Really Deep And Sad Quotes & Sayings
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Top Really Deep And Sad Quotes
Yes, Ally?" What have I done? I try to figure out what I should say. Maybe ask to go get a drink? But the thing is that something deep inside me really does want to answer. Because I'm an expert on these two words. I know what they mean. And how they feel. Especially after that butterfly party. Mr. Daniels's eyes are wide, and they are waiting for me. "Ally?" he says. "It's okay, now. Take your time." And it's like he can see right into my guts. Knows how sad I am. Like he's handing me a flashlight in a dark room. I — Lynda Mullaly Hunt
And in the kisses, what deep sweetness! There are women's mouths that seem to ignite with love the breath that opens them. Whether they are reddened by blood richer than purple, or frozen by the pallor of agony, whether they are illuminated by the goodness of consent or darkened by the shadow of disdain, they always carry within them an enigma that disturbs men of intellect, and attracts them and captivates them. A constant discord between the expression of the lips and that of the eyes generates the mystery; it seems as if a duplicitous soul reveals itself there with a different beauty, happy and sad, cold and passionate, cruel and merciful, humble and proud, laughing and mocking; and the abiguity arouses discomfort in the spirit that takes pleasure in dark things. — Gabriele D'Annunzio
When I was a child people simply looked about them and were moderately happy; today they peer beyond the seven seas, bury themselves waist deep in tidings, and by and large what they see and hear makes them unutterably sad. — E.B. White
No genuine Irishman could relax in comfort and feel at home in a pub unless he was sitting in deep gloom on a hard seat with a very sad expression on his face, listening to the drone of bluebottle squadrons carrying out a raid on the yellow cheese sandwich. — Flann O'Brien
First, it's okay to be sad. It's okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly" - her eyes glossed over - "and you and your brothers take care of each other, and your father. Even when you grow up and move away, it's important to come home. Okay?"
My head bobbed up and down, desperate to please her.
"One of these days you're going to fall in love, son. Don't settle for just anyone. Choose the girl that doesn't come easy, the one you have to fight for, and then never stop fighting. Never" - she took a deep breath - "stop fighting for what you want. And never" - her eyebrows pulled in - "forget that Mommy loves you. Even if you can't see me." A tear fell down her cheek. "I will always, always love you. — Jamie McGuire
It was November
the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines. Anne roamed through the pineland alleys in the park and, as she said, let that great sweeping wind blow the fogs out of her soul. — L.M. Montgomery
You want to hear it? Fine. It's a simple story really, about a pretty girl who was pretty stupid. She let a man touch her because she was scared to say no, and then she told her parents because she was scared to say nothing. Then they were scared to do anything that might ruin their pretty little lives, so they told the girl that it was nothing. That just being touched wasn't enough to fight for. Too scared to prove them wrong, she kept going like it was nothing, and she let more people touch her, never knowing that she was handing out pieces of herself. Or, hell, maybe she knew deep down, and she just hated herself so much that she was glad to be rid of them. And life wasn't pretty, but it also wasn't scary until she met a man with two names who touched her without taking and made her miss the pieces she had lost. And now things aren't just scary, they're fucking terrifying, and I can't do it. I can't live like this, knowing all that I've ruined and that it can't be fixed. — Cora Carmack
You are feeling sad? Befriend it. Have compassion for it. Sadness also has a being. Allow it, embrace it, sit with it, hold hands with it. Be friendly. Be in love with it. Sadness is beautiful! Nothing is wrong with it. Who told you that something is wrong in being sad? In fact, only sadness gives you depth. Laughter is shallow; happiness is skin-deep. Sadness goes to the very bones, to the marrow. Nothing goes as deep as sadness. — Osho
Maggie Smith has a unique sense of comedy, based on a somewhat ironic view of real life, making it both funnier and more sad. But perhaps her greatest ability, or at least the one that most intrigues me, is how she can convey deep and powerful emotion without a trace of sentimentality. — Julian Fellowes
It's easier to change a law than an age-old mentality. Deep down, many prejudices, many hostilities, many fears persist. But if we take a look at all the peoples in the world, we have to realize that the condition of women is very backward and sometimes very sad, from both the social and psychological points of view. — Dacia Maraini
As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing.
