Shakespeare Character Quotes & Sayings

With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played. — Paul Robeson

I have always considered The Merry Wives one of the worst plays, if not altogether the worst, that Shakespeare has left us. The wit for the most part is dreary or foolish; the tone is coarse and farcical; and the characters want the fine distinctive touches he so well knew how to give. If some luckless wight had written such a comedy in our time, I should like to see what the critics would say to it? — George Henry Lewes

Dostoyevsky wrote of the unconscious as if it were conscious; that is in reality the reason why his characters seem 'pathological', while they are only visualized more clearly than any other figures in imaginative literature ... He was in the rank in which we set Dante, Shakespeare and Goethe. — Edwin Muir

Every man has his fault, and honesty is his.- Lucullus (Act III, scene 1) — William Shakespeare

To me, Shakespeare uses the supernatural elements to reveal his character's inner desires and fears. — John Foster

Most subject is the fattest soil to weeds. — William Shakespeare

Good wombs have borne bad sons."
-- (Miranda, I:2) — William Shakespeare

The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania. — Ismail Kadare

If it really was Queen Elizabeth who demanded to see Falstaff in a comedy, then she showed herself a very perceptive critic. But even in The Merry Wives of Windsor, Falstaff has not and could not have found his true home because Shakespeare was only a poet. For that he was to wait nearly two hundred years till Verdi wrote his last opera. Falstaff is not the only case of a character whose true home is the world of music; others are Tristan, Isolde and Don Giovanni. — W. H. Auden

I've always been way more attracted to playing imposing characters than the hero. I've always been more intrigued by Iago in Shakespeare than playing Romeo. That was always boring to me. — Kevin Durand

Gene Wolfe is the greatest writer in the English language alive today. Let me repeat that: Gene Wolfe is the greatest writer in the English language alive today! I mean it. Shakespeare was a better stylist, Melville was more important to American letters, and Charles Dickens had a defter hand at creating characters. But among living writers, there is nobody who can even approach Gene Wolfe for brilliance of prose, clarity of thought, and depth in meaning — Michael Swanwick

I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn't have actresses then. — Julia Stiles

2 In chapter 3 of The Problem of Pain, Lewis writes, We are, not metaphorically but in very truth, a Divine work of art, something that God is making, and therefore something with which He will not be satisfied until it has a certain character. — William Shakespeare

Men of few words are the best men."

(3.2.41) — William Shakespeare

Shakespeare is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirrour of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will always supply, and observation will always find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual; in those of Shakespeare it is commonly a species. — Samuel Johnson

And these few precepts in thy memory
Look thou character. Give thy thoughts no tongue,
Nor any unproportioned thought his act.
Be thou familiar but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them unto thy soul with hoops of steel,
But do not dull thy palm with entertainment
Of each new-hatched, unfledged comrade. — William Shakespeare

I am sure,
Though you can guess what temperance should be,
You know not what it is. — William Shakespeare

We all are men, in our own natures frail, and capable of our flesh; few are angels. — William Shakespeare

I wasn't beautiful, so there were plenty of character roles. I never did any Shakespeare, I'm far too superficial for that. I just act instinctively. — Joan Hickson

You've heard that old expression from Shakespeare, 'Just speak the speech'? The words themselves will take you to the reality of the character. And so this led me to interview people. — Anna Deavere Smith

There is a kind of character in thy life, That to the observer doth thy history, fully unfold. — William Shakespeare

Study of Shakespeare helped her to read character, or — Louisa May Alcott

Looking for God-or Heaven-by exploring space is like reading or seeing all Shakespeare's plays in the hope that you will find Shakespeare as one of the characters ... — C.S. Lewis

I don't think my looks are modern. I always imagined I'd end up doing Chekhov, Ibsen and Shakespeare all my life and never play a contemporary character. — Alex Kingston

Character halts without aid of the imagination, which our classes in Shakespeare and Browning, music and drawing, recognize not only as amusement and by-play of the mind, but a co-ordinate power. Its work is unhappily styled fiction; for to idealize is to realize. — C. A. Bartol

