She Can't Do It Anymore Quotes & Sayings

Tell her what she wants to hear.
But I don't because suddenly I can't do it anymore. She's exhausting and I'm exhausting, and we're exhausting. I've been telling her what she wants to hear for the past four years. — Jennifer Niven

But Mama
at first I tried to pretend she was only gone, like on a trip. And then when I couldn't do that anymore, I tried to believe she was dead.' Her nose was running, from emotion, whisky, or the heat of the tea. Roger reached for the tea towel hanging by the stove and shoved it across the tabe to her. 'She isn't, though.' She picked up the towel and wiped angrily at her nose. 'That's the trouble! I have to miss her all the time, and know that I'll never see her again, but she isn't even dead! How can I mourn for her, when I think-when I hope-she's happy where she is, when I made her go? — Diana Gabaldon

Let me tell you how it's going to be, Justice. You don't tell me who I can and can't have inside my house. I work for the NSO but my personal life is my own. You lost the right to give me your opinion," she stressed that last word, "about what I do or don't do the second you decided you didn't want to see me anymore. You don't want me so don't you dare tell me I can't spend time with other men. — Laurann Dohner

They have to be born, you know," the Third Rail says. "They don't come from nowhere! When a child sits in her chair with a clean suzuri and her long brush, she believes she is writing, but she is simply calling to these poor lambs, calling them to attend her, to pass through her. We can hardy keep up with the demand; the pollination season is intense. And yet, they learn fewer and fewer kanji as the years go by, and more and more English, more katakana, more foreign things. The graveyard is on another train, where turtles set incense on the stones of words no one learns in your world anymore, words passed out of reach of any mouth. It is important work we do. We hope you agree, of course, but we are willing to admit it foolish if you call it so. — Catherynne M Valente

Some trees love an ax, a drunk old-timer mumbled one night at the Tap, back when she still went there, and something in what he said rang true, but when she later remembered what he'd said, she disagreed and though instead that the tree gets used to the ax, which has nothing to do with love. It settles into being chipped away at, bit by bit, blade by blade, until it doesn't feel anything anymore, and then, because nothing else can happen, what's left crumbles to dust. — Bill Clegg

She's thinking that what she's been doing all these years isn't what she wants to do anymore. Sometimes music flows to her and from her, but sometimes it doesn't. Lately that happens more and more, and she can't seem to find what she had and what made her special. But she can't tell her father because he'd be so disappointed in her, so disappointed to find out she's not extraordinary after all. — Leila Cobo

Women.
Lord God, I used to follow these girls.
THey would come at me, those girls who were not really girls anymore. Grown up, wounded, hurt and terrible. Pained and desperate. Mean and angry. Hungry and unable to say just what they needed. Scared, aching, they came into my bed like I could fix it. And every time I would try. I would do anything a woman wanted as long as she didn't want too much of me. As long as I could hide behind her need, I could make her believe anything. I would tell her stories. I would bury in them. I have buried more women than I am willing to admit. I have told more lies than I can stand. — Dorothy Allison

She had that thing most people don't have - curiosity. She might not have always got the right answers, but she wanted to ask the questions. It's very hard if you are interested in ideas and all that, ideas and the philosophies of the past, it's very hard to find someone around here to really talk to. That's the tragedy of the thing really I mean, when you think about it. Certainly I can't find anyone around here to talk to anymore. And for a woman it's even harder you see. They can feel very trapped - because of the patriarchy. I do feel everyone needs to have these little chats now and then. — Zadie Smith

Brain: You don't want this.
Hormones: Dude, this is EXACTLY what I want.
B: No, not like this - she's wasted.
H: What's your point?
B: She won't remember this, and if she does, she'll be angry.
H: Do you see where her hand is? God, that feels good. Can't you feel that?
B: She's drunk. You can't do this. It's wrong
H: I want to do this.
B: Really? You want to go to school and say you scored with Bethany Milbury when she was so drunk she barely knew her name?
H:
H:
H: You're an asshole. I hate you.
B: She needs to eat something and drink some water. Don't let her drink anymore beer.
H:
H: Yeah, I know
B: She'll love you for taking care of her. She'll love that you respected her.
H: Five more minutes? Just five?
B: Now.
H: I can't believe you're making me do this. — Laurie Halse Anderson

