Sentence To Write Quotes & Sayings

Some poets write pages upon pages because their hearts have a song to sing and their melodies cannot be contained in a single stanza... and I find myself typing out a quote because my soul is still gasping for breath, and all the words form a single sentence: I miss us. — Alfa H

All you have to do is write one true sentence. Write the truest sentence that you know. — Ernest Hemingway,

I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence. — Charles Krauthammer

I always thought old age would be a writer's best chance. Whenever I read the late work of Goethe or W. B. Yeats I had the impertinence to identify with it. Now, my memory's gone, all the old fluency's disappeared. I don't write a single sentence without saying to myself, 'It's a lie!' So I know I was right. It's the best chance I've ever had. — Samuel Beckett

The number of interrogators who have been bamboozled since the dawn of history by the body language and appealing manner of pretty prisoners is, to be precise, 43,123,465; in the time it has taken to write this sentence, that number has increased by 314. — William R. Johnson

At times I am gripped by an absurd desire: that the sentence I am about to write be the one the woman is reading at that same moment. The idea mesmerizes me so much that I convince myself it is true: I write the sentence hastily, get up, go to the window, train my spyglass to check the effect of my sentence in her gaze, in the curl of her lips, in the cigarette she lights, in the shifts of her body in the deck chair, in her legs, which she crosses or extends. — Italo Calvino

Essayists must not only be succinct but have original ideas and, even harder to come by, or to fake, likable voices. Consciously or not, they endeavor to win us over by charm. If an essayist can not only charm but write the unforgettable sentence, one that reveals the heart in a few words, I'm her slave. — Cyra McFadden

Finally (and here is a sentence I never imagined writing), I thank my conversation partners on Facebook. A couple of years ago, my friend Finn Ryan set up a Facebook author page for me. Grateful as I was, my skepticism about the medium kept me from posting anything there until six months before I finished this book. I am very glad that I took the leap. The folks who share that space with me have helped me refine a number of key ideas, allowing me to write a better book than I could have written alone. Many thanks to all my Facebook "friends" as well as my face-to-face friends. — Parker J. Palmer

The vast majority of you are going to close this tab without, even for a single moment, entertaining the thought of writing something.

Step outside your comfort zone and try something new. Learning the fine rationalist art of CoZE (comfort zone expansion) is a really important life skill, and putting your writing online is a low-risk way to do that. Don't try to cop out with "I don't have any stories." Baloney. Everyone has stories; write up a memory that's important to you. And don't even try to tell me, "Oh, but I don't know how to write!" Neither did I when I started; I learned by doing. So please, set the excuses aside, put something up on the web, and share it with the rest of us. When you do, drop me a PM; I'll leave you your first review, but you have to publish something first.

Well? What are you waiting for? Seriously. Go write one sentence of a new story, write now. — David K. Storrs

The poets are the standard bearers of language. Their work lives or dies word by word. When I write and can hear a clunky sentence, I try to write up to the poetry that I have recited beforehand. — Janet Fitch

I've never invested myself properly in trying to write stories. When I write lyrics, mostly I write each sentence separately on an index card and then I lay them out and I just mix them up. — Jason Schwartzman

Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself. — Gail Carson Levine

When I sit down to write, I don't have any real goals except to follow one good sentence with another ... I'm not the kind of writer who has a map. — Melissa Bank

There is a slovenly disrespect for truth and reality that has infected and cross-infected the arts; the values of entertainment are relentlessly in the ascendant, to the extent that it becomes virtually impossible to write a naturalistic fictional sentence without feeling that the fabric of that sentence is already compromised. — Rachel Cusk

Learn to enjoy this tidying process. I don't like to write; I like to have written. But I love to rewrite. I especially like to cut: to press the DELETE key and see an unnecessary word or phrase or sentence vanish into the electricity. I like to replace a humdrum word with one that has more precision or color. I like to strengthen the transition between one sentence and another. I like to rephrase a drab sentence to give it a more pleasing rhythm or a more graceful musical line. With every small refinement I feel that I'm coming nearer to where I would like to arrive, and when I finally get there I know it was the rewriting, not the writing, that wont the game. — William Zinsser

