Sad Girl With Quotes & Sayings

She frowned. "God, that's sad. You want to be with her but the sex part - " I shuddered. "Ewg. You are far too young to say that word." The girl's eyes shone. "What word? Sex?" I put my hands over my ears. "Gah." Molly grinned and enunciated. "But the bleep part would make her lose control." I coughed uncomfortably, lowering my hands. "Basically. Yeah." "Why don't you tie her up? — Jim Butcher

Always quick with the wit. It's your defense, isn't it? Little girl doesn't want the world to know how sad she is, how damaged. Your words, your attitude, all a big misdirection. A magician's trick. — Chuck Wendig

I saw the empty, sad girl
smile for the sad boy who loves her with all of his
broken soul. — Anna Todd

I watched him walk away with sickness in my heart - though it was a pleasing kind of sickness, if such a thing exists. I mean to say that if you have experienced an evening more exciting than any in your life, you're sad to see it end; and yet you still feel grateful that it happened. In that brief encounter with the Chairman, I had changed from a lost girl facing a lifetime of emptiness to a girl with purpose in her life. Perhaps it seems odd that a casual meeting on the street could have brought about such change. But sometimes life is like that, isn't it? And I really do think if you'd been there to see what I saw, and feel what I felt, the same might have happened to you. — Arthur Golden

I did love Ben, in a sense. Because he cooked for me. Because he told me that my body was beautiful, like a Renaissance painting, something I badly needed to hear. Because his stepmother was the same age as him, and that is really sad. But I also didn't: Because his vanity drove him to wear vintage shoes that gave him blisters. Because he gave me HPV. He called me terrible names when I broke up with him for a Puerto Rican named Joe with a tattoo that said mom in Comic Sans. Admittedly, I didn't handle it too well either when, several months later, he moved in with a girl who taught special-needs preschool. I didn't utter the words "I love you" again in a romantic context for more than two years. Joe turned out to consider blow jobs misogynistic and pretended his house had caught fire just to get out of plans. — Lena Dunham

No one really knew what went on in her relationship with Mike. No one even really knew her. Maybe she loved Mike more than he liked her. And wasn't that horrible? Wasn't that sad? But people forgot about that. They didn't see a tragedy, just a good story. To them, it was just some girl to point to and say, "Well, at least my life isn't as fucked up at that". — Jennifer Close

You want to hear it? Fine. It's a simple story really, about a pretty girl who was pretty stupid. She let a man touch her because she was scared to say no, and then she told her parents because she was scared to say nothing. Then they were scared to do anything that might ruin their pretty little lives, so they told the girl that it was nothing. That just being touched wasn't enough to fight for. Too scared to prove them wrong, she kept going like it was nothing, and she let more people touch her, never knowing that she was handing out pieces of herself. Or, hell, maybe she knew deep down, and she just hated herself so much that she was glad to be rid of them. And life wasn't pretty, but it also wasn't scary until she met a man with two names who touched her without taking and made her miss the pieces she had lost. And now things aren't just scary, they're fucking terrifying, and I can't do it. I can't live like this, knowing all that I've ruined and that it can't be fixed. — Cora Carmack

And people loved me. I was no longer the pity case (with, how weird, the dead sister). I was the pretty girl (with, how sad, the dead sister). And so I was popular. — Gillian Flynn

I believe we have a choice in this world about how to tell sad stories , on the one hand , we can sugercoat it. Nothing is too messed up that can't be fixed with a Peter Gabriel song, I like this version as much as the next girl does. It's just not the truth — John Green

I'm very romantic. I really believe in true love, a love that you only find once in a lifetime, if you have the chance. Because, I think that many people never find it, which is very sad. But, I'm not a guy who flirts easily with girls. I believe that there's somebody out there for me. I'm still searching. — Bill Kaulitz