I don't think I can do this anymore," I told my landlady ...
"Can anyone else, then?" she asked, voice rough.
"I don't think so," I acknowledged.
"And the this you mean - must this be done?"
"Yes."
"Then you will keep going." ...
"Keeping going is terrible."
"It is, she agreed. "That is why I admire you, Mr. Wilde. It is much easier to stop. — Lyndsay Faye

I think she's afraid to even hug me now. It's my fault, but I miss it, Andrew. I miss it so much it aches sometimes, you know?'
I do know. I do know, I want to tell him, but I let him talk. And he does, with a gut-wrenching honesty that tears at my heart.
'I want to be held. Is that so wrong? I want to be held, and stroked. I want to know that someone loves me. I want to feel it on my skin.' He looks at the ceiling and exhales, then meets my eyes again. 'But nobody touches me anymore. Not even when I have a fever. Mom just hands me a thermometer now.' He drops his eyes and his ears redden. 'Even when you kiss me, you don't touch me. It's like I'm a leper or something. I can hardly keep my hands off of you, but it's not the same for you, is it? — J.H. Trumble

I don't know if I can do this anymore," Jack's husky voice muttered sounding defeated. It was such a strange sound coming out of him.
"I know what you mean."
"I'm not sure I want to break up with Kate though."
That snapped her right out of her own pity party. Break up with Kate! Holy shit! "Uh, Jack?"
He tilted his head to look at her under his thick dark lashes. "Yes, my dear?"
"You've been thinking of breaking up with Kate?" She couldn't keep the disbelief out of her voice.
He nodded choking on his own words. "Ever since I saw you like a vision on the beach the first day you got here."
"Wh ... Why would you do that?" She knew the answer. But she wanted to hear him say it.
"I thought that was quite obvious ... for you. — K.A. Linde

If Mark's words had once made him angry, Martha's words left him stunned. He started to try to talk her out of it, but Martha gently cut him off. "Will you really miss me?" she said. "We hardly know each other anymore." "I can change," he said. Martha smiled. "I know you can. And you should. But you should do it because you want to, not because you think I want you to. — Nicholas Sparks

Quinn dropped her hand and avoided Thalcu's eye. "I . . . I don't want to kill you," she said to the floor. "Not if I could save you."

The woman smiled gently at Quinn, her lips curling behind her oxygen mask. "I will not really die," she said, drawing Quinn's surprised gaze. She looked at Quinn contently a moment and went on, "Do you know how worlds are born? From the first breath of a star. We are made of starlight. We can not bear to look into the sun, into the thing that birthed us, anymore than we can bear to look upon our parents in the throes of passion. It is our point of origin, and to it, we all must return. — Ash Gray

I ... What are you saying, Zsadist?" she stammered, even though she'd heard every word.
He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free.
His hand was shaking as he held it out. "It's messy."
Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU
Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.

"Maybe you can't read it," he said in a small voice. "I can do it over."

She shook her head. "I can read it just fine. It's ... beautiful."
"I don't expect anything back. I mean ... I know that you don't ... feel that for me anymore. But I wanted you to know. It's important that you knew. — J.R. Ward

I can do this," [Daemon] crooned, slowly circling around her. "I can keep Dorothea and Hekatah off-balance enough to keep the others safe and also prevent those Ladies from giving the orders to send the Terreillean armies into Kaeleer. I can buy you seventy-two hours, Jaenelle. But it's going to cost me because I'm going to do things I may never be forgiven for, so I want something in return." He could taste her slight bafflement before she said, "All right."
"I don't want to wear the Consort's ring anymore." A slash of pain, quickly stifled.
"All right."
"I want a wedding ring in its place." A flash of joy, immediately followed by sorrow. She smiled at him at the same time her eyes filled with tears. "It would be wonderful." She meant that. — Anne Bishop

Sixteen long years of unbearable waiting. I can't do it anymore. She was supposed to return - she always did - and now I see the cruelty in this helpless waiting, living at the mercy of Time. Dragging through the days, I ask myself why I bother when I know that the one place I can find her isn't here on earth. That's it - that's enough of this - I'm done. — Alexandra Monir

A man can be beautiful, I see that now. It's not just a woman's term, not a word reserved for romantic, virtuous, elegant things. I don't think beauty is neat anymore. It's unordered. It's unbrushed hair and a torn back pocket. It's bright and strange and lovely, and if I were to paint him, I'd use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange. I want him to see me as I saw him then, I want him to find me alone at the end of the day with the sun in my hair. I want his heart to buckle, too. I want him to stop someone out in the square and say, who's that? Do you know her? Where is she from?"

