Said By A Character Quotes & Sayings
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Top Said By A Character Quotes

I'm speaking of the character of human beings, not what they believe in. I'm speaking of those who won't accept a useless life just because they were born to it. I mean those who would be something better. They work, they sacrifice, they do things ... "
He was moved by this, and I was a little surprised that I'd said it. Yet I felt I'd had hurt him somehow.
"There is blessedness in that." I said. "There's sanctity. And God or no God, there is goodness in it. I know this the way I know the mountains are out there, that the stars shine. — Anne Rice

An initial impulse of mine was to portray the way in which a city is impacted by war. But this is vague, no? After all, how do you actually have an entire city - or country, for that matter - be a character a reader can follow? One way is by making it smaller and personalizing it, by writing specifically about the citizens and the way they contend with the reality, even minutiae, especially minutiae, of their lives. — Said Sayrafiezadeh

You do Batman right, and he's going to be popular. He's a great character. I was once asked by somebody if writing 'Batman' was like holding a Ming vase or something. And I said, 'No, it's like holding a big-ass diamond that you can't break. You can throw him against the ceiling, against the floor, anywhere, and you just can't break Batman.' — Frank Miller

I've often said the reader knows every bit as much about Thorne as I do. When I created him for 'Sleepyhead,' I was determined he should be a character who would develop, book by book, change and grow as we all do, and who - crucially - would be unpredictable. — Mark Billingham

Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them - the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. — Rafael Sabatini

Now, it's true that some of the protesters are oddly dressed or have silly-sounding slogans, which is inevitable given the open character of the events. But so what? I, at least, am a lot more offended by the sight of exquisitely tailored plutocrats, who owe their continued wealth to government guarantees, whining that President Obama has said mean things about them than I am by the sight of ragtag young people denouncing consumerism. — Paul Krugman

Brains and character rule the world. The most distinguished Frenchman of the last century said: Men succeed less by their talents than their character. There were scores of men a hundred years ago who had more intellect than Washington. He outlives and overrides them all by the influence of his character. — Wendell Phillips

Doctor James Rowland Angell has said that 'any program may be regarded as educational (and here we may substitute the words 'a public service') in purpose which attempts to increase knowledge, to stimulate thinking, to teach techniques and methods, to cultivate discernment, appreciation, and taste, or to enrich character by sensitizing emotion and by inspiring socialized ideals that may issue on constructive conduct. — Judith C. Waller

In the case of any person whose judgment is really deserving of confidence, how has it become so? Because he has kept his mind open to criticism of his opinions and conduct. Because it has been his practice to listen to all that could be said against him; to profit by as much of it as was just, and expound to himself, and upon occasion to others, the fallacy of what was fallacious. Because he has felt, that the only way in which a human being can make some approach to knowing the whole of a subject, is by hearing what can be said about it by persons of every variety of opinion, and studying all modes in which it can be looked at by every character of mind. — John Stuart Mill

I couldn't stop the snort that escaped me. If he really was friends with Cinder, it was no wonder why. They were two peas in a pod."
He arched a brow at me and folded his arms stiffly over his chest. "I thought you just said Cinder was one of the greatest characters of all time."
I matched his stubbornness. "Every great character makes mistakes. Cinder was wise by the end and able to rule over his people only because Ellamara taught him how to think beyond himself. He was a great character, but - "
"I know, I know," Brian interrupted with an over-the-top sight. "Ellamara was the real hero. — Kelly Oram

What's wrong?" she began quietly, her large, liquid eyes illuminated with hysteria. She laughed like a loon and said, "Where shall we begin? I'm tired. I'm sore." Her voice began lilting and rising, getting louder with every sentence. Grabbing at her chest, she shouted, "I've got a corset wrapped so tightly over my breasts that I can hardly breathe! I lost both my socks and my shoes! My hands are a pulp of lacerations!" She lifted them up before her, fingers spread, and laughed again. "I've a gash -- a throbbing, bleeding gash on the back of my scalp! And let's not forget to mention that I'm surrounded by men of the most vile, disreputable character imaginable, stuck on board a ship, in the middle of the bloody Atlantic! — Gabriela Lawson

Of means of persuading by speaking there are three species: some consist in the character of the speaker; others in the disposing the hearer a certain way; others in the thing itself which is said, by reason of its proving, or appearing to prove the point. — Aristotle.

