She Walks Away Quotes & Sayings

You know those giant stuffed-animal prizes at the carnival? The kind practically nobody wins, except the lucky few? I've never won one."
"Yeah. I've never won one, either."
"Alex was my giant prize. I hated you for taking him away," she admits.
I shrug. "Yeah, well, stop hating me. I don't have him, either."
"I don't hate you anymore," she says. "I've moved on."
I swallow and then say, "Me, too."
Carmen chuckles. Then, just as she walks out of the room, I hear her mumble, "Alex sure as hell hasn't. — Simone Elkeles

I have seen the face of sorrow
She looks away in the distance
Across all these bridges
From whence I came
And those spans, trussed and arched
Hold up our lives as we go back again
To how we thought then
To how we thought we thought then
I have seen sorrow's face,
But she is ever turned away
And her words leave me blind
Her eyes make me mute
I do not understand what she says to me
I do not know if to obey
Or attempt a flood of tears
I have seen her face
She does not speak
She does not weep
She does not know me
For I am but a stone fitted in place
On the bridge where she walks

Lay of the Bridgeburners
Toc the Younger — Steven Erikson

Turn off the light, she says as she walks away, creating a small woosh that smells sweet and chemical. It makes me sad because it's the smell she makes when she's leaving. — Augusten Burroughs

We weren't in love. We were in lust, Liv. I thought I loved you, but someone has taught me what real love is. She has totally opened up her heart and soul to me, and she trusts me to take care of her, to love her with no conditions. I can't even stand the thought of being away from her for more than five minutes. My heart stops when she walks into a room or when she smiles at me. When I hear her laugh, I just want to make her laugh more because it makes me feel so happy. — Kelly Elliott

... that would be too much like running away, and that, she would not do. She does not run - they cannot make her - she walks. — Whitney Otto

Two weeks later I'm the last one in the locker room to change for gym. The click of heels makes me look up. It's Carmen Sanchez. I don't freak out. Instead, I stand and look right at her.
"He was back in Fairfield, you know," she tells me.
"I know," I say, remembering the hand warmers in my locker. But he left. Like a whisper, he was there and then disappeared.
She looks almost nervous, vulnerable. "You know those giant stuffed-animal prizes at the carnival? The kind practically nobody wins, except the lucky few? I've never won one."
"Yeah. I've never won one, either."
"Alex was my giant prize. I hated you for taking him away," she admits.
I shrug. "Yeah, well, stop hating me. I don't have him, either."
"I don't hate you anymore," she says. "I've moved on."
I swallow and then say, "Me, too."
Carmen chuckles. Then, just as she walks out of the room, I hear her mumble, "Alex sure as hell hasn't."
What's that supposed to mean? — Simone Elkeles

Before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss.
Marco kisses her as though they are the only two people in the world.
The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains.
Every eye in the crowded ballroom turns in their direction.
And then he releases her and walks away. — Erin Morgenstern

She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on. — Marie Lu

Before I love you can come out of my mouth again, the front door swings open and Julia walks outside. "We're going to have to set some ground rules," she says. There's more amusement in her voice than anger or annoyance.
"Sorry, Julia," I yell over my shoulder. I turn back to Lake and kiss her one last time, then take a step away from her. "It's just that I'm madly in love with your daughter!"
"Yeah." Julia laughs. "I can see that. — Colleen Hoover

The termagant who had dragged him out on long, boring walks, who had tried in vain to censor his reading, who had labeled him an impious liar and criminal, was dead at last, and the boy, hearing a servant say 'she has passed away', sank to his knees on the kitchen floor to thank God for so great a deliverance. — Jonathan Keates

Okay, Galen."
"Galen, Emma," Nalia calls from the dining
room, saving him from making a fool of
himself. "Everyone is here."
Emma gives him a look that clearly says
"We're so not done with this conversation."
Then she turns and walks away. — Anna Banks

Have you seen my daughter?"
"Daughter?" I'm the worst liar ever. I stare at Sarah's tall, imposing father and try to smile. "She's getting us a table?"
He narrows his gray eyes, and then tightens his mouth. "Is that a question or a statement?"
"Statement?" I'm so blowing this.
He exhales and nods. "Well, then. I guess I'll see you in the banquet room."
Harlin grins as Sarah's father walks away. "You are so subtle, Charlotte. Are you a ninja?"
"Shut up."
"I'm sure he didn't find that at all suspicious."
"Harlin!"
He laughs and kisses the top of my head. "I'll stop," he says. "But where is Sarah? You might want to find her before we sit down for chicken with that man. What will you say if he asks you to pass the mashed potatoes? Mashed potatoes?" Harlin finishes, imitating my voice. — Suzanne Young

