Shape And Space Quotes & Sayings

This poetry is utilitarian - heavy-duty, industrial strength poetry. It is meant to be read aloud and, even better, memorized and recited. It is best used in the natural world where there are starlit skies, the warmth of blazing fires, and sounds and sights of open expanse. This book is meant to be carried with you in the glove box of a pickup truck, the back pocket of a worn pair of pants, even a saddlebag. It is not made to take up space on a library shelf, squeezed between other unread volumes. Take it along; you never know when the opportunity will be just right. Nothing pleases more than to see copies of the book twice as thick as the original from continued page turning, with turned-down corners marking favorite poems, or the whole shape curved to match the owner's posterior. — Hal Cannon

Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul. — J.M. Coetzee

The ideal garden is one in which a collection of trees, shrubs and plants have been procured and allotted to the best space available and are so arranged and tended that they are seen to their advantage, each in relation to the other. Every plant, of whatever shape or size, should be chosen not only for its individual merits but for its power to enhance the charms of neighbouring plants by contrast or combination in foliage or in flower colour. — Penelope Hobhouse

Today courts wrongly interpret separation of church and state to mean that religion has no place in the public arena, or that morality derived from religion should not be permitted to shape our laws. Somehow freedom for religious expression has become freedom from religious expression. Secularists want to empty the public square of religion and religious-based morality so they can monopolize the shared space of society with their own views. In the process they have made religious believers into second-class citizens. — Dinesh D'Souza

Belief, like fear or love, is a force to be understood as we understand the theory of relativity and principals of uncertainty. Phenomena that determine the course of our lives. Yesterday, my life was headed in one direction. Today, it is headed in another. Yesterday, I believe I would never have done what I did today. These forces that often remake time and space, that can shape and alter who we
imagine ourselves to be, begin long before we are born and continue after we perish. Our lives and our choices, like quantum trajectories, are understood moment to moment. That each point of intersection, each encounter, suggest a new potential direction. Proposition, I have fallen in love with Luisa Rey. Is this possible? I just met her and yet, I feel like something important has happened to me. — David Mitchell

The ancient intuition that all matter, all "reality," is energy, that all phenomena, including time and space, are mere crystallizations of mind, is an idea with which few physicists have quarreled since the theory of relativity first called into question the separate identities of energy and matter. Today most scientists would agree with the ancient Hindus that nothing exists or is destroyed, things merely change shape or form; that matter is insubstantial in origin, a temporary aggregate of he pervasive energy that animates the electron. — Peter Matthiessen

In economic terms, global warming is not merely an externality that we have failed to price in. The free market can only get us so far. This makes it a truly wicked problem, but it also gives us a more perfect moral clarity. We are not simply borrowing against our own future. For the most part, we are not our own victims. To rely on empathy to shape our response to climate change is often considered naive - the victims of warming are distant in space, distant in time, and the bullets are invisible - but I believe it is more naive to hope that we in the north will significantly cut emissions or consumption or give needed adaptation funding to distant countries because we personally feel threatened. In — McKenzie Funk

But in truth, the world is constantly shifting: shape and size, location in space. It's got edges and chasms, too many to count. They open up, close, reappear somewhere else. Geologists nay have mapped out the planet's tectonic plates -hidden shelves of rock that grind, one against the other, forming mountains, creating continents - but thy can't plot the fault lines that run through our heads, divide out hearts.
The map of the world is always changing; sometimes it happens overnight. All it takes is the blink of an eye, the squeeze of a trigger, a sudden gust of wind. Wake up and your life is perched on a precipice; fall asleep, it swallows you whole — Anderson Cooper

Now the flesh arranges itself differently. I'm a cloud, congealed around a center object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather than black. Pinpoints of light swell, sparkle, burst and shrivel within it, countless as stars. Every month there is a moon, gigantic, round, heavy, an omen. — Margaret Atwood

