Romantic Poetry And Quotes & Sayings

Modern poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are who could endure a century of transition ? — Randall Jarrell

Nor is it again that the novel has killed the play, as some critics would persuade us - the romantic movement of France shows us that. The work of Balzac and of Hugo grew up side by side together; nay, more, were complementary to each other, though neither of them saw it. While all other forms of poetry may flourish in an ignoble age, the splendid individualism of the lyrist, fed by its own passion, and lit by its own power, may pass as a pillar of fire as well across the desert as across places that are pleasant. It is none the less glorious though no man follow it - nay, by the greater sublimity of its loneliness it may be quickened into loftier utterance and intensified into clearer song. — Oscar Wilde

A black boy brought Wilson's gin and he sipped it very slowly because he had nothing else to do except to return to his hot and squalid room and read a novel - or a poem. Wilson liked poetry, but he absorbed it secretly, like a drug. The Golden Treasury accompanied him wherever he went, but it was taken at night in small doses - a finger of Longfellow, Macaulay, Mangan: 'Go on to tell how, with genius wasted, Betrayed in friendship, befooled in love ... ' His taste was romantic. For public exhibition he has his Wallace. He wanted passionately to be indistinguishable on the surface from other men: he wore his moustache like a club tie - it was his highest common factor, but his eyes betrayed him - brown dog's eyes, a setter's eyes, pointing mournfully towards Bond Street. — Graham Greene

Having set its mark on the generation before Cocteau's, symbolism expressed a form of inner dissidence confronting the narrow-minded materialism and utilitarian obsession of the industrial revolution, and hence a reaction to triumphant naturalism, in literature at least. Nourished by medieval, Renaissance, and Romantic art, symbolism, probably the last great backward-looking movement hatched in the West, had given rise to a desire to explore the secrets of the world and the confines of the soul. Beyond its androgynous Mercuries, its pale Narcissuses, and its Orpheuses borne by rosaries of angels, it gave rise to a whole misty alchemy wherein some found their way into esotericism and even into the religious, since the Universe was only the symbol of another world into which entrance was gained not only through poetry, spiritualism, dreams, and the Ideal, but also via the play of analogies and the study of ciphers. — Claude Arnaud

Happiness makes us older, less romantic, less in need of dreams. Discontent, not happiness, is the food of youth and poetry. — Nan Fairbrother

you came in slowly like the fog
and consumed me. — AVA.

Intoxicating perfumes, musky body scents mingle... blindfolding you, I orchestrate my symphony. — Avijeet Das

I joined the army on my seventeenth birthday, full of the romance of war after having read a lot of World War I British poetry and having seen a lot of post-World War II films. I thought the romantic presentations of war influenced my joining and my presentation of war to my younger siblings. — Walter Dean Myers

As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling. — Bernard Herrmann

If you can change the way you think in time you will notice a change in your heart and also a change in your life and the way you see things. — The Prolific Penman

She was resilient
A brave soldier when life tested her
It didn't matter that she did strange things
like stand tall under the rain
letting the drops kiss her skin
thinking the storm was romantic
It was hard to quiet her
not that you would want to
when she spoke, it was captivating
Her heart was like a candle
warm and delicate
just what you needed during darkness
Sometimes, she'd go off and explore the world
test her limits
laugh too much
cry when humans were cruel
It wasn't hard to see why people envied her
You'd come to realize she was a lion
and she could not be tamed. — M.J. Abraham

Brahma and Airavata
Long ago in lands of golden sand
Brahma turned to Saraswati
and gently kissed her inked hand ... — Muse

May our twilights mix together
like breath and breathlessness. — Sanober Khan

I call it our English Renaissance because it is indeed a sort of new birth of the spirit of man, like the great Italian Renaissance of the fifteenth century, in its desire for a more gracious and comely way of life, its passion for physical beauty, its exclusive attention to form, its seeking for new subjects for poetry, new forms of art, new intellectual and imaginative enjoyments: and I call it our romantic movement because it is our most recent expression of beauty. — Oscar Wilde

