She Stares Quotes & Sayings

Cal stares at the floor, silent for a long, stoic moment. "I never thought Maven would do that to her," he mutters finally. "She probably didn't either."
Then you're both stupid, my brain screams. How many times doe one wicked boy have to betray you people before you learn? — Victoria Aveyard

Check it out," Gideon says. "I prayed to god to send a sign that I wasn't going to get kicked out of school, and a plane flew overhead. And then another one."
Molly put her hands on her hips. "Behold the celestial event so incredible it happens every 34 seconds." Gid stares at her, uncomprehending. "It's called a flight path," She says. "Your a moron. — Sarah Miller

She stares at me, a tiny smile flitting across her lips, and the affection on her face makes me feel like the richest man in the world. — C.J. Redwine

The house is silent now and she feels like a stranger here. "This life was never ours," she whispers to the dog, who has been following her from room to room, and Luli wags her tail and stares at Miranda with wet brown eyes. "We were only ever borrowing it. — Emily St. John Mandel

Landon drops the bloody knife and stares at Summer like he doesn't even know her anymore. The truth is, she'll never be the girl she was seven months ago. Too much has happened. Too much has changed.
"Why'd you do that?" Summer cries.
"To save you," he says.
But there's nothing left to save. — Laura Kreitzer

You have points on the tip of your ears." she tilts her head and stares at me." like a big, tall elf. — Pam Bachorz

She leans into the memory. She stares. She concentrates. What IS it that's she's looking for, trying to get straight at last? — Vivian Gornick

but there was still something about Freddie. Something . . . disarming, infectious, familiar. In an auditorium full of stares, his was the gaze she felt. — Victoria Schwab

The entire room turns and stares. There's no doubt what they see - ripped jeans, a black T-shirt, tattoos and earrings. I don't care what they see. All I care about is what she sees: a person unwelcomed or the guy she loves.
A tear flows down her face, and the hand wrapped at her waist tells me she's paralyzed. In a long gold ball gown that's more skirt than dress, Rachel is truly the angel I believe her to be. A man in a tuxedo stands. "Son, I think you have the wrong room."
"No. I don't." I stride between the tables, keeping my eyes locked with hers. The closer I get, the more she straightens. Her hand falls from her stomach, and the tear clears from her face. Rachel gazes at me as if I'm a dream. I extend my hand, palm out. "I need help."
Her blue eyes lose their glaze, and the hue of violet I love so much returns. "So do I." — Katie McGarry

Anna prods St. Clair's shoulder. "Come on. Weren't you gonna show me that thing?"
"What thing?"
She stares at him. He stares back. She cocks her head toward Cricket and me.
"Ah, yes." St. Clair stands. "That thing."
They rush out. The door shuts, and St. Clair shouts, "Lola, Cricket wants to show you his thing, too-oo! — Stephanie Perkins

She has drudge written all over her. She probably stares at the ceiling, things about mopping the floor. — Margaret Atwood

She decides to make a list of the things that make her happy. She writes 'plum-blossom' at the top of a piece of paper. Then she stares at the paper, unable to think of anything else. Eventually it begins to get dark. — Neil Gaiman

Will call him a she when the pee-pee is gone. Says Brave is to endure stares, jeers, prejudice. He won't. — Anne Lamott

I shove the wooden debris out of the way until I see the smudged face of the teddy bear. "There she is." I carefully pull out the bear and sword. I proudly flip the bridal veil skirt to show him the scabbard. Raffe stares at the disguised sword for a second before commenting.
"Do you know how many kills this sword has?"
"It's a perfect disguise, Raffe."
"This sword is not just an angel sword. She's an archangel sword. Better than an angel sword, in case that's not clear. She intimidates the other angel swords — Susan Ee

After a steadying breath, Aislinn turned to Keenan. "I'm sure you can figure out lunch without help. So, umm, go make friends or whatever."
And she walked away.
He sped up to stay beside her as they entered the cafeteria. "May I join you?"
"No."
He stepped in front of her. "Please?"
"No." She dropped her bag into a chair next to Rianne's things. Ignoring him-and the stares they were attracting-she opened her bag.
He hadn't moved.
With a shaky gesture, she pointed. "The line's over there."
He looked at the throng slowly progressing to the vats of food. "Can I get you something?"
"A little space?"
A flare of anger flashed over his too-beatiful face, but he said nothing. He just walked away. — Melissa Marr

She is sad. She does not speak Japanese. Her husband went to the desert months and months ago. Every day she goes to the market and brings back chocolate, a peach, and a salmon rice-ball for her dinner. She sits and eats and stares at the wall. Sometimes she watches television. Sometimes she walks three miles to Blue Street to look at necklaces in the window that she wishes someone would buy for her. Sometimes she walks along the pier to see the sunken bicycles, pinged into ruin by invisible arrows of battleship-sonar, crusted over with rust and coral. She likes to pet people's dogs as they walk them. That is her whole life. What should she dream of?"
"Something better. — Catherynne M Valente

