Reader No Quotes & Sayings

I knew he was angry by this token. When I read when he wrote about women I thought, not of what he was saying, but of himself. When an arguer argues dispassionately he thinks only of the argument; and the reader cannot help thinking of the argument too. If he had written dispassionately about women had he used indisputable proofs to establish his argument and had shown no trace of wishing that the result would be one thing rather than another, one would not have been angry either. — Virginia Woolf

(CBI lecture, Dublin, 2008. Speaking on the challenges presented by The Moorehawke Trilogy to the YA reader)
You can't choose any of these characters and say, 'Yes! I'm completely on your side. You are the good guy! You are the one I agree with.' Because at some stage along the way every single one of these characters will let you down. They may not want to. They may have no choice. But they will let you down. — Celine Kiernan

The child destined to be a writer is vulnerable to every wind that blows. Now warm, now chill, next joyous, then despairing, the essence of his nature is to escape the atmosphere about him, no matter how stable, even loving. No ties, no binding chains, save those he forges for himself. Or so he thinks. But escape can be delusion, and what he is running from is not the enclosing world and its inhabitants, but his own inadequate self that fears to meet the demands which life makes upon it. Therefore create. Act God. Fashion men and women as Prometheus fashioned them from clay, and, by doing this, work out the unconscious strife within and be reconciled. While in others, imbued with a desire to mold, to instruct, to spread a message that will inspire the reader and so change his world, though the motive may be humane and even noble
many great works have done just this
the source is the same dissatisfaction, a yearning to escape. — Daphne Du Maurier

I'm adorable, first off. My sense of humor is stellar - obvs."
"Obvs," she echoes dryly.
"I'm extraordinarily skilled in the art of conversation."
She nods. "When it's about yourself, of course."
"Of course." I pretend to think it over some more. "Oh, and I'm a mind reader. No lie. I always know what the other person is thinking."
"Yeah? What am I thinking right now?" Allie challenges.
"That you want me to shut up and fuck you again."
She shakes her head in dismay. "Goddamn it. That's actually what I was thinking."
I smirk at her and tap my forehead. "Told ya. Mind reader. — Elle Kennedy

Can it be, thought I, that my sole mission on earth is to destroy the hopes of others? Ever since I began to live and act, fate has somehow associated me with the last act of other people's tragedies, as if without me no one could either die or give way to despair! I have been the inevitable character who comes in at the final act, involuntarily playing the detestable role of the hangman or the traitor. What has been fate's object in all this? Has it destined me to be the author of middle-class tragedies and family romances
or a purveyor of tales for, say, the Reader's Library? Who knows? Are there not many who begin life by aspiring to end it like Alexander the Great, or Lord Byron, and yet remain petty civil servants all their lives? — Mikhail Lermontov

As an author, I really hate a reader like me. There's no loyalty. — Gayle Forman

I have the advantage of knowing your habits, my dear Watson," said he. "When your round is a short one you walk, and when it is a long one you use a hansom. As I perceive that your boots, although used, are by no means dirty, I cannot doubt that you are at present busy enough to justify the hansom."
"Excellent!" I cried.
"Elementary," said he. "It is one of those instances where the reasoner can produce an effect which seems remarkable to his neighbour, because the latter has missed the one little point which is the basis of the deduction. The same may be said, my dear fellow, for the effect of some of these little sketches of yours, which is entirely meretricious, depending as it does upon your retaining in your own hands some factors in the problem which are never imparted to the reader. — Arthur Conan Doyle

A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density. — Sergio Chejfec

No 'Middlemarch' for me," said Miss Barbara, with a wave of her hand. "I am too old for that. That means I've read it, my dear - the way an experienced reader like me can read a thing - in the air, in the newspapers, in the way everybody talks. No, that's not like going into a new neighborhood - that is getting to the secrets of the machinery, and seeing how everything, come the time, will run down, some to ill and harm, but all to downfall, commonplace, and prosiness. I have but little pleasure in that. And it's pleasure I want at my time of life. I'm too old to be instructed. If I have not learned my lesson by this time, the more shame to me, my dear." "But, Miss Barbara, you don't want only to be amused. Oh no: to have your heart touched, sometimes wrung even - to be so sorry, so anxious that you would like to interfere - to follow on and on to the last moment through all their troubles, still hoping that things will take a good turn." — Mrs. Oliphant