What has happened?' the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk.
Why, we've had a revolution, your Majesty
as you ought to know very well,' replied the man; 'and since you went away the women have been running things to suit themselves. I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.'
Hm!' said the Scarecrow, thoughtfully. 'If it is such hard work as you say, how did the women manage it so easily?'
I really do not know,' replied the man, with a deep sigh. 'Perhaps the women are made of cast-iron. — L. Frank Baum
For nonconformity the world whips you with its displeasure. And therefore a man must know how to estimate a sour face. The by-standers look askance on him in the public street or in the friend's parlour. If this aversation had its origin in contempt and resistance like his own, he might well go home with a sad countenance; but the sour faces of the multitude, like their sweet faces, have no deep cause, but are put on and off as the wind blows and a newspaper directs. — Ralph Waldo Emerson
We are houses eaten by rivers because we do not know their smell. — Nayyirah Waheed
He changed his final wad up at the train station. Which was a sad place now. There were homeless people and disturbed people hanging around. There were furtive men with swivel eyes, their hands thrust deep in capacious pockets. There was spray-can graffiti on the walls. Nothing compared to the South Bronx or inner-city Detroit or South-Central LA. But unusual for Germany. Reunification had been a strain. Economically, and socially. And mentally. He had watched it. Like living a comfortable life in a nice little house with your family. And then a whole bunch of relatives moves in. From someplace where they don't really know how to use a knife and fork. Ignorant and stunted people. But German like you. As if a brother had been taken away at birth and locked in a closet. Then in his mid-forties he comes stumbling out again, pale and hunched and blinking. A tough situation to manage. He — Lee Child
It's easy to look back and see it, and it's easy to give the advice. But the sad fact is, most people don't look beneath the surface until it's too late. — Wendelin Van Draanen
He dreams he's with a very sad kid and they're in a graveyard digging some dead guy's head up and it's really important, like Continental-Emergency important, and Gately's the best digger but he's wicked hungry, like irresistibly hungry, and he's eating with both hands out of huge economy-size bags of corporate snacks so he can't really dig, while it gets later and later and the sad kid is trying to scream at Gately that the important thing was buried in the guy's head and to divert the Continental Emergency to start digging the guy's head up before it's too late, but the kid moves his mouth but nothing comes out and Joelle van D. appears with wings and no underwear and asks if they knew him, the dead guy with the head, and Gately starts talking about knowing him even though deep down he feels panic because he's got no idea who they're talking about, while the sad kid holds something terrible up by the hair and makes the face of somebody shouting in panic: TOO LATE. — David Foster Wallace
Steady there," he says. His brow is furrowed. His eyes are deep-set and sad. "You can ride with me. All you have to do is sit and hold on. Okay?"
Hallelujah nods. And then what he's saying actually sinks in. They'll be riding away from Jonah and Rachel. She can't do that. She can't. Her breath starts coming faster. "We have to go back," she says, her voice cracking. "I can't leave. I have to go get them. I promised." Breath in, out, in, out, in, out. "I promised!"
Charlie has her by both shoulders. "Hallelujah. Calm down. It's gonna be all right."
"We have to go back!" Hallelujah repeats, almost sobbing now. "Please! — Kathryn Holmes
For the first part of the journey Maia kept her eyes on the side of the road. Now that she was really leaving her friends it was hard to hold back her tears.
She had reached the gulping stage when she heard a loud snapping noise and turned her head. Miss Minton had opened the metal clasp of her large black handbag and was handing her a clean handkerchief, embroidered with the initial A.
"Myself," said the governess in her deep gruff voice, "I would think how lucky I was. How fortunate."
"To go to the Amazon, you mean?"
"To have so many friends who were sad to see me go."
"Didn't you have friends who minded you leaving?"
Miss Minton's thin lips twitched for a moment.