As a romantic ideal, turbulent, impoverished India could still weave its spell, and the key to it all - the colours, the moods, the scents, the subtle, mysterious light, the poetry, the heightened expectations, the kind of beauty that made your heart miss a beat - well, that remained the monsoon. — Alexander Frater

We aren't suggesting that mental instability or unhappiness makes one a better poet, or a poet at all; and contrary to the romantic notion of the artist suffering for his or her work, we think these writers achieved brilliance in spite of their suffering, not because of it. — Dorianne Laux

Moon, that against the lintel of the west
Your forehead lean until the gate be swung,
Longing to leave the world and be at rest,
Being worn with faring and no longer young,
Do you recall at all the Carian hill
Where worn with loving, loving late you lay,
Halting the sun because you lingered still,
While wondering candles lit the Carian day?
Ah, if indeed this memory to your mind
Recall some sweet employment, pity me,
That even now the dawn's dim herald see!
I charge you, goddess, in the name of one
You loved as well: endure, hold off the sun. — Edna St. Vincent Millay

Romantic haste in drama brings
tears and sighs when the hero dies
but the curtain fall is final
when in life we take the tragic way
The sunset too is a glorious thing
but with it ends the day. — C. P. Klapper

Falling in love was easy-when romantic attraction was combined with hungry, unsated desire, they formed a glamorous, glittering bauble as fragile as it was alluring, a bauble that could shatter as soon as it was grasped.
Tenderness was a different story. It had staying power and the promise of a future. — Robyn Donald

I wanted to be a poet. I had a really romantic idea about what that would mean. My parents knew some poets, and I liked how they dressed and acted, but I didn't really acknowledge that I only liked reading some bits of poetry while I was peeing or something. — Lena Dunham

I had read a Tale of Two Cities and found it up to my standards as a romantic novel. She opened the first page and I heard poetry for the first time in my life ... her voice slid in and curved down trough and over the words. She was nearly singing. — Maya Angelou

A poet has to be a bit childlike at heart, and in that sense all the romantic stereotypes about poets being "eternal children", etc, are all accurate. They believe, whatever they may say, that art and words can change the world. — John Thomas Allen

Bennett advises his daughter not to develop a passion for poetry because it is 'dangerous to a woman': like novels, poetry heightens a woman's 'natural sensibility to an extravagant degree' and 'inspires a 'romantic turn of the mind,' that is 'utterly inconsistent with the solid duties and priorities of life. — Paraic Finnerty

The Canadian people are more practical than imaginative. Romantic tales and poetry would meet with less favour in their eyes than a good political article from their newspapers. — Susanna Moodie

Years later the Romantic poet John Keats would complain that on that fateful day Newton had "destroyed all the poetry of the rainbow by reducing it to prismatic colors." But color - like sound and scent - is just an invention of the human mind responding to waves and particles that are moving in particular patterns through the universe - and poets should not thank nature but themselves for the beauty and the rainbows they see around them. — Victoria Finlay

I appear to be embarked on the turbid waters of poetry and scholarship. And a career in poetry and knowledge is as hard to guide as Plato's horses. On the one hand I must range about discovering the fundamentals of knowledge, dipping into science, politics and other arcana, forever seeking an education that is both profound and practical; on the other, I must keep spiritually alive and brilliantly alive, for poetry is, as the moral Milton conceded in practice and precept, a sensuous, passionate, brutal thing. I put in the last adjective because I am modern and angry and puritanical ... The relevance of such schedule to poetry is obvious. I cannot think it a pedantry that a man desiring to speak (or sing) something important should also desire to speak with certainty. Also if he lack scope, such as an acquaintance with science and an acquaintance with other languages, he will be romantic and an anachronism. — Robert Lowell

You love me
and love me not
your love is an arm of clock
joining hands with mine
only to leave me again — Lori Jenessa Nelson

As she reached the stairs, she made a quick detour and stepped outside.
A crescent moon hung in the midnight blue sky along with trillions of twinkling stars. Out here there were no streetlights to wash out the view. She loved being able to see the stars.
Tonight, the mountains were etched deep purple against the night sky. The white snowcapped tips gleamed silver. Nearer, silhouetted pine trees swayed in the breeze as if in a slow dance.
"You are such a romantic," Trask had once told her. "Are you sure you want to open a bar? You should be writing poetry."
She'd laughed. "How do you know I don't? — B. J. Daniels