- from Eve Green's mother's account.
"It is written on a piece of thin, yellow paper, and is folded in half. I like this account. I like it because it's true, she's right. We all want out lovers to see us that way - unaware, natural, serene. We want to change their world with one glance, to stop their breath at the sight of us. — Susan Fletcher

Hester glowered at her. "The biggest mistake a villain can make is to get caught up in revenge. Hansel and Gretel were two hungry kids trying to survive in the Woods. Mother thought she'd captured another pair of greedy, gluttonous brats, only to grossly underestimate them. Hansel and Gretel killed her because they had to. It wasn't personal." She glanced back at the old siblings. "Doesn't mean I can stand the sight of 'em, of course. But it also doesn't mean their story has anything to do with mine anymore. — Soman Chainani

I turn my head a little. The radio's caroling "Tonight," velvety smooth and young and filled with plaintive desire. Maria's song from West Side Story. I remember one beautiful night long ago at the Winter Garden, with a beautiful someone beside me. I tilt my nose and breathe in, and I can still smell her perfume, the ghost of her perfume from long ago. But where is she now, where did she go, and what did I do with her?
Our paths ran along so close together they were almost like one, the one they were eventually going to be. Thin fear came along, fear entered into it somehow, and split them wide apart.
Fear bred anxiety to justify. Anxiety to justify bred anger. The phone calls that wouldn't be answered, the door rings that wouldn't be opened. Anger bred sudden calamity.
Now there aren't two paths anymore; there's only one, only mine. Running downhill into the ground, running downhill into its doom.
("New York Blues") — Cornell Woolrich

It's like she's ... in my head, in my skin. I can't do anything anymore without having her there with me. Sometimes it feels like she's right there. — Shelly Crane

We used to talk about death, she said. We don't anymore. Why is that?
I don't know.
It's because it's here. There's nothing left to talk about.
I wouldn't leave you.
I don't care. It's meaningless. You can think of me as a faithless slut if you like. I've taken a new lover. He can give me what you cannot.
Death is not a lover.
O yes he is.
Please don't do this.
I'm sorry.
I can't do it alone. — Cormac McCarthy

I'm strangling her. She's not the one I want to eliminate. All this suppressing and holding her down, keeping her caged, perpetuating this fraud, this sham. I can't do it anymore." He shook his head. "I can't." He raised his chin and looked at me. "It won't go away. No matter how much I wish, or pray, she's always with me. She is me. I am her. I want to be her. I want to be Luna." "You — Julie Anne Peters

Why do charming girls all have fathers? She can be hidden away all by herself in one's heart to cuddle, but when her father, uncle, and brother are dragged along with her, the girl stops being so cute and carefree and it's not so easy to conceal her away in your heart anymore. Her charm has been mixed in with the dregs. Some people talk about marriage as though it were homosexual love. It's not the girl they fancy, but her old man or her elder brother they admire. — Qian Zhongshu

Ram, can't you see it doesn't matter anymore what I do, but you, you're still needed at home. You go. If my people are still there, tell them the truth. Let them rejoice that Fergox took me away before I could do any more damage to my country."

"No, I refuse that mission, Princess. See, you are still ordering me around like a ruler--it's in you, it's what you are meant to be, no matter what others are telling you. I've given my word that I'll only escape with you by my side. So forget about yourself for a moment: if you care anything about me, about the fate of my country and yours, you are coming with me or I don't go."

"But, Ram--"

"You've got my little horse still?"

She nodded.

"I believe that in the Islands it is understood that when you accepted it, you took responsibility for my soul. I'm holding you to that, Tashi. — Julia Golding

You bastards, she thought.
You lovely bastards.
Don't make me happy. Please, don't fill me up and let me think that something good can come of any of this. Look at my bruises. Look at this graze. Do you see the graze inside me? Do you see it growing before your very eyes, eroding me? I don't want to hope for anything anymore. I don't want to pray that Max is alive and safe. Or Alex Steiner.
Because the world does not deserve them. — Markus Zusak