What I find to be very bad advice is the snappy little sentence, 'Write what you know.' It is the most tiresome and stupid advice that could possibly be given. If we write simply about what we know we never grow. We don't develop any facility for languages, or an interest in others, or a desire to travel and explore and face experience head-on. We just coil tighter and tighter into our boring little selves. What one should write about is what interests one. — Annie Proulx

But you can't fault me on my footnotes. I've worked hard on them and they look pretty impressive. And almost all the sources I quote actually exist. I must confess, however, that the idea of putting footnotes in chapter 5, the autobiographical chapter, started out simply as a joke. Who but a biblical scholar would think of footnoting an autobiography? But the joke quickly got out of hand and become a significant part of that chapter. I plan someday to write a scholarly article consisting of a single sentence and a twenty-page footnote. — Jeffrey L. Staley

In a story you only had to wish, you only had to write it down and you could have the world ... It seemed so obvious now that it was too late: a story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. Reading a sentence and understanding it were the same thing; as with the crooking of a finger, nothing lay between them. There was no gap during which the symbols were unraveled. — Ian McEwan

As for writing novels - it's what I've done for 30 some-odd years. I can't suddenly say I'm going to take up golf. I need something in my life. As long as I can write a coherent sentence, I'll keep at it. — Susan Isaacs

A series of small but real accomplishments gives people the energy and confidence to continue. For instance, a person who wants to write a novel might resolve to write one sentence each day. Or a person who wants to start running might resolve to run for one minute. — Gretchen Rubin

For me, a play is a form of writing which isn't complete until it is interpreted by actors. But it's still a form of writing. And so most of my time is spent thinking about how to write a sentence. — Wallace Shawn

The "public" does not work - a sentence like "most of the American public works in the service industry" would never appear in a magazine or paper, and if a journalist were to attempt to write such a sentence, her editor would certainly change it to something else. It is especially odd since the public does apparently have to go to work: — David Graeber

Sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that I knew or had seen or had heard someone say. If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written. — Ernest Hemingway,

Volunteer sentences are the relics of your education And the desire to emulate the grown-up, workaday prose that surrounds you, Which is made overwhelmingly of sentences that are banal and structurally thoughtless. A volunteer sentence is almost always a perfunctory sentence. That can change. But only after years of questioning the shapes of sentences you read, And every sentence you write. Don't let the word "years" alarm you. Think of it as months and months and months and months. You may think a volunteer sentence is an inspired one Simply because it volunteers. This is one reason to abandon the idea of inspiration. All the idea of inspiration will do Is stop you from revising a volunteer sentence. Only revision will tell you whether a sentence that offers itself is worth keeping. — Verlyn Klinkenborg

The moment you know that this is the person with whom you want to spend the rest of your life, you should start the engagement process. Once you know this, the nature of the relationship changes. You view actions differently, the pressure to have sex increases, and your relationship with others is affected. If you're considering getting engaged, write out the sentence Staying married is hard work fifty times ... Though I say this with some humor, I think these points bear repeating: Don't underestimate the work involved, but don't panic either. — Kay Coles James

The single most important technique for making progress is to write ten words. Doesn't matter if you're badly stuck, or your day is completely jam-packed, or you're away from your computer - carry a small paper notebook and write a sentence of description while you're waiting on line at a coffee shop. I think of this as baiting a hook. Even if you have a few days in a row where nothing comes except those ten words, I find that as long as you have to think about the novel enough to write ten words, the chances are that more will come. — Naomi Novik

I'm not into writing many more books or more pages. My goal is to increase the value of each sentence I write. And for that, I have to just erase my past and bring only forward what matches the new me, things I can easily rewrite and adapt to my new perspective. — Robin Sacredfire

It is easier to debunk a thousand myths than to write one true sentence. — Marty Rubin

Give me a scholar, therefore, who is able to think and to write, to look with an eye of discernment into things, and to do business himself, if called upon, who hath both civil and military knowledge; one, moreover, who has been in camps, and has seen armies in the field and out of it; knows the use of arms, and machines, and warlike engines of every kind; can tell what the front, and what the horn is, how the ranks are to be disposed, how the horse is to be directed, and from whence to advance or to retreat; one, in short, who does not stay at home and trust to the reports of others: but, above all, let him be of a noble and liberal mind; let him neither fear nor hope for anything; otherwise he will only resemble those unjust judges who determine from partiality or prejudice, and give sentence for hire: but, whatever the man is, as such let him be described. — Lucian Of Samosata