"My sister's canary, perhaps. If he had understood what was happening. Which is extremely doubtful. — Eva Ibbotson
One of the reasons why we crave love, and seek it so desperately, is that love is the only cure for loneliness, and shame, and sorrow. But some feelings sink so deep into the heart that only loneliness can help you find them again. Some truths about yourself are so painful that only shame can help you live with them. And some things are just so sad that only your soul can do the crying for you. — Gregory David Roberts
This is not about how hot you are. That doesn't make someone any more or any less desirable. I believe there is a soul mate for everyone because I found mine. Attraction is only the smallest part of when it happens to you. It may be the initiating factor, but it isn't what seals you to them. There is a deep, sad part of you that opens showing what you are all about inside and out. First, you are afraid. Then, that fear and sadness gets pushed out by an overwhelming urge to give everything of yourself. Yet, you still hold back. At some point, you come to reality and it hits you who you're with. It's the one you've been waiting for. The one who can break you into a thousand pieces with one look. One word. One action. Cas can destroy me if he really wanted to. — Cyndi Goodgame
It is not a bad thing to settle for the Little Way, not the big search for the big happiness but the sad little happiness of drinks and kisses, a good little car and a warm deep thigh. — Walker Percy
Finally, I formulate and say a little prayer to God, and since we haven't officially spoken since my mom and Elliott died that takes up quite a bit of my time.
The rest of it I spend on trying to determine what I think love really is and what I actually feel for Tally Landon at this point. Upon deep reflection, I realize that I must be at the edge of life's abyss. This is me. All there is left of me; and yet, I'm looking over and contemplating its meaning on whether to jump or stay. I'm not sure this feeling for Tally Landon is made up of love any more than it is of hate. This must be a kind of purgatory - the in-between place - because these pervasive feelings of rage and passion for Tally are equalized and actually co-mingle together - like fire and water - each ready to extinguish the other. I've come to accept the truth. There may be nothing left for us. It could go either way. — Katherine Owen
In a lecture I attended once, the speaker concluded by saying that now we were all 90 minutes closer to death. People in the audience chuckled, but the speaker remarked, quite angrily, that what he said was actually rather sad. The passing of time is a deep and sad truth that no man or woman can change. — Haim Shapira
for undying love and affection. The kind of love that bonds souls. The kind of love that's so deep two become one. To be someone's beloved. As a child I had my father, who adored and worshipped me - I was his perfect little daughter. He held me when I was sad, kissed my knee when I fell and got hurt, and read me bedtime stories. I was — Corinne Michaels
Lock looked down at the green wooden floor between his black boots. "I can't blame you for what you feel, my lady. But I can't help what I feel, either." "I'm so sorry." Kat put a hand on his knee to comfort him. Then she pulled it away quickly. "Oh, I didn't think. Did that hurt you just now? Me touching you without Deep being here?" "A little." Lock gave her a sad smile and put her hand back on his knee. "But it's worth it." "That's sweet." He looked so dejected and his feelings of sadness and loss were so overwhelming, Kat felt like she was going to cry if they sat that way much longer. — Evangeline Anderson
When you're sixteen and struggling to forge an identity out of a morass of hormones and daydreams, remarks like that cut a deep groove in the brain. I trace the ongoing, victorious-feeling semi-starvation of my twenties directly back to adolescence - as a way of showing those assholes that I could control my appetites ... Which is so sad, in retrospect, because of course no one cared. — Kate Christensen
It was very sad under the trees. Although spring was well advanced, in the deep shade there was nothing but death-rotten leaves, gray and white fungi, and over everything a funeral hush. — Nathanael West
Both the children were looking up into the Lion's face as he spoke these words. And all at once (they never knew exactly how it happened) the face seemed to be a sea of tossing gold in which they were floating, and such a sweetness and power rolled about them and over them and entered into them that they felt they had never really been happy or wise or good, or even alive and awake, before. And the memory of that moment stayed with them always, so that as long as they both lived, if ever they were sad or afraid or angry, the thought of all that golden goodness, and the feeling that it was still there, quite close, just round some corner or just behind some door, would come back and make them sure, deep down inside, that all was well. — C.S. Lewis
You don't even like me, remember?" That's what I try to say. What actually comes out of my mouth is closer to a baby's first attempt at babbling.
