See The Hurt In Her Eyes Quotes & Sayings

Put your arms around my neck, sweetheart."
"Whatever for?"
He grasped her wrists and lifted her arms himself. "Because," he whispered, "we're going to dance."
...
"This will never work. I appreciate the thought. It's very sweet, but-"
"Shut up," he whispered.
The first notes of the next number drifted to them, and she realized it was the band's rendition of Montgomery's hit song, "I swear." Tears sprang to her eyes, for the instant she recognized the tune, she knew Ryan had requested it.
"Dance with me," he whispered.
"I feel foolish."
"Who'll see? Only me, and I'm our best bud, so I don't count. Besides, why should you feel foolish?"
"My legs are dangling. My feet will thump your shins."
"Those soft slippers won't hurt my shins," he assured her.
And with that, he swept her into a waltz.
-Ryan and Bethany (Phantom Waltz) — Catherine Anderson

Viola? he says.
And I turn to look at him -
And when I do, I can hear everything he's thinking.
Everything.
Clearer than before, clearer than seems possible -
And I'm not even sure I'm supposed to, but I look him in the eyes and I see it -
In the middle of everything he's feeling -
Even after we fought -
Even after I doubted him -
Even after I hurt him -
I see how much he loves me. — Patrick Ness

Things would hurt me in a big way because I didn't seem to have a very thick layer of skin, but this also meant I had extreme empathy for other people. I think perhaps that's what makes my songs hit home for some people, because I've tried to see the world through their eyes and I recognise- even just for a second- that we all ultimately are struggling with the same things. — Missy Higgins

She was too proud to eat her share of what little food we had. She told me she had. She swore she did. But every time I complained about being so hungry it hurt, she always offered me a nut or a partially rotted turnip, claiming she had just found two and already ate hers."

Rose sniffled and wiped her eyes again.

"After she was gone, I left my pride in that little hut and begged my way to Medford. I'd do anything. Once you've spent an afternoon chasing a fly around your house for dinner, once you've eaten spiders whole and drooled over worms found while burying your mother with your bare hands, there's nothing beneath you. All I wanted was to live-I'd forgotten everything else. A clod of dirt doesn't have dreams. A bit of broken stone doesn't understand hope. Each morning, all I wanted was to see the next dawn. — Michael J. Sullivan

When they ask why we stayed together for so long I say, I don't know. I just know that we cried at the exact same time in every movie. I know we blushed everyday for the first two years. I know I always stole the covers and she never woke me up. I know the exact look on her face, the first night she used my toothbrush. The next day, I brushed my teeth like thirtysome times, 'cause I didn't want to let her go. You have to understand when it hurt to love her, it hurt the way the light hurts your eyes in the middle of the night, but I had to see, even through the ruin, if what we were burying were seeds. There were so many plants in our house, you could rake the leaves even through that winter when I was trying to make angels in the snow of her cold shoulder. She was still leaving love notes in my suitcase; I'd always find them. — Andrea Gibson

I am hurt ... in ways you cannot see, and that I cannot explain, even to myself, but only know that they are there, and a part of me, as much as my hands and eyes and breath are a part of me. — Robin McKinley

He narrows his eyes, and I can see the cogs turning in his mind. Then he snaps entirely. "I told you, I told you not to get in over your head!" He slams a fist down on the table, looking angrier than I've ever seen him before. "And now," he breathes, staring at me with so much sorrow it makes my heart hurt, "now I must watch you drown? — Victoria Aveyard

He was nothing, even in the eyes of his brother. He could see it in the way the older boy accepted their favor like it was the most natural thing in the world. Never once did he offer anything to the boy sitting beside him, just taking for himself. Somehow, that was the worst part. And it hurt the boy. So he dealt with it the only way he knew how. He retaliated and hurt his brother back. For — Rachel E. Carter

You can see when someone's been hurt the way I was. It's obvious. Something changes in their eyes; pain becomes their center, even when they try to hide it. — Cheryl Rainfield