What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images. — Ian Hornak

Define the space horizontally rather than vertically in movie widescreen, 2.35:1 just having that rectangular shape and when you think of great horror movies like Halloween and Jaws that just really exploit the space so well and I just think we would have so many more opportunities in creating suspense and shocks. — David Kirschner

It astonishes me how some people say, 'How do saints and lovers of God find love in the eternal world beyond form, space and time? How can they gain strength and help? How are they affected by things without body or shape?'
Is not all life, night and day, engaged with these very things? One person loves another person and derives help through that love. They find care and grace, kindness and knowledge, happiness and sorrow. All these belong to that formless world. Moment by moment they receive benefits from these abstractions and are affected by them. However, this doesn't surprise the doubters. Yet they are amazed that saints can find love in the invisible worlds, and derive help without form. — Rumi

An artist in this nuthouse century is like a man running an obstacle race fitted out with all the gadgets of our riotous technology. He gets blown a mile into the air on a jet of liquid helium, shuttles about on little rocket tubes, plunges into the deeps of the ocean, shoots out again a hundred miles into the space while lurid sights and sounds shred his senses. Every year, every month, and 'panoptic' work appears and warps his consciousness into a new shape. Knowledge itself is in a molten, a plasmatic state and what titanic electromagnetic grip of intellect would be required to lock it solid long enough to reach artistic fusion point? The damned language becomes obsolete as it clatters from the typewriter. — Paul Ableman

And maybe her eyes still worked regardless of the shape she took, and she could see everything. And maybe somehow she broke through the atmosphere and was sent somewhere out in space where she couldn't tell if her eyes were opened or closed. — J.C. Dorian

Design ... is the integration of technological, social, and economical requirements, biological necessities, and the psychological effects of materials, shape, color, volume and space. — Laszlo Moholy-Nagy

I was never good at painting. The great turning point came when I had a block of wood and I carved a shape into the wood and put a small piece of timber into that space - like a negative - and so it made an endless column, only inward. — Carl Andre

Revolutionary movements do not spread by contamination but by resonance. Something that is constituted here resonates with the shock wave emitted by something constituted over there. ... An insurrection is not like a plague or a forest fire - a linear process which spreads from place to place after an initial spark. It rather takes the shape of a music, whose focal points, though dispersed in time and space, succeed in imposing the rhythms of their own vibrations, always taking on more density. — The Invisible Committee

The trouble is, writing the damn thing is like unscrewing your skull and pouring the contents of your brain into an empty tank. The tank has a shape, more or less - has more or less defined edges, a bottom and sides. But what it mostly has is volume: a hungry space I've somehow got to fill. — Mike Carey

Today biologists believe that during the "Cambrian explosion," about half a billion years ago, nature experimented with a vast array of shapes and forms for tiny, emerging multicellular creatures. Some had spinal cords shaped like an X, Y, or Z. Some had radial symmetry like a starfish. By accident one had a spinal cord shaped like an I, with bilateral symmetry, and it was the ancestor of most mammals on Earth. So in principle the humanoid shape with bilateral symmetry, the same shape that Hollywood uses to depict aliens in space, does not necessarily have to apply to all intelligent life. — Michio Kaku

Secrets carve us like water carves stone. On the surface nothing will shift, but things we cannot tell anyone chafe and consume us, and slowly our life settles around them, moulds itself into their shape.

Secrets gnaw at the bonds between people. Sometimes we believe they can also build them: if we let another person into the silent space a secret has made within us, we are no longer alone there. — Emmi Itaranta

As the van door starts to close, Brad suddenly realizes that the instant the doors close completely, the van interior will become the terrifying bland gray space he's heard about all his life, the place one goes when one has been Written Out.
The van interior becomes the bland gray space.
From the front yard TV comes the brash martial music that indicates UrgentUpdateNewsMinute.
Animal rights activists have expressed concern over the recent trend of spraying live Canadian geese with a styrene coating which instantaneously kills them while leaving them extremely malleable, so it then becomes easy to shape them into comical positions and write funny sayings in DryErase cartoon balloons emanating from their beaks, which, apparently, is the new trend for outdoor summer parties.
— George Saunders