I don't have my knife," I mumble.
"Don't start that," Anna says. She walks away from me sharply. "Arthur without Excalibur was still Arthur. — Kendare Blake

In the first Chucky film, there's a scene in the elevator where a woman is just bringing food to a friend's home and they're in that cage elevator. She says, 'What an ugly doll,' and walks away. As the elevator begins to descend, Brad just decides he's going to drop this in and it was so simple but he just goes 'F*&k you,' and the audience went crazy. It was really a marker for us, and an evolution to understand what the potential of not just this killer, but this guy that obviously has some opinions as well. — David Kirschner

Dallas closes the leather case, set to store it away in her closet. She looks at the message one last time, memorizes it, and leaves the postcard on the table before she walks away. You matter. — Suzanne Young

Please,Talks a Lot," Jesse said persuasively. "You were his friend. You know he read the Book.He believed in the one God and his Son,Jesse. Please...I want to bury him as my people bury those they love." Tears began streaming down her cheeks again, but she wiped them away stubbornly. "Please," she repeated, "I cannot leave him to the birds.I cannot."
Talks a Lot came close and murmured, "But his spirit must be allowed to soar to the new hunting ground, Walks the Fire.The people will never understand."
"His spirit is already with the Father, Talks a Lot.That is what the book we read together teaches. I must do this last thing for Rides the Wind. — Stephanie Grace Whitson

3. Learn the Will Skill. Many people believe that fitness and exercise are all about willpower - whether you have it or not. Will is important, but people forget that willpower is a skill with its own rules and tricks to practice. For example, recent research shows that if people can distract their attention for just a few minutes, they can suppress negative urges and make better decisions.8 Sharman W. used this idea to help her avoid cheating on her diet. She listed the ten reasons she wanted to lose weight and created the following rule: She could cheat on her diet, but only after reading her list and calling her sister. This extra step introduced a delay and brought in social support from her sister. Other strategies our Changers use include taking short walks, repeating poems they have memorized, and drinking a glass of water. The key is to be aware of the impulse and to focus on something different until the impulse goes away. — Kerry Patterson

They all try to see more of her, but she hides herself away.
It is not how Kitty would grieve. She, if she had to, would grieve wildly - with noise, mucus, paint on the canvas, blustery walks on beaches, curse words and exhausted sleep. But everyone grieves differently just as everyone loves in different ways. — Susan Fletcher

She walks away as if she were going to disappear. I wonder if I'll ever see her again.
I turned and saw her yellow blouse receding into the distance as she walked along the busy street. She looked like a balloon someone had let loose in the sky. We watched her go. — Banana Yoshimoto

We underestimate teenagers at our peril. Even the dismissive thing out on the street
look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers
it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves. — Markus Zusak

My eldest daughter, Suldana, is in love with another woman. She is eighteen and she spends her days working at our kiosk selling milk and eggs, and at night she sneaks out and goes down to the beach to see her lover. She crawls back into bed at dawn, smelling of sea and salt and perfume. Suldana is beautiful and she wraps this beauty around herself like a shawl of stars. When she smiles her dimples deepen and you can't help but be charmed. When she walks down the street men stare and whistle and ache. But they cannot have her. Every day marriage proposals arrive with offers of high dowries but I wave them away. We never talk about these things like mothers and daughters should; but I respect her privacy and I allow her to live. — Diriye Osman

She buys "mixed salad greens" for seven dollars a bag, triple-washed with who knows what. And to get this stuff home, which is only two blocks away from the grocery store, Jennica throws all of it into plastic bags. There is a husk on her corn, corn that Jennica's store sells in April.. there is a rind on her grapefruit, grapefruit that gets flown in from Florida... but still, Jennica puts the corn and the citrus into plastic bags. Her supposedly organic red peppers, which cost six dollars a pound, come in a foam tray under shrink-wrap, but she puts them in a plastic bag. And then the checkout girl puts all of Jennica's little plastic parcels into two or three more big white plastic bags, and then Jennica walks the two blocks home, where she unpacks all the bags and then trows them in the same trash bin where her corn husks and citrus rinds go. — Rudolph Delson