In my office I have a sign that says, 'Don't think. Just write!' and that's how I work. I try not to worry about each word, or even each sentence or paragraph. For me, stories evolve. Writing is a process. I rewrite each sentence, each manuscript, many times. — David A. Adler

I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided. — Wes Anderson

I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being. — Jane Hirshfield

It has taken me years of struggle, hard work, and research to learn to make one simple gesture, and I know enough about the art of writing to realize that it would take as many years of concentrated effort to write one simple, beautiful sentence. — Isadora Duncan

With this book I hope what I always hope - that readers will nod their heads (not constantly, you know, but at the odd juncture) and think, "Yes, that's exactly right." This is why we write, and this is why we read. It's an act of communication, and if what you're communicating is true - if you haven't screwed it up (and there are so many ways to do that) - the response of your ideal reader isn't "Wow! What a fabulous sentence!" or "Wow! I did not know that!" It's "Yes. Exactly. I felt that too once, and I forgot it until now, and I thought I was the only one. — Jincy Willett

I like to write. I like to choose the right word, I like to write the right sentence. It's just like gardening or something. You put the seed into the soil at the right time, in the right place. — Haruki Murakami

Even as he printed the words, he imagined people reading them, people moved by his loneliness and disappointment, even by his wretched spelling, the childish mesh of his composition. Let them see the struggle and humiliation, the effort he had to exert to write a simple sentence. The pages were crowded, smudged, urgent, a true picture of his state of mind, of his rage and frustration, knowing a thing but not being able to record it properly. — Don DeLillo

The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading. — Rick Yancey

It's hard to write when you think every sentence is going to be read by a million kids. — Anthony Horowitz

It's easy to write a sentence, paragraph, or book. What's difficult is writing the best sentence, paragraph, or book you can write. — Mokokoma Mokhonoana

It was wonderful to walk down the long flights of stairs knowing that I'd had good luck working. I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day. But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that you knew or had seen or had heard someone say. — Ernest Hemingway,

I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien's words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight. — Neil Gaiman

Read non-fiction. History, biology, entomology, mineralogy, paleontology. Get a bodyguard and do fieldwork. Find your inner fish. Don't publish too soon. Not before you have read Thomas Mann in any case. Learn by copying, sentence by sentence some of the masters. Copy Coetzee's or Sebald's sentences and see what happens to your story. Consider creative non-fiction if you want to stay in South Africa. It might be the way to go. Never neglect back and hamstring exercises, otherwise you won't be able to write your novel. One needs one's buttocks to think. — Marlene Van Niekerk

If you reach the age of twenty-five or thirty without knowing how to spell (TOTALLY, not TODILLY), or capitalize in the proper places (White House, not white-house), or write a sentence containing both a noun AND a verb, you're probably never going to know. — Stephen King

Hemingway, whenever he was stuck in his writing, would tell himself to write one true thing. A true sentence. Then, he would write another. And another. It — Kamal Ravikant

I write first drafts feverishly fast, and then I spend years editing. It's not that sentence-by-sentence perfectionist technique some writers I admire use. I need to see the thing, in some form, and then work with it over and over and over until it makes sense to me - until its concerns approach me, until its themes come to my attention. At that editing stage, the story picks itself and it's just up to me to see it, to find it. If I've done a good job, what it all means will force me to confront it in further edits. — Porochista Khakpour

My God, my God, thou art a direct God, may I not say a literal God, a God that wouldst be understood literally and according to the plain sense of all thou sayest, but thou art also (Lord, I intend it to thy glory, and let no profane misinterpreter abuse it to thy dimunition), thou art a figurative, a metaphorical God too, a God in whose words there is such a height of figures, such voyages, such peregrinations to fetch remote and precious metaphors, such extensions, such spreadings, such curtains of allegories, such third heavens of hyperboles, so harmonious elocutions, so retired and so reserved expressions, so commanding persuasions, so persuading commandments, such sinews even in thy milk, and such things in thy words, as all profane authors seem of the seed of the serpent that creeps, thou art the Dove that flies.