I didn't know. All I know was that the sex was terrific. And that the hippie was cute. She loved sweet pickles. She liked the name Willie. She even liked Apocalypse Now. She was not a vegeterian. These were all on the plus side. But, once I introduced her to my friends, at the time, and they were all stuck-up asshole Lit majors and they made fun of her and she understoond what was going on and her eyes, usually blue, too blue, vacant, were sad. And I protected her. I took her away from them. ('Spell Pynchon,' they asked her, cracking up.) And she introduced me to her friends. And we ended up sitting on some Japanese pillows in her room and we all smoked some pot and this little hippie girl with a wreath on her head, looked at me as I held her and said, The world blows my mind'. And you know what?
I fucked her anyway. — Bret Easton Ellis

I definitely think there's a lot of pressure for teenaged girls and guys to hook up on prom. I think it comes with the belief that you have to lose your virginity before you go to college. It's a coming of age thing. I think it's really sad because it has nothing to do with what you want and everything to do with peer pressure. But it comes with the territory of prom. Thankfully more and more kids are knowing their limits, and I think we're raising kids to be really good people, and they're realizing that they don't need to do it just because. — Brittany Snow

There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story. — Phil Klay

I am in fact, a sad little girl, still in love with my first boyfriend, who lives five and a half thousand miles away and can't be mine. — Kerry Heavens

Lara: Because sometimes you just feel sad and you can't explain it.
Kitty: PMS?
Lara: No.It's not PMS. Just because a girl is sad, it doesn't mean it has anything to do with PMS. — Jenny Han

There once was a girl who found herself dead.
She peered over the ledge of heaven
and saw that back on earth
her sister missed her too much,
was way too sad,
so she crossed some paths
that would not have crossed,
took some moments in her hand
shook them up
and spilled them like dice
over the living world.
It worked.
The boy with the guitar collided
with her sister.
"There you go, Len," she whispered. "The rest is up to you. — Jandy Nelson

Why did popular songs always focus on romantic love? Why this preoccupation with first meetings, sad partings, honeyed kisses, heartbreak, when life was also full of children's births and trips to the shore and longtime jokes with friends? Once Maggie had seen on TV where archaeologists had just unearthed a fragment of music from who knows how many centuries B.C., and it was a boys lament for a girl who didn't love him back. Then besides the songs there were the magazine stories and the novels and the movies, even the hair-spray ads and the pantyhose ads. It struck Maggie as disproportionate. Misleading, in fact. — Anne Tyler

The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known ... "
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate. — Melissa Marr

But nothing was said about chicken farming anymore. Once, long after it was too late for farming, he might catch her crying and pet her a bit. 'What's the matter, little baby? You got a fever? You want to take the night off?' She might murmur something about candling eggs, but he wouldn't be able to understand what she meant. And after a while she cried on without knowing what she meant either, as a girl cries over a bad dream long after the dream is forgotten.
In time the tears dried. She could no longer cry over anything. All the tears had been shed, all the laughs had been had; all the long spent. Leaving nothing to do but to sit stupefied, night after night, under lights made soft beside music with a beat, to rise automatically when someone wearing pants pointed a finger and said 'that one there. — Nelson Algren

When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she'd gone and I'd felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving. — Roman Payne

So if this were a normal book about a girl with leukemia, I would probably talk a shitload about all the meaningful things Rachel had to say as she got sicker and sicker, and also probably we would fall in love and have some incredibly fulfilling romantic thing and she would die in my arms. But I don't feel like lying to you. She didn't have meaningful things to say, and we definitely didn't fall in love. She seemed less pissed with me after my stupid outburst, but she basically just went from irritable to quiet. — Jesse Andrews

A girl who wants everything, but shares nothing. A girl who is lost and sad, but too embarrassed to share it with anyone. — Lisa M. Gott