The German deli was run by a distant cousin of Kaiser Wilhelm and the Great Neck Jews loved the place; they flocked to Kuch's. They said to one another, What a character he is, Otto, strictly old country, I'm telling you. Gus didn't think that Negroes would rush to shop in a store run by some retired slave owner, eager to share memories of fun times on the plantation, praising Massa's old-fashioned Mississippi charm. Jews were still chasing that absurd, wishful feather. Eventually, Jews would become like everybody else. They'd elevate small grievances; they'd cherish hurt feelings and ill treatment like they were signs of virtue. — Amy Bloom

How can you say anything other than Ratatouille is Pixar's best movie? Your a chef, for Christ's sake," Sue said.
Lou smiled at Sue's accusatory tone. She needed this distraction.
Harley rolled his eyes and said, "You're letting your biases show, Sue. Up uses music better- like a character. The opening fifteen minutes is some of the best filmmaking- ever. And who doesn't love a good squirrel joke?"
"But Ratatouille brings it all back to food." Sue waved a carrot in the air to emphasize her point. "They made you want to eat food cooked by a rat! I'd eat the food; it looked magnificent. That rat cooked what he loved; what tasted good. Like I've been telling Lou, we should cook food from the heart, not just the cookbook. — Amy E. Reichert

One of these days," she said, "I'm going to pull myself together for a while and think - try to determine what character of a woman I am, for, candidly, I do not know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it. — Kate Chopin

And so take away his work, which was his life [ ... ] and all his glory and his great deeds? Make a child and a dotard of him? Keep him to myself at that cost? Make him so mine that he was no longer his? — C.S. Lewis

He could have told George a writer creates a character as a way to reveal consciousness, increase the flow of meaning. This is how we reply to power and beat back our fear. By extending the pitch of consciousness and human possibility. This poet you've snatched. His detention drains the world of one more thimble of meaning. He should have said these things to that son of a bitch, although actually he liked George, but he'd never considered the matter in quite this way before and George would have said that terrorists do not have power and anyway Bill knew he'd forget the whole thing before much time went by. — Don DeLillo

It was like every attitude or action which reveals a man's deep and hidden character; they bear no relation to what he has previously said, and we cannot confirm our suspicions by the culprit's evidence, for he will admit nothing; we are reduced to the evidence of our own senses, and we ask ourselves, in the face of this detached and incoherent fragment of recollection, whether indeed our senses have not been the victims of a hallucination ... — Marcel Proust

The only way in which a human being can make some approach to knowing the whole of a subject, is by hearing what can be said about it by persons of every variety of opinion, and studying all modes in which it can be looked at by every character of mind. No wise man ever acquired his wisdom in any mode but this; nor is it in the nature of human intellect to become wise in any other manner. — John Stuart Mill

Self-respect is the very cement of character, without which character will not form nor stand; a personal ideal is the only possible foundation for self-respect, without which self-respect degenerates into vanity or conceit, or is lost entirely, its place being taken by worthlessness and the consciousness of worthlessness; and that is the end of all character. It is often said that if we do not respect ourselves no one else will respect us; this is rather a dangerous way to put it; let us rather say that if we are not worthy of our own respect we cannot claim the respect of others. True self-respect is a matter of being and never of mere seeming. As Paulsen says, "It is vanity that desires first of all to be seen and admired, and then, if possible, really to be something; whereas proper self esteem desires first of all to be something, and' then, if possible, to have its worth recognized. — Edward O. Sisson