She stares in my eyes and loves me with a vehemence all her own. A scary, passionate type of love. One that rips away all pretenses and allows us to love each other bare and without consequence. — Alessandra Torre

She stares at me through her tears and then scampers on her hands and knees into my lap. I stroke her hair and marvel that this is the second naked broken chick I've comforted in my lap today. I'm beginning to feel like the fucking psychotic woman whisperer. — Anonymous

If I could go back to be shot in place of Avery, I would do so."
"I know," I whisper.
"Not merely that I would do so, I would exalt to do so." She purses her lips, stares into nothing. "In both a dark and a bright way, I would exalt to take that death as my own. — Carolyn Crane

Amanuensis. That was the word she chose, and since it was straight out of the nineteenth century, her mother approved, relishing the blank stares she received when she told her lady guests what position her daughter had acquired with the State Poet Laureate. — Toni Morrison

The hours spent forming a written work can make one obsessive, distracted, compulsive, and neurotic even, especially when it comes to those rare, precious occasions of streaming pure inspiration. To have a muse moment interrupted - to watch her scuttle back into hiding with unshared insight remaining on the tip of her tongue - is a wicked irritation. When a writer's eyes glaze over, when she stares off at nothing or appears to be memorizing the lines on a blank page, when she falls asleep at the desk ... tiptoe softly. For a writer's greatest desire is to receive inspiration; her greatest nightmare, to have tossed to the wind what could've been captured in words. — Richelle E. Goodrich

One second, we are surrounded by angels holding their swords. The next second, one of their arms drops and his sword thunks to the grass like a lead weight. The angel stares at his blade uncomprehendingly.
Another sword drops.
Then another.
Then a whole bunch, until all the other unsheathed swords fall, thudding on the grass like subjects bowing down to their queen.
The angels stare at the swords at their feet in utter shock.
Then everyone looks at me. Actually, it's probably more accurate to say they're looking at my sword.
"Whoa." That's about the most intelligent thing I can say right now. Did Raffe say something about an archangel sword intimidating other angel swords if she could gain their respect?
I swivel my eyes to look at the blade in my hands. Was that you, Pooky Bear? — Susan Ee

She was made for ultimate respect. How is she supposed to get that disguised as a teddy bear in a bridal gown?"
"It's not a bridal gown, it's a skirt for her scabbard. And it's cute."
"She hates cute. She wants to maim and scar cute."
"Nobody hates cute."
"Angel swords do." He arches his brow and stares down at me.
I guess I won't tell him how many cutesy angel figurines and pictures we used to have in the World Before. — Susan Ee

At once, she dropped her gaze 2 the floor so she wouldn't have 2 meet the stares because she knew exactly how she looked, which was bad, very bad, extra bad from the top of her dyed head to the tip of her tennis-shoed toes. She had an enormous urge to look up and say to the class, I'm prettier than this. Really. — Elizabeth George

So why'd you flake out on the party?"

"I wasn't in the mood. I kept picturing you crying here alone and pity won out."

"I'm not crying, jackass." I point to the boring-ass milk documentary that's flashing on the TV screen. "I'm learning about pasteurization."

She stares at me. "You guys pay money to subscribe to a gazillion channels and this is what you choose to watch?"

"Well, I flipped by it and saw a bunch of cow udders, and, well, you know, it turned me on, so - "

"EW!"

I burst out laughing. "Kidding, babe. If you must know, the batteries in the remote died and I was too lazy to get up and change the channel. I was watching this wicked-awesome miniseries about the Civil War before cow udders came on. — Elle Kennedy

I look over at Satan's Cat in the corner, and of course she starts it again. She widens her eyes. I sigh loudly, but not enough to deter her. Another staring contest. This is probably somewhere around our fifteenth in two days. It goes like this. Satan's Cat stares into my eyes. I stare into Satan's Cat's eyes. After a few minutes I get freaked out and jump off the couch, usually screaming the same string of trilingual curse words as before because she has the most terrifying eyes in the world. They're amber with long black flecks in them that look like slivers, and I swear after about thirty seconds they start spinning like pinwheels and she's actually grinning at me the whole time - EVEN THOUGH CATS CAN'T GRIN! - probably because she knows she's stretching her evil out and into my brain. Demonic ocular poisoning. I'd Google it if I weren't so afraid of what I'd see. Whatever. Maybe this time I'll win. — Jessica Martinez

I thought I did." Josh stares out over the city. "And then I knew I didn't, and she knew she didn't, but we stayed together, because ... I don't know why. Maybe because we thought we should be in love. At least I did. I wanted to be in love." He looks back at me. "Have you ever been in love? — Stephanie Perkins

Abruptly the drumbeat softens into heartbeat. The camera becomes his eye. This was what had summoned him - a human heart beating from within a ripped-off, rolled-up tiny piece of cloth. A discarded newborn. Black. A useless, half-dead, famished, thrown-away boy. The madwoman's? No, she's beyond childbearing years. He approaches, his steps making no sound at all. When he reaches down to turn it over, the thing quivers. Suddenly Milo's brain fills with a soft cascade of men and women's voices from the past in French and English, German and Dutch, Cree and Gaelic. They gurgle and babble and blend as he stares at the unwanted infant. Is it breathing? Yes, — Nancy Huston

