Scene 4 Quotes & Sayings

It wasn't easy telling my family that I'm gay. I made my carefully worded announcement at Thanksgiving. It was very Norman Rockwell. I said, 'Mom, would you please pass the gravy to a homosexual?' She passed it to my father. A terrible scene followed. — Bob Smith

We all now tell stories by cutting from one dramatic scene to the next, whereas Victorian novelists felt free to write long passages of undramatic summary. — Ken Follett

IS [Islamic State] has played a major role in helping Bashar al-Assad to reposition Syria on the international scene. Now, it is almost impossible to come up with a solution that would exclude him. The political game appears to be very cynical indeed. — Tariq Ramadan

The most refined abstractions of logic conduct to a view of life, which, though startling to the apprehension, is, in fact, that which the habitual sense of its repeated combinations has extinguished in us. It strips, as it were, the painted curtain from this scene of things. I confess that I am one of those who are unable to refuse my assent to the conclusions of those philosophers who assert that nothing exists but as it is perceived. — Percy Bysshe Shelley

Under the rules of colonialism, everything goes to and comes from the mother country. In 1870, the colony of Turks and Caicos was asked to send a crest to England so that a flag for the colony could be designed. A Turks and Caicos designer drew a crest that included Salt Cay saltworks with salt rakers in the foreground and piles of salt. Back in England, it was the era of Arctic exploration, and, not knowing where the Turks and Caicos was, the English designer assumed the little white domes were igloos. And so he drew doors on each one. And this scene of salt piles with doors remained the official crest of the colony for almost 100 years, until replaced in 1968 by a crest featuring a flamingo. — Mark Kurlansky

The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need. — Kate Capshaw

Somebody always leaves a banana-skin on the scene of tragedy. — Graham Greene

There is magic in the web Shakespeare (Othello, Act 3, Scene 4) — William Shakespeare

And the creature run from the cur? There thou mightst behold the great image of authority: a dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand.
Why dost thou lash that whore? Strip thine own back.
Thou hotly lust'st to use her in that kind
For which thou whipp'st her. The usurer hangs the cozener.
Through tattered clothes great vices do appear;
Robes and furred gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks.
Arm it in rags, a pigmy's straw does pierce it.
None does offend - none, I say, none. I'll able 'em.
Take that of me, my friend, who have the power
To seal th' accuser's lips. Get thee glass eyes,
And like a scurvy politician seem
To see the things thou dost not. — William Shakespeare

God is not going to let you see the distant scene either. So you might as well quit looking for it. He promises a lamp unto our feet, not a crystal ball into the future (Psalm 119:105). We do not need to know what will happen tomorrow. We only need to know he leads us and "we will find grace to help us when we need it" (Hebrews 4:16 NLT). — Max Lucado

Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. — David Foster Wallace

You know that scene in 'Runaway Bride' when Julia Roberts puts on the amazing wedding dress and looks at herself in the mirror and goes, 'Swish, swish'? I loved that moment so much when I was a little girl. — Lily James

We just wanted to get as far away from the rap-rock scene as possible, because its been done and other bands do it better than us anyway. — Adam Rich

Feste. Are you ready, sir?

Orsino. Ay; prithee, sing.
[Music] 945
SONG.

Feste. Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away breath;
I am slain by a fair cruel maid. 950
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet 955
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where 960
Sad true lover never find my grave,
To weep there!
Orsino. There's for thy pains.
Feste. No pains, sir: I take pleasure in singing, sir.

Orsino. I'll pay thy pleasure then. 965

Feste. Truly, sir, and pleasure will be paid, one time or another.