War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to "a war against" whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the "right" side and therefore will win. Right makes might. — Ursula K. Le Guin

No reader can fail to agree that the number of books she needs to read far exceeds her capacities, but when the passion for rereading kicks in, the faint guilt that therefore attends the indulgence only serves to intensify its sweetness. — Patricia Meyer Spacks

The interior drama, therefore, is always the important one. The "story of your life" is written by you, by each reader of this book. You are the author. There is no reason, therefore, for you to view the drama and feel trapped by it. The power to change your own condition is your own. You have only to exercise it. — Jane Roberts

Over no nation does the press hold a more absolute control than over the people of America, for the universal education of the poorest classes makes every individual a reader. — Washington Irving

Every writer must find a way of writing that tells the reader: This is me and no one else. The Voice can be idiosyncratic, but it cannot be obscure. It is a blend of style and content and intent and rhythm and pure personality. — Jeff Lindsay

if you do not know, reader, what a Fisher Hobbs is, you know nothing about pigs, and deserve no bacon for breakfast. — Charles Kingsley

Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader, and has no pleasure in anything else. — Jane Austen

The truth that writers secretly harbor is that all books are failures. We try to do something that can't be done. Words. Is that all we rely on? Smudgy ink marks on a page? Pallid wisps and blotches? Text as scaffolding trying to hold up worlds? Actually, no, it's not all we rely on. What's worse is our reliance on the reader. A writer is forever locked in an interdependent relationship. It's like building a bridge from opposite sides of a river - our flimsy words and their frail, overreaching imaginations. The bridge will never meet in the middle. It's not possible. Sometimes you haven't even decided on the same river. The Gateway Arch in Saint Louis missed in the middle by a matter of inches the first time around. They tried again and made it. Writers know we never will. — Julianna Baggott

I was an avid reader, but never thought seriously about writing a novel until I was in my thirties. I took no formal fiction-writing courses and never thought about these categories when I wrote my first novel. — M.J. Rose

Is a little remarkable, that - though disinclined to talk overmuch of myself and my affairs at the fireside, and to my personal friends - an autobiographical impulse should twice in my life have taken possession of me, in addressing the public. The first time was three or four years since, when I favoured the reader - inexcusably, and for no earthly reason that either the indulgent reader or the intrusive author could imagine - with a description of my way of life in the deep quietude — Nathaniel Hawthorne

One last word,' I said in my horrible careful English, 'are you quite, quite sure that - well, not tomorrow, of course, and not after tomorrow, but - well - some day, any day, you will not come to live with me? I will create a brand new God and thank him with piercing cries, if you give me that microscopic hope'
'No,' she said smiling, 'no.'
'It would have made all the difference,' said Humbert Humbert.
Then I pulled out my automatic-I mean, this is the kind of fool thing a reader might suppose I did. It never even occurred to me to do it. — Vladimir Nabokov

When I started blogging in 2004, I responded to every comment no matter how nasty the reader was. I was generally polite, believing that these critics would be so charmed by my professionalism that they would see the error of their misogynist ways and swiftly run out to read a bell hooks book. Ha! — Jessica Valenti

I've always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There's no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word. — Shannon Hale

There are some good things and some fantastic ones in Auden's early attitude; if the reader calls it a muddle I shall acquiesce, with the remark that the later position might be considered a more rarefied muddle. But poets rather specialize in muddles and I have no doubt which of the muddles was better for Auden's poetry: one was fertile and usable, the other decidedly is not. Auden sometimes seems to be saying with Henry Clay, "I had rather be right than poetry"; but I am not sure, then, that he is either. — Randall Jarrell

No matter how true I believe what I am writing to be, if the reader cannot also participate in that truth, then I have failed. — Madeleine L'Engle

An author needs a lot more than one person to succumb to his literary seductive charms, but, like Saul, he must realize that he doesn't have to
and indeed cannot
capture the hearts of every possible reader out there. No matter who the writer, his ideal intended audience is only a small faction of all the living readers. Name the most widely read authors you can think of
from Shakespeare, Austen, and Dickens to Robert Waller, Stephen King, and J.K. Rowling
and the immense majority of book-buyers out there actively decline to read them. — Thomas McCormack