What do we mean by a public square? For starters, it is rarely square. . . . It may be a quadrangle or rectangle or circle or pretty much any shape, and it can be open or closed. It might even be a park . . . through which people pass, going from one place to another, not simply a retreat. A square is porous, balancing its porousness with some focal point, like a fountain or a reliable patch of sun with some benches that marks a break from the cars and streets and invites people to stop, look, exhale, find one another [Michael Kimmelman, "Part One: Culture: Power of the Place, Introduction"]. — Catie Marron

After much reflection, I came to realize that the years I spent at Sentinel Base were as formative as my years of schooling on Eriadu's Carrion Plateau, or as significant as any of the battles in which I had participated or commanded. For I was safeguarding the creation of an armament that would one day shape and guarantee the future of the Empire. Both as impregnable fortress and as symbol of the Emperor's inviolable rule, the deep-space mobile battle station was an achievement on the order of any fashioned by the ancestral species that had unlocked the secret of hyperspace and opened the galaxy to exploration. My only regret was in not employing a firmer hand in bringing the project to fruition in time to frustrate the actions of those determined to thwart the Emperor's noble designs. Fear of the station, fear of Imperial might, would have provided the necessary deterrent. — James Luceno

Then I rise disembodied from the dark to grasp and attach myself like a homeless parasite to the shape of my identity and its position in space and time. At first, I cannot find my way, I cannot find myself where I left myself, someone has removed all trace of me. — Janet Frame

For me, the excitement in architecture revolves around the idea and the phenomenon of the experience of that idea. Residences offer almost immediate gratification. You can shape space, light, and materials to a degree that you sometimes can't in larger projects. — Steven Holl

Lockwood sat up awkwardly, adjusting his Bubble-Wrapped loops of chain. 'We're in good shape,' he said. 'We've lost the heavy duty chains and the stuff in the bags, but we've got our rapiers, iron, and silver seals. And we've found what we wanted now.'
I stared at the clean, calm surface of the door. 'Why couldn't it come after us? Ghosts can pass through walls.'
Lockwood shrugged. 'In some cases a Visitor is tied so completely to the room where it met its death that it no longer has any conception of there being any adjacent space at all. So ... when we left its hunting ground, it was as if we ceased to exist, as if we ceased to be ... '
I looked at him. 'You haven't really got a clue, have you?'
'No. — Jonathan Stroud

"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects." — Sam Abell

In the space between chaos and shape there was another chance. — Jeanette Winterson

Psychology is still trying to explain the perception of the position of an object in space, along with its shape, size, and so on, and to understand the sensations of color. — James J. Gibson

There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, read, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights. — B.L. Sauder

I think the universe is pure geometry - basically, a beautiful shape twisting around and dancing over space-time. — Antony Garrett Lisi

Christians do not avail ourselves of Plato's safety-hatch and say that the real world is not a thing of space, time, and matter, but another world into which we can escape. We say that the present world is the real one, and that it's in bad shape, but expecting to be repaired. — N. T. Wright

It was remarkable to see from space how predictable people are. Our homes and towns are almost all in places with moderate temperatures, and they generally have the same shape - a thinly occupied outer blob of suburb surrounding a densely populated core, all based around a ready source of water. — Chris Hadfield

On its first over was the famous picture of Earth taken from space; its subtitle was "Access to Tools." The underlying philosophy was that technology could be our friend. Brand wrote on the first page of the first edition, "A realm of intimate, personal power is developing- power of the individual to conduct his own education, find his own inspiration, shape his own environment, and share his adventure with whoever is interested. Tools that aid this process are sought and promoted by the Whole Earth Catalog. — Walter Isaacson