From Twelfth Night, Act II, Scene 4. — William Shakespeare

Men have external genitalia, while women have internal genitalia. This simple difference makes a lot of difference in how they write about themselves - and how you might write about your characters. Male writers don't often address internal sensation in a character, because they don't experience it (and probably often don't realize consciously that it's there). This accounts for a lot of Really Terrible sex scenes written by men (if you look at the "Bad Sex-Scene Awards" in any given year, you'll see that the vast majority are done by male writers). — Diana Gabaldon

I had given myself a sort of early retirement when I left the scene in 1985. All of the people in my family worked until they dropped, including my father. I decided to take a little time to enjoy life. I traveled, built my dream house, rescued a few dogs. My return to music, and acting, was deliberate, part of my musical arc. — J. D. Souther

Just to be seen strolling to or from a helicopter on the White House lawn, shouting an evasive answer to Sam Donaldson, must seem to the Reagans not quite satisfactory enough of a 7 PM presence, and this inane scene certainly galls the press. — Thomas B. Griffith

A uniform cordoned off the area with crime scene tape. The M.E. pulled in and parked. There were two EMT trucks idling at the edge of the lot. I'd stayed close to the back door, and one of the Rangeman guys had taken a position two feet from me, standing at parade rest. No doubt in my mind he'd take a bullet for me rather than face Ranger over a dead Stephanie. — Janet Evanovich

As for my identity within the context of New York nightlife? I left in the '90s, so I'm not part of the scene anymore. I'll always be interested in what's happening downtown, and I try and keep up with the changing faces on social media. — James St. James

The chief reason warfare is still with us is neither a secret death-wish of the human species, nor an irrepressible instinct of aggression, nor, finally and more plausibly, the serious economic and social dangers inherent in disarmament, but the simple fact that no substitute for this final arbiter in international affairs has yet appeared on the political scene. — Hannah Arendt

I think that sharpens the intention of a scene and clarifies a story's arc. Of course, I don't seek the questions until after I've written a scene - or maybe after I've daydreamed it. — Edan Lepucki

I really did not expect any Grace to answer, for the laugh was as tragic, as preternatural a laugh as any I ever heard; and, but that it was high noon, and that no circumstances of ghostliness accompanied the curious cachination; but that neither scene nor season favoured fear, I should have been superstitiously afraid. However, the event showed me I was a fool for entertaining a sense even of surprise. — Charlotte Bronte

A square space with complicated ceremonies going on in it, the purpose of which is to transform animals into men. Two snakes, moving in opposite directions, have to be got rid of at once. Some animals are there, e.g. foxes and dogs. The people walk around the square and must let themselves be bitten by these animals in each of the four corners . If they run away all is lost. Now the higher animals come on to the scene-bulls and ibexes. Four snakes glide into the four corners. Then the congregation flies out. Two sacrificial priests carry in a huge reptile and with this they touch the forehead of a shapeless animal lump or life-mass. Out of it there instantly rises a human head, transfigured. A voice proclaims: "These are attempts at being. — David Lindorff

[Act 5, Scene 4, ROSALIND] If I were a woman I would kiss as many of you as had beards that pleased me, complexions that liked me and breaths that I defied not: and, I am sure, as many as have good beards or good faces or sweet breaths will, for my kind offer, when I make curtsy, bid me farewell. — William Shakespeare

When it comes to the whole debate today over evolution versus creation, Jesus affirmed the early chapters of Genesis were accurate when He said, "Have you not read, that He who created them from the beginning made them male and female" (Matthew 19:4). Adam and Eve didn't come on the scene after billions of years of mutations and evolution. No. God created them all the way back in the beginning-just like Moses reported in the Book of Genesis. — Charlie Campbell

I become a better actor after I step on a stage in front of, like, 500 people when it's just me, a microphone and my guitar. You don't get as nervous walking into a room in front of 3 or 4 people and to do a scene or to walk on a set. You gain confidence. — Bryan Greenberg

But jealous souls will not be answered so.
They are not ever jealous for the cause,
But jealous for they're jealous. It is a monster
Begot upon itself, born on itself. — William Shakespeare

There's an old saying that applies to me: you can't lose a game if you don't play the game. (Act 1, scene 4) — William Shakespeare

When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don't experience a scene visually at F32. It's more like F1.4. — Keith Carter

Imagine now a different scene. Aaron and the Israelites are patiently and faithfully waiting for Moses to return. Finally, they see him coming down. But rather than tablets of stone, he carries the golden calf. And then they hear him speak: "These are your gods, O Israel, who brought you up out of the land of Egypt" (Exod. 32:4). The prophet himself would have now engaged in idolatric substitution. He ascended the mountain to meet with God, but he has returned with an idol. Impossible? It happens every day, and to the best of ordinary prophets, even if it does not happen in such a crass way: the prophets may carry down from the mountain the tablets of stone, but at least some of the writing on them can be traced to the golden calf rather than to the true God of Israel. — Miroslav Volf

