Setting In A Book Quotes & Sayings

Years ago, when I was about to go on a book tour for Someplace to Be Flying, my editor at the time Terri Windling and I sat down to figure out what to call what I was writing for the interviews that were to come. Terri came up with the term mythic fiction and I think that sums it up perfectly. There are almost invariably mythic elements in my fiction (as well as bits of folk and faerie lore) and the term doesn't lock me into writing only in an urban setting since many of my stories take place in rural areas. It never caught on, but when I don't describe what I do as simply fiction, I'll go with mythic fiction. — Charles De Lint

I never think of an entire book at once. I always just start with a very small idea. In 'Holes,' I just began with the setting; a juvenile correctional facility located in the Texas desert. Then I slowly make up the story, and rewrite it several times, and each time I rewrite it, I get new ideas, and change the old ideas around. — Louis Sachar

I own that I am disposed to say grace upon twenty other occasions in the course of the day besides my dinner. I want a form for setting out upon a pleasant walk, for a moonlight ramble, for a friendly meeting, or a solved problem. Why have we none for books, these spiritual repasts-a grace before Milton-a grace before Shakespeare-a devotional exercise proper to be said before reading The Fairie Queene? — Charles Lamb

In reading we must become creators. Once the child has learned to read alone, and can pick up a book without illustrations, he must become a creator, imagining the setting of the story, visualizing the characters, seeing facial expressions, hearing the inflection of voices. The author and the reader "know" each other; they meet on the bridge of words. — Madeleine L'Engle

WATCH THAT QCD POSITION! While I was writing this book, I hosted a lighting seminar for neophyte photographers using cameras of all breeds, and out of 30 photographers in two sessions, no fewer than four Canon shooters were having trouble setting the aperture when using the Manual exposure mode I was having them use while working with studio flash units. (Each of them rarely used Manual.) All four had accidentally set the QCD switch to Lock (if they were 7D owners) or to the On (only) position (if they were 50D or 40D users), disabling the Quick Control Dial. I expect that this happens more frequently than I suspected, so I'm calling it to your attention once more in these two sidebars. — David D. Busch

I love a mysterious underground and have exploited this in many of my books: the ice tunnels of Greenland, the volcanic tubes of Iceland, the mysterious passageways beneath an ancient African hillside or a Buddhist monastery in central China. And of course, London's famous tube system, setting for my book LONDON UNDERGROUND. It's a funny sort of fixation, especially given my mother's claustrophobia, which I saw her deal with on many occasions. We once lined up to take a tour into the Lascaux Caverns in France to see the ancient cave paintings. My mother didn't make it past the first quirky turn into the depths, and she sent me on by myself. Given her interest in history and archaeology, which she used as the basis for a series of mysteries she published and which inspired my own writing, it always surprised me she still loved to write about places she could never visit. — Chris Angus

French with Madame Fine is reduce to a long series of technical exercises whether we're doing grammar or reading texts. With her it's as if a text was written so that we can identify the characters, the narrator, the setting, the plot, the time of the story, and so on. I don't think it has ever occurred to her that a text is written above all to be read and to arouse emotions in the reader. Can you imagine, she has never even asked us the question: Did you like this book? — Muriel Barbery

A fine book, in the perfect setting, when there's all the time in the world to read it: Life holds greater joys, but none come to mind just now. — Mary Roach

So before I start work on a book, I'm like a pregnant mole - I obsessively tidy and order my closets and everything in my study. Because there's such a cascade of images and ideas that I'm grapping with mentally, I couldn't also be in a chaotic setting. — Diane Ackerman

For I do not want any one to read my book carelessly. I have suffered too much grief in setting down these memories. Six years have already passed since my friend went away from me, with his sheep. If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend is sad. Not every one has had a friend. And if I forget him, I may become like the grown-ups who are no longer interested in anything but figures. — Antoine De Saint-Exupery

When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing - she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision. — Mary Grandpre

What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes. — Harlan Coben

Beth had never been one of those girls who'd imagined her wedding. Acted it out with some barbies. Bought Bride magazine as soon as she hit her twenties.
She was pretty sure that if she had been, though, none of the hypotheticals would have resembled this in the slightest: surrounded by vampires, possibly pregnant, with a fallen angel in an Elvis costume mangling the ceremony from the Book of Common Prayer.
And yet as she stared up at her soon-to-be husband, she couldn't have pictured anything she would have liked more. Then again, when you were facing the right person? None of the things they talked about on television, no Vera Wang dress, no champagne waterfall, no DJ or place setting or party favor mattered. ~Beth Ch.51 — J.R. Ward