You don't like me talking to other girls?"
"I don't like you grinning at them."Teagan admitted
"Then tame me with your fine Irish eyes, girl."
"Humph."
"You have nothing to worry about. You've had my heart since ... "
"When?"
"I was just trying to sort it, " Fin said. "It could have been the time you explained how its cockles were related to a shellfish." he paused. "No, it was when you flat refused to kiss me
and me thinking I'd never see you agina, risking my kife to lead the goblins away into the night. It was heroic. And sad."
Teagan punched his arm.
"All right." He smiled. "It was the first time I set eyes on you. My heart stopped beating, and that's a fact."
"I know," Teagan said. "The first time I met you, it made me throw up."
Finn knit his brows. "I'll never get over how romantic you are. It's like you've stepped right out of one of those fairy movies Aiden's making Roisin watch. — Kersten Hamilton

I kept going deeper and deeper into this world of repetition ... The sad thing is, people don't want to believe that the person they're in love with is out of his mind, drinking and using, so if you give them even half an excuse, they're going to want to believe it. A girl with no prior exposure to the disease had to be blissfully unaware of the nefarious tricks of the dope fiend. That's how I was able to get high all summer and autumn and pretend like it wasn't happening. I was saying, 'I'm sick.' I was deteriorating physically and emotionally. Jaime was tolerant, and it did speak well of her character, because she was not the type to abandon ship during a crisis. She didn't consider backing off or bowing out, she was just there, which I can't say about everybody. I don't know if I could say it even about myself. — Anthony Kiedis

With her mouth closed, her mind screamed. — Julia Charlo

Still, I was thinking that this was all wrong, despite feeling so nice, for once again one of my most sacred and deepest erotic fantasies was brutally being shattered, and once more it was all because of Ami. After all, it had been one of my fondest dreams, as a teenager, to lie in bed cuddling with a cute girl, or even with Yumi. Of course, in those many imaginations, we were both naked and we were having wild passionate sex as well as cuddling, but there before me at that very moment was the sad pathetic reality. — Andrew James Pritchard

She was just a sad girl who liked to write songs. And I was nothing more than a simple guy who was lucky enough to have made her fall in love with him. — Aly Martinez

The girl didn't notice that her boyfriend's head had transformed into a big microphone. So when she whispered her secrets into his ear, her words echoed trough the city. In her embarrassment, she ran out of the house to hide somewhere. And what she saw scared her: couples with microphone heads walked the streets hand in hand. What a sad new world this was, where everybody had to learn how to hold back from saying things.
Sounds of slammed doors echoued through the city. Apart from this, there was only silence. — Zoltan Komor

I loved playing (Aaron Echols on 'Veronica Mars.') I was really sad when I got my head blown off, but ... that seems to happen to me. I seem to be murdered on all of these shows. But, okay, as long as the checks don't bounce, I'm all right with that. Besides, when Aaron Echols was killed, as I recall, he'd just had sex with a beautiful young girl, he was smoking a Cuban cigar and drinking a rare, 18-year-old brandy, and watching himself on television. If you gotta go, I think that's probably the way to go. — Harry Hamlin

She sighs and the small release of breath bothers me. This girl needs to be off doing things that make her happy. Not standing here with me, confused and torn. It's just further proof that I'm no good to be around. I'm turning one of the happiest people I know into something she was never meant to be.
I'm turning her into me. — Melyssa Winchester

You won't be the reason our family falls apart because I wouldn't allow a woman who loves my son as much as you do to walk out of his life." Stepping closer, Lillian placed a tentative hand on Emily's shoulder, her eyes spilling over with tears. "I wouldn't allow you to walk out of our lives. What you were about to give up, though it would've hurt my son, was selfless. I once knew a girl who loved a man so much it scared her, too." Lillian paused, her gaze falling on Chad. The corner of her mouth turned up in a small, sad smile as he made his way toward her. Bringing her eyes back to Emily's, Lillian shook her head. "It would've killed me if I had to give up those stolen breaths before he kissed me. Whether or not the baby you're carrying is my grandchild, I'd be honored to call you my daughter. — Gail McHugh

I love you, Beatrice De Novo. I fell in love with the girl I met six years ago, and I love the woman in front of me even more."
"Gio
"
"So you make the decision, Tesoro mio ... It's your choice. I want eternity with you, and I'm not leaving again." He gave her a sad smile. "You can't make me. — Elizabeth Hunter