Nona leans forward, "I had-a love."
I nod.
"You know how it was? It was like-a trees. Oak and elm." Her voice has been soft, like it was lost in memory, but now she stares at me, her eyes narrowed, and she makes a fist and pounds the side of her chair. "The roots, they bound-a together, but the trees, they are free. You know what it's-a mean? — Elizabeth Berg

I pull my foot back again, but Four's hands clamp around my arms, and he pulls me away from her with irresistible force. I breathe through gritted teeth, staring at Molly's blood-covered face, the color deep and rich and beautiful, in a way. She groans, and I hear a gurgling in her throat, watch blood trickle from her lips. "You won," Four mutters. "Stop." I wipe the sweat from my forehead. He stares at me. His eyes too wide; they look alarmed. "I think you should leave," he says. "Take a walk." I'm fine," I say. "I'm fine now," I say again, this time for myself.
I wish I could say I felt guilty for what I did.
I don't. — Veronica Roth

Marry, don't marry,' Auntie Aya says as we unfold layers of dough to make an apple strudel.
Just don't have your babies unless it's absolutely necessary.'
How do I know if it's necessary?'
She stops and stares ahead, her hands gloved in flour. 'Ask yourself, Do I want a baby or do I want to make a cake? The answer will come to you like bells ringing.' She flickers her fingers in the air by her ear. 'For me, almost always, the answer was cake. — Diana Abu-Jaber

Please," he says after he's swallowed. "It's bad enough that the middle-aged are having sex, without thinking of my aunt doing it. And I don't know why someone just doesn't tell Sam to use a condom instead of impregnating the women of the inner-west."
Georgie stares at him, stunned, and then she bursts out laughing.
"Middle-aged? What a little dickhead," Lucia says. — Melina Marchetta

What's the one thing so terrible that you've never told anyone? The one thing no one could ever forgive?" She stares hard into him. "The one thing no one could possibly know about and still love you? — Robert Dunbar

Our children are going to be remarkably stubborn," he commented as they started down the main street of town. Lily tried to ignore the avid stares of passers-by. "We aren't going to have any children," she said. Some instinct caused her to lie. "My - my monthly arrived today." Caleb fell silent, and in a sidelong glance Lily saw his disappointment. She laid a hand on his arm but could not. bring herself to admit the truth. If the major believed there was no child - indeed, no possibility of a child - he might stop pursuing Lily. The sooner he gave up, the sooner she could get on with building up her homestead and finding her sisters. She bit down on her lower lip. Of course, if there was a baby growing inside her, would it be fair to let Caleb go back to Fox Chapel without ever knowing he was about to become a father? The — Linda Lael Miller

If I've got a Dad, and his name is Wormwood Rot, and he's in some heavy metal rock band called Grave Dirt ... then I'm definitely meeting him!
She stares at me awkwardly, and I'm about to ask again - maybe even insist - when she says, Honey, why do you think he's on the news? Wormwood, I mean ... your father? Becca, he's ... dead. — Rusty Fischer

Dr Caldwell stares at her dispassionately. "Now go and get a security detail," she says to Dr Selkirk. "I want this woman under military arrest. The charge will be attempted sabotage." Melanie — M.R. Carey

She stares straight into the camera, eyes narrowed. She wears an expression I've not seen from her before. Disgust? Defiance? She looks nothing like the woman I've known my entire life. — Shannon Duffy

And Tria this is Vilenthe." Tria just stares before collapsing onto the floor Ingra looks down "She'll be fine." Vilenthe scowls "She has seen me before. Many years ago before I was selected for the 11th Tournament, she must've forgotten about that but we have met before. — Charon Lloyd-Roberts

Of all the unusual features of Stargirl, this struck me as the most remarkable. Bad things did not stick to her. Correction: her bad things did not stick to her. If we were hurt, if we were unhappy or otherwise victimized by life, she seemed to know about it, and to care, as soon as we did. But bad things falling on her
unkind words, nasty stares, foot blisters
she seemed unaware of. I never saw her look in a mirror, never heard her complain. All of her feelings, all of her attentions flowed outward. She had no ego. — Jerry Spinelli

Andrew stares pointedly at her. From the looks of it, thunderstorms and human traffic jams are cluttering his mind. Doors are opening and closing. He's jealous. The realization makes her feel silly and squeamish. She can't decide whether to glower or giggle some more. She feels like . . . a girl. She wants to punch him. In the face. Hard. Cover that watercolor with one of her own. Then she wants to kiss it, softly, until she has no more soft left in her. "Anger — Natalia Jaster

She's such a bitch," Tina says, which I find a little contradictory, but overall quite true. "She's got to be in charge of everything."
I sit next to her. "Well, I guess. But in business, that's leadership."
Tina stares at me for a second. "I can't believe you consider that a positive trait. How about her inability to accept other points of view? Is it good leadership to be narrow, too?"
"Focus," I say. "They call that focus."
Tina stares at me. "Her paranoia?"
"Business savvy."
"Compulsive need to have everything just how she wants it?"
"Organizational skills."
"Aggressiveness?"
"Aggressiveness," I say, "is already a good thing."
"Jesus Christ," Tina says, her eyebrow ring glinting in the morning sun. "Sometimes I worry about this country. — Max Barry

Repo cast a narrowed glare over me. "You're saying that Banana Cake girl - "

"She's a queen, not a girl."