The beach was hours away by bicycle, forbidden, completely out of all bounds. Going there risked expulsion, destroyed the studying I was going to do for an important test the next morning, blasted the reasonable amount of order I wanted to maintain in my life, and it also involved the kind of long, labored bicycle ride I hated. "All right," I said. We got our bikes and slipped away from Devon along a back road. Having invited me Finny now felt he had to keep me entertained. He told long, wild stories about his childhood; as I pumped panting up steep hills he glided along beside me, joking steadily. He analyzed my character, and he insisted on knowing what I disliked most about him ("You're too conventional," I said). — John Knowles

You don't approve?" Joan asked, picking up on Delphine's tone.
"Their stories were for themselves, not the Mirrors."
"What do you mean?" said Bea.
"Certainly sometimes a good little character would find a lamp, and would not be so corrupted by the strangely endless possibilities of three wishes that they ended up causing more harm than they ever imagined. Those stories fostered belief, they were retold, certainly; but they were few and far between. Most of the genie's tales showed the characters exactly who they really were, not when they were despised and degraded, not when they'd reached the gutter and been given licence to look at the stars. No, the genies showed them who they were when they were invincible. The characters, they try to forget stories like that. — F.D. Lee

A wise man once said that a person is known by
the company he keeps, but could then also add that the character of the
company is known by the people it keeps for the longest days, especially
at the strategic decision making level. — Anuj

On the other hand, if surrounded by ignorance, coarseness, and selfishness, they will unconsciously assume the same character, and grow up to adult years rude, uncultivated, and all the more dangerous to society if placed amidst the manifold temptations of what is called civilised life. "Give your child to be educated by a slave," said an ancient Greek, "and instead of one slave, you will then have two." The child cannot help imitating what he sees. Everything is to him a model - of manner, of gesture, of speech, of habit, of character. "For the child," says Richter, "the most important era of life is that of childhood, when he begins to colour and mould himself by companionship with others. — Samuel Smiles

It would be easy, however, to exaggerate the havoc wrought by such artificial conditions. The monotony we observe in mankind must not be charged to the oppressive influence of circumstances crushing the individual soul. It is not society's fault that most men seem to miss their vocation. Most men have no vocation; and society, in imposing on them some chance language, some chance religion, and some chance career, first plants an ideal in their bosoms and insinuates into them a sort of racial or professional soul. Their only character is composed of the habits they have been led to acquire. Some little propensities betrayed in childhood may very probably survive; one man may prove by his dying words that he was congenitally witty, another tender, another brave.But these native qualities will simply have added an ineffectual tint to some typical existence or other; and the vast majority will remain, as Schopenhauer said, Fabrikwaaren der Natur. — George Santayana

Someone once said anyone can be great under rosy circumstances, but the true test of character is measured by how well a person makes decisions during difficult times. — Jack Gantos

What you think you are inside doesn't matter, Morgan." She hastened over to sit beside him. "In the end, it's what a man does, how he acts, that shows his character. And I've never seen you act anything but nobly."
He lifted his face to hers, astonished at how fiercely she defended him, even after knowing the darkest secrets of his soul. "How can you be so sure of my character when I'm not even sure of it myself?"
"I can't help it," she said, her voice trembling. She dropped her eyes to the bench, turmoil showing in her sweet features. "I love you. And loving someone means believing in them."
She loved him? Despite knowing what he was? A fierce joy seized him before he could prevent it. He caught her by the chin and forced her to look at him, but her clear blue eyes held no hint of deception. "God help you if you don't mean that, ma belle ange. — Sabrina Jeffries

What the expression is intended to mean, I think, is that there is a better and a worse element in the character of each individual, and that when the naturally better element controls the worse then the man is said to be "master of himself", as a term of praise. But when - as a result of bad upbringing or bad company one s better element is overpowered by the numerical superiority of one s worse impulses, then one is criticized for not being master of oneself and for lack of self control. — Plato