Why was fabulousness important? The world was a scary, sad place and adornment was one of the only ways she knew to make herself and the people around her forget their troubles. That was why she had opened her store almost five years ago. Everyone who entered the little square white house with miniature Corinthian columns, cherub statues, and French windows seemed to leave carrying armloads of newly handmade and well spruced-up recycled vintage clothing, humming sixties girl-group songs, seventies glam and punk, eighties New Wave one-hit wonders, or nineties grunge, doing silly dances, and not caring what anyone thought.
Weetzie loved the old dresses she found and sold, because they had their own secret histories. She always wondered where, when, and how they had been worn. What they had seen. Old dresses were like old ladies. — Francesca Lia Block

I liked music that I didn't have to think about, and most country songs spelled it right out for the listener. The girl was mad because the guy cheated, the guy was mad his pickup got trashed, everyone was sad the dog died, and Taylor Swift had about as much luck with men as I did. — Jay Crownover

Slothrop hears a girl singing. Accompanying herself on a balalaika. One of those sad little Parisian-sounding tunes in 3/4: Love never goes away, Never completely dies, Always some souvenir Takes us by sad surprise. You went away from me, One rose was left behind - Pressed in my Book of Hours, That is the rose I find. . . . Though it's another year, Though it's another me, Under the rose is a drying tear, Under my linden tree. . . . Love never goes away, Not if it's really true, It can return, by night, by day, Tender and green and new As the leaves from a linden tree, love, that I left with you. — Thomas Pynchon

He fell for an eighteen-year old girl with one of those deepdown spooky loves that made him so sad and happy he shot her just to keep the feeling going. — Toni Morrison

THE MYTH OF THE GOOD OL BOY AND THE NICE GAL
The good of boy myth and the nice gal are a kind of social conformity myth. They create a real paradox when put together with the "rugged individual" part of the Success Myth. How can I be a rugged individual, be my own man and conform at the same time? Conforming means "Don't make a wave", "Don't rock the boat". Be a nice gal or a good ol' boy. This means that we have to pretend a lot.
"We are taught to be nice and polite. We are taught that these behaviors (most often lies) are better than telling the truth. Our churches, schools, and politics are rampant with teaching dishonesty (saying things we don't mean and pretending to feel ways we don't feel). We smile when we feel sad; laugh nervously when dealing with grief; laugh at jokes we don't think are funny; tell people things to be polite that we surely don't mean."
- Bradshaw On: The Family — John Bradshaw

Grief is not something you know if you grow up wearing feathers with a Charlie Chaplin boyfriend, a love-child papoose, a witch baby, a Dirk and a Duck, a Slinkster Dog, and a movie to dance in. You can feel sad and worse when your dad moves to another city, when an old lady dies, or when your boyfriend goes away. But grief is different. Weetzie's heart cringed in her like a dying animal. It was as if someone had stuck a needle full of poison into her heart. She moved like a sleepwalker. She was the girl in the fairy tale sleeping in a prison of thorns and roses. — Francesca Lia Block

Ohh,' said the girl with a sad tilt of her head.
It was a response Sejal would hear a lot in the following weeks and which she would eventully come to understand meant, 'Ohh, India, that must be so hard for you, and I know because I read this book over the summer called The Fig Tree (which is actually set in Pakistan but I don't realize there's a difference) about a girl whose parents sell her to a sandal maker because everyone's poor and they don't care about girls there, and I bet that's why you're in our country even, and now everyone's probably being mean to you just because of 9/11, but not me although I'll still be watching you a little too closely on the bus later because what if you're just here to kill Americans?'
There was a lot of information encoded in that one vowel sound, so Sejal missed most of it at first. — Adam Rex

She was a wonderful teenage girl who had the miraculous power to cure herself from any wound, either physical or mental. With her own salty tears, she would cleanse her raw wounds. And her breaths were given, as though not to breathe but, rather, to fan her sores. — Khadija Rupa