(Donne, Devotions 1624, as quoted in Fish, How to Write a Sentence p 142) — Stanley Fish

Andrew Carnegie, the poverty-stricken Scotch lad who started to work at two cents an hour and finally gave away $365 million, learned early in life that the only way to influence people is to talk in terms of what the other person wants. He attended school only four years; yet he learned how to handle people. To illustrate: His sister-in-law was worried sick over her two boys. They were at Yale, and they were so busy with their own affairs that they neglected to write home and paid no attention whatever to their mother's frantic letters. Then Carnegie offered to wager a hundred dollars that he could get an answer by return mail, without even asking for it. Someone called his bet; so he wrote his nephews a chatty letter, mentioning casually in a postscript that he was sending each one a five-dollar bill. He neglected, however, to enclose the money. Back came replies by return mail thanking "Dear Uncle Andrew" for his kind note and - you can finish the sentence yourself. — Dale Carnegie

Nothing is more satisfying than to write a good sentence. It is no fun to write lumpishly, dully, in prose the reader must plod through like wet sand. But it is a pleasure to achieve, if one can, a clear running prose that is simple yet full of surprises. This does not just happen. It requires skill, hard work, a good ear, and continued practice. — Barbara Tuchman

Write a love letter, a love paragraph, or a love sentence to your spouse, and give it quietly or with fanfare! You may someday find your love letter tucked away in some special place. Words are important! 6. Compliment your spouse in the presence of his parents or friends. You will get double credit: Your spouse will feel loved and the parents will feel lucky to have such a great son-in-law or daughter-in-law. — Gary Chapman

She has a bookshelf for a heart, and ink runs through her veins, she'll write you into her story with the typewriter in her brain. Her bookshelf's getting crowded. With all the stories that's she's penned, of all the people who flicked through her pages but closed the book before it ended. And there's one pushed to the very back, that sits collecting dust, with its title in her finest writing, 'The One's Who Lost My Trust'. There's books shes scared to open, and books she doesn't close. Stories of every person she's met stretched out in endless rows. Some people have only one sentence while others once held a main part, thousands of inky footprints that they've left across her heart. You might wonder why she does this, why write of people she once knew? But she hopes one day she'll mean enough for someone to write about her too. — E.H.

The most we can hope for when we write anything is dazzling imperfection. The least we can hope for is accolades from one or two people who don't know us. Spending all afternoon on "the right word" is probably foolish (though I've done it many times), but then again, it may not be. There may be people out there who'll read that nearly-perfect sentence (or paragraph), with its "right word," and they'll nod and smile and say to themselves, "Hey, that's not too bad. — T.M. Wright

You wrote this right?" he said. "It tells how to defeat Set."
Thoth unfolded the papyrus pages. "Oh, dear. I hate reading my old work. Look at this sentence. I'd never write it that way now." He patted his lab coat pockets. "Red pen - does anyone have one?"
Isis chafed against my willpower, insisting that we blast some sense into Thoth. One fireball, she pleaded. Just one enormous magical fireball?
I couldn't say I was tempted, but I kept her under control.
"Since when does drool make you powerful? — Rick Riordan

Being in the mood to write, like being in the mood to make love, is a luxury that isn't necessary in a long-term relationship. Just as the first caress can lead to a change of heart, the first sentence, however tentative and awkward, can lead to a desire to go just a little further. — Julia Cameron

I willingly trust myself to chance. I let my thoughts wander, I digress, not only sitting at my work, but all day long, all night even. It often happens that a sentence suddenly runs through my head before I go to bed, or when I am unable to sleep, and I get up again and write it down. — Simone De Beauvoir

The trouble with today's snarky pipsqueaks who break off a sentence or two, or who write a couple of mean paragraphs, is that they don't go far enough; they don't have a coherent view of life. Spinning around in the media from moment to moment, they don't stand for anything, push for anything; they're mere opportunists without dedication, and they don't win any victories. — David Denby

For first you write a sentence, And then you chop it small; Then mix the bits and sort them out Just as they chance to fall: The order of the phrases makes no difference at all. — Lewis Carroll

Some writers are only born to help another writer write one sentence. — Ernest Hemingway,

My best time to write is right after coffee and breakfast - four eggs because, full disclosure: I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, "Don't write that," or "Man, that sentence is terrible - you should give up and go pet the cats." — Jeff VanderMeer

Journalism taught me how to write a sentence that would make someone want to read the next one. You are trained to get rid of anything nonessential. You go in, you start writing your article, assuming a person's going to stop reading the minute you give them a reason. So the trick is: don't give them one. — Amy Hempel