Offered a job as book critic for Time magazine as a young man, Bellow had been interviewed by Chambers and asked to give his opinion about William Wordsworth. Replying perhaps too quickly that Wordsworth had been a Romantic poet, he had been brusquely informed by Chambers that there was no place for him at the magazine. Bellow had often wondered, he told us, what he ought to have said. I suggested that he might have got the job if he'd replied that Wordsworth was a once-revolutionary poet who later became a conservative and was denounced by Browning and others as a turncoat. This seemed to Bellow to be probably right. More interesting was the related question: What if he'd kept that job? — Christopher Hitchens

If I could describe myself, I'd say that I am a poetic gerd. (A geek and nerd combo) I love Shakespeare and romance, but sci-fi and action have a big slice of my heart. When I meet a man who can quote some Hitchcock out of thin air, do a perfect 'Timey Whimey' impression, play me some classic rock when I'm sad and can give a 'Gone with the Wind' kiss, I will have my soul mate. — Melanie Kay Taylor

The length and shape of the poemetto, like the greater Romantic lyric of English poetry, lends itself to retrospection and commentary. — Susan Stewart

Recall what used to be the theme of poetry in the romantic era. In neat verses the poet lets us share his private, bourgeois emotions: his sufferings great and small, his nostalgias, his religious or political pre-occupations, and, if he were English, his pipe-smoking reveries. On occasions, individual genius allowed a more subtle emanation to envelope the human nucleus of the poem - as we find in Baudelaire for example. But this splendour was a by-product. All the poet wished was to be a human being.
When he writes, I believe today's poet simply wishes to be a poet. — Jose Ortega Y Gasset

As long as we're young, we manage to find excuses for the stoniest indifference, the most blatant caddishness, we put them down to emotional eccentricity or some sort of romantic inexperience. But later on, when life shows us how much cunning, cruelty, and malice are required just to keep the body at ninety-eight point six, we catch on, we know the scene, we begin to understand how much swinishness it takes to make up a past. Just take a close look at yourself and the degree of rottenness you've come to. There's no mystery about it, no more room for fairy tales; if you've lived this long, it's because you've squashed any poetry you had in you. — Louis-Ferdinand Celine

[H]e initially conceived of Olivier as a man of the greatest promise destroyed by a fatal flaw, the unreasoning passion for a woman dissolving into violence, desperately weakening everything he tried to do. For how could learning and poetry be defended when it produced such dreadful results and was advanced by such imperfect creatures? At least Julien did not see the desperate fate of the ruined lover as a nineteenth-century novelist or a poet might have done, recasting the tale to create some appealing romantic hero, dashed to pieces against the unyielding society that produced him. Rather, his initial opinion
held almost to the last
was of Olivier as a failure, ruined by a terible weakness. — Iain Pears

There is no single thing ... that is so cut and dried that one cannot attend to its secret whisper which says 'I am more than just my appearance'. If each object quivers with readiness to imply something other than itself, if each perception is a word in a poem dense with connotations, then the poet's selection of any given subject of speculation will become ... a means of attuning himself to the rhythms and harmonies of reality at large ... The notion of a network of correspondence is not an outmoded Romantic illusion: it represents a crucial intuition ... — Roger Cardinal

Ode to the Chamber
... linger here amidst the chamber
in which we embrace our love
talk to me of sonnets
and call me turtledove ... — Muse

Do You Believe
Do you believe
that I have loved you
since the dawn of time?
Do you believe
that we were destined
to be intertwined? ... — Muse

They don't know I only speak in runaway train stations
and everybody is always a few minutes too late to the platform.
No one has ever gotten the chance to get too close
because it is never romantic to fuck the girl who makes love to her own sadness every single night. — Katelin Wagner