Talya was so taken by the magnificent creature that for a moment he forgot where he was. But then he remembered, and he looked up to see Saba on both knees, his arms spread wide and his face lifted to the sky, weeping softly. How wonderful was Saba! And beyond Saba, Kahil, seated tall on his stallion, staring at him with black eyes, frozen in shock. Lost. How beautiful was this poor man, so wounded to hurt so many! Still not a soul moved. Talya looked past Kahil to the warriors, who seemed not to know what to do, and beyond them to the platform where the queen and the king stood, staring dumbly. Shaquilath has lost her daughter, Talya thought, and his heart broke with hers. The king has great kindness that's been covered up by fear and greed. How or why these things came to Talya, he didn't know, because he wasn't as much knowing them as experiencing them. And — Ted Dekker

That explains what I'm doing here." He put his chin down on the edge of the gurney, watching me like a big friendly dog. "What are you doing here?"
He was so dreamily handsome, looking at me with concern in his eyes, and his tone was so gentle, that I almost answered him.
"You followed me," he said.
I shifted on the gurney, trying in vain to find a more comfortable position. My hip sure did hurt.
"You wanted to know where I was going so late at night," he said. "I've seen you watching me through your window."
Note to self: when boys look back at you watching them in the darkness outside your well-lit window, but their expressions do not change, you relax, assuming they can't really see you watching them, when they can totally see you.
There was no way around it now. — Jennifer Echols

I hope when this is done I'll be able to get back into my happy gardening vibe that was so healthy for me. I want to go back to my routine and my morning ritual with the compost, but it will probably be that my life will split in two. New Leaf Gardening in Wood Green will be happening in parallel to a fantasy that runs along the bottom of that screen like a ticker. Alice will be fine. Rabbit will stay up tonight, and every night. Resending and resending, reopening the page to see if she has responded, if anyone has. The spinning wheel will make my eyes hurt and everything else will go dark. — Olivia Sudjic

I shiver and Tom wakes. It's light enough to see his eyes open.
"Are you cold?" he says. "Baby, are you cold?"
He turns so that his arms are around me again. Baby, are cold?-and the ball of hurt inside me swells. — Alison McGhee

No monster would hold the hurt I see in your eyes or carry the guilt you do every day. — Katherine McIntyre

Let's be the people who look at the hurting until we hurt with them. No hurrying past, turning away, or shifting of eyes. No pretending or glossing over. Let's look at the face until we see the person. — Max Lucado

Did you hurt yourself? Sort of. Why'd you do that? I didn't do it on purpose. It's just the cost of doing business. Her Grandmother smiles and she gently touches my face with her free hand. I hope that's a business you're leaving, James. I smile, enjoy the warmth of her hand. We'll see. She nods. Her eyes and her hand understand my words, have seen and felt this type of damage before. There is no judgment and no condescension. Just hope. — James Frey

No one can ever use his heart to listen or touch or feel or see or smell. It's just a lump of muscle pumping mechanically inside your ribs. It has no will and no ability to do anything but go on pumping until it gives up and withers away or is choked by some disease. Your spinal cord, on the other hand, feels. The central nervous system pours out from the spinal cord, and with it one feels pain. Pain is the most trustworthy sensation a human being can know because it teaches us what hurts. With the spinal cord, one can hear what will hurt, smell the sting of suffering, taste it, feel it, and see the world with new eyes. I learned a long time ago not to follow my heart, the hunk of meat flexing in the chest. I trust the tube locked up in a column of bone, the tube that shows me what pain is. — Joshua S. Porter

Sister, why do you do that?"
"Do what?"
"Cage the animals at night?"
"Well ... " She looked up and out through the barred window before answering me."We don't want to, Jennings, but we have to. You see, the animals that are given to us we have to take care of. If we didn't cage them up in one place, we might lose them, they might get hurt or damaged. It's not the best thing, but it's the only way we have to take care of them."
"But if somebody loved one them," I asked, "wouldn't it be a good idea to let them have one? To keep, I mean?"
"Yes, it would be. But not everyone would love them and take care of them as you would. I wish I could give them all away tomorrow." She looked at me. There were tears in her eyes. "But I can't. My heart would break if I saw just one of those animals lying by the wayside uncared for, unloved. No, Jennings. It's better if we keep them together. — Jennings Michael Burch