Swoopers write a story quickly, higgledy-piggledy, crinkum-crankum, any which way. Then they go over it again painstakingly, fixing everything that is just plain awful or doesn't work. Bashers go one sentence at a time, getting it exactly right before they go on to the next one. When they're done they're done. — Kurt Vonnegut

To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up. — George Orwell

Who isn't crazy sometimes? Who hasn't driven around a block hoping a certain person will come out; who hasn't haunted a certain coffee shop, or stared obsessively at an old picture; who hasn't toiled over every word in a letter, taken four hours to write a two-sentence email, watched the phone praying it will ring; who doesn't lay awake at night sick with the image of her sleeping with someone else? — Jess Walter

When I'm sitting at the desk not being able to write line one, it's silence and despair! It's not so easy to put the pen to the legal pad or type the first sentence on the computer screen. — Erica Jong

Few things in life are less efficient than a group of people trying to write a sentence. The advantage of this method is that you end up with something for which you will not be personally blamed. — Scott Adams

Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing ...
For me, a line has to sing before it does anything else. The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days when I think about how I could be living instead of writing. — John Banville

I read on the back cover that the author was born in Russia and came to America when she was young. She barely spoke English, but she wanted to be a great writer. I thought that was very admirable, so I sat down and tried to write a story.
"Ian MacArthur is a wonderful sweet fellow who wears glasses and peers out of them with delight."
That was the first sentence. The problem was that I just couldn't think of the next one. — Stephen Chbosky

Writing helped to have jobs that involved running around, pushing things like dish carts and wheelbarrows. It would be hard to sit at a desk all day, and then come to sit at another desk. Also, it helps to abandon hope. If I sit at my computer, determined to write a New Yorker story I won't get beyond the first sentence. It's better to put no pressure on it. What would happen if I followed the previous sentence with this one, I'll think. If the eighth draft is torture, the first should be fun. At least if you're writing humor. — David Sedaris

The last thing I have to say is that ice is the past tense of water. I've always wanted to write that sentence and now I have. — Rita Mae Brown

Words have weight, sound and appearance; it is only by considering these that you can write a sentence that is good to look at and good to listen to. — W. Somerset Maugham

I don't write with a scheme or a plan. I write word to word, so whatever that first sentence is, having said that, one more or less had to say what comes next and next and next. Guilty of no cogitation or forethought. — Padgett Powell

Nobody writes like Nabokov; nobody ever will. What I would give to write one sentence like Vladimir! — Amity Gaige

Rad had written a two-sentence response for his comparison/contrast between Moby Dick and The Old Man and the Sea:

"The fishermen lost their fish, and that was IT. Nothing to write books about, and the 'literary devices' you want listed are nothing but made-up complications for a useless major. — Emm Oh

At the top of the page I wrote my full name [ ... ] At the sight of it, many thoughts rushed through me, but I could write down only this: "I wish I could love someone so much that I would die from it." And then as I looked at this sentence a great deal of shame came over me and I wept and wept so much that the tears fell on the page and caused all the words to become one great big blur. — Jamaica Kincaid

It is an old observation that the best writers sometimes disregard the rules of rhetoric. When they do so, however, the reader will usually find in the sentence some compensating merit, attained at the cost of the violation. Unless he is certain of doing as well, he will probably do best to follow the rules. After he has learned, by their guidance, to write plain English adequate for everyday uses, let him look, for the secrets of style, to the study of the masters of literature. — William Strunk Jr.

If my opinion runs more than twenty pages," she said, "I am disturbed that I couldn't do it shorter." The mantra in her chambers is "Get it right and keep it tight." She disdains legal Latin, and demands extra clarity in an opinion's opening lines, which she hopes the public will understand. "If you can say it in plain English, you should," RBG says. Going through "innumerable drafts," the goal is to write an opinion where no sentence should need to be read twice. "I think that law should be a literary profession," RBG says, "and the best legal practitioners regard law as an art as well as a craft. — Irin Carmon

Obviously, in journalism, you're confined to what happens. And the tendency to embellish, to mythologize, it's in us. It makes things more interesting, a closer call. But journalism taught me how to write a sentence that would make someone want to read the next one. — Amy Hempel