What bizarre things does not one find in a great city when one knows how to walk about and how to look! Life swarms with innocent monsters. Oh Lord my God, Thou Creator, Thou Master, Thou who hast made law and liberty, Thou the Sovereign who dost allow, Thou the Judge who dost pardon, Thou who art full of Motives and of Causes, Thou who hast (it may be) placed within my soul the love of horror in order to turn my hear to Thee, like the cure which follows the knife; Oh Lord, have pity, have pity upon the mad men and women that we are! Oh Creator, is it possible that monsters should exist in the eyes of Him alone who knoweth why they exist, how they have made themselves, and how they would have made themselves, and could not? — Charles Baudelaire

I breathe in...
the fragrance
of love, and moist sand
the one
his roses left
on both my hands

I just keep on breathing
every moment
as much as I can
preserving it, in my body
for the day
it can't. — Sanober Khan

With callused hands
i tasted
the softness of the moon

in the coldest winds
i discovered
my soul's
warmest fireplace

in the roughness
of his stubble
the tenderest love. — Sanober Khan

The season was waning fast
Our nights were growing cold at last
I took her to bed with silk and song,
'Lay still, my love, I won't be long;
I must prepare my body for passion.'
'O, your body you give, but all else you ration.'
'It is because of these dreams of a sylvan scene:
A bleeding nymph to leave me serene ...
I have dreams of a trembling wench.'
'You have dreams,' she said, 'that cannot be quenched.'
'Our passion,' said I, 'should never be feared;
As our longing for love can never be cured.
Our want is our way and our way is our will,
We have the love, my love, that no one can kill.'
'If night is your love, then in dreams you'll fulfill ...
This love, our love, that no one can kill.'
Yet want is my way, and my way is my will,
Thus I killed my love with a sleeping pill. — Roman Payne

While much recent historicist criticism has assumed early nineteenth-century readers attuned to subtle ideological nuances in poetry, actual responses from readers often come closer to clulessness ... It is no surprise that no one understood Blake, but other poets fared not much better ... Coleridge's 'Christabel' was 'the standing enigma which puzzles the curiosity of literary circles. What is it all about?', while another reviewer asked about Shelley, 'What, in the name of wonder on one side, and of common sense on the other, is the meaning of this metaphysical rhapsody about the unbinding of Prometheus?'. Even Keats was condemned for 'his frequent obscurity and confusion of language' and his 'unintelligible quaintness'. Byron, never to be outdone, boasted in 'Don Juan' that not only did he not understand many of his fellow poets, he did not understand himself either: 'I don't pretend that I quite understand / My own meaning when I would be very fine.' ... — Andrew Elfenbein

Romantic poetry had its heyday when people like Lord Byron were kicking it large. But you try and make a living as a poet today, and you'll find it's very different! — Alan Moore

i swallowed the syllables of your name
and i was full. — AVA.

Romantic poetry and fiction of the last 2000 years has blinded us to the fact that emotions are a low form of jungle consciousness. Emotional actions are the most contracted, dangerous form of fanatic stupor. — Timothy Leary

A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seedword is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but and if. Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb. Good poems, therefore, are always close to banality, over which, however, they tower like precipices. — Alasdair Gray

She's always looking for poetry and passion and sensitivity, the whole Romantic kitchen. I live on a rather simpler diet.'
'Prose and pudding?'
'I don't expect attractive men necessarily to have attractive souls. — John Fowles

I believe in a passionately strong feeling for the poetry of life - for the beautiful, the mysterious, the romantic, the ecstatic - the loveliness of Nature, the lovability of people, everything that excites us, everything that starts our imagination working, LAUGHTER, gaiety, strength, heroism, love, tenderness, every time we see - however dimly - the godlike that is in everyone and want to kneel in reverence. — Leopold Stokowski

I suppose one starts out, as a child, being romantic and dreaming of adventure. Poetic. Then reality comes along, and with it, a whole lot of prose. — Roberta Pearce

None but a poet can understand a poet; none but a romantic spirit transported with poetry and consecrated in the Holy of Holies an comprehend what the ordained utters out of his inspiration. — E.T.A. Hoffmann

I don't want to, in any way, characterize a race or a people or get accused of racial profiling, but the Irish, as lyrical and romantic as they can be in their poetry, they can be every bit as repressed in their personal relations. — Stephen Lang