"Shh." He runs his fingertips along my cheek, caressing my face. "Hush. I'm right here." He looks at me with deep anguish in his eyes. Like there's so much he wants to tell me but feel it's too late now.
I want to stroke his face and tell him that it will be okay. That everything will be all right.
And I wish so badly that it would be. — Susan Ee
Al Gore, best described by CNN sound tech Mark A. as "amazingly lifelike"; Steve Forbes, with his wet forehead and loony giggle; G.W. Bush's patrician smirk and mangled cant; even Clinton himself, with his big red fake-friendly face and "I feel your pain." Men who aren't enough like human beings even to hate-what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even. — David Foster Wallace
Miranda was dark, like a midnight sky. But as she fell, her eyes shone like stars themselves. — Dyls Downs
Even so, there were times I saw freshness and beauty. I could smell the air, and I really loved rock 'n' roll. Tears were warm, and girls were beautiful, like dreams. I liked movie theaters, the darkness and intimacy, and I liked the deep, sad summer nights. — Haruki Murakami
Nothing will get you into trouble so deep or as sad as faith. — Rick Bass
There are various wounds to describe our hurts;the deepest one is the most painful. — Munia Khan
The sad truth is very few people will ever be 'for' you in your terms. The bigger question is how many are against you--and still more importantly, how many are against you that you thought were for you? These are the deep insect tunnels that lead to the egg chambers guarded by mindless dark armor. Mandible and leverage. Chemical secretions. — Kris Saknussemm
I'm afraid many women do choose the wedding over the marriage. It seems a steep price to pay, but it comes from a place of deep, sad longing to be loved and to have it proven that you are of value. — Elizabeth Gilbert
It's a rough journey, and a sad heart to travel it; and we must pass by Gimmerton Kirk, to go that journey! We've braved its ghosts often together, and dared each other to stand among the graves and ask them to come. But Heathcliff, if I dare you now, will you venture? If you do, I'll keep you. I'll not lie there by myself; they may bury me twelve feet deep, and throw the church down over me, but I won't rest till you are with me. I never will!"
She paused, and resumed with a strange smile, "He's considering-he'd rather I'd come to him! Find a way, then! not through that Kirkyard. You are slow! Be content, you always followed me! — Emily Bronte
Get away from my ex-girlfriend, you moany little whinge-bag.'
Caelen took a deep breath, like he was in pain, and stood up. His voice was low, guttural. 'I was hoping I'd get the chance to kill you.'
'You won't be killing anyone, you sad little emo git.'
'You've stood in the way of our love for long enough.'
'Just listening to you makes me want to top myself, you self-pitying Paranormal Romance novel reject.'
Caelen glared. 'Stop insulting me.'
'Why? If you cry will your mascara run? — Derek Landy
Kvothe looked at Bast for a long moment. "Oh Bast," he said softly to his student. His smile was gentle and sad. "I know what sort of story I'm telling. This is no comedy."
"This is the end of the story, Bast. We all know that." Kvothe's voice was matter-of-fact, as casual as if he were describing yesterday's weather. "I have led an interesting life, and this reminiscence has a certain sweetness to it. But ... "
Kvothe drew a deep breath and let it out gently. " ... but this is not a dashing romance. This is no fable where folk come back from the dead. It's not a rousing epic meant to stir the blood. No.