Man lives in a double world: according to the mind he is contained by no physical space and by no walls, but at the same time he is in heaven and on earth, in Italy, in France, in America, wherever the mind's thrust penetrates and extends by understanding, seeking, mastering. But indeed according to the body he exists not, except in only so much space as is least required, held fast in prison and in chains to the extent that he is not able to be in or to go to the place attained by his intellect and will, nor to occupy more space than defined by the shape of his body; while with the mind he occupies a thousand worlds. — Tommaso Campanella

The wonderful thing about a book is that you have a canvas that is 300 pages wide, and it's all free space. You can make a piece of art as big as you want and whatever shape you want. — Stephan Pastis

Henceforth the crisis of urbanism is all the more concretely a social and political one, even though today no force born of traditional politics is any longer capable of dealing with it. Medico-sociological banalities on the 'pathology of housing projects,' the emotional isolation of people who must live in them, or the development of certain extreme reactions of rejection, chiefly among youth, simply betray the fact that modern capitalism, the bureaucratic society of consumption, is here and there beginning to shape its own setting. This society, with its new towns, is building the terrain that accurately represents it, combining the conditions most suitable for its proper functioning, while at the same time translating in space, in the clear language of organization of everyday life, its fundamental principle of alienation and constraint. It is likewise here that the new aspects of its crisis will be manifested with the greatest clarity. — Tom McDonough

Space creates shape; Shape creates space. — Joey Lawsin

The flowers in Tibet were always taller, more fragrant and vivid. Her descriptions, imprecise but unchanging from year to year lead me to an inevitable acceptance that her past was unequaled by our present lives. She would tell me of knee-deep fields of purple, red and white- plants never named or pointed out to during our years in India and Nepal- that over time served to create an idea of her fatherland, phayul, as a riotous garden. I pictured her wilderness paradise by comparing them not to the marigolds, daises or bluebells I crushed with my fingers, but to the shape of household artefacts around me: lollipop, broom, bottle. Disparate objects that surrendered to and influenced the idea, space and hope of a more abundant and happy place. — Tsering Wangmo Dhompa

Fuck being bored. You shouldn't ever be bored. You can always read and be smarter. You can always work out and be in better shape. You can always play your instrument and get better at it. Your space can always be cleaner. Blue-collar work is when you work with your hands--white-collar work is behind a desk. I'm not as grimy as my father, who made his living with a wrench, but everything I have comes from working with my hands. — Travis Barker

The saddest thing is when the toilet from an abandoned space station falls back to earth, lands upside-down on a child who was playing alone in the backyard, and smooshes them into the shape of half a hard-boiled egg.
... And when they lift the toilet off of the child, two lips at the top of the bloody mound say, on their dying breath, I love you, mommy. — Chris Onstad

Your closet space should make you excited. It should also give you peace of mind, the peace of mind that comes from knowing you can find everything at a moment's notice, and that it'll be in perfect shape - not wrinkled from being on the wrong hanger, or improperly folded and stuffed in the back of a drawer. — Jane Stoller

To touch and feel each thing in the world, to know it by sight and by name, and then to know it with your eyes closed so that when something is gone, it can be recognized by the shape of its absence. So that you can continue to possess the lost, because absence is the only constant thing. Because you can get free of everything except the space where things have been. — Nicole Krauss

Your Self, Aware Presence, knows no resistance to any appearance and, as such, is happiness itself; like the empty space of a room it cannot be disturbed and is, therefore, peace itself; like this page, it is intimately one with whatever appears on it and is thus love itself; and like water that is not affected by the shape of a wave, it is pure freedom. Causeless joy, imperturbable peace, love that knows no opposite and freedom at the heart of all experience ... this is your ever-present nature under all circumstances. — Rupert Spira

Together the five orbiters Columbia, Challenger, Discovery, Atlantis, and Endeavour have flown a total of 133 successful missions, an unequaled accomplishment of engineering, management, and political savvy. But it's the two disasters that people remember, that most shape the shuttle's story. The lovely dream of spaceflight I grew up with is marred by the images of Challenger and Columbia breaking apart in the sky, the lost astronauts smiling on hopefully in their portraits, oblivious. Some people took the disasters to mean the entire space program had been a lie, that the dream itself was tainted with our fallibility. But even as a child, I knew it was more complex than that. If we want to see people take risks, we have to be prepared to sometimes see them fail. The story of American spaceflight is a story with many endings, a story of how we have weighed our achievements against our failures. — Margaret Lazarus Dean

