Quotes & Sayings About Shakespeare's Hamlet

HAMLET To be or not to be - that is the question: 64 Whether 'tis nobler in the mind to suffer 65 The slings and arrows of outrageous fortune, 66 Or to take arms against a sea of troubles 67 And, by opposing, end them. To die, to sleep - 68 No more - and by a sleep to say we end 69 The heartache and the thousand natural shocks 70 That flesh is heir to - 'tis a consummation 71 Devoutly to be wished. To die, to sleep - 72 To sleep, perchance to dream. Ay, there's the rub, 73 For in that sleep of death what dreams may come, 74 When we have shuffled off this mortal coil, — William Shakespeare

Now I am alone.
Oh, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That from her working all his visage wanned,
Tears in his eyes, distraction in his aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing
For Hecuba!
What's Hecuba to him or he to Hecuba
That he should weep for her? What would he do
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appall the free ... Hamlet Act II, Scene II — William Shakespeare

One of the popular songs in Tyler's rebellion was the familiar couplet: "When Adam delved and Eve span, Who was then the gentleman?" Shakespeare refers to it in "Hamlet," where the grave-diggers speak as follows: "First Clown. Come, my spade. There is no ancient gentleman but gardners, ditchers and grave-makers; they hold up Adam's profession. Second Clown. Was he a gentleman? First Clown. He was the first that ever bore arms. Second Clown. Why, he had none. First Clown. What, art a heathen? How dost thou understand the Scripture? The Scripture says, Adam digged; could he dig without arms?" (Act 5, — William Shakespeare

You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version. — Bob Dylan

That if you be honest and fair, your honesty should admit no discourse to your beauty. — William Shakespeare

In order to understand Hamlet as Shakespeare understood it, we need to see the play through the playwright's profoundly Christian eyes. This inescapable truth was understood by the Shakespearean critic E. M. W. Tillyard, who emphasized Shakespeare's breadth of spiritual vision in Hamlet: I doubt if in any other play of Shakespeare there is so strong an impression of the total range of creation from the angels to the beasts. — William Shakespeare

They say an old man is twice a child — William Shakespeare

You Jig, you amble, and you lisp. — William Shakespeare

Bradley, I wish I'd understood that stuff you spouted about Hamlet."

"Forget it. No high theory about Shakespeare is any good, not because he's so divine but because he's so human. Even great art is jumble in the end."

"So the critics are just stupid?"

"It needs no theory to tell us this! One should simply try to like as much as one can. — Iris Murdoch

Shakespeare is God, of course. I have studied his plays for the vast majority of my sentient life. When I was a kid, my parents found an old copy of the LP recording of Richard Burton in John Gielgud's Broadway production of Hamlet and they gave it to me for my birthday. I listened to it till the grooves wore thin and I was off and running. — Ken Ludwig

This is the very ecstasy of love. — William Shakespeare

Actors want to do Shakespeare again and again, or want to do Hamlet. When you hear one guy do Hamlet and another guy do it, it's going to be a whole different experience. — Joshua Bell

Visually speaking, nothing calls Shakespeare to mind like Hamlet holding Yorick's skull. — Ian Doescher

O Hamlet, what a falling-off was there! — William Shakespeare

To sleep perchance to dream — William Shakespeare

Romeo and Juliet
Romeo and Juliet is a tragic play written early in the career of William Shakespeare about two teenage "star-cross'd lovers" whose untimely deaths ultimately unite their feuding households. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal "young lovers". (From Wikipedia) — Jane Austen

I've always wanted to give 'Hamlet' a shot. It's the big one, you know. I haven't done Shakespeare professionally, so I think it would be terrifying. — Brian D'Arcy James

Right at this moment, I only want silence. I believe that the end of life is silence in the love people have for you. I've actually been running through what people have said about the end. Religion says that the end is one thing, because it serves their purpose. But great thinkers alike haven't always agreed. Shakespeare knew how to say it better than anyone else. Hamlet says 'The rest is silence.' And when you think of the noises of everyday life, you realize how particularly desirable that is. Silence. — Vincent Price