Oh, he'll help us whether he wants to or not. I told the truth. I would not kill him. The death-curse of a god is an evil thing.
But I can hurt him. And I will.
And besides ...
Have you never wondered, little bird, what it must be like to see the world through the eyes of a god? — Neil Gaiman

Joan Crawford is doubtless the best example of the flapper, the girl you see in smart night clubs, gowned to the apex of sophistication, toying iced glasses with a remote, faintly bitter expression, dancing deliciously, laughing a great deal, with wide, hurt eyes. Young things with a talent for living. — F Scott Fitzgerald

When you have a grasp on eternity your eyes won't ever see the battle or the lost people that hurt you. You will see a beautiful story of hope, in every character. It is not one person god loves. He loves us all and this is his story, our story and theirs. — Shannon L. Alder

Archer?" I asked, raising my eyebrows. Hey, you might be able to take away my magical powers, but the power of sarcasm was still at my disposal. "Is your last name Newport or Vanderbilt? Maybe followed by some numbers? Ooh!" I said, widening my eyes, "or maybe even Esquire!"
I'd hoped to hurt his feelings or, at the very least, make him angry, but he just kept smiling at me. "Actually, it's Archer Cross, and I'm the first one. Now what about you?" He squinted. "Let's see ... brown hair, freckles, whole girl-next-door vibe going on ... Allie? Lacie? Definitely something cutesy ending in ie."
You know those times when your mouth moves but no sound actually comes out? Yeah, that's pretty much what happened. And then, of course, my mom took that opportunity to end her conversation with Justin's parents and call out, "Sophie! Wait up."
"I knew it." Archer laughed. "See you, Sophie," he called over his shoulder as he disappeared into the house. — Rachel Hawkins

Bagheera to see if the Panther was angry too, and Bagheera's eyes were as hard as jade stones. "Thou hast been with the Monkey People
the gray apes
the people without a law
the eaters of everything. That is great shame." "When Baloo hurt my head," said Mowgli (he was still on his back), "I went away, and the gray — Rudyard Kipling

The things we need most are the things we have become most afraid of, such as adventure, intimacy, and authentic communication. We avert our eyes and stick to comfortable topics. We hold it as a virtue to be private, to be discreet, so that no one sees our dirty laundry. We are uncomfortable with intimacy and connection, which are among the greatest of our unmet needs today. To be truly seen and heard, to be truly known, is a deep human need. Our hunger for it is so omnipresent, so much apart of our life experience, that we no more know what it is missing than a fish knows it is wet. We need more intimacy than nearly anyone considers normal. Always hungry for it, we seek solace and sustenance in the closest available substitutes: television, shopping, pornography, conspicuous consumption - anything to ease the hurt, to feel connected, or to project an image by which we might be seen or known, or at least see and know ourselves. — Charles Eisenstein

As far as I can figure, the way that it works is this: everyone has something that happened to them. The thing that we each carry. And you can see it in people, if you look. See it in the way someone walks, in the way someone takes a compliment, sometimes you can just see it in someone's eyes. In one moment of desperation, of fear, in one quick moment you can see that thing that happened. Everyone has it. The thing that keeps you up at night, or makes you not trust people, or stops love. The thing that hurts. And to stop it, to stop the hurt, you have to turn it into a story. And not just a story you play over and over for yourself, but a story that you tell. A story's not a story unless you tell it. And once you tell it, it's not yours anymore. You give it away. And once you give it away, it's not something that hurts you anymore, it's something that helps everyone who hears it. It's the kind of thing that's hard to explain. It's probably best if we just show you how it works. — Daniel MacIvor

I think a lover, when broken, is given a gift
not a scar, not a poem, not a rhyme
(unless it fits.)
I think as humans, we see a set of hues
but when wounded, we see something more:
deeper shades of hurt and worry,
colors never seen before.
Because I can't imagine a child
could see the same black as a widower,
and I don't think healthy hearts
know the true meaning of blue.
When children close their eyes,
they see a color they call empty.
But in the eyelids of the bruised,
the empty black's a crowded room. — Katya Polo

Who hasn't sharpened the edge of his soul? When, just as our eyes are opened, we see hate, and just after learning to walk, we are tripped, and just for wanting to love, we are hated, and for no more than touching, we are hurt, which of us hasn't started to arm himself, to make himself sharp, somehow, like a knife, to pay back the hurt? — Pablo Neruda