As our fathers said, you can tell a ripe corn by its look. — Chinua Achebe

What a lovely thing a rose is!"
He walked past the couch to the open window and held up the drooping stalk of a moss-rose, looking down at the dainty blend of crimson and green. It was a new phase of his character to me, for I had never before seen him show any keen interest in natural objects.
"There is nothing in which deduction is so necessary as religion," said he, leaning with his back against the shutters. "It can be built up as an exact science by the reasoner. Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. Its smell and its color are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers. — Arthur Conan Doyle

In time of war, our attention is called so exclusively to the sins of other people that we are sometimes inclined to forget our own sins. Attention to the sins of other people is, indeed, sometimes necessary. It is quite right to be indignant against any oppression of the weak which is being carried on by the strong. But such a habit of mind, if made permanent, if carried over into the days of peace, has its dangers. It joins forces with the collectivism of the modern state to obscure the individual, personal character of guilt. If John Smith beats his wife nowadays, no one is so old-fashioned as to blame John Smith for it. On the contrary, it is said, John Smith is evidently the victim of some more of that Bolshevistic propaganda; Congress ought to be called in extra session in order to take up the case of John Smith in an alien and sedition law. — J. Gresham Machen

Now we may have more preachers out there than we have drinkers. But a fellow told me a story one time about a man down in Kentuckywhere they make bourbon. And he said you can take a jigger or two jiggers and get by all right. But if you try to take the whole bottle why you have lost what you started with. So don't try to take it too quick. And don't try to do all of it at once. I don't do much promising. I tell what my goals are and then I try to wrap it up and put a blue ribbon on it and get it delivered. We say put the coonskin on the wall. — Lyndon B. Johnson

All that has been said of the importance of individuality of character, and diversity in opinions and
modes of conduct, involves, as of the same unspeakable importance, diversity of education. A general State education is a mere contrivance for moulding people to be exactly like one another: and as the mould in which it casts them is that which pleases the predominant power in the government, whether this be a monarch, a priesthood, an aristocracy, or the majority of the existing generation; in proportion as it is efficient and successful, it establishes a despotism over the mind, leading by natural tendency to one over the body. An education established and
controlled by the State should only exist, if it exist at all, as one among
many competing experiments, carried on for the purpose of example and stimulus, to keep the others up to a certain standard of excellence. — John Stuart Mill

Her first really great role, the one that cemented the "Jean Arthur character," was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). "Jean Arthur is my favorite actress," said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. " ... push that neurotic girl ... in front of the camera ... and that whining mop would magically blossom into a warm, lovely, poised and confident actress." Capra obviously recognized that Jean was often frustrated in her career choice. — Eve Golden

Young men, of course, don't want to be guided by old back numbers, but at the same time I know that in my own case I gained a lot by studying the characters of the chiefs under whom I served from time to time. Lord Wolseley, for instance, said: "Use your common sense rather than book instructions." — Robert Baden-Powell

Ka'b ibn Malik reported that the Messenger of Allah, may Allah bless him and grant him peace, said, "Two hungry wolves loose among sheep do not cause as much damage as that caused to a man's deen by his greed for money and reputation. — Muhammad Al-Tirmidhi

How old are you, son?' Whitman asked.
'Going on seventeen.'
'So young,' he said, stroking the back of my hand with his poem-stained fingers. 'How did you come to lose your eye?'
I told him the story of my heroism, with embellishments--told it so well, I was nearly persuaded of my exceptional character.
'You sacrificed what little you had to call your own for democracy, freedom, and human dignity. You gave an eye, half of man's greatest blessing, when rich men up north paid a small price to keep themselves and their sons from harm.'
With those few words, accompanied by a glance that seemed to measure the dimensions of my meager existence, Whitman made me see myself as a sacrifice on the altar of wealth, but a hero notwithstanding. — Norman Lock

A person whose desires and impulses are his own - are the expression of his own nature, as it has been developed and modified by his own culture - is said to have a character. One whose desires and impulses are not his own, has no character, no more than a steam-engine has character ... — John Stuart Mill

What is your favorite book?" "Pride and Prejudice, by Jane Austen," I said. Her expression was of a pleasant surprise. She asked me why. "Elizabeth Bennett is a resilient woman. She is unapologetic about who she is, and is a strong character who does not care what others think of her. My mother is that way too. — Gramash Paul