Something's rotten in Denmark." ~~Hamlet — William Shakespeare

Hamlet: Is this a prologue, or the posy of a ring? Ophelia: 'Tis brief, my lord. Hamlet: As woman's love. — William Shakespeare

Critchley and Webster's fierce, witty exploration of Hamlet makes most other writing about Shakespeare seem simpleminded. — Hari Kunzru

It's a pity that the rich have more freedom to hang or drown themselves than the rest of us Christians. — William Shakespeare

Most people don't know that I am an accomplished dramatic actor ... But I've performed in several Shakespeare productions including Hamlet, except in this version, Hamlet lives in an apartment with two women, and has to pretend he's gay so that the landlord won't evict him. — John Ritter

POLONIUS My lord, the queen would speak with you, and presently.
HAMLET Do you see yonder cloud that's almost in shape of a camel?
POLONIUS By th'mass, and 'tis like a camel indeed.
HAMLET Methinks it is like a weasel.
POLONIUS It is backed like a weasel.
HAMLET Or like a whale?
POLONIUS Very like a whale.
HAMLET Then I will come to my mother by and by. - They fool me to the top of my bent. - I will come by and by. — William Shakespeare

There are those who think that Zeffirelli's Hamlet is the way to treat Shakespeare. I think that cinema can handle much more. We somehow expect cinema to provide us with meaning, to console us. But that's not the purpose of art. — Peter Greenaway

Hamlet: Lady, shall I lie in your lap? Ophelia: No, my lord. Hamlet: DId you think I meant country matters? Ophelia: I think nothing, my lord. Hamlet: That's a fair thought to lie between maids' legs. Ophelia: What is, my lord? Hamlet: Nothing. — William Shakespeare

Her long periods of intense concentration began to be punctuated by bouts of directionless daydreaming, sudden explosions of feeling. At such times Shakespeare was too dangerous to be read closely - Hamlet whispered truths too cruel to be borne, every word in Lear hooked in flesh and could not be dislodged. As for Wilde, Hobbes, Schopenhauer . . . even cynicism, Marya saw, can't save you. — Joyce Carol Oates

Do you take me for a sponge, my lord? hamlet: Ay, sir; that soaks up the king's countenance, his rewards, his authorities. But such officers do the king best service in the end: he keeps them, like an ape, in the corner of his jaw; first mouthed, to be last swallowed: when he needs what you have gleaned, it is but squeezing you, and, sponge, you shall be dry again. rosencrantz: I understand you not, my lord. hamlet: I am glad of it: a knavish speech sleeps in a foolish ear. — William Shakespeare

The Play's the Thing, wherein I'll catch the conscience of the King. — William Shakespeare

The study of mathematics is apt to commence in disappointment ... We are told that by its aid the stars are weighed and the billions of molecules in a drop of water are counted. Yet, like the ghost of Hamlet's father, this great science eludes the efforts of our mental weapons to grasp it. — Alfred North Whitehead

If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida
hardly comedy at all
where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend. — Harold Clarke Goddard

The books are all leather, and the titles are old. I pause at a collection of Shakespeare. Othello. Romeo and Juliet. A Midsummer Night's Dream. I pull Hamlet out and look at it, but then set it back down on the shelf.
I pass a row of books on philosophy, and another on astrology. Up and down I go, pausing now and then, but not pulling any books out. I'm not sure what I expected to find. The Idiot's Guide to Time Travel? — Mandy Hubbard

[Henry James'] essay's closing lines can either be read neutrally or as a more purposeful wish that this mystery [of Shakespeare's authorship] will one day be resolved by the 'criticism of the future': 'The figured tapestry, the long arras that hides him, is always there ... May it not then be but a question, for the fullness of time, of the finer weapon, the sharper point, the stronger arm, the more extended lunge?' Is Shakespeare hinting here that one day critics will hit upon another, more suitable candidate, identify the individual in whom the man and artist converge and are 'one'? If so, his choice of metaphor - recalling Hamlet's lunge at the arras in the closet scene - is fortunate. Could James have forgotten that the sharp point of Hamlet's weapon finds the wrong man? — James Shapiro