That is what I thought of you, Ellie. Heartless, reckless, selfish, and cruel."
He was back to shooting me when my armor was down. I turned my face away from him, not wanting to let him see the hurt in my eyes. He reached up and put his fingers under my chin, bringing my face forward again, forcing me to look at him.
"Beautiful, sad, wounded, and lost," he continued. "A freak, a work of art, a liar, and a lover."
His gaze was starting to eat away at my insides. Razor-blade butterflies whirled in my heart.
"I hate you, Ellie Watt," he whispered, lips coming closer to mine, "because I still love you after all these years. — Karina Halle

People don't want to think about it.' 'I can see why,' I said. 'It makes my head hurt.' 'Still, you did better than most people. You're a pretty smart kid.' I rolled my eyes. 'Gee, thanks. — Rebecca Stead

It pleased him to see the hurt look on her face, the tears springing into her eyes. She might be a daughter of the Great Don but she was his wife, she was his property now and he could treat her as he pleased. It made him feel powerful that one of the Corleones was his doormat. — Mario Puzo

There's a good kind of crazy, Kaylee," he insisted softly, reaching out to wrap his warm hand around mine. "It's the kind that makes you think about things that make your head hurt, because not thinking about them is the coward's way out. The kind that makes you touch people who bruise your soul, just because they need to be touched. This is the kind of crazy that lets you stare out into the darkness and rage at eternity, while it stares back at you, ready to swallow you whole."
Tod leaned closer, staring into my eyes so intently I was sure he could see everything I was thinking, but too afraid to say. "I've seen you fight, Kaylee. I've seen you step into that darkness for someone else, then claw your way out, bruised, but still standing. You're that kind of crazy, and I live in that darkness. Together, we'd take crazy to a whole new level. — Rachel Vincent

But there's another reason you can't go. You still haven't told me about your trip to Tennessee." A sudden spark seemed to light his keen eyes. "I wanted to tell you, but you didn't come, even when I gave you back your bed." She looked up, full of wonder. "You wanted me to come upstairs?" "You know I wouldn't hurt you ... dishonor you." "I - I know you wouldn't ... but ... being alone with you ... like that ... " She faltered and looked away, a furious blush staining her face. "It's not the proper way," he finished for her. She merely nodded, trying to start sewing again, but instead making a knot of her thread. He said quietly, "Sometimes I think you're still afraid of me." She looked up at him again and wished she hadn't. His eyes held hers with a startling intensity, as if daring her to deny it. She got up abruptly, nearly spilling her sewing onto the floor. "I made some broth," she said. "You'll need to regain your strength. And I'll have to see to your shoulder. — Laura Frantz

Who said anything about relationship? Besides, we're not required to share everything; it's not like we're married."
"You want to marry me?" Xavier asked, and I saw some faces turn toward us in curiosity. "I was thinking we'd start slow and see where things went, but hey, what the hell!"
I rolled my eyes. "Be quiet or I'll be forced to flick you."
"Ooh," he mocked. "The ultimate threat. I don't think I've ever been flicked before."
"Are you suggesting I can't hurt you?"
"On the contrary, I think you have the power to do great damage."
I looked at him quizzically and then blushed deeply when his meaning dawned.
"Very funny," I said curtly. — Alexandra Adornetto

I heard the Avarosh aunt say, 'She should grow her hair to hide that pointy chin and pointy nose.'"
"If I see that pointy chin and nose hidden, I'll have to hurt someone."
"You're supposed to say I don't have a pointy chin or pointy nose."
"But you do. And you also have pointy eyes," he added as he kissed both lids, "and a pointy mouth," he teased, pressing his lips against hers, "and a pointy tongue." His body covered hers as he held her face in his hands and captured her mouth, the silk warmness of her tongue matching his, stroke for stroke. Then he felt the sharp nip of her teeth as his mouth dared leave hers, traveling down toward her throat, fleetingly tracing the scars of the noose. "And a pointy, pointy heart. — Melina Marchetta