In a memoir, your main contract with the reader is to tell the truth, no matter how bizarre. — Edmund White

No one ever became, or can become truly eloquent without being a reader of the Bible, and an admirer of the purity and sublimity of its language. — Fisher Ames

It's hard to explain why, but that regret made me suffer. It seemed to be the sign of a true interest in Lila, something much stronger than the compliments for my discipline as a constant reader. It occurred to me that if Lila had taken out just a single book a year, on that book she would have left her imprint and the teacher would have felt it the moment she returned it, which I left no mark, I embodied only the persistence with which I added volume to volume in no particular order. — Elena Ferrante

The Transformation of the World is lavishly reinforced with critical apparatus (that, too, must have been a labor of Hercules to translate
I honestly never expected to see this book in English), but by far its greatest attraction is the intelligence and more important the wisdom of its author. It's a towering achievement no serious reader should miss. — Steve Donoghue

Like water our ideals for writing what seems at first to be a calling to pen a masterpiece, it at first can be pure, fluid even (words can come easily) but we also have to learn to work with what our eyes glaze over as weak substitutes, words that we think have no substance to what we are learning towards. What is every poet's intention? Their intention is to forge, nullify, create, defend, fill the reader with the awe and inspiration that every poet themselves craves. They want to carve a name for themselves in the annals of history, leave a not so quiet legacy behind. Poets want immortality or rather they want their words to become immortal. Perhaps even Marlowe and Shakespeare had discussions about this. — Abigail George

Lumani had never managed a failed delivery because, in the end, no matter how skilled or how hard they fought back, pressure applied in the right places caused even the strongest men to fracture.
But this one? He'd watched her. Studied her. Observed what maybe even Uncle, the reader of people, had missed. This one was already fractured, and the lines between her broken pieces were not fissures but scar material stronger than whatever had once filled those spaces. — Taylor Stevens

A book, to me, is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. — Lois Lowry

This isn't a book that I could have written ten years ago. And as much as I'd love to credit that to my growth as a writer, I know it's not really that. Instead it's because of all the people I've met and talked to as an author. And, just as important, it's about all of the things I've been exposed to as a reader, particularly of YA fiction. I am so lucky to be a part of a community of writers that constantly inspires me to write whatever I want to write, no matter how hard it seems. My peers are my role models, and my role models are my peers. Which is extraordinary. Thanks — David Levithan

Talk away. If you bore us, we have books."
With this invitation Rickie began to relate his history. The reader who has no book will be obliged to listen to it. — E. M. Forster

But the operation of writing implies that of reading as its dialectical correlative and these two connected acts necessitate two distinct agents. It is the joint effort of author and reader, which brings upon the scene that concrete and imaginary object which is the work of the mind. There is no art except for and by others. — Jean-Paul Sartre

But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have? — Ian McEwan

There is no one 'best set-up', there are many - you can get to mate in endless ways. And - don't forget! - in chess, like in literature, "the other" (the reader, the adversary, the partner, etc.) has to be a collaborator, has to work with you to get to the final goal. We depend on them! But they also depend on us. — Dumitru Tepeneag

Because often it is the reader of adventures who saves the world. Because no matter how bad things look, or how rough things get, the reader keeps turning the pages... A reader never walks away from her own story. — R.K. Ryals

No two readers can or will ever read the same book, because the reader builds the book in collaboration with the author. — Neil Gaiman

In an age of global standardization, regional voices also remind both writer and reader that no life is lived generically. If the purpose of literature is truly, as the ancients insisted, to instruct and delight, then what better to understand and enjoy than the here and the now ? — Dana Gioia

Yet enthusiasm is no excuse for the historian going off balance. He should remind the reader that outcomes were neither inevitable nor foreordained, but subject to a thousand changes and chances. — Samuel E. Morison

If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you. Candor is like a skein being produced inside the belly day after day, it has to get itself woven out somewhere. You could whisper down a well. You could write a letter and keep it in a drawer. You could inscribe a curse on a ribbon of lead and bury it in the ground to lie unread for thousands of years. The point is not to find a reader, the point is the telling itself. Consider a person standing alone in a room. The house is silent. She is looking down at a piece of paper. Nothing else exists. All her veins go down into this paper. She takes her pen and writes on it some marks no one else will ever see, she bestows on it a kind of surplus, she tops it off with a gesture as private and accurate as her own name — Anne Carson