He huffed impatiently. "Her majesty of bananas is your woman?"

I gave an affirmative head bob.

The three men traded stares, silently communicating with their eyeballs. This time I didn't mind — Penny Reid

I am your instructor", he says."My name is Four".
Christina asks, "Four? Like the number?"
"Yes", Four says. "Is there a problem?"
"No."
"Good. We're about to go into the Pit, which you will someday learn to love. It-"
Christina snickers. "The Pit? Clever name."
Four walks up to Christina and leans his face close to hers. His eyes narrow, and for a second he just stares at her.
"What's your name?" he asks quietly.
"Christina", she squeaks.
"Well, Christina, if I wanted to put up with Candor smart-mouths, I would have joined their faction", he hisses.
"The first lesson you will learn from me is to keep your mouth shut.Got that? — Veronica Roth

She stares at it for several moments before taking it out from underneath the plastic film that covers it. Then she holds it with the affection of a mother for her new-born child, tender and loving; Preeti's eyes soften briefly just for that moment. The lava of hurt makes way into her throat, setting ablaze all that she has held within. As memories meet sentience, the apartment echoes with her muffled cries. The photograph, a silent spectator, drenches in her grief as the tears start their descent. — Faraaz Kazi

Xavier stares past her with watery eyes. 'Why does the world feel the need to drop its weight upon my shoulders?' he barely whispers. His mother strokes his hair.

'Maybe it believes you can handle it,' she tells him. 'That though it is heavy, you are strong enough to carry it. — Damiana

Just give yourself to me. Trust me. For one day. I'll take care of you." She exhales and stares up at me. She looks lost and broken. She looks sad and defeated. And I hate it. "One day of trust, Ashleigh. Just one day. And then tomorrow we can drive to LA and life can start again. But don't let your pause end up meaningless. Make it count. Give me control. I'll show you life goes on. — J.A. Huss

Blue." It was Ronan's voice, for the first time, and everyone, even Helen, twisted their head towards him. His head was cocked in a way that Gansey recognized as dangerous. Something in his eyes was sharp as he stared at Blue. He asked, "Do you know Gansey?" ...
Blue looked defensive under their stares. She said reluctantly. "Only his name."
With his fingers loosely together, elbows on his knees, Ronan leaned forward across Adam to be closer to Blue. He could be unbelievably threatening.
"And how is it," he asked," you came to know Gansey's name? — Maggie Stiefvater

She walked empty handed in the street, where everyone sold their dreams. Ignoring the cold stares of the demon, which guarded it and always craved for the taste of the things every soul hid. At the dead end, it leapt on her. Digging the nails deep into her chest, in the search of the dreams, she hid. Only to be destroyed by the light shot from her heart. The light that blinded the whole world, setting the dreams of others free. — Akshay Vasu

I heard this girl worked for Bishop,' said one of the guys, who had a tire iron resting on his shoulder. 'Carrying around his death warrants. Like one of those Nazi collaborators.'
'You heard wrong,' Shane said. 'She's my girl. Now back off.'
'Let's hear from her,' said the leader of the pack, and locked stares with Claire. 'So? You working for the vamps?'
Shane sent her a quick, warning glance.
Claire took in a deep breath and said, 'Absolutely.'
'Ah hell,' Shane breathed. 'Okay, then. Run. — Rachel Caine

She reads the front of the card out loud. "Make it stop." Holy shit. She stares at it for a moment, repeating the phrase. "Make it stop? What in the hell does that even mean?" she asks. — Colleen Hoover

She stares at her knife and wishes she were smarter about things. Wishes she knew how to say something wise or consoling to him, something that wouldn't sound frightened or awkward. But then she remembers the time after her parents' death, when people would approach her and try to explain her loss to her; they said things that were supposed to cure her of her sadness, but that had no effect at all. And she knew then, even when she was nine years old, that there was no wise or consoling thing to say. There were certain helpful kinds of silences, and some were better than others. — Diana Abu-Jaber

Lizzie Darbury won't do," Vivian said. "She never understands Harry's jokes. She just stares at him as if he's a bit touched in the head and doesn't laugh." "And that's important," Louisa said. "Men do hate it when we don't find them amusing. Especially Harry. It quite upsets him. — Laura Lee Guhrke

You are far too generous," he said.
She smiled, a real smile this time. "I am rarely accused of that, Mr. Bridgerton."
He laughed. Right out loud in the middle of the ballroom.
Kate realized with discomfort that they were suddenly the object of numerous curious stares.
"You," he said, still sounding most heartily amused, "must meet my brother."
"The viscount?" she asked with disbelief.
"Well, you might enjoy Gregory's company as well," he allowed, "but as I said, he is only thirteen and likely to put a frog on your chair."
"And the viscount?"
"Is not likely to put a frog on your chair," he said with an utterly straight face.