First, I hope you see them. This is harder than it sounds; you have to learn to see hurt people, because they figure out how to act invisible. Kindness needs recipients. The whole world is filled with lonely and left-out and humiliated and sad kids, and seeing them is the first step. Because they are just as precious as you. If you can learn this during the Family Years, it will change your life, because you'll develop eyes for pain, which is exactly how Jesus walked around on this earth. If your mercy radar is strong now, God can do anything with you later. — Jen Hatmaker

If he was a ghost in the life he remembered, Jeff thought, he was also a ghost in his present life, just the same way. Except, in all the fourteen years, just a couple of times. With Melody that first summer he had felt alive. On the beach on the island. And when he played the guitar. Most of the time, he thought, he practiced not being anybody. If you weren't anybody then nobody could - what? Hurt you or leave you behind? Make you unhappy? But then they couldn't make you happy either, could they? If you played it safe, then you kept safe. Jeff figured he was pretty good at keeping safe - he didn't even look in mirrors because he didn't want to see Melody's eyes. But one result of that was that Jeff didn't know anything about himself. And he thought, sitting in the little boat, alone on the creek, alone with the creek and the sky and the marshes, that he might want to know more. — Cynthia Voigt

Bastien rolled his eyes, "Calm down, Hauk. All you're going to do is hurt yourself."
He glared at Bastien. "If you want to see exactly how angry someone can get, tell them to calm down when they're already pissed off!" Bellowing, he tried his best to break free.
"Is that helping? I just gotta know."
"When I get loose, Cabarro, your ass is the first one I'm kicking."
"Oh good. Hope you get out soon. Been awhile since I had a good ass-kicking." Bastien made a kissy face at him.
"Says the man who's so bruised, he looks like a two-year old banana."
"Now that's just mean and hurtful."
"Telise! He's awake again."
She moved forward and kicked Hauk in the face. "I wouldn't do that," Bastien warned. "Don't motivate the Andarion for murder. It ain't going to work out well for any of us. 'Specially me, since mine's the first ass he's planning to come after. — Sherrilyn Kenyon

After everything happened with you and me, I tried to heal. I knew that I needed to forget you and move on. I hurt so much; everyday felt like a death sentence. I mourned you like you were dead and then, I met Leah. We were set up on a blind date and I remember feeling hope that day. It was the first day in a year that I felt hope. We took our time getting to know each other, I bought her a ring." He shot me a look to see if I remembered the iceberg.
"And then, all of a sudden I missed you again. I mean, I never stopped missing you, but this time it hit me hard. I couldn't go to sleep for a single night without seeing you in my dreams. I compared everything Leah did to everything I remembered about you. It was like the old wound opened itself up again and I was bleeding out my feelings for you." I close my eyes at his words. Words that I want to hear badly but that are making my heart ache so terribly I can barely breathe. — Tarryn Fisher

Well, let's all get maudlin, shall we? George, stop on the way and get us some red-hot pokers to put out our eyes. Oh, and while you're at it, I think we should see about adding salt for our wounds, too. (Solin)
Quite good, sir. Is there any particular place you'd care for me to stop? I've heard the market is a good place for pokers. That is, if you're agreeable to a short detour. (George)
What do you two think? Run-of-the-mill pokers, or a better quality. Oh hell, why not use rusty spoons. They'd hurt more. (Solin) — Sherrilyn Kenyon

I hate that she's hurt. I hate that she's been hurt, by me and by others, throughout the entire arc of her life. I barely remember pain, but when I see it in her I feel it in myself, in disproportionate measure. it creeps into my eyes, stinging, burning. — Isaac Marion

He tried to remember Moon Child's eyes, but was no longer able to. He was sure of only one thing: that her glance had passed through his eyes and down into his heart. He could still feel the burning trail it had left behind. That glance, he felt, was embedded in his heart, and there it glittered like a mysterious jewel. And in a strange and wonderful way it hurt.
Even if Bastian had wanted to, he couldn't have defended himself against this thing that had happened to him. However, he didn't want to. Oh no, not for anything in the world would he have parted with that jewel. All he wanted was to go on reading, to see Moon Child again, to be with her.
IT never occurred to him that he was getting into the most unusual and perhaps the most dangerous of adventures. But even if he had known this, he wouldn't have dreamed of shutting the book. — Michael Ende

