Reverb Quotes & Sayings

I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music. — Victoria Legrand

There were voices on the other side - eldritch voices, the sort of voices that mere typography will remain totally unable to convey until someone can make a linotype machine with echo-reverb and, possibly, a typeface that looks like something said by a slug. — Terry Pratchett

It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings. — Brian Setzer

In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible. — Ben Folds

Guess there's no way to convince a person of that, but it's true. Stuttering's funny, Audra. Spooky. On one level you're not even aware it's happening. But ... it's also something you can hear in your mind. It's like part of your head is working an instant ahead of the rest. Or one of those reverb systems kids used to put in their jalopies back in the fifties, when the sound in the rear speaker would come just a split second a-after — Stephen King

Reverb does that thing where you make one sound and it grows to 20 times its original size and fills everything up. — Alex Scally

'No Bones' has some reverb that I kick around. — J Mascis

The human voice sounds thicker with a chorus and reverb than a dry signal. — Ken Hill

I would say that the evocative qualities of music are usually put there in post-production in the reverb. It's really not much about the musicians as the engineering. It's post-production that's being done by the musician at the time. — Stephin Merritt

Thy youngest daughter does not love thee least; nor are those empty-hearted whose low sounds reverb no hollowness. — William Shakespeare

With headphones on, you can hear and appreciate extreme detail and subtlety, and the lack of uncontrollable reverb inherent in hearing music in a live room means that rhythmic material survives beautifully and completely intact; it doesn't get blurred or turned into sonic mush as it often does in a concert hall. — David Byrne

Prayers For Rain' begins like practically every Cure song, with an introduction that's longer than most Bo Diddley singles. Never mind the omnipresent chill, why does Robert Smith write such interminable intros? I can put on 'Prayers For Rain,' then cook an omelette in the time it takes him to start singing. He seems to have a rule that the creepier the song, the longer the wait before it actually starts. I'm not sure if Smith spends the intro time applying eye-liner or manually reducing his serotonin level, but one must endure a lot of doom-filled guitar patterns, cathedral-reverb drums and modal string synth wanderings during the opening of 'Prayers for Rain. — Tom Reynolds

It probably didn't help that we kept being taken on holiday to monasteries. Not many kids there, just monks. Although you do find the best reverb in monastic chapels. I have a theory that the religious experience is actually based on reverb - which is why outdoor weddings always seem weird. God isn't in the details, he's in the echo. — Tom McRae

The only technical things I know are treble, volume and reverb, that's all. — Johnny Thunders

It's not like you're being fake, it's just the way you color it, like a guitar player uses pedals or different effects. That's why I get so mad about people who are down on vocal reverb. It's not a crutch, people, it's an aesthetic choice! — Kelly Hogan

Surf is that music which is entirely about evoking something. There's never any vocals, so it's not about the lyrics, it's about the reverb. — Stephin Merritt

Heart as collapsed time, as a dug-up grave, as simple machine. Heart as big black bugs bleed blue blood. Heart as MI frozen as seen from airplane, everything still and white and beautiful. Heart as the Day the Music Died. Heart as love being made, as fucking, as a pleasantly haunted house. Heart as a dim memory of a dark room in which you're molded wetasscracked into a beanbag chair, fumbling for wetness. Come hither. Heart as a cunt's supposed to smell like tuna. Heart as the star of the sea. Heart as a pussy in permanent bloom. Heart as doxycycline. Heart as waxwings, as a fudge round, as the phone rings once and then stops. Heart as throw your hands in the air, throw your art at the stars, stutter and stare. Heart as a Stratocaster. Heart as Twin Reverb. Heart as I heart you so much. Heart as all that we thought we knew in the world disappears into vapor. Heart as the rest of your life times the weight of the world squared. — Bryan Charles

I always thought that putting tons of reverb on my voice was kind of the equivalent of airbrushing. And I wanted other girls and women to hear a real female voice that wasn't completely manipulated. — Kathleen Hanna

If I didn't have the reverb I'd be an unhappy camper. So I want reverb in my monitor mix. Reverb and a good level in my monitor and I'm all set. — Paul Taylor

Private listening really took off in 1979, with the popularity of the Walkman portable cassette player. Listening to music on a Walkman is a variation of the "sitting very still in a concert hall" experience (there are no acoustic distractions), combined with the virtual space (achieved by adding reverb and echo to the vocals and instruments) that studio recording allows. With headphones on, you can hear and appreciate extreme detail and subtlety, and the lack of uncontrollable reverb inherent in hearing music in a live room means that rhythmic material survives beautifully and completely intact; it doesn't get blurred or turned into sonic mush as it often does in a concert hall. You, and only you, the audience of one, can hear a million tiny details, even with the compression that MP3 technology adds to recordings. You can hear the singer's breath intake, their fingers on a guitar string. That said, extreme and sudden dynamic changes can be painful on a personal music player. As — David Byrne