No one in my family was a reader of literary fiction. So, I didn't have encouragement, but I didn't have discouragement, because I don't think anybody knew what that meant. — Amy Tan

No poem is intended for the reader, no picture for the beholder, no symphony for the listener. — Walter Benjamin

Should I dream of a day, in the future, when I'll no longer need the dictionary, the notebook, the pen? A day when I can read in Italian without tools, the way I read in English? Shouldn't that be the point of all this? I don't think so. When I read in Italian, I'm a more active reader, more involved, even if less skilled. I like the effort. I prefer the limitations. I know that in some way my ignorance is useful to me. — Jhumpa Lahiri

This place is a mystery. A sanctuary. Every book, every volume you see, has a soul. The soul of the person who wrote it & the soul of those who read it & lived it & dreamed with it. Every time a book changes hands, every time someone runs his eyes down it's pages, it's spirit grows & strengthens. In this place, books no longer remembered by anyone, books that are lost in time, live forever, waiting for the day when they will reach a new reader's hands, a new spirit ... — Carlos Ruiz Zafon

The reader has, no doubt, already divined that M. Madeleine is no other than Jean Valjean. — Victor Hugo

Belloc led the charge in his critique of this misguided sense of superiority and myopic view of progress. But it was he alone among historians, social commentators, and counter-cultural voices who predicted that Islam - or as he called it, "Mohammedanism" - would rise again and, as it had in the past, harness the technology of the West as a weapon to turn back on the West and crush it by degrees. After September 11, 2001, no one is surprised to learn that Islam is turning the West's superiority back on itself; what is surprising is that a lone historian and essayist saw this coming in the 1930s. That he captivates and places the reader in the middle of the action is an added bonus to the prophetic vision of what embroils our age. — Hilaire Belloc

Attosecond?" Gaston asked.
"I'm guessing it's a very, very small fraction of a second," I said.
"One quintillionth of a second," George said, without raising his head from his reader.
Jack pondered him. "Have you started memorizing random crap again to amuse yourself?"
"No, I'm connected to the wireless," George said. "I googled it. — Ilona Andrews

If I so do my best, may this story be recorded and printed and zipped and zapped into hands and eyes and ears and minds and hearts everywhere, and may it no longer be my story but belong to each reader who drinks it in, to make them bigger or smaller as needed; to fill in those tiny holes and smooth over the rough places; to make them sigh and laugh and dream and wonder; to pass a lonely afternoon or enliven a dull evening; to in every regard do just what a story is supposed to do, which is become whatever each reader needs most at that moment. — Shannon Hale

The reason I got into acting was not to explore myself. I was a reader, I didn't care about acting. I got into it in college, but I had no interest really in that, in getting up in front of anybody. — Campbell Scott

READ. You have no business wanting to be a writer unless you are a reader. You should read fantasies and essays, biographies and poetry, fables and fairy tales. Read, read, read, read, read. — Kate DiCamillo

I should acquaint the reader with the basic principles of the mythology I adhered to then. I believed ... that inanimate objects were no less fallible than people. They, too, could be forgetful. And, if you had enough patience, you could catch them by surprise. — Stanislaw Lem

I always have strong feelings when I'm writing a book. Sometimes when I'm writing a book, I even cry when I'm writing. Once I read a quotation that I thought was very true for me, which is: "No tears in the writer, no tears in the reader." — Eve Bunting

If there really was one true god, it should be a singular composite of every religion's gods, an uber-galactic super-genius, and the ultimate entity of the entire cosmos. If a being of that magnitude ever wrote a book, then there would only be one such document; one book of God. It would be dominant everywhere in the world with no predecessors or parallels or alternatives in any language, because mere human authors couldn't possibly compete with it. And you wouldn't need faith to believe it, because it would be consistent with all evidence and demonstrably true, revealing profound morality and wisdom far beyond contemporary human capacity. It would invariably inspire a unity of common belief for every reader. If God wrote it, we could expect no less. But what we see instead is the very opposite of that. — Aron Ra