A month ago she would have been embarrassed at the confidence. Now she felt a surprising kinship. She was a citizen of the new land, a country she had never before visited, only a rumor, this vast unseen tract, its boundary exactly that of the whole world, taking up the space and shape of the world but completely unlike it. It had a different atmosphere, hard to breathe, and how heavy you were here, it pulled you down like the gravity on Jupiter. — Janet Fitch

What is the shape of space? Is it flat, or is it bent? Is it nicely laid out, or is it warped and shrunken? Is it finite, or is it infinite? Which of the following does space resemble more: (a) a sheet of paper, (b) an endless desert, (c) a soap bubble, (d) a doughnut, (e) an Escher drawing, (f) an ice cream cone, (g) the branches of a tree, or (h) a human body? — Rudy Rucker

Words want to be sampled, relished, remembered; they need breathing space in the shape of commas, colons, semi-colons and full stops. Words are individual. They are content to string along together in sentences and paragraphs, but remain mavericks, outsiders beyond the crowd, the mob, the gang. A long novel begins with the first word. — Chloe Thurlow

I have worked to free shape from its ground, and then to work the shape so that it has a definite relationship to the space around it; so that it has a clarity and a measure within itself of its parts (angles, curves, edges and mass); and so that, with color and tonality, the shape finds its own space and always demands its freedom and separateness. — Ellsworth Kelly

Platitudes are poor substitutes for emotions, this negative space hollowed out and without words. I know the shape of you and it has no name. I know the sound of you and the smell of you and the touch and sight and taste of you. But language departed the same day you did, leaving my mouth empty. — Tania De Rozario

An image began to form in her mind. There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, red, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights. Were these streets of Kowloon that she was seeing it her head? — B.L. Sauder

I've met some serious aliens in my life, for sure. I'm sure you've seen a UFO. Haven't all of us seen something flying in the sky, and it's at some random time of night that doesn't make sense, and it's not the shape of a plane? I don't know if I'd go with an alien to space. I would have to feel the alien's vibe. I'm a vibe person. — Alicia Keys

An idea was needed, a great idea, a grand vision, to grasp the hidden order of the world. Leucippus and Democritus came up with this idea. The idea of Democritus's system is extremely simple: the entire universe is made up of a boundless space in which innumerable atoms run. Space is without limits; has neither an above nor a below; is without a center or a boundary. Atoms have no qualities at all, apart from their shape. They — Carlo Rovelli

WIDE, the margin between carte blanche and the white page. Nevertheless it is not in the margin that you can find me, but in the yet whiter one that separates the word-strewn sheet from the transparent, the written page from the one to be written in the infinite space where the eye turns back to the eye, and the hand to the pen, where all we write is erased, even as you write it. For the book imperceptibly takes shape within the book we will never finish.
There is my desert. — Edmond Jabes

Fundamentally there is just open space, the basic ground, what we really are. Our most fundamental state of mind, before the creation of ego, is such that there is basic openness, basic freedom, a spacious quality; and we have now and have always had this openness. Take, for example, our everyday lives and thought patterns. When we see an object, in the first instant there is a sudden perception which has no logic or conceptualization to it at all; we just perceive the thing in the open ground. Then immediately we panic and begin to rush about trying to add something to it, either trying to find a name for it or trying to find pigeonholes in which we could locate and categorize it. Gradually things develop from there. This development does not take the shape of a solid entity. Rather, this development is illusory, the mistaken belief in a "self" or "ego." Confused mind is inclined to view itself as a solid, ongoing thing, but it is only a collection of tendencies, events. — Chogyam Trungpa