You'll have to pardon me," the magus said. "But with your country at war I can't see how any of it really matters."
Standing up, Eugenides pulled the papers from the magus's hands. "It matters, because I can't do anything, anymore, for this country, and it matters," he yelled as he threw the papers back to his desk, "because I only have one hand and it isn't even the right one!" Turning, he picked an inkpot off the desk and threw it to shatter on the door of his wardrobe, spraying black ink across the pale wood and onto the wall. Black drops like rain stained the sheets of his bed.
...
Eddis sighed. "Will you sit down and stop shouting?" she asked.
"I'll stop shouting. I won't sit down. I might need to throw more inkpots. — Megan Whalen Turner

You will live to love again. You know you have lost your springtime girl, your Molly on the beach with the wind in her brown hair and red cloak. You have been gone too long from her, and too much has befallen you both. And what you loved, what both of you truly loved, was not each other. It was the time of your life. It was the spring of your years, and life running strong in you, and war on your doorstep and your strong, perfect bodies. Look back, in truth. You will find you recall fully as many quarrels and tears as you do lovemaking and kisses. Fitz. Be wise. Let her go, and keep those memories intact. Save what you can of her, and let her keep what she can of the wild and daring boy she loved. Because both he and that merry little miss are no more than memories anymore." She shook her head. "No more than memories. — Robin Hobb

Looking into his eyes she pleaded, "Don't hurt me like that again, Greg, please. I couldn't bear the way you looked at me like you hated me."She sobbed.
He grasped her face in his hands. "I could never hate you. It's me that I hate. I'll never,ever be so stupid again, I promise. I'm such an idiot. I care about you so much. I would never really want to hurt you, ever. I just don't know what else to do Mallory...I...I love you so much...I don't care anymore if it's wrong...All I care about is you. If friends are what we are then that's what we are. I'll get used to it, I promise I will." He hugged her again, "I can't be without you in my life. I said some terrible things.Can you forgive me? — Lisa J. Hobman

Tate practically raised you from what I hear. You love him, don't you?"
Her face closed up. "For all the good it will ever do me, yes," she said softly.
"He won't have the excuse of pure Lakota blood much longer," he advised.
"I'm not holding out for miracles anymore," she vowed. "I'm going to stop wanting what I can never have. From now on, I'll take what I can get from life and be satisfied with it. Tate will have to find his own way."
"That's sour grapes," he observed.
"You bet it is. What do you want me to do to help?"
"It's dangerous," he pointed out, hesitating as he considered her youth. "I don't know ... "
"I'm a card-carrying archeologist," she reminded him. "Haven't you ever watched an Indiana Jones movies? We're all like that," she told him with a wicked grin. "Mild-mannered on the outside and veritable world-tamers inside. I can get a whip and a fedora, too, if you like," she added. — Diana Palmer

When we were doing interviews for our bio, I described hearing that song for the first time to be like Sara was standing on my chest. I just felt really sad, and that was having heard all the other songs in order leading up to that one. I know that when Sara was writing these songs it was during the end of her relationship and it was someone she'd been friends with for almost ten years and been with for four years. It was just the psyche of it, when you've known someone for half your life, literally, and then have to leave them, and not necessarily because you want to but just because it's the right thing to do, and it's just not healthy and you're not good anymore, there's no growth and you have to have growth. And when I hear that song, the idea of that all happening just makes me sick to my stomach a little bit. But it's in an enjoyable way. — Tegan Quin

Do you have to use the ladies' room or something?" Livia asked.
"No. No, I don't. I just can't wait. I'm having all sorts of problems with the waiting."
Livia knew her sister's secret would bubble out of her soon.
Cole put a hand on Kyle's shoulder. "You wanted to wait, remember? Tell her if you can't stand it anymore."
At that, Kyle exploded. She waved her sparkling left hand in front of her. "Oh my God! I'm engaged! I'm marrying Cole! — Debra Anastasia

And Eve paid the price and she continues to pay it every single day because neither one of you can let go for a second." "If putting Michael Evans back where he belongs gives her a minute of peace, I'm going to do it. I'm her husband. I have to do this for her." Ian shook his head, his eyes grim. "You're not her husband anymore, Alex. — Lexi Blake

Bruce lives a lie. She is not a lie. I can't do it anymore. — Bruce Jenner

She is walking several feet ahead, pretending I don't exist, but that's okay, I'm used to it, and what she doesn't know is that is doesn't faze me. People either see me or they don't. I wonder what it's like to walk down the street, safe and easy in your skin, and just blend right in. No one turning away, no one starring, no one waiting and expecting, wondering what stupid, crazy thing you'll do next
Then I can't hold back anymore, and I take off running, and it feels good to break free from the slow, regular pace of everyone else. I break free from my mind, which is, for some reason, picturing myself as dead as the authors of the books she has collected, asleep for good this time, buried deep in the ground under layers and layers of dirt and cornfields. I can almost feel the earth closing in, the air going stale and damp, the dark pressing down on top of me, and I have to open my mouth to breath. — Jennifer Niven