I don't know quite how a story develops in my head. It is a bit chaotic. If I am working on a series, one of the main characters at least is already in existence as well as some setting and minor characters. Finding the other main character can be a challenge. Sometimes this character already exists in a minor role in another book. — Mary Balogh

Odessa is the setting for this book, but it could be anyplace in this vast land where, on a Friday night, a set of spindly stadium lights rises to the heavens to so powerfully, and so briefly, ignite the darkness. — H. G. Bissinger

Books constitute capital. A library book lasts as long as a house, for hundreds of years. It is not, then, an article of mere consumption but fairly of capital, and often in the case of professional men, setting out in life, it is their only capital. — Thomas Jefferson

The most difficult part of writing a book is not devising a plot which will captivate the reader. It's not developing characters the reader will have strong feelings for or against. It is not finding a setting which will take the reader to a place he or she as never been. It is not the research, whether in fiction or non-fiction. The most difficult task facing a writer is to find the voice in which to tell the story. — Randy Pausch

I thundered hot water into the big tub, setting up McGee's Handy Home Treatment for Melancholy. A deep hot bath, and a strong cold drink, and a book on the tub rack. Who needs the Megrims? Surely not McGee, not that big brown loose-jointed, wirehaired beach rambler, that lazy fishcatching, girlwatching, grey-eyed iconoclastic hustler. Stay happy, McGee, while you use up the stockpiled cash. Borrow a Junior from Meyer for the sake of coziness. Or get dressed and go over to the next doc, over to the big Wheeler where the Alabama Tiger maintains his permanent floating house party and join the festive pack. Do anything, but stop remembering the way Sam Taggart looks with all the wandering burned out of him. Stop remembering the sly shy way Nicki would walk toward you, across a room. Stop remembering the way Lois died. Get in there and have fun, fella. While there's fun to have. While there's some left. Before they deal you out. — John D. MacDonald

The novel was set in an unspecified near future, because setting a novel in the present in a time of unprecedented technological and social dislocation seemed to me shortsighted ... To write a book set in the present, circa 2013, is to write about the distant past. — Gary Shteyngart

... "But on an occasion like this we must wait for sunset. Setting out in the right way is just as important as the opening lines in a book: they determine everything." He sat in the sand next to Moominmamma. "Look at the boat," he said. "Look at The Adventure. A boat by night is a wonderful sight. This is the way to start a new life, with a hurricane lamp shining at the top of the mast, and the coastline disappearing behind one as the whole world lies sleeping. Making a journey by night is more wonderful than anything in the world."
"Yes, you're right," replied Moominmamma. "One makes a trip by day, but by night one sets out on a journey. — Tove Jansson

Like the Nazis, the cadres of jihad have a death wish that sets the seal on their nihilism. The goal of a world run by an oligarchy in possession of Teutonic genes, who may kill or enslave other 'races' according to need, is not more unrealizable than the idea that a single state, let alone the globe itself, could be governed according to the dictates of an allegedly holy book. This mad scheme begins by denying itself the talents (and the rights) of half the population, views with superstitious horror the charging of interest, and invokes the right of Muslims to subject nonbelievers to special taxes and confiscations. Not even Afghanistan or Somalia, scenes of the furthest advances yet made by pro-caliphate forces, could be governed for long in this way without setting new standards for beggary and decline. — Christopher Hitchens

Most of the Marois Bay scenery is simply made as a setting for the nursing of a wounded heart. The cliffs are a sombre indigo, sinister and forbidding; and even on the finest days the sea has a curious sullen look. You have only to get away from the crowd near the bathing-machines and reach one of these small coves and get your book against a rock and your pipe well alight, and you can simply wallow in misery. I have done it myself. — P.G. Wodehouse

I don't know'," he said. "Those three words from a willing soul are the start of a grand and magnificent voyage." And with that he began a discourse that lasted for several weeks, covering scene-setting, establishing conflict, plot twists, and first- and third-person narration. [ I learned in these rapid-fire mini-dissertations that like most literature lovers I would come to know, Henry was a book snob. He assumed that if a current author was popular and widely enjoyed, then he or she had no merit. He made a few exceptions, such as Kurt Vonnegut, although that was mostly because Vonnegut lived on Cape Cod and so he probably had some merits as a human being, if not as a writer.
I think that the way Henry saw it was that he was not being a snob. In fact I would venture that in his view of things, snobbery had nothing to do with it. Rather, it was a matter of standards. It was bout quality in the author's craftsmanship. — John William Tuohy

tried to understand what I'd seen. I felt as if I'd just stepped out of a limn on twentieth-century book burnings: gaunt, vampiric Goebbels screaming beside a seditious inferno; Stalin; Mao and his Red Guards; Iranian forces in the Republic of Mahabad burning anything in Kurdish; midcentury New York school kids incinerating comics in Binghamton; Ray Bradbury's firemen; apartheid-era librarians; Pinochet; Pol Pot; Serbian nationalists setting fire to the National and University Library. — Alena Graedon

