Red Shift Quotes & Sayings

I think the word 'soul' - it depends on what you define by 'soul.' If you're defining it as a mystical aura that is outside the body, I cannot measure that. If you're talking about soul as human nature, the rank of spectrum of behaviors and reactions that we know humans produce under certain circumstances, that is measurable. — Miguel Nicolelis

This is one other thing I know: without autumn, there is no end. Without red and gold and orange there is no finality, no conclusion. Without the sudden shift in the air, without the scent of apples and the crisp chill of morning, summer could go on forever. Without fall, summer lingers. There is a marvelous limbo where I live now, without the changing of seasons. No blazing display to signify the end of everything good. Perhaps this is what drew me to California. A place where time is suspended. — T. Greenwood

Among other things, I've taken up smoking. Ana says I should stop with the good girl/bad girl stuff, and obviously she's right, but sometimes when I have a cigarette in my hand and the streets are dangerously empty and I've had a few drinks after my shift and I am noticing the lights that are on in different apartments, lighting stairways and whole buildings, blinking red on the skyline, I think about the nights on the island when I was content to stand alone outside the house, listening to the god horns in that soft blackness, and tasting the air, sweet with salt. — Aoibheann Sweeney

I wear perfume even when I'm alone — Elizabeth Taylor

I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless. — Susan Hill

Off come her skirts and petticoats, her lace cuffs and collar, her shoes and whalebone stay, until she lies on her side in nothing but a cotton shift and endless strands of pearls. Dust hangs in a crack of light between red velvet drapes, like stars.

Her dreams are glimpses, bewildered--celestial charts, oceanic swells, massive, moving bodies of water, the heavens as heavenly liquid, familiar whirlpools, the universe as a ship lost at sea--but the ship she imagines arrived safely, years ago, loaded with their possessions. — Danielle Dutton

The first archer lets his arrow fly, soaring over the crowd and hitting it's mark in a shower of sparks.
The bonfire ignites in an eruption of yellow flame.
Then second chime follows.
the second archer sends his arrow into the yellow flames, and they become a clear sky-blue.
A third chime with a third arrow. and the flames are a warm bright pink.
Flames the color of a ripe pumpkin follow the fourth arrow.
A fifth, and the flames are scarlet-red.
A sixth brings a deeper, sparkling crimson.
Seven, and the fire is soaked in a color like an incandescent wine.
Eight, and the flames are shimmering violet.
Nine, and violet shift to indigo.
A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue. — Erin Morgenstern

The red shift gives the speed at which galaxies are retiring, but doesn't tell us how far away they are to begin with. — Bill Bryson

Al walks toward the railing. "No," Eric says. "She has to do it on her own." "No, she doesn't," Al growls. "She did what you said. She's not a coward. She did what you said." Eric doesn't respond. Al reaches over the railing, and he's so tall that he can reach Christina's wrist. She grabs his forearm. Al pulls her up, his face red with frustration, and I run forward to help. I'm too short to do much good as I suspected, but I grip Christina under the shoulder once she's high enough, and Al and I haul her over the barrier. She drops to the ground her face still blood smeared from the fight, her back soaking wet, her body quivering. I kneel next to her. Her eyes lift to mine, then shift to Al, and we all catch our breath together. — Veronica Roth

When you shift the gear and that little needle on the tach goes into the red and reads 9,000 rpm, that's bad. — Robert Duvall

I am a fashion person, and fashion is not only about clothes
it's about all kinds of change — Karl Lagerfeld

I'm waiting for her to say "Craig, what you need to do is X" and for the Shift to occur. I want there to be a Shift so bad. I want to feel my brain slide back into the slot it was meant to be in, rest there the way it did before the fall of last year, back when I was young, and witty, and my teachers said I had incredible promise, and I had incredible promise, and I spoke up in class because I was excited and smart about the world. I want the Shift so bad. I'm waiting for the phrase that will invoke it. It'll be like a miracle within my life. But is Dr. Minerva a miracle worker? No. She's a thin, tan lady from Greece with red lipstick. — Ned Vizzini

As the sun shines low and red across the water, I wade into the ocean. The water is still high and brown and murky with the memory of the storm, so if there's something below it, I won't know it. But that's part of this, the not knowing. The surrender to the possibilities beneath the surface. It wasn't the ocean that killed my father, in the end. The water is so cold that my feet go numb almost at once. I stretch my arms out to either side of me and close my eyes. I listen to the sound of water hitting water. The raucous cries of the terns and the guillemots in the rocks of the shore, the piercing, hoarse questions of the gulls above me. I smell seaweed and fish and the dusky scent of the nesting birds onshore. Salt coats my lips, crusts my eyelashes. I feel the cold press against my body. The sand shifts and sucks out from under my feet in the tide. I'm perfectly still. The sun is red behind my eyelids. The ocean will not shift me and the cold will not take me. — Maggie Stiefvater

