Quotes & Sayings About Remixing

Zombies are familiar characters in philosophical thought experiments. They are like people in every way except they have no internal experience ...
If there are enough zombies recruited into our world, I worry about the potential for a self-fulfilling prophecy. Maybe if people pretend they are not conscious or do not have free will - or that the cloud of online people is a person; if they pretend there is nothing special about the perspective of the individual - then perhaps we have the power to make it so. We might be able to collectively achieve antimagic.
Humans are free. We can commmit suicide for the benefit of a Singularity. We can engineer our genes to better support an imaginary hive mind. We can make culture and journalism into second-rate activities and spend centuries remixing the detritus of the 1960s and other eras from before individual creativity went out of fashion.
Or we can believe in ourselves. By chance, it might turn out we are real. — Jaron Lanier

I think that the audience intuitively understands the idea of sampling and remixing stories. That's why electronic music is global. — DJ Spooky

My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on. — Elisa Kreisinger

One thing that struck me about going to those tech conferences was all the enthusiasm for free culture, and remixing, and social media, but people's greatest ambition was to be sponsored by Chipotle or something equivalent to that. It was this weird mix of collaborative, utopian claims and this total acquiescence to commercial imperatives. — Astra Taylor

I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed. — Lukas Haas

...some of the most important work that we can do as scholars may more closely resemble contemporary editorial or curatorial practices, bringing together, highlighting and remixing significant ideas in existing texts than remaining solely focused on the production of more ostensibly original texts. — Kathleen Fitzpatrick

I've called myself the Pied Piper, I've called myself the Weatherman, I've called myself Kellz, I've called myself a lot of things, changing the name, switching it up, just flipping, remixing. But never to harm anybody. Never to make a deep statement for people to dig into and figure it out. — R. Kelly

Danger Mouse is now working on a bunch of other records, translating his ideas about remixing into all sorts of other projects. — Damon Albarn

I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together? — Mark Bradford

The debut show, "Second Lives: Remixing the Ordinary," is supposed to be about how artists reuse humble or unusual materials. There's good work here, but much of what's on view is actually more about obsession and repetition: a couch made out of 3,500 quarters, a necklace composed of 100 handgun triggers. The building [of Museum of Arts and Design], too, seems caught between wanting to be an object of decorative delectation and making an architectural statement. — Jerry Saltz

I simply remix an artist accommodating the way I wish to see this track. Remixing is entirely personal for me, music is entirely personal for me, and it has to be a natural process. — Justin Broadrick

I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular? — Michael Nyman