You, who only know love when in love, do not ask what it is, nor do you look for it. But when a woman once asked you if you were in love with love itself, you were evasive and escaped by answering: I love you. She persisted: Do you not love love? You said: I love you, because of you. She left you, because you could not be trusted with her absence. Love is not an idea. It is an emotion that can cool down or heat up. It comes and goes. It is an embodied feeling and has five, or more, senses. Sometimes it appears as an angel with delicate wings that can uproot us from the earth. Sometimes it charges at us like a bull, hurls us to the ground, and walks away. At other times it is a storm we only recognize in its devastating aftermath. Sometimes it falls upon us like the night dew when a magical hand milks a wandering cloud. — Mahmoud Darwish

Monk worked on his remaining Intertect cases at his dining table while I tried to hone my detecting instincts by reading the Murder, She Wrote novel he bought in Mill Valley.
I can't say that I learned much about investigative procedure but I discovered that you should stay far away from Cabot Cove. That tiny New England village is deadlier than Beirut, South Central Los Angeles, and the darkest back alley in Juarez combined. Even though every killer eventually gets caught by Jessica Fletcher, I still wouldn't feel safe there. I'm surprised the old biddy walks around town unarmed. — Lee Goldberg

CHORUS: Helen! wild mad Helen
you murdered so many beneath Troy.
Now you've crowned yourself one final perfect time,
a crown of blood that will not wash away.
Strife walks with you everywhere you go.
KLYTAIMESTRA: Oh, stop whining.
And why get angry at Helen?
As if she singlehandedly destroyed those multitudes of men.
As if she all alone made this wound in us — Anne Carson

He had a wild yellow beard and long, tangled hair that stood out from his head in a way that made it seem too large for his shoulders, though they were twice the width of mine. But these were not the things I noticed first. Nor, I think, the things that anyone would notice first. Before anything else, I saw his eyes: They were huge, and yellow as gold. And after that, I saw the way he moved. Cim Glowing is beautiful, and walks with liquid grace; but sometimes she looks clumsy beside him. I think I had guessed who he was before she called his name. "Ketin," she said, and raised the endieva wand as though to strike, backing away until her shoulders were against the wall. "Yes, Ketin," the bearded man said. His voice was like a storm five kilometers off. — Gene Wolfe

She walks away, and I am too stunned to follow her. At the end of the hallways she turns and says, "Have a piece of cake for me, all right? The chocolate. It's delicious." She smiles a strange, twisted smile, and adds," I love you, you know." And then she's gone. I stand alone in the blue light coming from the lamp above me, and I understand: She has been to the compound before. She remembered this hallways. She knows about the initiation process. My mother was a dauntless. — Veronica Roth

..she can feel that burden sometimes like a wall pressing in over the dome of the false sky that bounds the city.
*Someone has to*, she says again, as if the ghost is somewhere in the machines that create this Seaheaven, as if he might have cared and turns away, walks back down the vivid street, the dust soft and almost real against her feet. — Melissa Scott

Maria was not permitted to walk in the garden; but sometimes, from her window, she turned her eyes from the gloomy walls, in which she pined life away, on the poor wretches who strayed along the walks, and contemplated the most terrific of ruins - that of a human soul. — Mary Wollstonecraft

Sometimes he feels a pull towards Francesca. She was the reason he came into the group. It was her misery that united them and somehow her personality that kept them together when everyone split. She's the one that writes the letter to kept the world informed. She listens to the news every hour to make sure everyone's safe. So tonight he walks away even though she's moved forward to give him a hug. Because he wants to kiss her, and knows she'll hate him for it and that he'll hate himself. He knows it's for all the wrong reasons and that he'll end up thinking of Tara Finke and her Brazilian peacekeeper and will Trombal and how he doesn't do romance, but it eats the space between him and Francesca every time he's in the room with her. — Melina Marchetta

Dawn is breaking, sending pale fingers of cold light across the hills that surround the Harrisons' farmyard. Jess is being difficult, rearing and trying to bolt away from the truck, and we've been at it for some time when Liam comes out of the house and sees our predicament. He marches across the yard, picks up a piece of cut-off hosepipe and walks up behind the pony. I see the look on Alec's face as his dad approaches, and he's not happy. Liam tells his son to "walk her up" and then cracks the mare around the rump with the piece of pipe when she plants her feet. The sound of the pipe hitting the pony echoes across the hills and rings in my ears. Jess starts to rear but earns another whack around the backside, so scrambles up the ramp and stands trembling in the truck. Alec quickly ties her up, his expression unreadable. — Kate Lattey

My fear is that I go up to the girl of my dreams and say 'I'm sorry, but I've got to say hello to you,' and she slides the stool back and gets up and walks away, saying, 'Not for me, Bub. I don't want anything to do with you.' — John Mayer