War's lips quivered as tears welled in his eyes. He fisted his hands in Fain's braids for comfort. 'It's Vega ... she done threw me out and locked the door. She said she don't want no man around her ever again and that so long as I have a penis, I can't come in anymore. I like my penis, Paka, but I love my sister. Do I really have to choose between them? I mean, I guess I'll choose my sister, but I'd really like to keep them both if I could. — Sherrilyn Kenyon

I don't read good books anymore, it seems; I just buy them and put them on the shelf and every now and then walk over and pet them. I'm like the optimistic dieter who fills her closet with clothes two sizes too small and dreams of the day she can wear them. I know just what I want to do when I retire. — Mary Roach

I don't like you, Park," she said, sounding for a second like she actually meant it. "I ... " - her voice nearly disappeared - "think I live for you."
He closed his eyes and pressed his head back into his pillow.
"I don't think I even breathe when we're not together," she whispered. "Which means, when I see you on Monday morning, it's been like sixty hours since I've taken a breath. That's probably why I'm so crabby, and why I snap at you. All I do when we're apart is think about you, and all I do when we're together is panic. Because every second feels so important. And because I'm so out of control, I can't help myself. I'm not even mine anymore, I'm yours, and what if you decide that you don't want me? How could you want me like I want you?"
He was quiet. He wanted everything she'd just said to be the last thing he heard. He wanted to fall asleep with 'I want you' in his ears. — Rainbow Rowell

She stood, a little unsteadily, true, but on her own two feet. "It's not my blindness that cripples me, it's everyone else deciding I can't live because of my blindness. If I stumble, if I run into things and fall and hurt myself it's because I can and I'm free to do so, Maximus. Because without that freedom I'm just a dull, chained thing and I won't be that woman anymore. I simply won't, Maximus. — Elizabeth Hoyt

Do you know how a gun works?" "They hurt you." "They can. I shot a bullet into the back of Molly's head so she wouldn't be sick or sad anymore." "Did it hurt her? — Blake Crouch

And I think she works so much becasue she can be in control of it, you know?' I said. She nodded. 'It makes her feel, I don't know, safe.'
I can understand that,' Delia said softly. 'Losing someone can make you feel very out of control. Totally so.'
I know,' I said. 'But it's not really fair. Like, after my dad died, I wanted to be okay for her. So I was. Even when I had to fake it. But now, when I really do feel okay, she's not happy with me. Because I'm not perfect anymore.'
Grieving doesn't make you imperfect,' Delia said quietly, as Bert came back out to the van, adjusting one of the carts inside. 'It makes you human. We all deal with things differently. — Sarah Dessen

I don't want just bits and pieces of you that I can steal away. I told you - you're worth more than being someone's secret."
"Yeah, well, it's not really a secret anymore," she declared.
"I know it isn't."
She groaned. "Then what, Corrado? What do you want?"
His strong hands cupped both of her cheeks as he leaned down toward her. He stared into her eyes, drinking in the devotion she - for some godforsaken reason - felt toward him. "I'm a greedy man, Celia. I want everything. — J.M. Darhower

We'll take care of the cooking, Gram, so you can relax." When he and Cat both looked at her, Emma blushed. "Okay, fine. Sean will take care of the grilling so you can relax."
"I was counting on it. And, Sean, why don't you sit down and help us settle on a wedding date."
"I told Emma to tell me when to be there and I'd be there."
"Nonsense. Sit down."
He'd rather be dipped in barbecue sauce and dropped in the desert, but he sat. One more week and it would be over.
Then he wouldn't have to think about Emma anymore. Not think about marrying her or having babies with her or holding her in his arms at night. He'd be gone and she'd be some funny story his brothers brought up sitting around the fire knocking back beer.
"Really, Sean, are you okay?" Cat asked him, putting her hand on his arm.
He realized he'd been rubbing his chest, and he forced himself to lean forward and prop his arms on the table so he wouldn't do it again. "I'm fine. Let's pick a date. — Shannon Stacey