-Colin & Kate — Julia Quinn

We sit in an awkward silence for a few minutes before she speaks. "You're right. There's more to it." I'm not sure if I should wait and let her speak, or if she's waiting for an acknowledgement. I slowly turn my head toward her and settle my eyes on hers. "I went through a rough time a few years ago. I wasn't sure things would get better for me. One day, Rick and Jo were able to knock some sense into me. When a Phoenix dies, it rises from its ashes to have a new life." Her eyes leave mine as she rolls to her back and stares at the stars. "The tattoo reminds me of that. One chapter of my life may end, but that doesn't mean a new chapter won't come from the ashes. It probably sounds silly to you. — Rein Scott

Won't go wrong." Hana stands up and stares at me for a moment. "I promise," she says slowly, giving each word weight, "that everything will go perfectly. — Lauren Oliver

Luna stares at each of us, even Farrow, like she's mentally grouping us together as the Hale family.A band of fucking weirdos — Becca Ritchie

There Rhoda sits staring at the blackboard,' said Louis, 'in the
schoolroom, while we ramble off, picking here a bit of thyme,
pinching here a leaf of southernwood while Bernard tells a story.
Her shoulder-blades meet across her back like the wings of a small
butterfly. And as she stares at the chalk figures, her mind lodges
in those white circles, it steps through those white loops into
emptiness, alone. They have no meaning for her. She has no answer
for them. She has no body as the others have. And I, who speak
with an Australian accent, whose father is a banker in Brisbane, do
not fear her as I fear the others. — Virginia Woolf

The way Lillian says it is hungry, like she's waiting for something to be revealed, and I wonder if maybe that's the real difference between us - that when she pulls back the curtain and stares into the blackness behind it, it's just one more way of testing herself. Like some game you can never win, because even if you face all the shocking realities and the horrors of the world, once you've seen that kind of awfulness, you can never un-see it. You have to carry it around with you forever. — Brenna Yovanoff

He sighs. "If it's any consolation, I'm not overly thrilled about being away from my wife for so long, either."
"She a cougar?" Cora asks.
Karl stares at her, mouth open.
"I'm just saying," she says defensively. "He looks like the sort to snag a cougar."
She did not just say that. "Cora!"
"My wife is off limits to you." He shakes a finger at her. And then, after a moment, "She's not a cougar."
Cora cackles brightly. — Heather Lyons

I jerk around and see Sister Dora, a portly woman who's the head cook in the kitchen, staring daggers at me. This is nothing new. She stares daggers at everyone who walks through the lunch line holding a tray, as though our needing sustenance is a personal affront. — Pittacus Lore

Parks stares at her for a moment, like she's something written in a language he doesn't speak. "Got it all figured out," he acknowledges. "Yes." He leans forward to look her in the eye. "And you're not scared?" Melanie hesitates. "Of what?" she asks him. Justineau is amazed at that momentary pause. Yes or no would be equally easy to say, whether they were true or not. The pause means that Melanie is scrupulous, is weighing her words. It means she's trying to be honest with them. As if they've done a single thing, ever, to deserve that. "Of — M.R. Carey

Do you still love me, Janie?'
Janie stares at him, incredulous. 'Yes, of course! I don't say it lightly.'
'Say it lightly in my ear,' he demands.
She smiles, rests her soft cheek on his scratchy one, and whispers it. 'I love you, Cabe. — Lisa McMann

Gabe!" she calls. "Dr. Gabe."

He looks at her blankly

"Don't you know me? You're my OB-GYN."

Gabe's eyes move instinctively from her face to her crotch. He stares between her legs for a beat. His face lights up in recognition, as if he has X-ray vision.

"Joanne! Sure . . . Joanne. How are you?"

Both Joanne and I break up. Gabe blushes.

"I see so many women," he says, making it worse. — Alan Eisenstock

Got a job for you, Seven."
"Yeah?"
"I need you to find someone."
"Who?"
"A woman," I say. "About five and a half feet tall. Brown hair. Brown eyes."
"That describes half the women in New York."
"Yeah, well, the one I'm looking for is twenty-one or so," I say. "She's good-looking, kind of curvy for being so petite... got a red 'S' tattooed on her wrist..."
He stares at me, like he expects more information. "What else?"
I shrug, glancing at the high heels, flipping them over to look at the red soles. "She wears a size thirty-nine shoe."
"That's it?"
"That's it."
"Shouldn't be too hard," he says, blinking a few times as he looks at the ground. "Only a couple million people in the city."
"That's the spirit," I say, slapping him on the back. — J.M. Darhower