It has been said that a nation reveals its character by the values it upholds. — Kay Granger

You could know a man not by what his friends said about him, but by how he treated his servants. — Cassandra Clare

Justice is the alignment of societal laws with natural Law, and the righting of wrongs. Justice creates liberty. Justice maintains the character of love and can be said to be a product of right actions by a society. Things that are right promote the well-being of individual selves and societies. What is right can be said to always be just. If a society commits to justice by aligning societal laws with natural Law and respecting the rights of natural Law, then it will promote love through liberty. — C W Newman

The idea that I am a bad person or exhibiting poor character traits by my disdain for someone can be irrelevant and false. If I meet someone I immediately dislike, for what ever reason, but I am polite and courteous, helpful and pleasant then I have been polite, courteous, helpful and pleasant. This is not at all the same as then finding someone else to gossip with and verbalize my disdain for that person. It is certainly not the same as being outright rude to that person. What I have thought is of no consequence here. My actions show who I am, not my thoughts. The same can be said of the basic premise of being spiritual itself. If I seek to be spiritual and yet find no time in my life for reflection on what this should and does mean to me am I being spiritual at all? The actions we relate to as being spiritual are the natural outcome of such reflection in our lives. When we are true to our own sense of integrity we naturally find compassion for others. — David Carlyle

Every American autobiography, someone once said, is about one thing - escape. Look into the frightened heart of an American life, and you'll find a compulsion to flee - a seed planted in the national character at the start by those ships sailing out of Europe and landing on our shores.
- Teller: A Novel — Frederick Weisel

Dionysus snorted. "Oh, I didn't want you particularly. Any of you silly heroes would do. That Annie girl - " "Annabeth." "The point is," he said, "I pulled you into party time to deliver a warning. We are in danger." "Gee," I said. "Never would've figured that out. Thanks." He glared at me and momentarily forgot his game. Pac-Man got eaten by the red ghost dude. "Erre es korakas, Blinky!" Dionysus cursed. "I will have your soul!" "Um, he's a video game character," I said. "That's no excuse! And you're ruining my game, Jorgenson!" "Jackson." "Whichever! — Rick Riordan

Form is what transforms the content of a work into its essence. Do you understand? The character of music arises out of its form like steam from water,' Yury Andreevich said. 'With solid understanding of the general laws of form, which encompass all that is amenable to formulation, one can, by groping further, perceive the individual, the particular. Then, subtracting the general, one can sense a residue where wonder lurks in its purest, most undiluted form. Herein lies the goal of theory: the more fully one grasps what is available for comprehension, the more intensely the ineffable shines. — Lyudmila Ulitskaya

I thought of how Midori had once articulated the idea of mono no aware, a sensibility that, though frequently obscured during cherry blossom viewing by the cacophony of drunken doggerel and generator-powered television sets, remains steadfast in one of the two cultures from which I come. She had called it "the sadness of being human." A wise, accepting sadness, she had said. I admired her for the depths of character such a description indicated. For me, sad has always been a synonym for bitter, and I suspect this will always be so. — Barry Eisler

It is commonly the personal character of a writer which gives him his public significance. It is not imparted by his genius. Napoleon said of Corneille, "Were he living I would make him a king;" but he did not read him. He read Racine, yet he said nothing of the kind of Racine. — Johann Wolfgang Von Goethe

As the trial opened, most of London had thoughts of little else. The king was often otherwise engaged; he was spending increasing amounts of time with his new mistress, the very beautiful and willing Barbara Villiers, with whom he was totally infatuated. It was said that their relationship 'did so disorder him that often he was not master of himself nor capable of minding business, which in so critical a time, required great application'.3 Hyde, a fastidious man, found Charles's philandering a considerable irritation. He was also infuriated by the king's general lack of attention to matters of state; but Charles's inattentiveness and apparent laziness were traits developed over long years of exile and futility and were to prove fixed within his character. — Don Jordan