One of the most painful parts of teaching mathematics is seeing students damaged by the cult of the genius. The genius cult tells students it's not worth doing mathematics unless you're the best at mathematics, because those special few are the only ones whose contributions matter. We don't treat any other subject that way! I've never heard a student say, "I like Hamlet, but I don't really belong in AP English - that kid who sits in the front row knows all the plays, and he started reading Shakespeare when he was nine!" Athletes don't quit their sport just because one of their teammates outshines them. And yet I see promising young mathematicians quit every year, even though they love mathematics, because someone in their range of vision was "ahead" of them. — Jordan Ellenberg

If we divide human attributes into "masculine" and "feminine" and strengthen only those attributes that "belong" to that sex, we cut off half of ourselves from ourselves as human beings, condemned forever to search for our other half. The world is in desperate need of multilayered human beings with the voices, stamina, and insight to break through our current calcified ways of doing things, (...) The patriarchal structures of honor, shame, violence, and might is right, do as much harm to Hamlet, Edgar, Lear, and Coriolanus as they do to Ophelia, Desdemona, Lady Macduff (...)
(...) To have feelings, intuitive flights of understanding, a desire to have knowledge of what is happening below the surface, to serve. These are often called "feminine" attributes, and it is true that many women in the plays possess them. But they also belong to Kent, Ferdinand, Florizel, Camillo, as well as the women. So they are not "feminine" attributes: they are human attributes. — Tina Packer

If you haven't read Shakespeare's Hamlet yet, it means that you haven't reached the summit of the literature yet! — Mehmet Murat Ildan

In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law. . .
(Claudius, from Hamlet, Act 3, scene 3) — William Shakespeare

Rightly to be great Is not to stir without great argument, But greatly to find quarrel in a straw When honour's at the stake. — William Shakespeare

In 1600, when Shakespeare's audience at the Globe heard 'Hamlet' for the first time, every one of them knew very well what it meant to be handed a cup of wine by a figure of authority and told to drink. — Neil MacGregor

If we knew thoroughly the nervous system of Shakespeare ... we should be able to show why ... his hand came to trace on certain sheets of paper those crabbed little black marks which we ... call the manuscript of Hamlet. We should understand the rationale of every erasure and alteration therein ... without in the slightest degree acknowledging the existence of the thoughts in Shakespeare's mind. The words and sentences would be taken, not as signs of anything beyond themselves, but as little outward facts, pure and simple. — William James

A brilliant treatment of the history of Purgatory in England and its survivals and echoes throughout Shakespeare's plays, above all Hamlet. — Carol Zaleski

In William Shakespeare's Hamlet, "to be, or not to be, that is the question." In the 21st century, "to code, or not to code, that is the challenge. — Newton Lee

For Russians, to whom Pushkin's poem 'Eugene Onegin' is sacred text, the ballet's story and personae are as familiar and filled with meaning as, for instance, 'Romeo' and 'Hamlet' are for us. Russians know whole stretches of it by heart, the way we know Shakespeare and Italians know Dante. — Robert Gottlieb

My father's brother, but no more like my father
Than I to Hercules. — William Shakespeare

Imagine anybody having lived forty-five or fifty years without knowing Hamlet! One might as well spend one's life in a coal mine. — Hector Berlioz

The trap in Hamlet is he's the most passive of Shakespeare's characters. He's not a Richard III, not out there taking a lot of action. It's a lot of asides and soliloquies where he's wrapped in angst, and that's not a very interesting character. — Kurt Sutter

In Shakespeare's world, characters cannot trust their senses. Is the ghost in Hamlet true and truthful, or is it a demon, tempting young Hamlet into murderous sin? Is Juliet dead or merely sleeping? Does Lear really stand at the edge of a great cliff? Or has the Fool deceived him to save his life? — Virginia Postrel

Pray, love, remember: and there is pansies, that's for thoughts. — William Shakespeare

POLONIUS : My Lord, I will use them according to their desert.