I thought it could be something, I mean, eventually." Harrison finally looks at us. "My life I thought-but I mean ... it's nothing."
"Don't cry" Grace says. "You have a lot of time."
"No, I don't."
"Yeah, you do."
"No.-"
"Yeah! Yeah, you do. It's okay. Look-"
She does something that is so amazingly selfless and also gross. She tilts Harrison's face up and gives him a sweet kiss on the lips and it lasts long enough for him to taste her back, to move his mouth against hers.
Harrison stares at her dumbfounded but he's stopped crying
She is so nice. — Courtney Summers

Well, says Mercy, maybe it's time you started makin up your own mind about things. As far as I'm concerned, stars is just ... stars.
She tips her head back. She stares at the sky so long, it's almost like she's up there with the stars an the moon an the planets, like she's fergot we're here. I clear my throat. She gives a start. Smiles at us.
Of course, she says, there's always a chance I could be wrong. — Moira Young

She turns her head, throws the damn thing with a strong flick, and it lands in the side of a wooden heron's head. Holy shit. I can't believe it. Lust bashes me like a sledgehammer, and I suddenly imagine her naked.
"Dude!" Blake yells, snapping me back to reality.
Anna stares down at me like she's conquered me. "You showed your colors!"
"Did not," I reply quickly. But even as I say it, I think I bleedin' well might've. — Wendy Higgins

Muse

When at night I wait for her to come,
Life, it seems, hangs by a single strand.
What are glory, youth, freedom, in comparison
with the dear welcome guest, a flute in hand?

She enters now. Pushing her veil aside,
she stares through me with her attentiveness.
I question her: 'And were you Dante's guide,
dictating the Inferno?' She answers: 'Yes. — Anna Akhmatova

Ladies, what in the world is wrong with men? I mean besides all the really obvious stuff. They think they have the handle on everything. And if a lady gets in behind the wheel of a sports car, they act all crazy, like we don't belong. Same thing with motorcycles. Let a gal cruise down the highway on her hog and you'd think she was Lady Godiva for all the stares that she gets. I got news for you, just because we don't...doesn't mean that we can't. Seriously, boys, you can be replaced by a few inches of rubber and a couple of D-cell batteries, so I wouldn't be too cocky. — T.W. Brown

She looks out at the woods through the screen of limbs. Watching in the same way he is, for the same terrible things he is, with the same expectation, with equally haunted, hollow eyes. She's still gripping the butcher's cleaver tightly and her knuckles show through the skin. He puts a hand gently on hers. I think we're good, he says to her. It's gone. We're good.

She doesn't say anything. She just stares awhile. Clutching that glinting meat hatchet in a tight, mudded fist. The whites of her teeth and eyes in the dark. There is no good, she tells him. Not for us. There's only being ready for the next bad thing coming. — Jonathan R. Miller

Caroline Caldwell gets out of Rosie using the cockpit door rather than the midsection door. The midsection door still has the airlock attached and her hungry specimen jammed into it. She walks twenty paces forward. That's as far as she can go, more or less. She stares at the grey wall for a long time. For whole minutes, probably, although she doesn't really trust her time sense any more. Her wounded mouth throbs in time with her heartbeat, but her nervous system is like a flooded carburettor; the engine doesn't catch, the confused signals don't coalesce into pain. Caldwell — M.R. Carey

She stares at me for a moment, and then she bursts out laughing. "You haven't seen his perfect little wife and his perfect little girls. Believe me, Oliver, I'm not the great love of his life, the one he'll never forget."
"You are to me," I say. — Jodi Picoult

She says nothing at all, but simply stares upward into the dark sky and watches, with sad eyes, the slow dance of the infinite stars. — Neil Gaiman

Two years ago," she says, "I was afraid of spiders, suffocation, walls that inch slowly inward and trap you between them,getting thrown out of Dauntless, uncontrollable bleeding, getting run over by a train, my father's death,public humiliation, and kidnapping by men without faces."
Everyone stares blankly at her.
"Most of you will have anywhere from ten to fifteen years in your fear landscapes. That is the average number," she says.
"What's the lowest number someone has gotten?" asks Lynn.
"In recent years," says Lauren, "four."
I have not looked at Tobias since we were in the cafeteria,but I can't help but look at him now. He keeps his eyes trained on the floor. I knew that four was a low number, low enough to merit a nickname,but I didn't know it was less than half the average.
I glare at my feet.He's exceptional. And now he won't even look at me. — Veronica Roth

Miss Celia stares down into the pot like she's looking for her future. "Are you happy, Minny?"
"Why you ask me funny questions like that?"
"But are you?"
"Course I's happy. You happy too. Big house, big yard, husband looking after you." I frown at Miss Celia and I make sure she can see it. Because ain't that white people for you, wondering if they are happy ENOUGH. — Kathryn Stockett

Caldwell speaks in the dry, inflectionless tone of a lecturer, but her expression hardens as she stares down at the thing that is both her nemesis and the focal point of her waking life. "If — M.R. Carey

