Sea Pictures With Quotes & Sayings

John Donne's 'A Valediction: forbidding mourning' concerns a sea voyage, and uses the image of a circle as an antidote to the abyss of loss and separation. He pictures the invisible but precious bonds which link carer and cared-for, lover and beloved in an attachment relationship as slender threads of gold. — Jeremy Holmes

By and large, the making of motion pictures is all about, 'Let's ratchet it up.' And I always think, 'We don't need to ratchet this up.' If you do, don't call it 'Captain Phillips' or 'The Maersk Alabama.' Call it something else, and then you have carte blanche to do anything, down to sea serpents and aliens. — Tom Hanks

The artist who pictures sounds as colours, who feels the difference in microns between one sea green and another ... is not attending to what the world considers important. — Eric Maisel

But I can't help but long for a real return to the Western. Westerns are true Americana. They tell of the struggles of our ancestors who came West seeking new homes, new ways of living, freedom and the promise of a bright future. The story of the West is inspiring and terrible, idealistic and bloody, sublime and atrocious. It embodies this country's best and worst characteristics. The good parts of the story inspire us. The bad parts warn us of what we have to do to make things better. Even though many Western films have only a slight connection to the true history of the West, I believe exposure to these motion pictures can stimulate kids to learn more about what their forefathers endured to make the United States one nation, from sea to shining sea. — Clayton Moore

A friend of Diagoras pointed out an expensive display of votive gifts and said, 'You think the gods have no care for man? Why, you can see from all these votive pictures here how many people have escaped the fury of storms at sea by praying to the gods who have brought them safe to harbor.'
To which Diagoras replied, 'Yes, indeed, but where are the pictures of all those who suffered shipwreck and perished in the waves? — Diagoras Of Melos

When they were both five, Charlie and David asked their mother where babies come from. Charlie's mom folded herself into an armchair, sat Charlie on her lap, and pointed to pictures in what Charlie had always thought was a book of sea creatures. She helped him sounds out the scientific names. David's mother had a more whimsical answer. "When two people make love, a little blue fair leaps from the daddy to the mummy, connecting them like a ribbon of light. And sometimes, the fairy leaves a baby in the mummy's tummy." Would the fairies leave any more babies in his mummy's tummy? David wanted to know. "No, Davie." Why not? "Because Daddy's fairies are lazy. — John M. Cusick

Existentialism, in both its Continental and its Anglo-Saxon versions, is an attempt to solve the problem without really facing it: to solve it by attributing to the individual an empty, lonely freedom, a freedom, if he wishes, to 'fly in the face of the facts'. What it pictures is indeed the fearful solitude of the individual marooned upon a tiny island in the middle of a sea of scientific facts, and morality escaping from science only by a wild leap of the will. But our situation is not like this. — Iris Murdoch

Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people
and of towns, which they accustom us to believe are individual, unique like people
an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets. — Marcel Proust

Old paint on canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman's dress, a child makes way for a dog, a large boat is no longer on an open sea. That is called pentimento because the painter 'repented', changed his mind. Perhaps it would be as well to say that the old conception, replaced by a later choice, is a way of seeing and then seeing again. — Lillian Hellman

Naturally they don't eschew such simpler pleasures as love-making, sea-bathing, going to the pictures. — Albert Camus

You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often there's no visible emotion at all. They look so blank it would be easy to imagine that they weren't feeling much.
And though I do not for a moment equate what I went through with the suffering of those children, I do remember feeling as they look. I remember Matt talking to me
others as well, but mostly Matt
and I remember the enormous effort required even to hear what he said. I was so swamped by unmanageable emotions that I couldn't feel a thing. It was like being at the bottom of the sea. — Mary Lawson

Sure, the Leaning Tower of Pisa leaned like everyone else said it would, the mountains of Tibet were more beautiful than you had ever expected, and the Pyramids of Egypt stood mysteriously in the sea of sand like in the pictures; yet is it the environment or rather the openness in mindset, that makes up the elusive essence of happiness that we experience when we travel? — Forrest Curran

Of one thing, though, she was sure: "I want to travel," she confessed.
Books were making her restless. She was beginning to read, faster, more, until she was inside the narrative and the narrative inside her, the pages going by so fast, her heart in her chest - she couldn't stop... And pictures of the chocolaty Amazon, of stark Patagonia in the National Geographics, a transparent butterfly snail in the sea, even of an old Japanese house slumbering in the snow... - She found they affected her so much she could often hardly read the accompanying words - the feeling they created was so exquisite, the desire so painful. — Kiran Desai