HAMLET : God's bodykins man, better. Use every man after his desert, and who should 'scape whipping? Use them after your own honour and dignity. The less they deserve, the more merit is in your bounty. — William Shakespeare

Foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes. - WILLIAM SHAKESPEARE, Hamlet — John E. Douglas

I do not set my life at a pin's fee,
And for my soul, what can it do to that,
Being a thing immortal as itself? — William Shakespeare

The reason that I'm a writer today is because of Shakespeare and falling in love with Shakespeare when I was 8. That was through the movies, actually - through Olivier's 'Hamlet.' That was the first thing that got me to fall in love with Shakespeare and movies and everything in one big preadolescent rush. — John Logan

As Hamlet, the Prince of Denmark, had said in Shakespeare's immortal words, 'I must be cruel only to be kind. — Pranab Mukherjee

It seems only fair," Matthew continued. "A bit of karma, if you will." He twirled the stake again. "Shall we see how long you scream?"
"Are you ever going to shut up?" I snapped, fear and irritation filling me in equal measures. "This isn't your monologue, Hamlet. It's the battle scene, in case you've forgotten."
His eyes narrowed so fast they nearly sparked. They were the color of honey on fire. One of the others growled like an animal, low in his throat. It made all the hairs on my arms stand straight up.
I was going to die for making fun of Shakespeare.
My English Lit professor would be so proud. — Alyxandra Harvey

The play's the thing." ~~Hamlet — William Shakespeare

Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts."
"Well ... " Alexa says hesitantly. "He's Ophelia's brother, right?"
"I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character."
Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with."
"How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too. — Holly Smale

Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized further adventures Virgil decided to chronicle. Shakespeare didn't invent Hamlet and King Lear; he plucked them from historical and literary sources. Writers weren't the originators of the stories they told; they were just the temporary curators of them. Real creation was something the gods did.
All that has changed. Today the way we think of creativity is dominated by Romantic notions of individual genius and originality, and late-capitalist concepts of intellectual property, under which artists are businesspeople whose creations are the commodities they have for sale. — Lev Grossman

He [Hamlet] sees ghosts and listens to dreams. And when his ghost father tells him that he (Hamlet Senior) was killed by his brother and asks Hamlet Junior to avenge his death, in the right, honorable way, Hamlet says yes, yes, yes, he'll do it.
But somehow he never gets round to it. Not like the other two young men in the play. The Norwegian Prince Fortinbras(...) has made his life [!!] pursuing the honor that his father lost when Hamlet Senior beat him in single combat. (...). When the lord chamberlain,Polonius, is killed, his son, Laertes, returns to the court immediately, demanding restitution, (...).
So there is no shortage of examples of how young men are expected to and do act in this world where honor demands an eye for an eye, a tooth for a tooth, a life for a life. But Hamlet doesn't do it. Instead, he beats up on his girlfriend and he's cruel to his mother. — Tina Packer

Why, what should be the fear?
I do not set my life at a pin's fee. — William Shakespeare

To say that life is nothing but a property of certain peculiar combinations of atoms is like saying that Shakespeare's Hamlet is nothing but a property of a peculiar combination of letters. — Ernst F. Schumacher

I could a tale unfold whose lightest word
Would harrow up thy soul, freeze thy young blood,
Make thy two eyes like stars start from their spheres,
Thy knotted and combined locks to part,
And each particular hair to stand on end
Like quills upon the fretful porpentine.
But this eternal blazon must not be
To ears of flesh and blood.
List, list, O list! — William Shakespeare

Our son shall win.
QUEEN-He is fat and scant of breath. Here Hamlet, Wipe thy brow. — William Shakespeare

C. S. Lewis wrote that if there is a God, we certainly don't relate to him as people on the first floor of a building relate to people on the second floor. We relate to him the way Hamlet relates to Shakespeare. We (characters) might be able to know quite a lot about the playwright, but only to the degree that the author chooses to put information about himself in the play.17 — Timothy Keller