Why did you break up?"
"Because she didn't like what I became after I left the army."
"And what was that?"
He stares deep into my eyes. A sudden coolness overtakes the warmth. It sends an unexpected chill running through me. "Uncaring. Hard. Cold," he answers dryly.
I swallow down. "And what were you before?"
"Uncaring ... hard ... cold." He grins, his warmth instantly returning. — Samantha Towle

The blank sheet stares up at me, its emptiness like a slap. Those were the last words Ginny ever wrote before she and her family were murdered. — Jennifer Walkup

Mostly, she sees the good in the world, the light where there is dark ... She sees beauty where we mostly pass it by. But tonight, she was heavy-hearted. I think sometimes she unfolds all her losses and stares at them, in the dark. — Susan Fletcher

But unlike anyone else," Ryn adds, "if you upset the Seelie Queen, she might start shrieking, 'Off with their heads!'." The four of us stare at him. He stares back. "What? It's . . . from a book. Never mind. — Rachel Morgan

I am glad I sleep fully clothed, because Christina stands next to our bunk wearing only a T-shirt, her long legs bare. She folds her arms and stares at Eric. I wish, suddenly, that I could stare so boldly at someone with hardly any clothes on, but I could never do that. — Veronica Roth

We laugh. Bec stares at us uncertainly, then joins in. She sounds a bit like Bill-E when she laughs, and for a few happy moments it's as if me, my brother and uncle are together again, relaxing in Dervish's study, sharing a joke, not a care in the world. — Darren Shan

her," he said. "She stares. That's what she does — Derek Landy

In class, Laura almost always stares into her lap, where she hides her phone. She thinks if the phone is in her lap she has effectively concealed it. She has no idea how obvious and transparent this maneuver is. Samuel has not asked her to stop checking her phone in class, mostly so he can savage her grade at the end of the semester when he doles out "participation points. — Nathan Hill

I would like a cappuccino," says Linus politely. "Thank you."
"Your name?"
"I'll spell it for you," he says. "Z-W-P-A-E-N
"
"What?" She stares at him, Sharpie in hand.
"Wait, I haven't finished. Double F-hyphen-T-J-U-S. It's an unusual name, Linus adds gravely. "It's Dutch. — Sophie Kinsella

shy but handsome fellow is sitting at a club, sipping a cocktail, and sees a beautiful woman seated alone at the bar. After an hour of screwing up his courage he finally heads over to her and asks tentatively, "Um, hi. Would you mind if I chatted with you for a while?" She responds by yelling, at the top of her lungs, "No, I won't sleep with you tonight!" Everyone in the bar turns in unison and stares at them. Naturally, the poor guy is hopelessly — Various

Our frog lies on her back. Waiting for a prince to come and princessify her with a smooch? I stand over her with my knife. Ms. Keen's voice fades to a mosquito whine. My throat closes off. It is hard to breathe. I put out my hand to steady myself against the table. David pins her froggy hands to the dissection tray. He spreads her froggy legs and pins her froggy feet. I have to slice open her belly. She doesn't say a word. She is already dead. A scream starts in my gut - I can feel the cut, smell the dirt, leaves in my hair. I don't remember passing out. David says I hit my head on the edge of the table on my way down. The nurse calls my mom because I need stitches. The doctor stares into the back of my eyes with a bright light. Can she read the — Laurie Halse Anderson

I am Outcast."
"The kids behind me laugh so loud I know they're laughing about me. I can't help myself. I turn around. It's Rachel, surrounded by a bunch of kids wearing clothes that most definitely did not come from the EastSide Mall. Rachel Bruin, my ex-best friend. She stares at something above my left ear. Words climb up my throat. This was the girl who suffered through Brownies with me, who taught me how to swim, who understood about my parents, who didn't make fun of my bedroom. If there is anyone in the entire galaxy I am dying to tell what really happened, it's Rachel. My throat burns."
"Her eyes meet mine for a second. "I hate you," she mouths silently. — Laurie Halse Anderson

27 July

Rage-thought to live by: in The General, Buster gets so annoyed at his girlfriend's stupidity for stoking the engine with tiny pieces of wood, he facetiously gives her little toothpicks - which she dutifully feeds into the fire. He then stares at her in disbelief, then delights in her anyway and leaps at her with a kiss. Sweet axiom! — Guy Maddin

I wike your big muscles," Stella whispers as she stares at Bates' bulging bicep in awe. Jesus, I like his big muscles, too. In fact, I'd like to trace them with my tongue. — Hayley Faiman

She gets up, and I want to grab her and pull her to me. "I had better get to bed." She stretches, and I can see the little strip of skin between the bottom of her shirt and her jeans. I reach up and tug her shirt down. She covers her belly with her hand, like she wants to block my touch. She stares into my eyes. She doesn't say a word. "Can I kiss you yet?" I blurt out. God, you'd think I'd never seen a girl before. "No." She laughs. "Can I keep asking?" She nods. — Tammy Falkner