He that commends me to mine own content
Commends me to the thing I cannot get.
I to the world am like a drop of water
That in the ocean seeks another drop,
Who, falling there to find his fellow forth,
Unseen, inquisitive, confounds himself:
So I, to find a mother and a brother,
In quest of them, unhappy, lose myself. — William Shakespeare

I say, without characters, fame lives long. — William Shakespeare

Only in Brutus and his fellow-conspirators - of all Shakespearian characters - do we find the least consideration for liberty, and even then he makes the common, and perhaps in his time the unavoidable, mistake of overlooking the genuinely democratic leanings of Julius Caesar and the anti-popular character of the successful plot against him. — William Shakespeare

Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians. — Ben Okri

Do you set down your name in the scroll of youth, that are written down old with all the characters of age? — William Shakespeare

I considered several names, but Titania, a character from Shakespeare's 'Midsummer Night's Dream', was best able to portray the image I wanted for what is a fantastically elegant and sexy yacht. — John Caudwell

The trap in Hamlet is he's the most passive of Shakespeare's characters. He's not a Richard III, not out there taking a lot of action. It's a lot of asides and soliloquies where he's wrapped in angst, and that's not a very interesting character. — Kurt Sutter

It is open to question whether the highly individualized characters we find in Shakespeare are perhaps not detrimental to the dramatic effect. The human being disappears to the same degree as the individual emerges. — Franz Grillparzer

Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if A Midsummer Night's Dream was really a dream? — Lewis Mumford

The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible. — Samuel Taylor Coleridge

It has been said that Shakespeare, the great delineator of human character, has failed in distinguishing his principal women - and that such as he meant to be amiable are all equally gentle and good. How difficult then it is for a novelist to give to one of his heroines any very marked feature which shall not disfigure her! Too much reason and self-command destroy the interest we take in her distresses. It has been observed, that Clarissa is so equal to every trial as to diminish our pity. Other virtues than gentleness, pity, filial obedience, or faithful attachment, hardly belong to the sex. — Charlotte Turner Smith

To read Shakespeare is to feel encompassed -- the plays contain practically every word I know, practically every character type I have ever met, and practically every idea I have ever had. — Kenji Yoshino

But Shakespeare knows what the sphinx thinks, if anybody does. His genius is penetrative as cold midwinter entering every room, and making warmth shiver in ague fits. I think Shakespeare never errs in his logical sequence in character. He surprises us, seems unnatural to us, but because we have been superficial observers; while genius will disclose those truths to which we are blind. — William Alfred Quayle

The solution which I am urging is to eradicate the fatal disconnection of subjects which kills the vitality of our modern curriculum. There is only one subject-matter for education, and that is LIfe in all its manifestations. Instead of this single unity, we offer children
Algebra, from which nothing follows; Geometry, from which nothing follows; Science, from which nothing follows; History, from which nothing follows; a Couple of Languages, never mastered; and lastly, most dreary of all, Literature, represented by plays of Shakespeare, with philological notes and short analyses of plot and character to be in substance committed to memory. Can such a list be said to represent Life, as it is known in the midst of living it? The best that can be said of it is, that it is a rapid table of contents which a deity might run over in his mind while he was thinking of creating a world, and has not yet determined how to put it together — Alfred North Whitehead

We'll call her Perdita," said Mrs. Dearly, and explained to the Nannies that this was after a character in Shakespeare. "She was lost. And the Latin word for lost is perditus." Then she patted Pongo, who was looking particularly intelligent, and said anyone would think he understood. And indeed he did. For though he had very little Latin beyond "Cave canem," he had, as a young dog, devoured Shakespeare (in a tasty leather binding). — Anonymous

It's just that the characters are speaking their mind. As opposed to it just being an expression, they're actually saying what's on their mind, and that's something that Tennessee Williams is really famous for. Shakespeare does that and Tennessee Williams does that. You crave that, when you're an actor, for sure. — Bryce Dallas Howard

Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince. — Brand Blanshard

It should also be remembered that the Ghost sees things differently from every other character in the play. He has the eyes of eternity. He sees things as they are and not merely as they seem from the perspective of those trapped in the tunneled vision of time. — William Shakespeare

The primary characteristics of the Shakespearean soul present themselves in Macbeth: the soul has free will, reason, conscience, and corporeality. The effect of these beliefs is holistic: they work together, whether a character be virtuous or sinful. More, no character stands alone morally, because Shakespeare assumes, theologically, that the bonds of family and society are sacred. With respect to the individual, however, there is one overarching principle at work. The fall of an individual's soul - the loss of his freedom, the ruin of his reason, the confusion of his conscience, the seduction of his flesh by lies and imagination - is a negation of his soul. — William Shakespeare

I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main character that grates. — Henning Mankell

To wilful men, the injuries that they themselves procure must be their schoolmasters. — William Shakespeare

The audience roared and applauded again. A rush of actors exited the stage and filled the space around her. Shakespeare had already slipped away. She could see Daniel on the opposite wing of the stage.He towered over the other actors,regal and impossibly gorgeous.
It was her cue to walk onstage. This was the start of the party scene at Lord Wolsey's estate, where the king-Daniel-would perform an elaborate masque before taking Anne Boleyn's hand for the first time. They were supposed to dance and fall heavily in love.It was supposed to be the very beginning of a romance that changed everything.
The beginning.
But for Daniel,it wasn't the beginning at all.
For Lucinda,however, and for the character she was playing-it was love at first sight. Laying eyes on Daniel had felt like the first real thing ever to happen to Lucinda,just as it had felt for Luce at Sword & Cross. Her whole world had suddenly meant something in a way it never had before. — Lauren Kate

There is nothing new, from Greek mythology to Shakespeare to every romcom ever made, we're just reimagining the same 12 story plots over and over again - so what makes people keep watching and listening? It's all about the character. — Jeremy Renner

I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do. — Rufus Wainwright

In 1996, Shakespeare's 'Twelfth Night' was removed from classrooms after a school board passed a 'prohibition of alternative lifestyle instruction' act. Apparently, a young female character disguised as a boy was a danger to the youth of Merrimack, New Hampshire. — Richard LaGravenese

Actors are different. Some actors play themselves very successfully, but I come from the theater. Having done Shakespeare, we sometimes did three or four characters in the same play. — Stellan Skarsgard

Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized further adventures Virgil decided to chronicle. Shakespeare didn't invent Hamlet and King Lear; he plucked them from historical and literary sources. Writers weren't the originators of the stories they told; they were just the temporary curators of them. Real creation was something the gods did.
All that has changed. Today the way we think of creativity is dominated by Romantic notions of individual genius and originality, and late-capitalist concepts of intellectual property, under which artists are businesspeople whose creations are the commodities they have for sale. — Lev Grossman

Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts."
"Well ... " Alexa says hesitantly. "He's Ophelia's brother, right?"
"I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character."
Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with."
"How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too. — Holly Smale

( ... )we all recognize a likeness of Shakespeare the instant we see one, and yet we don't really know what he looked like. It is like this with nearly every aspect of his life and character: He is at once the best known and least known of figures. — Bill Bryson

While he can interact with others who have no idea that anything is wrong, Ron lives without spontaneity, going through the motions, doing what he thinks people expect him to do, glad that he is able to at least appear normal throughout the day and maintain a job. He studied drama briefly while in college, and remains enamored of Shakespeare and literature, but an emerging self-consciousness eventually robbed him of his ability to act. Now he feels as if all of his life is an act - just an attempt to maintain the status quo.

Recalling literature he once loved, he sometimes pictures himself as Camus's Meursault, in The Stranger: an emotionless character who plods through life in a meaningless universe with apathy and indifference. He's tired of living
this way but terrified of death. — Daphne Simeon

Shakespeare gives you these clues - these little pieces of gold dust, I call them. They tell you so much about the story, the character, the drive, the intentions. It's like a gift. — Christian Camargo