You have already achieved the English-Language poet's most important goal: you can read, Write and speak English well enough to understand this sentence. — Stephen Fry

A plane flies overhead and inside it is a writer who has spent most of his life as a law clerk, even though he's always known deep down that he's a writer. For the first time, he's worked out what he wants to write, what the truth really is. He begs a napkin and a pen off the air hostess and he writes down the most beautiful sentence ever written, as the engine catches fire outside and the plane starts its plummet to the ground. It doesn't matter to him. It's the only sentence he's ever written and it is the last and no part of him cares. The sentence falls through the air with singed, black edges and comes to rest in a tree, in a park, miles away. One day, around ten years from now, an old widow of an astronaut will find it when a strong breeze finally blows it from its hiding place. She will read it and she will weep. — Pleasefindthis

This was a really amazing part of your adventure, Hamlet. You're sure that, should you ever one day write a book about this story or perhaps a stage production, you'd DEFINITELY include this scene. Why, you'd have to be literally crazy to write a story where you journey to England, get attacked by pirates - actual pirates! - but then just sum up that whole adventure in a single sentence. Hah! That'd be the worst. Who puts a pirate-attack scene in their story and doesn't show it to the audience? Hopefully nobody, that's who! Even from a purely structural viewpoint, you've got to give the audience something awesome to make up for all the introspection you've been doing; that just seems pretty obvious is all. — Ryan North

A Language"

Today the sky is blue dust
and the mountains blue shadows
against the dust so only
the snow line across the peaks
actually exists, a scribbled
white cursive, words piling up
here and thinning out there,
like the long sentence you'd write
against the sky if you thought
you had that much to say. — Robert W. King

Then meditate on your perceptions. The Buddha observed, "The person who suffers most in this world is the person who has many wrong perceptions, and most of our perceptions are erroneous." You see a snake in the dark and you panic, but when your friend shines a light on it, you see that it is only a rope. You have to know which wrong perceptions cause you to suffer. Please write beautifully the sentence, "Are you sure?" on a piece of paper and tape it to your wall. Love meditation helps you learn to look with clarity and serenity in order to improve the way you perceive. — Thich Nhat Hanh

A writer creates from his mind; his creations emanate from the feelings enmeshed deep within his heart. From the fire burning within his soul, he gives shape to his thoughts. His thoughts start to breathe. Every sentence breathes with a purpose. — Avijeet Das

Whenever I write anything that sets up controversy its meaning is distorted almost instantly. Even the editorial writers of newspapers seem to be unable to understand the plainest sentence. — H.L. Mencken

My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing. — Karl Ove Knausgaard

Write the truest sentence you know. Then write another."
Hemingway's advice to other young writers in "A Moveable Feast. — Ernest Hemingway,

Once I start writing, I am a huge reviser. To me writing is revising. I probably turn over every sentence that I write, to see if I have the rhythm right. That's why my first drafts take a really long time. — Matt De La Pena

I am grateful to Stacy Schiff first of all because she can write a sentence-because she offers us her scholarship with wit, clarity, and grace. Once again, she has done what only the best writers can do: she has made the world new, again. — Tracy Kidder

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. — Meg Jay

Freedom's just a word today
Freedom's just a word
When someone takes your word away
It's seldom ever heard
So take a sentence full of things you're not supposed to say
Carry on, but don't write them down or you'll be gone — Stone Sour

It takes me six months to do a story. I think it out and write it sentence by sentence - no first draft. I can't write five words but that I can change seven. — Dorothy Parker

To me, torture would be, "I can't think what to write in the next sentence. I'm stuck." Torture would be if you didn't have the next idea. — Steve Martin

Keeping a habit, in the smallest way, protects and strengthens it. I write every day, even if it's just a sentence, to keep my habit of daily writing strong. — Gretchen Rubin

It took me ten minutes to write this very sentence. I'm no writer. This is not my calling. — Macaulay Culkin

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about. — Michael Chabon

Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write. — Jean-Paul Sartre

You want to write a sentence as clean as a bone. That is the goal. — James A. Baldwin

What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow. — G. M. Trevelyan

Before you can write a single sentence, you must first create an entire world to support it. — Adam Santo

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

And I don't want to begin something, I don't want to write that first sentence until all the important connections in the novel are known to me. As if the story has already taken place, and it's my responsibility to put it in the right order to tell it to you. — John Irving