Russian Author Quotes & Sayings
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Top Russian Author Quotes

I believe you!' the artiste exclaimed finally and extinguishes his gaze. 'I do! These eyes are not lying! How many times have I told you that your basic error consists in underestimating the significance of the human eye. Understand that the tongue can conceal the truth, but the eyes - never! A sudden question is put to you, you don't even flinch, in one second you get hold of yourself and know what you must say to conceal the truth, and you speak quite convincingly, and not a wrinkle on your face moves, but - alas - the truth which the question stirs up from the bottom of your soul leaps momentarily into your eyes, and it's all over! They see it, and you're caught! — Mikhail Bulgakov

If mysterious means a bunch of freaks being brought together by a freak car-accident, then, yes, God does vork in mysterious vays' declared the eldest Russian Doll. — Jonathan Dunne

In the Ummah, there was no tradition of veiling until around 627 C.E., when the so-called "verse of hijab" suddenly descended upon the community. That verse, however, was addressed not to women in general, but exclusively to Muhammad's wives: — Reza Aslan

Back at the Davydokovo apartment, we sat mesmerized in front of Grandad's Avantgard brand TV. It was all porn all the time. Porn in three flavors: 1)Tits and asses; 2) gruesome close-ups of dead bodies from war or crimes; 3) Stalin. Wave upon wave of previously unseen documentary footage of the Generalissimo. Of all the porn, number three was the most lurid. The erotics of power. — Anya Von Bremzen

I have always loved the Mao cap, though I hate violent revolution. — Vivienne Westwood

Methought I saw my late espoused saint. — John Milton

"This compound should be available from most good drugstores." I got increasingly annoyed with this phrase because in the world I lived in, even ordinary soap was available only intermittently ... In an economy that operated by central planning, shortages of just about everything were commonplace." the author dexcribing life in Hungary in the 1950s under Communist Russian rule. — Andrew S. Grove

Creationists make it sound like a 'theory' is something you dreamt up after being drunk all night. Isaac Asimov, Russian-born American author — George Washington

I had wanted to make this film [Suffragette] for over a decade. There has never been a cinematic rendition of this story. I had not been taught any of the history of the movement at school, and the version I had gleaned had been the Mary Poppins story of women in large hats, petitioning. There was another version. — Sarah Gavron

He was like the Great Santini of the Strand. Few people could take him on; he was so well-read and had a memory that could retain every detail of everything he'd ever read, as well as jokes, lyrics, arias, names of store owners he'd met on his honeymoon in Paris, names of restaurants where gangsters were gunned down in 1924. He could quote lines from books he disliked better than you could quote lines from what you claimed was your favorite book of all time. — Jeanne Darst

Better not sit on a hedgehog if you're naked." ~ Russian Author Mikhail Bulgakov ~ The White Guard 1925 — T.C. Donivan

In a thousand unseen ways we have drawn shape and strength from the land. — Lyndon B. Johnson

A wine-colored welt of scar tissue had bubbled up in the little stab hole; it was interesting to look at, like a small blob of pink glue, and it reminded her in a good way of Lawrence of Arabia, burning himself with matches. Evidently that sort of thing built soldierly character. "The trick," he'd said in the movie, "is not to mind that it hurts." In the vast and ingenious scheme of suffering, as Harriet was now beginning to understand it, this was a trick well worth learning. — Donna Tartt

Of all my films, people wrote to me most about this one ... I had wanted to make The Idiot long before Rashomon. Since I was little I've liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film. He is still my favourite author, and he is the one - I still think - who writes most honestly about human existence. — Akira Kurosawa

The English follow the principle that when one lies, one should lie big, and stick to it. They keep up their lies, even at the risk of looking ridiculous. — Joseph Goebbels

If circumstances should make it impossible (temporarily, I hope) for me to be a Russian writer, perhaps I shall be able, like the Pole Joseph Conrad, to become for a time an English writer ... ("Letter To Stalin") — Yevgeny Zamyatin

To many people I have no doubt that it appears merely silly. I once found it expressed in a rather amusing way in a Russian Book called Dal Zoviet, which means the lure of far horizons. The author is Galinischev Kutuzoff [Golenischev-Kutuzov], and he tells of a man in Northern Mongolia who goes out of his yurt every morning to breathe the free air of the steppes and enjoy the immensity and the solitude. But one day he feels an uncomfortable sense of oppression, almost as if he could not breathe. He looks about to find the reason. And there, across the undulating grasslands, is a line of telegraph poles. And after the place never the same to him again. — Daniele Vare

I'm most impressed by the Russian writers, so I love reading the works of Tolstoy and Dostoyevsky. Another author who has informed the way I think is the French philosopher, Blaise Pascal. — Andrea Bocelli

One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms. — Mirra Ginsburg

We have to bring our imaginations to bear on a story if we are to see all it's possibilitiess; otherwise it's just about somebody who did something. Whatever we take away from stories in the way of significance, symbolism, theme, meaning, pretty much anything except character and plot, we discover because our imagination engages with that of the author. Pretty amazing when you consider that the author may have been dead for thousands of years, yet we can still have this exchange, this dialogue, with her. — Thomas C. Foster