This is in the natural order of things
the time of life we've now entered. The afternoon, as Jung called it. Thoroughly unprepared we take the step into the afternoon of life. Are we unprepared simply because preparation is not possible? ... We learn
if we are lucky we learn
as we go.
... we are in the center of the stream. Much has already happened, and has formed the shape of our lives as surely as water shapes rock. Much lies ahead of us. We can't see what's coming. We can't know it. All we have is our hope that all will be well, and our knowledge that it won't always be so. We live in the space between this hope and this knowledge.
...
Life keeps coming at us. Fleeing it is pointless, as is fighting. What I have begun to learn is that there is value in simply standing there
this too
whether the sun is shining, or the wind whipping all around. [pp.239-240] — Dani Shapiro

You begin by engaging the left hemisphere of the brain with the overall shape, the basic structure of the painting, and then eventually you engage with the colour, with the mood of the painting and then you are entering the activities of the right hemisphere - and it is in the right hemisphere that ideas of space are born, the realization that you are seeing space. — Guido Molinari

Then it was she saw him again. On the upper reaches of the scaffolding, a sheerness of presence, no more. It was as if he took the space from the air about him and against the darkness was etched, like the brightness which seeps through a door ajar, hinting at nameless, fathomless brilliances beyond, the slightest margin of light. Impossible to look too closely, but some way below, beneath where the long feet might have rested, she made out the girl's huddled shape, her arms folded over her head like some small broken-winged, storm-tossed bird. — Salley Vickers

My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape. — Camille Paglia

If there is a lot of matter, gravity will cause space to curve back on itself, yielding the spherical shape. If there is little matter, space is free to flare outward in the Pringles shape. And if there is just the right amount of matter, space will have zero curvature.* — Brian Greene

Live in the space between chaos and shape. I walk the line that continually threatens to lose its tautness under me, dropping me into the dark pit where there is no meaning. At other times the line is so wired that it lights up the soles of my feet, gradually my whole body, until I am my own beacon, and I see then the beauty of newly created worlds, a form that is not random. A new beginning. — Jeanette Winterson

I think size is the most unused quotient in the sculptor's repertoire because it requires lots of commitment and time. To me it's the best tool. With size you get space and atmosphere: atmosphere becomes volume. You stand in the shape, in the zone. — Michael Heizer

We are very used to imagining that we see a three-dimensional world when we look around ourselves. But is this really true? If we keep in mind that what we see is the result of photons impinging on our eyes, it is possible to imagine our view of the world in quite a different way. Look around and imagine that you see each object as a consequence of photons having just travelled from it to you. Each object you see is the result of a process by which information travelled to you in the shape of a collection of photons. The farther away the object is, the longer it took the photons to travel to you. So when you look around you do not see space-instead, you are looking back through the history of the universe. What you are seeing is a slice through the history of the world. Everything you see is a bit of information brought to you by a process which is a small part of that history. — Lee Smolin

This, then, is the legacy of January 1973. The "me generation" found its voice, religion became a political force, poverty and civil rights became someone else's problem, and the national will for concerted action for the common good of all its citizens was scattered into "a thousand points of light."

At some point, perhaps those scattered lights will re-form and reunite to give birth to a rededicated nation, one that includes a place for everyone, opportunity for all, and help for those who need it. After all, it only takes a moment in time and some simultaneity. As Lyndon Johnson so aptly observed in his greatest speech - the "We Shall Overcome" speech - there are times in America when "history and fate meet at a single time in a single space to shape a turning point in man's unending search for freedom."