Do that thing you always wanted to do "someday" in the future: get on a plane in your Jackie O shift dress and shades, take a train across Europe wearing red lipstick, buy that sporty two-seater car, spend your money on perfume. Otherwise you might wake up one day with a husband and kids and wonder what you did with all that free time you once had. And if you're already experiencing the domestic bliss of family life, savour every moment. — Rosie Blythe

I could no longer remember the way my mother's eyes looked before the slowing. Had they always been so red around the edges? Surely, those pockets of gray beneath her lower lashes were new. She still wasn't sleeping well, but perhaps what I was seeing was just age, a gradual shift that I'd failed to register. I sometimes felt the urge to study recent photographs of her in order to locate the exact point in time when she had come to look so weary. — Karen Thompson Walker

Imagination, then, must be the flip side of memory, not so much a calling up as a calling forth. Yet imagination also relies on knowledge: on knowing what is - and is not - possible in this world of fact. Imagination plants the seed or buries the bulb knowing the seasons will shift, seeing, in the mind's eye, April give way to August, the azalea to the rose, knowing that the red leaves of the maple will burnish in autumn, knowing that from this exact window, one can look down to the inlet where the moon's reflection will be just another shimmering white blossom. — Judith Kitchen

But I know you're the brightest shooting star in the sky - Astrid — Michael Grant

I could get away with not taking care of myself as a bachelorette but as a mom I can't. — Alanis Morissette

The whole red state/blue state thing is very interesting. Watching that shift over the years. — Anne Waldman

Normally my run leaves me feeling like nothing but long muscles streaming with strength able and beckoning for more, anything, bring it on. That feeling is what gets me through my shift. Today the strength is nowhere. I'm lurching like a flabby first-timer; my legs drag like they're wrapped in wet sandbags, my arms flop and my breathing can't find a rhythm. I push harder, till my chest feels like it's ripping and a thick red seethes up over my eyes. I hang on to a lamppost, doubled over, waiting for it to clear. — Tana French

One of the most striking results of modern investigation has been the way in which several different and quite independent lines of evidence indicate that a very great event occurred about two thousand million years ago. The radio-active evidence for the age of meteorites; and the estimated time for the tidal evolution of the Moon's orbit (though this is much rougher), all agree in their testimony, and, what is far more important, the red-shift in the nebulae indicates that this date is fundamental, not merely in the history of our system, but in that of the material universe as a whole. — Henry Norris Russell

What I'm feeling, I think, is joy. And it's been some time since I've felt that blinkered rush of happiness, This might be one of those rare events that lasts, one that'll be remembered and recalled as months and years wind and ravel. One of those sweet, significant moments that leaves a footprint in your mind. A photograph couldn't ever tell its story. It's like something you have to live to understand. One of those freak collisions of fizzing meteors and looming celestial bodies and floating debris and one single beautiful red ball that bursts into your life and through your body like an enormous firework. Where things shift into focus for a moment, and everything makes sense. And it becomes one of those things inside you, a pearl among sludge, one of those big exaggerated memories you can invoke at any moment to peel away a little layer of how you felt, like a lick of ice cream. The flavor of grace. — Craig Silvey

One night, Ye was working the night shift. This was the loneliest time. In the deep silence of midnight, the universe revealed itself to its listeners as a vast desolation. What Ye disliked most was seeing the waves that slowly crawled across the display, a visual record of the meaningless noise Red Coast picked up from space. Ye felt this interminable wave was an abstract view of the universe: one end connected to the endless past, the other to the endless future, and in the middle only the ups and downs of random chance - without life, without pattern, the peaks and valleys at different heights like uneven grains of sand, the whole curve like a one-dimensional desert made of all the grains of sand lined up in a row, lonely, desolate, so long that it was intolerable. You could follow it and go forward or backward as long as you liked, but you'd never find the end. — Liu Cixin

In my formative years, I never missed the 'Creature Double Feature' on Saturday afternoon TV, even if it meant switching back and forth between 'Gamera' and the Red Sox. I did a book report on Stephen King's 'Night Shift' in seventh grade. Unrated Italian horror movies became a weekly rite of passage once I hit seventeen. — Chuck Hogan