Some people consider the way Shakespeare was writing about Ophelia as erotomania-that she was delusional in thinking that Hamlet was in love with her. But I don't think so. — Jack White

I know that David Tennant's Hamlet isn't till July. And lots of people are going to be doing Dr Who in Hamlet jokes, so this is just me getting it out of the way early, to avoid the rush ...
To be, or not to be, that is the question. Weeelll ... More of A question really. Not THE question. Because, well, I mean, there are billions and billions of questions out there, and well, when I say billions, I mean, when you add in the answers, not just the questions, weeelll, you're looking at numbers that are positively astronomical and ... for that matter the other question is what you lot are doing on this planet in the first place, and er, did anyone try just pushing this little red button? — Neil Gaiman

It was one of those cases where you approve the broad, general principle of an idea but can't help being in a bit of a twitter at the prospect of putting it into practical effect. I explained this to Jeeves, and he said much the same thing had bothered Hamlet. — P.G. Wodehouse

Do you see yonder cloud that's almost in shape of a camel?
Polonius: By the mass, and 'tis like a camel, indeed.
Hamlet: Methinks it is like a weasel.
Polonius: It is backed like a weasel.
Hamlet: Or like a whale?
Polonius: Very like a whale. — William Shakespeare

Finally, to hinder the description of illness in literature, there is the poverty of the language. English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. It has all grown one way. The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry. There is nothing ready made for him. He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out. Probably it will be something laughable. — Virginia Woolf

God is not an actor within the larger scheme of things. He is not a muscle-bound Jupiter, bullying the littler ones. He is the Author of the whole thing. We never ask how much of Hamlet's role was contributed by Hamlet, and how much by Shakespeare. That is not a question that can be answered with 70/30 or 50/50 or 90/10. The right answer is 100/100. Hamlet's actions are all Hamlet's and they are all Shakespeare's. Douglas Wilson — Douglas Wilson

I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear," "Romeo and Juliet," "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium ... Shakespeare can not be recognized either as a great genius, or even as an average author ... far from being the height of perfection, [King Lear] is a very bad, carelessly composed production, ... can not evoke among us anything but aversion and weariness ... All his characters speak, not their own, but always one and the same Shakespearian, pretentious, and unnatural language ... — Leo Tolstoy

Be patient, Ophelia.

Love,
Hamlet — Kurt Vonnegut Jr.

Hamlet: Farewell, dear mother
Claudius: Thy loving father, Hamlet
Hamlet: My mother. Father and mother is man and wife, man and wife is one flesh; so my mother. — William Shakespeare

Angels and ministers of grace defend us. — William Shakespeare

A collector recently bought at public auction, in London, for one hundred and fifty-seven guineas, an autograph of Shakespeare; but for nothing a school-boy can read Hamlet and can detect secrets of highest concernment yet unpublished therein. — Ralph Waldo Emerson

Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if A Midsummer Night's Dream was really a dream? — Lewis Mumford

I'm never growing up, I'll just sit in the corner of time and sip my juice box petulantly and judge your terrible Hamlet adaptations. — Rhiannon McGavin

Cannot you tell that? Every fool can tell that. It was the very day that young Hamlet was born, he that is mad and sent into England."
"Ay, marry, why was he sent into England?"
"Why, because he was mad. He shall recover his wits there, or, if he do not, it's no great matter there."
"Why?"
"'Twill not be seen in him there. There the men are as mad as he. — William Shakespeare

After your death you were better have a bad epitaph than their ill report while you live. — William Shakespeare

+"There is method in my madness."~Hamlet — William Shakespeare

Such wanton, wild, and usual slips/ As are companions noted and most known/ To youth and liberty. — William Shakespeare

The time is out of joint : O cursed spite, that ever I was born to set it right! — William Shakespeare

There 's a special providence in the fall of a sparrow. If it be now, 't is not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all. Since no man has aught of what he leaves, what is 't to leave betimes? Hamlet. V.2 — William Shakespeare