Let us hop such a time is nearing. — James Robenalt

Plot a murder, you're saying. But every plot is a murder in effect. To plot is to die, whether we know it or not. [ ... ] To plot, to take aim at something, to shape time and space. This is how we advance the art of human consciousness. (WN 291-2) — Don DeLillo

I brought my hand to the back of his neck and leaned into him, sliding my fingers into the curls at his nape. His arms clasped tighter around me. I sighed just a little against his mouth, feeling that it was almost too much, all this newness, this feeling that there was space and light inside me I'd never noticed before. Every part of me down to my fingertips felt like reworked glass, melting into some new shape, my edges beginning to glow. I wanted to do nothing but change this way, pressed against his body, his warmth and goodness, forever. — Betsy Cornwell

Designing is not a profession but an attitude. Design has many connotations. It is the organization of materials and processes in the most productive way, in a harmonious balance of all elements necessary for a certain function. It is the intergration of technological, social, and economical requirements, biological necessities, and the psychological effects of materials, shape, color, volume and space. Thinking in relationships. — Laszlo Moholy-Nagy

A chair, it's like a sculpture. It starts as a thought and then becomes an idea, something I might think about for years. When the time is right, I express it on paper, usually as a simple line in space. Finally, it takes shape. — Charles Pollock

In many a piece of music, it's the pause or the rest that gives the piece its beauty and its shape. And I know I, as a writer, will often try to include a lot of empty space on the page so that the reader can complete my thoughts and sentences and so that her imagination has room to breathe. — Pico Iyer

Sometimes we don't want to be tethered to yesterday. It's nicer to forget. Maybe the gaps in our memory are there for a reason, evolutionary perhaps, to give us the space to grow, to get away from childishness or childish things. Or maybe it's so we have the chance to invent, or at least include, some magic in our yesterdays, surely the consolation of getting older, of moving away from youth, is that we can shape our past to our fantasies. So, even if the present isn't going the way we want it, we can stand and remember our earlier selves as exciting and funny and daring — Sue Perkins

Everything I want to say and everything I've wished to say begins to take shape, falling to the floor and scrambling upright. Paragraphs and paragraphs begin building walls around me, blocking and justifying as they find ways to fit together, linking and weaving and leaving no room for escape. And every single space between every unspoken word clambers up and into my open mouth, down my throat and into my chest, filling me with so much emptiness I think I might just float away. — Tahereh Mafi

All my life I have overheard, all my life I have listened to what people will let slip when they think you are part of their we. A we is so powerful. It is the most corrupt and formidable institution on earth. Its hands are full of the crispest and most persuasive currency. Its mouth is full of received, repeating language. The we closes its ranks to protect the space inside it, where the air is different. It does not protect people. It protects its own shape. — Patricia Lockwood

Just like the bones and muscles, the heart is designed to work in one gravity here on Earth, so when you put the heart in space, it operates differently and changes shape. — Scott Kelly

The brilliance here is appropriation: space, form and interface combine to create a Jetsons sound machine. A dream of music access that just hovers, its floating defines a space. The shape seems so obviously sci-fi, but fresh. The function could follow the form. The shape is beautiful and functional-which hits both of the pillars of American Needs right on the head. — Tucker Viemeister

I love cosmology: there's something uplifting about viewing the entire universe as a single object with a certain shape. What entity, short of God, could be nobler or worthier of man's attention than the cosmos itself? Forget about interest rates, forget about war and murder, let's talk about space. Rudy Rucker21 — John D. Barrow

The man who carries a parcel is anxious not to lose it -- he is parcel-conscious. The man who cherishes the feeling 'I am' is self-conscious. The jnani holds on to nothing and cannot be said to be conscious. And yet he is not unconscious. He is the very heart of awareness. We call him digambara clothed in space, the Naked One, beyond all appearance. There is no name and shape under which he may be said to exist, yet he is the only one that truly is. — Nisargadatta Maharaj

A story told by the conscious mind has a beginning, a development, and an end, but the same is not true of a dream. Its dimensions in time and space are quite different; to understand it you must examine it from every aspect-just as you may take an unknown object in your hands and turn it over and over until you are familiar with every detail of its shape. — C. G. Jung