To be wild as the waves;
enshrined
by the vastness -
our cosmic immemorial.
Unsettled as the forest.
An indomitable flicker
amidst worldviews,
of jaded crowns
and romantic ash. — Steven Storm

the one
who will jolt awake
all the unwritten
the unsung
and the unlived
in me.

i am waiting
for him. — Sanober Khan

In medicine as well as in romantic poetry, it is the heart that is the center and controlling mechanics of life. If the heart stops, life stops. The loss of sight doesn't not mean death. Yet for ages, the eyes was believed to contain a human being's vital essence - a not wholly irrational belief. — Henry Grunwald

Back home, Huxley drew from this experience to compose a series of audacious attacks against the Romantic love of wilderness. The worship of nature, he wrote, is "a modern, artificial, and somewhat precarious invention of refined minds." Byron and Wordsworth could only rhapsodize about their love of nature because the English countryside had already been "enslaved to man." In the tropics, he observed, where forests dripped with venom and vines, Romantic poets were notably absent. Tropical peoples knew something Englishmen didn't. "Nature," Huxley wrote, "is always alien and inhuman, and occasionally diabolic." And he meant always: Even in the gentle woods of Westermain, the Romantics were naive in assuming that the environment was humane, that it would not callously snuff out their lives with a bolt of lightning or a sudden cold snap. After three days amid the Tuckamore, I was inclined to agree. — Robert Moor

Chalmers, like many of the English writers whom he then most admired, felt a strong natural sympathy with everything French. At Rouen he imagined himself as having escaped into a world in which it was possible to speak openly and unaffectedly of all those subjects which in England must be introduced by an apology or guarded with a sneer - poetry, metaphysics, romantic love. — Christopher Isherwood

We're all just animals. That's all we are, and everything else is just an elaborate justification of our instincts. That's where music comes from. And romantic poetry. And bad novels. — Elvis Costello

Love can be such a mysterious muse and seductress ... spinning her magical web of stardust and emotional euphoria.
True love sang her siren song and we wrapped that song around us like the sweetest melody. — Jaeda DeWalt

Sir Hiram Maxim is a genuine and typical example of the man of science, romantic, excitable, full of real but somewhat obvious poetry, a little hazy in logic and philosophy, but full of hearty enthusiasm and an honorable simplicity. He is, as he expresses it, "an old and trained engineer," and is like all of the old and trained engineers I have happened to come across, a man who indemnifies himself for the superhuman or inhuman concentration required for physical science by a vague and dangerous romanticism about everything else. — Gilbert K. Chesterton

Once taken by her, you glowed
And you drank her poisons, content.
Because all the stars seemed to grow,
And fields had a different scent,
Autumn fields. — Anna Akhmatova

Do You Believe
... on this road of life
on this day
I take you
now husband and wife ... — Muse

Thou doth not know the tragedy of a tale between two hearts till the tears of a forgotten love dissolve into the scars of yearning and seep through the cracks of the broken, leaving behind a trail of crimson for all but one to see. — Raneem Kayyali

I'll be a poet, and you'll be poetry. — Francois Coppee

If you can't focus then how do you expect to make your dreams come true? — The Prolific Penman

I am in danger of wanting my personal absolute to be a demigod of a man, and as there aren't many around, I often unconsciously manufacture my own. and then, I retreat and revel in poetry and literature where the reward value is tangible and accepted. I really do not think deeply. really deeply. I want a romantic nonexistant hero. — Sylvia Plath

Zorro also is part of the bandido tradition, most closely associated with the possibly mythical Joaquin Murrieta and the historical Tiburcio Vasquez. As well as these local California legendary figures, Zorro is an American version of Robin Hood and similar heroes whose stories blend fiction and history, thus moving Zorro into the timeless realm of legend. The original story takes place in the Romantic era, but, more important, Zorro as Diego adds an element of poetry and sensuality, and as Zorro the element of sexuality, to the traditional Western hero. Not all Western heroes are, as D. H. Lawrence said of Cooper's Deerslayer, "hard, isolate, stoic, and a killer," but in the Western genre the hero and villain more often than not share these characteristics. What distinguishes Zorro is a gallantry, a code of ethics, a romantic sensibility, and most significant, a command of language and a keen intelligence and wit. — Robert E. Morsberger