She feels so good and welcoming, like home. Reluctantly, I relinquish her, and Bob gives me an awkward one-armed hug. He seems unsteady on his feet, and I remember that he's hurt his leg. "Welcome back, Ana. Why you cryin'?" he asks. "Aw, Bob, I'm just pleased to see you, too." I stare up into his handsome square-jawed face and his twinkling blue eyes that gaze at me fondly. I like this husband, Mom. You can keep him. He takes my backpack. "Jeez, Ana, what have you got in here?" That would be the Mac, and they both put their arms around me as we head for the parking lot. I always forget how unbearably hot it is in Savannah. Leaving the cool air-conditioned confines of the arrival terminal, we step into the Georgia heat like we're wearing it. Whoa! It saps everything. I have to struggle out of Mom and Bob's embrace so — E.L. James

How many times do I have to say I'm sorry before you believe it? That I acknowledge I made a terrible mistake and have done everything I know how to fix it? How can you just freeze me out after that and walk away from everything we had?"
Hurt and resentment swelled inside him, mixing with the anger in a toxic, chaotic mess. "You walked away first," he shot back. "That was your choice." Then I made mine. It was a low blow, even if it was true. But he refused to feel guilty about it, even under the circumstances. He hadn't wanted to have this conversation, but she'd insisted, and he wouldn't lie to her about the way things stood.
Honor's chin came up, her tears evaporating as her eyes sparked with fresh anger. "I did," she admitted quietly, her control merely emphasizing the loss of his own. "I did walk away and it was the absolute worst mistake of my life. I'm sorry, Liam. See? I'm a big enough person to admit it to your face. Are you? — Kaylea Cross

The woman trembled, eyes wide as she stared at the bluff. Her teeth pressed against her lower lip hard enough he wouldn't have been surprised to see blood. Devyn recognized the building hysteria. His chest tightened; he'd seen like expressions all too often and it opened a raw, bleeding hurt in his chest. — Lynda K. Scott

You reach a certain age when reality grabs you by the scruff of the neck and shouts in your face:"Hey, look, this is what life is." And you have to open your eyes and look at it, listen to it, smell it: people who don't like you, things you don't want to do, things that hurt, things that scare you, questions without answers, feelings you don't understand, feelings you don't want but have no control over.
Reality.
When you gradually come to realise that all that stuff in books, films, television, magazines, newspapers, comics - it's all rubbish. It's got nothing to do with anything. It's all made up. It doesn't happen like that. It's not real. It means nothing. Reality is what you see when you look out of the window of a bus: dour faces, sad and temporary lives, millions of cars, metal, bricks, glass, rain, cruel laughter, ugliness, dirt, bad teeth, crippled pigeons, little kids in pushchairs who've already forgotten how to smile ... — Kevin Brooks

Yet as bad as she felt, it was nothing compared to the stark despair she saw in Rafferty's eyes. It was so total, and went so deep, that it made her forget her own hurt to see it. It was the look of a man who'd given up deep inside where it mattered most, and for Maggie, who was a survivor to her very toes, it was profoundly disturbing. — Caroline Cross

I felt his hand go to my cheek and wipe the tear that i hadn't realize was falling from eyes. I looked him in the eyes so he could see the hurt in min, and swiped his hand off. — P.L. Jenkins

You have to understand when it hurt to love her, it hurt the way the light hurts your eyes in the middle of the night, but I had to see. — Andrea Gibson

The Brother looked right into Xcor's eyes. "I am Hharm's son. So are you. We are brothers by blood." Xcor's heart began to pound so hard his head hurt. And then he felt his stare narrow of its own volition on Tohr's face. "It's the eyes," the Brother said. "You'll see it in the eyes. And no, I didn't really know him, either. I gather he was not a good male." "Hharm?" Wrath muttered. "No, he wasn't. And that's all I'll say about it." Xcor — J.R. Ward