Apocalyptic saucer cults have started to spring up all over America. One small group, which has been receiving messages from outer space via Lake City housewife Mrs. Marian Keech, becomes the subject of a research team led by psychologist Leon Festinger. According to an alien entity named Sananda, the end of the world is due any day and under the most cataclysmic of circumstances. The group meets regularly to discuss the latest predictions from Sananda and the rest of the Space Brothers, all relayed to them by Mrs. Keech. Some members bake cakes in the shape of flying saucers to be consumed during their gatherings while local college football scores are closely debated. — Ken Hollings

In the froth, space doesn't have a definite structure. It has various probabilities for different shapes and curvatures. It might have a 50 percent chance of being in one shape, a 10 percent chance of being in another, and a 40 percent chance of being in a third form. Because any structure is possible inside the singularity, we say the singularity is constructed from probabilistic foam, or quantum foam. Quantum gravity governs the probabilities for the various foam structures. — Clifford A. Pickover

That's what Jesus meant," whispers the ghost of Slothrop's first American ancestor William, "venturing out on the Sea of Galilee. He saw it from the lemming point of view. Without the millions who had plunged and drowned, there could have been no miracle. The successful loner was only the other part of it: the last piece to the jigsaw puzzle, whose shape had already been created by the Preterite, like the last blank space on the table."
"Wait a minute. You people didn't have jigsaw puzzles."
"Aw, shit. — Thomas Pynchon

I sink down into my body as into a swamp, fenland, where only I know the footing ... .
I'm a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather than black. — Margaret Atwood

The camera machine cannot evade the objects which are in front of it. When the photographer selects this movement, the light, the objects, he must be true to them. If he includes in his space a strip of grass, it must be felt as the living differentiated thing it is and so recorded. It must take its proper but no less important place as a shape and a texture in relationship to the mountain tree or what not, which are included. — Paul Strand

Choked by the wind their spirits rose with a rush, for on the skirts of all the grey tumult was a misty spot of gold. Instantly the world dropped into shape; they were no longer atoms flying in the void, but people riding a triumphant ship on the back of the sea. Wind and space were banished; the world floated like an apple in a tub, and the mind of man, which had been unmoored also, once more attached itself to the old beliefs. — Virginia Woolf

Pour a liquid out of its container, and it changes shape, fills the space you give it. If you give children a lot of space, it may surprise you where they'll go and the shape they'll take. — Nancy Gibbs

...words so precisely placed that in combination with other words, also precisely placed, they carve out a shape in space and time. — Stanley Fish

The world around me and my past seem far away and distorted, as if time and space were taffy being stretched and looped and twisted out of shape. — Daniel Keyes

Looking out on the second day of our mission, I became aware that in the far distance, there was a distinctive-looking star. It stood out because, while all the other stars stayed exactly the same size and shape, this one got bigger and bigger as we got closer to it. At some point it stopped being a point of light and started becoming something three-dimensional, morphing into a strange bug-like thing with all kinds of appendages. And then, isolated against this inky background, it started to look like a small town.
Which is in fact what it is: an outpost that humans have built, far from Earth. The International Space Station. It's every science fiction book come true, every little kid's dream realized: a large, capable, fully human creation orbiting up in the universe.
And it felt miraculous that soon we'd be docked there, and the next phase of our expedition would begin. — Chris Hadfield

There is no such thing as a person. There are only restrictions and limitations. The sum total of these defines the person. You think you know yourself when you know what you are. But you never know who you are. The person merely appears to be, like the space within the pot appears to have the shape and volume and smell of the pot. See that you are not what you believe yourself to be. Fight with all the strength at your disposal against the idea that you are nameable and describable. You are not. Refuse to think of yourself in terms of this or that. There is no other way out of misery, which you have created for yourself through blind acceptance without investigation. Suffering is a call for enquiry, all pain needs investigation. Don't be too lazy to think. — Nisargadatta Maharaj

Humor implies a sure conception of the beautiful, the majestic and he true, by whose light it surveys and shape s their opposites. It is a humane influence, softening with mirth the ragged inequities of existence, prompting tolerant views of life, bridging over the space which separates the lofty from the lowly, the great from the humble. — Edwin Percy Whipple