common enough they actually had to make up a word for it."

"Well, if you've been doing that, then you must have been discreet, because I sure haven't noticed."

"It's not my preferred method," he said. "I always wake them up first. — Molly Ringle

There was something about him that had always rubbed her the wrong way. Before her mother's death, she [Shiara] could remember her saying that he was a nice enough young man, but not the one for her daughter. — J.C. Morrows

It's a rough journey, and a sad heart to travel it; and we must pass by Gimmerton Kirk, to go that journey! We've braved its ghosts often together, and dared each other to stand among the graves and ask them to come. But Heathcliff, if I dare you now, will you venture? If you do, I'll keep you. I'll not lie there by myself; they may bury me twelve feet deep, and throw the church down over me, but I won't rest till you are with me. I never will!"
She paused, and resumed with a strange smile, "He's considering-he'd rather I'd come to him! Find a way, then! not through that Kirkyard. You are slow! Be content, you always followed me! — Emily Bronte

My mom, she's still always there for me. Always. — David Ortiz

Being a woman in India is an altogether different experience. You can't always see the power women hold, but it is there, in the firm grasp of the matriarchs who still rule most families. It has not been easy for Sarla to navigate the female path: she has become a master traveler, but one with no pupil. She thought she might develop this relationship with one of her daughters-in-law, but the others, like Somer, didn't quite fill the role. And when they had babies, they relied on their own mothers, leaving her once again in the company of men. But now, Sarla muses as she glances at the clock, anticipating Krishnan's arrival, she will finally get her granddaughter. — Shilpi Somaya Gowda