Oh Jesse, paint you pictures, 'bout how it's gonna be.
By now I should know better, your dreams are never free.
But tell me all about, our little trailer by the sea.
Oh Jesse, you can always sell any dream to me. — Joshua Kadison

There was a strange happening during a performance of Elgar's 'Sea Pictures' at a concert hall in Bermuda tonight, when the man playing the triangle disappeared. — Ronnie Barker

My goodness, I am made from planets and wood, diamonds and orange peels, now and then, here and there; the iron in my blood was once the blade of a Roman plow; peel back my scalp and you will see my cranium covered in the scrimshaw carved by an ancient sailor who never suspected he was whittling at my skull - no, my blood is a Roman plow, my bones are being etched by men with names that mean sea wrestler and ocean rider and the pictures they are making are pictures of northern stars at different seasons, and the man keeping my blood straight as it splits the soil is named Lucian and he will plant wheat, and I cannot concentrate on this apple, this apple, and the only thing common to all of this is that I feel sorrow so deep, it must be love, and they are upset because while they are carving and plowing they are troubled by visions of trying to pick apples from barrels. — P. Harding

How could anyone not want to live when there were so many things to live for? There were rainy nights and wind and the slap of the sea and the moon. There were books to read and pictures to paint and music. — Michelle Magorian

I had this dream that my life was a rolling canvas. Everyday it rolled off the sheet, bleached white, into the beach of my life. Come sunup, I'd begin to paint it with my thoughts and actions. My breathing, my living, and my dying. Some days the pictures pleased me, maybe pleased others, pleased God himself, but some days, some months, even some years, they didn't, and I didn't ever want to look at them again. But the thing is this ... every day, no matter what I'd painted the day before, I got a new canvas, washed white. 'Cause each night the tide rolled in, scrubbed it clean, and receded, taking it's stains with it. And my dreams ... I just stood on the beach and watched all that stuff wash out to sea.- Nothing more than ripples in the water. No canvas is ever stained clean through. Not one. — Charles Martin

The distant sea, lapping the sandy shore with measured sound; the nearer cries of the donkey-boys; the unusual scenes moving before her like pictures, which she cared not in her laziness to have fully explained before they passed away; the stroll down to the beach to breathe the sea-air, soft and warm on the sandy shore even at the end of November; the great long misty sea-line touching the tender-coloured sky; the white sail of a distant boat turning silver in some pale sunbeam: - it seemed as if she could dream her life away in such luxury of pensiveness, in which she made her present all in all, from not daring to think of the past, or wishing to contemplate the future. — Elizabeth Gaskell

To lose somebody is to lose not only their person but all those modes and manifestations into which their person has flowed outwards; so that in losing a beloved one may find so many things, pictures, poems, melodies, places lost too: Dante, Avignon, a song of Shakespeare's, the Cornish sea. — Iris Murdoch

Old paint on a canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman's dress, a child makes way for a dog, a large boat is no longer on an open sea. That is called pentimento because the painter "repented," changed his mind. Perhaps it would be as well to say that the old conception, replaced by a later choice, is a way of seeing and then seeing again. That is all I mean about the people in this book. The paint has aged and I wanted to see what was there for me once, what is there for me now. — Lillian Hellman

The things which the Stygian darkness hid from my objective eye could not have been half so wonderful as the pictures which my imagination wrought as it conjured to life again the ancient peoples of this dying world and set them once more to the labours, the intrigues, the mysteries and the cruelties which they had practised to make their last stand against the swarming hordes of the dead sea bottoms that had driven them step by step to the uttermost pinnacle of the world where they were now intrenched behind an impenetrable barrier of superstition. — Edgar Rice Burroughs

They are thought pictures -- the outstanding headlands of the meandering shores of life, and are points to steer by on the broad sea of thought and experience. They body forth in living forms and colors the ever varying lights and shadows of the soul. — Frederick Douglass

Charlotte has a high tolerance for risk, she's a slave to the sea and she takes pictures of time. — G.J. Walker-Smith

It was partly the war, the revolution did the rest. The war was an artificial break in life
as if life could be put off for a time
what nonsense! The revolution broke out willy-nilly like a sigh suppressed too long. Everyone was revived, reborn, changed, transformed. You might say that everyone has been through two revolutions
his own, personal revolution as well as the general one. It seems to me that socialism is the sea, and all these separate streams, these private, individual revolutions, are flowing into it
the sea of life, the sea of spontaneity. I said life, but I mean life as you see it in a great picture, transformed by genius, creatively enriched. Only now people have decided to experience it not in books and pictures, but in themselves, not as an abstraction but in practice. — Boris Pasternak