I am beyond critical of my own work. I always tell actors they have to watch themselves 4-7 times in a given scene before they can be remotely objective. — Julie Ann Emery

I've worked hard and accomplished what I've accomplished in the heavyweight scene. — Lennox Lewis

I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life. — Ryan Gosling

You learn your lines as well as you can and you go in there and go with whatever is thrown at you. Sometimes you don't know whether or not they're going to break the scene up, so you don't have to do it all at one time. — Courtney B. Vance

My worrying, for instance, was a scene in which I looked at myself while I had the sensation of being boxed in. I call that worrying, It has happened to me a number of times after that first time. — Carlos Castaneda

I don't hold to the idea that God causes suffering and crisis. I just know that those things come along and God uses them. We think life should be a nice, clean ascending line. But inevitably something wanders onto the scene and creates havoc with the nice way we've arranged life to fall in place. — Sue Monk Kidd

I tend to edit some as I go - partly because one of the reasons I don't outline much is that I don't know what the next scene will be until I've actually written the previous scene. — Ann Leckie

Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades. — Sarah Rees Brennan

I love her [Kimberly Peirce]. Incredibly intense is a good way of describing her. Brutally honest. Really sharp. She's a director for actors. That's what she's best at, sitting down with an actor and just getting to the heart of what a scene is. And getting to the heart of not just what the scene is and the character is, but what you are, and how to build that bridge between the "me" and the character, and those emotions. — Joseph Gordon-Levitt

You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play. — Sarah Shahi

September is a sweep of dusky, purple asters, a sumac branch swinging a fringe of scarlet leaves, and the bittersweet scene of wild grapes when I walk down the lane to the mailbox. September is a golden month of mellow sunlight and still clear days ... Small creatures in the grass, as if realizing their days are numbered, cram the night air with sound. Everywhere goldenrod is full out. — Jean Hersey

I missed my entrance in a production of 'Blade to the Heat' at Thick Description in San Francisco. I came into the scene very late and hugged the punching bag. I had no idea what to do! Unfortunately, that mishap was recorded for archives at UC Berkeley. It goes down in history. — Colman Domingo

When I work, I like to just kind of stay quiet, stay to myself. I like to walk around a lot and figure out what's gonna happen in the scene and try to get my head straight. — Kenneth Choi

He moved closer to her, his face just inches away from her. They stood motionless. Jason looked deep into her eyes. He tore away her barriers and locked eyes. His nose two inches away, he slightly tilted his face and looked at her lips. She slightly turned her face at the opposite angle. — Mark A. Cooper

There are some things I like about L.A. You can have a really healthy lifestyle, and I love running with the dogs on the beach. It's just the social scene is horrific! — Mischa Barton

Always, in Lincoln's mature theology, there is paradox. There is starting this, yet there is also tenderness; there is melancholy, yet there is also humor: there is moral law, yet there is also compassion. History is the scene of the working out God's justice, which we can never escape, but it is also the scene of the revelation of the everlasting mercy. — Elton Trueblood

The bodybuilding world has lost one of its greatest legends. I had a chance to speak with Steve Michalik a year ago at The Upper State Bodybuilding competition. We laughed and shared our personal opinions about bodybuilding [today's scene and how it was in the past]. Steve, we'll miss you. R.I.P. — Lee Haney

When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears. — Jeffrey Eugenides

It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions. — Henry James

The scene had been a nightmare, one of those insane nightmares where the most normal objects become infinitely menacing. — Philippa Gregory

I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing. — Stephen Sommers

The painter doesn't try to reproduce the scene before him ... he simplifies and eliminates until he knows exactly what stirred him, sets this down in color and line as simply and as powerfully as possible and so translates his impression into an aesthetic emotion. — David Milne

So I was hugely thrilled that my first scene ever on camera was with Hal Holbrook. — Anthony Edwards

When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little. — Anita Ekberg