I must make MAGICK the essential factor in the life of ALL. In presenting this book to the world, I must then explain and justify my position by formulating a definition of MAGICK and setting forth its main principles in such a way that ALL may understand instantly that their souls, their lives, in every relation with every other human being and every circumstance, depend upon MAGICK and the right comprehension and right application thereof. — Aleister Crowley

Setting is a major aspect in writing all of my books, both in terms of natural and cultural environments. — Nicholas Sparks

What's the current price for a thought in these days of inflation?" Alan donwered aloud as he paused in the doorway. She'd looked so beautiful, he reflected. So distant. Then she glanced up with a smile that enchanced the first and erased the second.
"That was quick," Shelby complimented him and avoided the question with equal ease. "I'm afraid I admired your tea set a bit too strongly and made your butler nervous.He might be wondering if I'll slip the saucer into my bag." Setting down the cup, she rose. "Are you ready to go be charming and distinguished? You look as though you would be."
Alan lifted a brow. "I have a feeling distinguished comes perilously close to sedate in your book."
"No,you're lots of room yet," she told him as she breezed into the hall. "I'll give you a jab if you start teetering toward sedate. — Nora Roberts

In setting down these recollections of my early years so far removed from their unfolding, I am fooled, as all are, by time itself. My parents, long gone from my world, live again. Memory, which so confounds our waking life with anticipation and regret, may well be our one true earthly consolation when time slips out of joint." Chapter 6, The Stolen Child by Keith Donohue

"Assembled in a small circle, our faces glowed in the flickering light of the campfire, signs of anxious weariness in our tired eyes, but the meal would prove revitalizing. As the fire burnt down and our bellies filled, a calm complacency settled upon us, like a blanket drawn around our shoulders by absent mothers." Chapter 20, The Stolen Child by Keith Donohue — Keith Donohue

According to tradition, the originator of Taoism, Lao-tzu, was an older contemporary of Kung Fu-tzu, or Confucius, who died in 479 B.C.1 Lao-tzu is said to have been the author of the Tao Te Ching, a short book of aphorisms, setting forth the principles of the Tao and its power or virtue (Te e). But traditional Chinese philosophy ascribes both Taoism and Confucianism to a still earlier source, to a work which lies at the very foundation of Chinese thought and culture, dating anywhere from 3000 to 1200 B.C. This is the I Ching, or Book of Changes. — Alan W. Watts

Q. Your original, self-published version of The Martian became a phenomenon online. Were you expecting the overwhelmingly positive reception the book received? A. I had no idea it was going to do so well. The story had been available for free on my website for months, and I assumed anyone who wanted to read it had already read it. A few readers had requested I post a Kindle version because it's easier to download that way. So I went ahead and did it, setting the price to the minimum Amazon would allow. As it sold more and more copies I just watched in awe. — Andy Weir

it would be fairer to say I have traveled widely, without ever leaving my own native soil, I've traveled, one might say, through literature, each time I've opened a book the pages echoed with a noise like the dip of a paddle in midstream, and throughout my odyssey I never crossed a single border, and so never had to produce a passport, I'd just pick a destination at random, setting my prejudices firmly to one side, and be welcomed with open arms in places swarming with weird and wonderful characters — Alain Mabanckou

The parallels between a stage and a book are compelling. You, like all authors, create 'characters' in a 'setting' who speak 'dialogue' encased in 'scenes.' Most importantly, you - like the playwright - have an 'audience.' — Nancy Kress

What the first Christians knew as the "New Testament" was not a book, but the Eucharist. In a cultic setting, at a solemn sacrificial banquet, Jesus made an offering of his "body" and "blood." He used traditional sacrificial language. He spoke of the action as his memorial. He told those who attended to repeat the action they had witnessed: "Do this in remembrance of me" (Luke 22:19). — Scott Hahn

I was sprawled out in my usual position on the couch, half asleep but entirely drunk, torturing myself by tearing memories out of my mind at random like matches from a book, striking them one at a time and drowsily setting myself on fire. — Jonathan Tropper

Athol Fugard became famous as a playwright, so although 'Tsotsi' the book was written in the '60s, it was only published in the '80s. It was then optioned pretty much every year by producers. I think the problem was that holding onto its period setting made it very hard to get finance. — Gavin Hood

She seems to give a respectful credence to the statement that "God is love"only to hurry on to explore with real interest the possibility that "God is wrath." She can read from the book of Revelation with a ringing conviction in her voice that can make the creation seem only a stage setting for the triumphant thunderation of end. — Wendell Berry