You will be the first test subject, Tobias. Beatrice, however ... " She smiles. "You are too injured to be of much use to me, so your execution will occur at the conclusion of this meeting."
I try to hide the shudder that goes through me at the word "execution," my shoulder screaming with pain, and look up at Tobias. It's hard to blink tears back when I see the terror in Tobias's wide, dark eyes.
"No," says Tobias. His voice trembles, but his look stern as he shakes his head. "I would rather die."
"I'm afraid you don't have much of a choice in that matter," replies Jeanine lightly.
Tobias takes my face in this hands roughly and kisses me, the pressure of his lips pushing mine apart. I forget my pain and the terror of approaching death and for a moment, I am grateful that the memory of that kiss will be fresh in my mind as I meet my end. — Veronica Roth

Do you hurt uncle Kisten', he asked.( ... ) but Kisten beat me to it. "Only my heart, Audric," he said. "Ms. Rachel is like the sun. See her sparkling there with the wind in her hair and fire in her eyes? You can't catch the sun. You can only feel its touch on your face. And if you get too much of it, it burns you. — Kim Harrison

Lights! Lights would be very good right now! (Amanda) Since they hurt my eyes to the point I can barely see, no they wouldn't. Trust me. (Kyrian) Trust you, my left foot! I'm not immortal over here! (Amanda) Yeah, well, in a bad enough car wreck, neither am I. (Kyrian) I really hate your sense of humor. (Amanda) — Sherrilyn Kenyon

Zachary's mother, Lucy, waylaid him on the third-floor landing and offered, unsolicited, her opinion that the Traumatics had been the kind of adolescently posturing, angst-mongering boy group that never interested her. Then she waited, with parted lips and a saucy challenge in her eyes, to see how her presence
the drama of being her
was registering. In the way of such chicks, she seemed convinced of the originality of her provocation. Katz had encountered, practically verbatim, the same provocation a hundred times before, which put him in the ridiculous position now of feeling bad for being unable to pretend to be provoked: of pitying Lucy's doughty little ego, its floatation on a sea of aging-female insecurity. He doubted he could get anywhere with her even if he felt like trying, but he knew that her pride would be hurt if he didn't make at least a token effort to be disagreeable. (p. 194) — Jonathan Franzen

She could see the hurt in his eyes, and for a moment she wrestled the urge to call Maia a number of unprintable names. — Cassandra Clare

I knelt in front of life, folded my hands and prayed for some more time; there couldn't be any. My heart bled and so did my tearful eyes.
Time, they say, flies, but I saw it slowly passing by taking each of my tardy breaths with it as it walked out of my life ... — Sanhita Baruah

Nick leans down and kisses my eyelids. "Loving you, Zara, is a full-time job. It's a great job, don't get me wrong. It's the best job in the universe. But it is not easy, because you tend to . . ."
"Get hurt?" Betty suggests. "Find trouble? Pass out? Break arms?"
"All of the above." Nick laughs.
My hand finds Nick's wrist and I grab onto its thickness. "You know, I'm the patient here. Where's the bedside manner? Where's the sympathy?"
"Zara, sympathy is just a good excuse to buy greeting cards and make sorry eyes and secretly gloat over how glad you are that you aren't the person whose crap is hanging out there for the world to see," Betty says. — Carrie Jones

Wait, so you do love me?" I asked, hope welling in my heart.
She growled and pounded her fist into a locker, leaving a fist-shaped dent. "Stop it, Justin. Stop it!"
I grabbed her shoulders. "Look at me and tell me you don't love me," I said. "Do it and I'll never bother you again."
"I don't love you," she mumbled.
"Look at me when you say it!"
She turned to me, her eyes hard but dull and faded. "I don't love you."
I let her go. My heart turned to lead, the heavy lump sagging in my chest. "Well, if there are agents out there looking to kill me, I guess it would be a mercy."
I turned to leave. Her hand gripped my shoulder.
"Please listen to me, Justin."
I pushed her hand away but didn't turn to face her. I couldn't let her see the tears welling in my eyes. "Why? What does it matter?"
"It just does. I - I don't want to see you hurt."
I took a deep shuddering breath. "You're not doing a very good job of it." I walked away and left her standing there. — John Corwin