Though yet of Hamlet our dear brother's death the memory be green. — William Shakespeare

To die, to sleep -
To sleep, perchance to dream - ay, there's the rub,
For in this sleep of death what dreams may come ... — William Shakespeare

But to my mind, though I am native here, And to the manner born, it is a custom, More honored in the breach than the observance. — William Shakespeare

If I had any doubts at all about the justice of my dislike for Shakespeare, that doubt vanished completely. What a crude, immoral,vulgar, and senseless work Hamlet is. The whole thing is based on pagan vengeance; the only aim is to gather together as many effects as possible; there is no rhyme or reason about it. — Leo Tolstoy

HAMLET [ ... ] we fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service, two dishes, but to one table; that's the end.
CLAUDIUS Alas, alas.
HAMLET A man may fish with the worm that hath eat of a king, and eat of the fish that hath fed of that worm.
CLAUDIUS What dost thou mean by this?
HAMLET Nothing but to show you how a king may go a progress through the guts of a beggar. — William Shakespeare

When Rosencrantz asks Hamlet, "Good my lord, what is your cause of distemper? You do surely bar the door upon your own liberty, if you deny your grief to your friends"(III, ii, 844-846), Hamlet responds, "Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me." (III,ii, 371-380) — William Shakespeare

Mad I call it, for to define true madness, what is't to be nothing else but mad? — William Shakespeare

My favorite play is Hamlet. It was my first love when it comes to Shakespeare, and I've read it and seen it performed more than just about every other Shakespeare play. I've had the "To be or not to be" monologue memorized since I was 15, and it's just really close to my heart. — Ian Doescher

Beckett despite his professed preference for Racine, is master and victim, and as such pervades Beckett's canonical drama, Endgame. Beckett's Hamlet follows the French model, in which excessive consciousness negates action, which is at some distance from Shakespeare's Hamlet. — Harold Bloom

This is the very coinage of your brain: this bodiless creation ecstasy. — William Shakespeare

We defy augury. There is special providence in
the fall of a sparrow. If it be now, 'tis not to come; if it be not to
come, it will be now; if it be not now, yet it will come - the
readiness is all. Since no man, of aught he leaves, knows what is't
to leave betimes, let be. (Hamlet 5.2.217-224) — William Shakespeare

Will you walk out of the air, my lord? HAMLET Into my grave. — William Shakespeare

Shakespeare's 'Othello' was inspired by Cinthio's 'A Moorish Captain'; his 'Hamlet' came from Saxo Grammaticus's 'Amleth.' — Malorie Blackman

I found myself listening to Walter Bjork's fascinating radio program Bible Questionnaire (WFME, Orange, N.J.), and a caller asked where in the Bible one would find the statement "Neither borrower nor lender be." The poor host flipped like mad through his concordance without success. Naturally, since the quote is not from the Bible at all, but from Shakespeare's Hamlet! But it sounded biblical, so caller and host alike attributed it to scripture. Can it have been much more difficult to naively attribute wise sayings to Jesus? — Robert M. Price

[Shakespeare realized that] Women are able to understand themselves better on a personal level and survive in the world if they dress in men's clothing, thus living underground, safe (...). The presence of women disguising themselves as men dictates that the play be a comedy; women remaining in their frocks, a tragedy. In four great tragedies -Julius Caesar, Hamlet, Othello, and King Lear- almost all the women die (...).
How much the women have to adhere to the rules and regulations of their enviroment makes a large difference. Once Rosalind [disguised as a man in As You Like It] has run away from the court, she has no institutional structures to deal with. Ophelia [in her frocks] is surrounded tightly by institutional structures of family, court, and politics; only by going mad can be get out of it all. — Tina Packer

Here, thou incestuous, murderous, damned Dane,
Drink off this potion! — William Shakespeare

One of the things that makes Hamlet unique among Shakespeare's characters is his courage to face up to the darker elements of his personality. — Kenneth Branagh

Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass..." Hamlet. — William Shakespeare