She perks up and smiles. "Are you asking me out on a real, live date?"
I nod my head.
"Well, you suck at it, you know. You always have. Sometimes girls like to be asked and not told."
She's trying to play hard to get, which is pointless. I've already got her ... but I play her game anyway. I kneel down on the floor in front of her and look into her eyes. "Lake, will you do me the honor of accompanying me on a date tomorrow night? "
She leans back into the couch and looks away. "I don't know, I'm sort of busy," she says. "I'll check my schedule and let you know." She tries to look put out, but a smile breaks out on her face. She leans forward and hugs me, but I lose my balance and we end up in the floor. I roll her onto her back and she stares up at me and laughs. "Fine. Pick me up at seven. — Colleen Hoover

We could talk ... " I take a long inhale off my cigarette and gradually let it out, smoke circling my face. "If you want to."
She tenses as she shakes her head and stares out the window to the side of her. "I want to play make believe for just a little bit longer."
God, i've never felt my heart shatter for someone else more than I have at this moment. — Jessica Sorensen

I search the chaos - through a knot of Resistance fighters descending on a pair of legionnaires, past a Mask fighting off ten rebels at once, to the rubble of the tunnel, where my mother stands. An old Scholar slave trying to escape the havoc makes the mistake of crossing her path. She plunges her scim into his heart with a casual brutality. When she yanks the blade out, she doesn't look at the slave. Instead, she stares at me. As if we are connected, as if she knows my every thought, her gaze slices across the square. She smiles. — Sabaa Tahir

We walk up the sandy slope toward the dining terrace. I see Troy sitting at a table with some people I know. I look at Scottie to see if she sees him, and she is giving him the middle finger. The dining terrace gasps, but I realize it's because of the sunset and the green flash. We missed it. The flash flashed. The sun is gone, and the sky is pink. I reach to grab the offending hand, but instead, I correct her gesture.
"Here, Scottie. Don't let that finger stand by itself like that. Bring up the other fingers just a little bit. There you go. That's the cool way to do it."
Troy stares at us and smiles a bit. He's completely confused.
"All right, that's enough." I suddenly feel sorry for Troy. He must feel awful. — Kaui Hart Hemmings

But now, sitting on this airplane on my way back to the life I went on to fashion after she left, I think of her differently. I see her so many ways: sitting back on her heels at the side of the bathtub, singing softly as she washes Sharla and my backs; watching at the window for the six o'clock arrival of our father; wrapping Christmas presents on the wide expanse of her bed; biting her lip as she stood before the open cupboards, making out the grocery list; leaning out the kitchen window that last summer to call Sharla and me in for supper. Most clearly, though, I see her sitting at the kitchen table, in her old, usual spot. There is a cup of coffee before her, but she doesn't drink it. Instead, she stares out the window. I see the sharp angle of her cheekbone, the beautiful whitish down at the side of face, illuminated by the sun. Her hands are quiet, resting in the cloth bowl of her apron. She sits still as a statue - waiting, I can see now; she was always waiting. -What We Keep — Elizabeth Berg

Jack stares at me blankly. 'A what?' he asks.

I choke back the laugh. 'A boy. You know? A Y-chromosome holder? You don't seem to notice them as much as you do the X-carriers.'

'What are you talking about?' Jack asks, 'A boy? She's just a kid.'

I hesitate, wondering how Jack is only just doing the maths on this one now. 'She's seventeen. She's not a kid anymore.'

Jack looks like he's about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. 'If any boy ever lays a finger on my sister, I'm going to kill him,' he says.

Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn't require a vow of celibacy, she needs to stay in London. — Sarah Alderson

He looks at her and smiles. "You're sort of dangerous, you know?"
She stares at him. "Me?"
"Yeah," he says sitting back. "I'm way too honest with you. — Jennifer E. Smith

See," she's saying. "I told you, Heather. You're too nice to win. Too weak. Not in good enough shape. Because size twelveis fat. Oh, I know what you're going to say. It's the size of the average American woman. But guess what? The average American woman is fat, Heather.'[ ... ]
It takes me a while to realize that the breathing isn't my own. When I'm finally able to see, I look up, and see Rachel laying at my feet, blood pouring out of an indentation on the side of her head and tingeing the rain puddles all around her pink.And standing before me, a bloodied bottle of Absolut in her hand, is Mrs. Allington, her pink jogging suit drenched, her chest heaving, her eyes filled with contempt as she stares down at Rachel's prone body.Mrs. Allington shakes her head.
"I'm a size twelve," she says. — Meg Cabot

Your mother is holding your hand too tightly. You whimper and cling to her dress, because you know what will happen next. She stares at you, as if she's forgotten how to blink. There's one last glimpse of her face before she bundles you into the cupboard under the stairs. 'Don't make a sound,' she hisses, 'don't even breathe.' Darkness smothers you as the key twists in the lock. There's a chance that he won't find you, cowering on the floor, between the broom and floor mops, a stack of wellington boots. — Kate Rhodes