As I have said before, I never had any large respect for good spelling. That is my feeling yet. Before the spelling-book came with its arbitrary forms, men unconsciously revealed shades of their characters, and also added enlightening shades of expression to what they wrote by their spelling, and so it is possible that the spelling-book has been a doubtful benevolence to us. — Mark Twain

Whether by this he meant the clergy I know not; though I observed he spoke favourably of that body in France, pointing out that, long before the recent agitations, they had defended the civil rights of the Third Estate, and citing many cases in which the country curates had shown themselves the truest friends of the people: a fact my own observation hath confirmed. I remarked to him that I was surprised to find how little talk there was in Italy of the distracted conditions in France; and this though the country is overrun with French refugees, or emigres, as they call themselves, who bring with them reports that might well excite the alarm of neighbouring governments. He said he had remarked the same indifference, but that this was consonant with the Italian character, which never looked to the morrow; and he added that the mild disposition of the people, and their profound respect for religion, were sufficient assurance against any political excess. To this I could not forbear — Edith Wharton

... I'm sorry, and a little dissatisfied as well. Miss Stacy told me long ago that by the time I was twenty my character would be formed, for good or evil. I don't feel that it's what it should be. It's full of flaws.' 'So's everybody's,' said Aunt Jamesina cheerfully. 'Mine's cracked in a hundred places. Your Miss Stacy likely meant that when you are twenty your character would have got its permanent bent in one direction or 'tother, and would go on developing in that line. — L.M. Montgomery

There were two gentleman seated by it talking in French;impossible to follow their rapid utterance, or comprehend much of the purport of what they said ... yet French, in the mouths of Frenchmen or Belgians ( ... ), was as music to my ears. One of these gentlemen presently discerned me to be an Englishman - no doubt from the fashion in which I addressed the waiter; for I would persist in speaking French in my execrable South-of-England style, though the man understood English. The gentleman, after looking towards me once or twice ,politely accosted me in very good English; I remember I wish to God that I could speak French as well; his fluency and correct pronunciation impressed me for the first time with a due notion of the cosmopolitan character of the capital I was in, it was my first experience of that skill in living languages I afterwards found to be so general in Brussels. — Charlotte Bronte

Exactly who is this God character who is said to be all-powerful yet needs to hire lawyers to take us to court? Isn't he miffed when someone he had always considered to be a true follower turns to the legal system rather than to prayer? Why would the faithful risk making God look ridiculous by losing a trial on Earth when he is certain to win every trial in heaven? — Scott Simon

Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares. — Charles Yu

I watched them tearing a building down,
A gang of men in a busy town.
With a ho-heave-ho and a lusty yell,
They swung a beam, and the side wall fell.
I asked the foreman: "Are these skilled
And the men you'd hire if you had to build?"
He gave me a laugh and said: "No, indeed!
Just common labor is all I need.
I can wreck in a day or two
What builders have taken a year to do."
And I thought to myself as I went my way,
Which of these roles have I tried to play?
Am I a builder who works with care
Measuring life by a rule and square?
Am I shaping my deeds to a well made Plan,
Patiently doing the best I can?
Or am I a wrecker, who walks the town
Content with the labor of tearing down? — Edgar A. Guest

Guilt cannot, in fact, express itself, except in the indirect language of "captivity" and "infection," inherited from the two prior stages. Thus both symbols are transposed "inward" to express a freedom that enslaves itself, affects itself, and infects itself by its own choice. Conversely, the symbolic and non-literal character of the captivity of sin and the infection of defilement becomes quite clear when these symbols are used to denote a dimension of freedom itself; then and only then do we know that they are symbols, when they reveal a situation that is centered in the relation of oneself to oneself. Why this recourse to the prior symbolism? Because the paradox of a captive free will - the paradox of a servile will - is insupportable for thought. That freedom must be delivered and that this deliverance is deliverance from self-enslavement cannot be said directly; yet it is the central theme of "salvation — Paul Ricoeur