I'd hate to see the look on my face when that mask came down and I saw the face behind it. Thinner than I remember. Paler. The eyes sunk deep into their sockets, kind of glazed over, like he's sick or hurt, but I recognize it, I know whose face was hidden behind that mask. I just can't process it.
Here, in this place. A thousand years later and a million miles from the halls of George Barnard High School. Here, in the belly of the beast at the bottom of the world, standing right in front of me.
Benjamin Thomas Parish.
And Cassiopeia Marie Sullivan, having a full-bore out-of-body experience, seeing herself seeing him. The last time she saw him was in their high school gymnasium after the lights went out, and then only the back of his head, and the only times that she's seen him since happened in her mind, the rational part of which always knew Ben Parish was dead like everyone else. — Rick Yancey

Whenever you come back, you will be welcomed with open arms. And after everything that's happened, you're probably going to have about two hundred thousand guys wanting to take you to the Annual Peace Ball next year. I expect the offers to start rolling in any day now." "I highly doubt that." "Just wait, you'll see." He tilted his head, clumps of hair falling into his eyes. "I figured it couldn't hurt to get my name on the list before anyone else steals you away. If we start now, and plan frequent visits between Earth and Luna, I might even have time to teach you to dance." Cinder — Marissa Meyer

I'd get out of here," he said. "Go someplace where no one knew me. Start over. Go to Paris like you did or go to - I don't know - Prague. Somewhere." He looked toward the window, like he could already see himself gone.
"Oh," she said, because it hurt that he was thinking about that when she was thinking about him. She narrowed her eyes. "What's stopping you?"
The boy looked down at the book of fairy tales. "Nothing," he said.
Lila wanted to be the one to stop him. — Holly Black

She reached for his wrist, clutched it. "How do I look?"
"Hurt. Pained. Destroyed."
"If I could look into your eyes, what would I see in them, Iain?"
"Devastation. Shame for what I was. Hatred for the vanity and arrogance of my youth. A love for you that has never, ever died, but has only grown and matured, and become all-consuming. Tears," he said, and pressed his face to hers so she could "see" them. "Because I know it is truly over now that the truth is out, and I don't know how I'm going to live without you. Forgive me," he whispered, then stole a kiss from her lips. "Forgive me, and the boy I was, and the man I turned out to be. — Charlotte Featherstone

Lord, use me today, use me for your glory, make me bold, stir me up, give me eyes to see the needs of those I work with, give me a heart sensitive to those who are hurting, give me a prompting of the Spirit to minister to those who are around me. — Craig Groeschel

No one will say it to my face, but it's so obvious they think I actually murdered Gavin. As if I would actually want to hurt the guy I was in love with. Still, I see it in their eyes, the way they avoid crossing my path as if I'll snap and go after them next. I hear it in their accusatory whispers that fill the hallways as I pass by. The signs that I'm generally considered guilty are everywhere. — Jen Naumann

To see certain things, you have to be lying on your back with tears in your eyes and a scalding potato in your mouth. It's possible, I think, that you have to be hurt to see anything at all. — Pete Dexter

Where love n happiness makes us blind, pain n hurt helps to see truth. So, pain in good. — Deepakgogna

That's not what it looked like'
He hangs his ha. "I know what it looked like. I wanted it to look that way.'
'Why?'
'Because I'm an idiot.' he brushes away a teardrop that creeps along his cheek. His eyes meet mine. 'I wanted to show you how you hurt me.'
'When have I hurt you like that? I've never even looked at another guy'
'See? You don't get it. That's why I needed to teach you a lesson. — S.M. Parker

I'm a demon, Layla. What I see in your eyes and what I sense from your body is something I will take. Make no mistake. I'll give you one chance. Close your eyes, and I'll let this go." I felt weak under his consuming stare, but I didn't close my eyes. "Layla." He said my name as if it hurt him. And then he kissed me. — Jennifer L. Armentrout

All I had to see was his face. Unaware of an audience, lost in the repeated rhythm of the piano riff, lit by the evening, it was like all of Cole's armor had fallen off. This was not the aggressively handsome, cocky guy that I had met a few days ago. This was just a boy getting to know a tune. He looked young and uncertain and endearing, and I felt betrayed that he was somehow getting himself together when I couldn't.
Somehow, he was yet again being honest, sharing another secret, when I didn't have anything I was willing to give in return. For once, I saw something in his eyes. I saw that he was feeling again, and that whatever he was feeling was hurting him.
I wasn't ready to hurt. — Maggie Stiefvater