Believe it or not, people went so far as to suggest that I might not be able to write songs anymore because now I am married. I tried to explain again that there are other things to write about besides boy meets girl, girl meets boy, boy breaks up with girl, girl is sad. — Lucinda Williams

The next night he asked Jonah if he could take $9.49 out of Jonah's secret stash that only Danny and his mum and Jack knew about. Jonah kept it in his sock drawer next to a photograph of Jonah and a girl with sad eyes, taken in one of those railway station photo booths. — Melina Marchetta

What's left of what your body was - once the girl with bare shoulder blades , giggling, once the girl galloping an imaginary horse, once the girl sleeping in her sequined red dress - was now ash in a jar. Grains of bone. But then, I knew it wasn't you anymore. You were somewhere more. — Ava Dellaira

The whole 1950s notion was find the right girl, get married, move to the suburbs and then hang out with the guys while she stayed home with the babies. I felt that was sort of sad. — Hugh Hefner

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil. Then I went back to writing and I entered far into the story and was lost in it. I was writing it now and it was not writing itself and I did not look up nor know anything about the time nor think where I was nor order any more rum St. James. I was tired of rum St. James without thinking about it. Then the story was finished and I was very tired. I read the last paragraph and then I looked up and looked for the girl and she had gone. I hope she's gone with a good man, I thought. But I felt sad. — Ernest Hemingway,

In every drop of water, gust of air, speck of earth, and crackle of lightning, she hears the same thing: This world is alive. And it loves her.
A little while later, the storm notices that Jael has fallen asleep. The rain tapers off. The clouds sneak away like they're trying not to wake her. The wind caresses her cheek one last time, then disperses in all directions. It carries with it the memory of this funny girl with the sad green eyes. And it carries with it a little bit of hope that things might change. That the world might become what it was supposed to be. — Jon Skovron

I am trying to see things in perspective. My dog wants a bite of my peanut butter chocolate chip bagel. I know she cannot have this, because chocolate makes dogs very sick. My dog does not understand this. She pouts and wraps herself around my leg like a scarf and purrs and tries to convince me to give her just a tiny bit. When I do not give in, she eventually gives up and lays in the corner, under the piano, drooping and sad. I hope the universe has my best interest in mind like I have my dog's. When I want something with my whole being, and the universe withholds it from me, I hope the universe thinks to herself: "Silly girl. She thinks this is what she wants, but she does not understand how it will hurt. — Blythe Baird

Hey, Arnold," he said. I looked up 'in love with a white girl' on Google and found and article about that white girl named Cynthia who disappeared in Mexico last summer. You remember how her face was all over the papers and everybody said it was such a sad thing?"
"I kinda remember," I said.
"Well this article said that over two hundred Mexican girls have disappeared in the last three years in that same part of the country. And nobody says much about that. And that's racist. The guy who wrote the article says people care more about beautiful white girls than they do about everybody else on the planet. White girls are privileged. They're damsels in distress."
So what does that mean?" I asked.
"I think it means you're just a racist asshole like everybody else. — Sherman Alexie

I'm the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible ... — Elizabeth Wurtzel

Packed up the Dylan and the Man Ray and the Joyce
I left a note that said well I guess I got no choice
Scuse me girl while I'm kicking it to the curb
Leaving with all I need but less than I deserve — Walter Becker

Alice in Wonderland Syndrome. This is a mental illness. It is like looking through the wrong end of a pair of binoculars. It is as if you are living in a fantasy world of a fable. This is an interesting and sad syndrome. I'm sure that I have that syndrome. If it's not it, then why the heck does my every moment with the ordinary girl feel like a fable? — Joo Won

She said she collects pieces of sky, cuts holes out of it with silver scissors, bits of heaven she calls them.
Every day a bevy of birds flies rings around her fingers, my chorus of wives, she calls them.
Every day she reads poetry from dusty books she borrows from the library, sitting in the park, she smiles at passing strangers, yet can not seem to shake her own sad feelings.
She said that night reminds her of a cool hand placed gently across her fevered brow, said she likes to fall asleep beneath the stars, that their streaks of light make her believe that she too is going somewhere.
"Infinity", she whispers as she closes her eyes, descending into thin air, where no arms outstretch to catch her. — Lisa Zaran