Words were no longer simply words, but a curious codes of silence, a way of speaking that continually moved around the thing that was being said. As long as we avoided the real subject, the spell would not broken. We both slipped naturally into this kind of banter, and it became all the more powerful because neither of us abandoned the character. We knew what we were doing, but at the same time we pretended not to. Thus my courtship of Sophie began - slowly, decorously, building by the smallest of increments. — Paul Auster

IT IS WITH OUR FACES that we face the world, from the moment of birth to the moment of death. Our age and our sex are printed on our faces. Our emotions, the open and instinctive emotions which Darwin wrote about, as well as the hidden or repressed ones which Freud wrote about, are displayed on our faces, along with our thoughts and intentions. Though we may admire arms and legs, breasts and buttocks, it is the face, first and last, which is judged "beautiful" in an aesthetic sense, "fine" or "distinguished" in a moral or intellectual sense. And, crucially, it is by our faces that we can be recognized as individuals. Our faces bear the stamp of our experiences and character; at forty, it is said, a man has the face he deserves. At — Oliver Sacks

The solution which I am urging is to eradicate the fatal disconnection of subjects which kills the vitality of our modern curriculum. There is only one subject-matter for education, and that is LIfe in all its manifestations. Instead of this single unity, we offer children
Algebra, from which nothing follows; Geometry, from which nothing follows; Science, from which nothing follows; History, from which nothing follows; a Couple of Languages, never mastered; and lastly, most dreary of all, Literature, represented by plays of Shakespeare, with philological notes and short analyses of plot and character to be in substance committed to memory. Can such a list be said to represent Life, as it is known in the midst of living it? The best that can be said of it is, that it is a rapid table of contents which a deity might run over in his mind while he was thinking of creating a world, and has not yet determined how to put it together — Alfred North Whitehead

According to Islam, whenever we are struck by illness or misfortune or someone hurts us, there is a higher purpose behind it, which we may not understand at the time,' one of them said to me. 'That's where trust comes in. Through suffering, God helps us to better ourselves and make good our mistakes. It is a form of purification and also God's way of testing the strength of our faith and the goodness of our character.' Another lady suggested I look on the bright side.
'Suffering draws us closer to God and that is our aim in life,' she said. Then she quoted Rumi who had said, 'It is pain that draws man to his Lord, because when he is well, he doesn't remember the Lord.' I tried to look at the positive and believe that there was a higher, spiritual perspective on what I had just been through, and all the advice I was given helped me a lot. But it took quite a while for my heart to catch up with my mind. — Kristiane Backer

At the end of our visit, Fleisher agreed to play something on my piano, a beautiful old 1894 Bechstein concert grand that I had grown up with, my father's piano. Fleisher sat at the piano and carefully, tenderly, stretched each finger in turn, and then, with arms and hands almost flat, he started to play. He played a piano transcription of Bach's "Sheep May Safely Graze," as arranged for piano by Egon Petri. Never in its 112 years, I thought, had this piano been played by such a master-I had the feeling that Fleisher has sized up the piano's character and perhaps its idiosyncrasies within seconds, that he had matched his playing to the instrument, to bring out its greatest potential, its particularity. Fleisher seemed to distill the beauty, drop by drop, like an alchemist, into flowing notes of an almost unbearable beauty-and, after this, there was nothing more to be said. — Oliver Sacks

After that, all the while Millie was eating the pudding ... we both tore Christopher's character to shreds. It was wonderful fun ... He drove everyone mad in Chrestomanci Castle by insisting on silk shirts and exactly the right kind of pajamas. 'And he could get them right anyway by magic,' Millie told me, 'if he wasn't too lazy to learn how ... But the thing that really annoys me is the way he never bothers to learn a person's name. If a person isn't important to him, he always forgets their name.'
When Millie said this, I realized that Christopher had never once forgotten my name ... — Diana Wynne Jones

Prophet Muhammad (peace be upon him) said: By his good character a believer will attain the degree of one who prays during the night and fasts during the day. — Abu Dawood