We all know what kind of story this is. — Patrick Rothfuss
That's exactly it - I am crazy sad, and somewhere deep inside, all I want is to fly. — Jandy Nelson
As sad as I so often was, and I was often overwhelmed with sadness, I never admitted it, and I don't recall ever having said aloud that I was sad. I tried not to think about it, about all the sad things, because I had this feeling that if I started to think about it, that was all I would ever think of again. I often had a nightmare of falling down into a deep dark well that I could never climb out of. But then there was the other part of me that honestly believed I wasn't sad at all, and I had little compassion for those who dwelled in sadness. Strange how that works. You would think that it would be the other way around. — John William Tuohy
The music of ABBA is not that happy. It might sound happy, in some strange way, but deep within, it's not happy music. It has that Nordic melancholic feeling to it. What fools you is the girls' voices. You know, I do think that is one of the secrets about ABBA. Even when we were really quite sad, we always sounded jubilant. — Bjorn Ulvaeus
So you mean to tell me you won't fuck anyone you don't share some kind of deep emotional connection with? What a sad, depressing, truly horrible life you must lead ... — Dave Matthes
When people ask me, 'Are you happy?' I respond with, 'You've asked the wrong question.' There is a deep kind of satisfaction you get from building a company. This kind of satisfaction transcends happy, sad, hard, or easy. I seek satisfaction. I want to be positively disruptive. — David Ulevitch
MY MOM SAYS IT'S TIME for me to give up now, and that what I'm doing is futile. She's upset, so her accent is thicker than usual, and every statement is a question. "You no think is time for you to give up now, Tasha? You no think that what you doing is futile?" She draws out the first syllable of futile for a second too long. My dad doesn't say anything. He's mute with anger or impotence. I'm never sure which. His frown is so deep and so complete that it's hard to imagine his face with another expression. If this were even just a few months ago, I'd be sad to see him like this, but now I don't really care. He's the reason we're all in this mess. — Nicola Yoon
I seem to wish to have some importance
In the play of time. If not,
Then sad was my mother's pain, my breath, my bones,
My web of nerves, my wondering brain,
to be shaped and quickened with such anticipation
Only to feed the swamp of space.
What is deep, as love is deep, I'll have
Deeply. What is good, as love is good,
I'll have well. Then if time and space
Have any purpose, I shall belong to it.
If not, if all is a pretty fiction
To distract the cherubim and seraphim
Who so continually do cry, the least
I can do is to fill the curled shell of the world
With human deep-sea sound, and hold it to
The ear of God, until he has appetite
To taste our salt sorrow on his lips.
And so you see it might be better to die.
Though, on the other hand, I admit it might
Be immensely foolish. — Christopher Fry
For years The National has been labeled as a gloomy kind of rock bandI think mostly because of Matt's deep baritone voice, which even if he is singing about unicorns and butterflies, he just sounds sad most of the time. — Bryce Dessner
The Nigger was a handsome, austere woman with snow-white hair and a dark and awful dignity. Her brown eyes, brooding deep in her skull, looked out on an ugly world with philosophic sorrow. She conducted her house like a cathedral dedicated to a sad but erect Priapus. If you wanted a good laugh
and a poke in the ribs, you went to Jenny's and got your money's worth; but if the sweet worldsadness close to tears crept out of your immutable loneliness, the Long Green was your place. When you came out of there you felt that something pretty stern and important had happened. It was no jump in the hay. The dark beautiful eyes of the Nigger stayed with you for days. — John Steinbeck
Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown are widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling. — William H Gass
I know a bit about the loss of dignity. I know that when you take away a man's dignity there is a hole, a deep black hole filled with despair, humiliation and self-hatred, filled with emptiness, shame and disgrace, filled with loss and isolation and hell. It's a deep, dark, horrible fucking hole, and that hole is where people like me live our sad-ass, fucked-up, dignity free, inhuman lives, and where we die, alone, miserable, wasted and forgotten. — James Frey
The baby was warm against my chest. I knew I was broken too. I wasn't like other people. I was scared and weird and anxious and sad lots of the time, and I didn't know why. My parents thought I was abnormal, I was pretty sure. They said I wasn't, but you don't get sent to a therapist if you're normal.
Sometimes we really aren't supposed to be the way we are. It's not good for us. And people don't like it. You've got to change. You've got to try harder and do deep breathing and maybe one day take pills and learn tricks so you can pretend to be more like other people. Normal people. But maybe Vanessa was right, and all those other people were broken too in their own ways. Maybe we all spent too much time pretending we weren't. — Kenneth Oppel
The neighborhood of Gramercy Park, where Edwin used to live, was built to look like London, which is to say that its considerable beauty is skin deep while its heart beats with the ugliness of monarchy. And at its very center, inside the gates keeping out the riffraff that is all New York, stands the statue of the sad and fancy Edwin Booth, dressed as Hamlet, his signature role. — Sarah Vowell