Somewhere, nearby voices filled with dusk, cabs and panhandlers and one drunken girl screeching like a wounded bird - all of it flushed with a warmth and sad beauty I'd never noticed before. — Marisha Pessl

When I was young and had no sense
In far-off Mandalay
I lost my heart to a Burmese girl
As lovely as the day.
Her skin was gold, her hair was jet,
her teeth were ivory;
I said, "For twenty silver pieces,
Maiden, sleep with me."
She looked at me, so pure, so sad,
The loveliest thing alive,
And in her lisping, virgin voice,
Stood out for twenty-five. — George Orwell

Such a pity, really; the prey falling for the predator. The victim in love with the killer ... A mere mortal girl thinking a demon was capable of love. — Charlotte Munro

WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love. — Annette Janic

He looked sad. 'It's hard to believe of her. She always seemed such a sweet girl.'

Sorrow rolled her eyes. 'Your problem, Tomas, is that your natural paranoia is in constant tension with an almost pathological desire to believe the best of people. Sweet tells you nothing. Fuck it, I could be sweet if the occasion demanded.'

They looked at each other. Caraway's lips twitched. Sorrow glared at him for a moment before conceding. 'Maybe not. But you take my point. — A.F.E. Smith

That's what you like in a girl: cute and sad, with enough disorders that you could count them to fall asleep. The kind you can show off at parties as the latest broken thing you fixed. Where will you hang your awards for loving someone who can't walk in a straight line without being supported? Is there room next to your collection of glasses you shattered by holding them too tightly? The blood on your hands does not make you a martyr. Do not curse when your hammers do nothing but scar her. Do not use your words to remind her that everybody else would have left by now. If she could speak, she would tell you: you think it's beautiful to love somebody as light as me but you don't know how heavy I had to be to become this empty. — Lora Mathis

To me, beauty and sadness are very closely linked. Truly beautiful things make me sad because I know they are going to fade. When I see a beautiful 20-year-old boy or girl-and they are breathtaking-I am filled with a kind of sadness. But maybe they are beautiful because we know they are not permanent and they are in a kind of transition. — Tom Ford

FBI Girl is touching and funny, inspiring and tragic, enlightening and sad. I closed the book with tears in my eyes and admiration in my heart for the girl Maura Conlon was and the writer she became. — Beverly Donofrio

The girl danced like light on water. After I'd watched for a while I looked with all of me, not just my eyes, and then I saw the meaning of the dance. I wanted to stop looking because it was so sad, but I couldn't because it was so beautiful. — Glenda Millard

Madge did the honors. "Are you ... keeping company with Doc Piney?"
Jesse answered carefully. "We are not dating, but we are seeing a lot of each other." Factually true. Revealing nothing.
The three women sat silently for a long moment, sharing glances with each other.
"You know he has a sad history," Walter Lou said finally.
"Of course she knows," Madge said immediately.
"Everybody knows. The question is are you planning on breaking that man's heart again?"
The suggestion was not at all what Jesse expected.
She stuttered out an answer.
"I ... I don't ... I don't think Piney knows me well enough to get his heart broken," she managed finally.
"Oh, Lord, girl," Madge said. "He's a Baxley. A more lovelorn line of men never graced the earth."
"That's the truth of that," Walter Lou agreed. "Those men dote on their women something fierce. — Pamela Morsi

I started toward the barn and was grateful that the wind was still. About halfway up the drive, my heart began to beat an irregular rhythm as I caught sight of Cricket coming toward me. My breath caught in my throat. This girl. This tiny little girl had such incredible power over me with her big, blue, round, sad eyes. Her unusual face, her unusually striking face. Her pert nose. The faint laugh lines around her eyes and mouth. And I didn't know her, didn't really even know if she and I were anything alike but that didn't stop me from wishing we shared a future ... even if she did belong to someone else. — Fisher Amelie