We are trying to communicate that which lies in our deepest heart, which has no words, which can only be hinted at through the means of a story. And somehow, miraculously, a story that comes from deep in my heart calls from a reader that which is deepest in his or her heart, and together from our secret hidden selves we create a story that neither of us could have told alone. — Katherine Paterson

One not only wants to be understood when one writes, but also quite as certainly not to be understood. It is by no means an objection to a book when someone finds it unintelligible: perhaps this might just have been the intention of its author, perhaps he did not want to be understood by "anyone". A distinguished intellect and taste, when it wants to communicate its thoughts, always selects its hearers; by selecting them, it at the same time closes its barriers against "the others". It is there that all the more refined laws of style have their origin: they at the same time keep off, they create distance, they prevent "access" (intelligibility, as we have said,) while they open the ears of those who are acoustically related to them. — Friedrich Nietzsche

Such is the endless dilemma of dialect. Not every reader will ever agree with the way that I handle it, no matter how hard I work to keep everything readable. But again it's that balance I have to maintain between keeping it easy and keeping it real, and I know that I'll never please everyone. — Susanna Kearsley

Perhaps as he was lying awake then, his life may have passed before him
his early hopeful struggles, his manly successes and prosperity, his downfall in his declining years, and his present helpless condition
no chance of revenge against Fortune, which had had the better of him
neither name nor money to bequeath
a spent-out, bootless life of defeat and disappointment, and the end here! Which, I wonder, brother reader, is the better lot, to die prosperous and famous, or poor and disappointed? To have, and to be forced to yield; or to sink out of life, having played and lost the game? That must be a strange feeling, when a day of our life comes and we say, To-morrow, success or failure won't matter much, and the sun will rise, and all the myriads of mankind go to their work or their pleasure as usual, but I shall be out of the turmoil. — William Makepeace Thackeray

When an arguer argues dispassionately, he thinks only of the argument, and the reader cannot help thinking of the argument too. If he had written dispassionately ... had used indisputable proofs to establish his argument and had shown no trace of wishing that the result should be one would thing rather than another, one would not have been angry either. One would have accepted the fact as one accepts that a pea is green or a canary yellow. — Virginia Woolf

Desperately Lonely Swing Set Needs Loving Home
"One swing set, well worn but structually sound, seeks new home. Make memories with your kid or kids so that someday he or she or they will look into the backyard and feel the ache of sentimentality as desperately as I did this afternoon. It's all fragile and fleeting, dear reader, but with this swing set, your child(ren) will be introduced to the ups and downs of human life gently and safely, and may alos learn the most important lesson of all: No matter how hard how you kick, no matter how high you get, you can't go all the way around."
Swing set currently resides near 83rd and Spring Mill. — John Green

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

Men cannot be nice and kind to a woman and have no affection for them. — S.A. Tawks

No novel is anything, for the purposes either of comedy or tragedy, unless the reader can sympathise with the characters whose names he finds upon the pages. Let an author so tell his tale as to touch his reader's heart and draw his tears, and he has, so far, done his work well. Truth let there be, --truth of description, truth of character, human truth as to men and women. If there be such truth, I do not know that a novel can be too sensational. — Anthony Trollope

It is important to remember that, as Ken Auletta wrote in his definitive Greed and Glory on Wall Street, "no reporter can with 100 percent accuracy re-create events that occurred some time before. Memories play tricks on participants, the more so when the outcome has become clear. A reporter tries to guard against inaccuracies by checking with a variety of sources, but it is useful for a reader - and an author - to be humbled by this journalistic limitation. — Bryan Burrough

No one knows if something works until it actually works. That's why you must always try. — S.A. Tawks

Should the reader exclaim, I was not conscious of the heinousness of sin nor bowed down with a sense of my guilt when Christ saved me. Then we unhesitatingly reply, Either you have never been saved at all, or you were not saved as early as you supposed. True, as the Christian grows in grace he has a clearer realization of what sin is - rebellion against God - and a deeper hatred and sorrow for it; but to think that one may be saved by Christ whose conscience has never been smitten by the Spirit and whose heart has not been made contrite before God, is to imagine something which has no existence whatever in the realm of fact. — Arthur W. Pink

He joined Jude in the kitchen and began making a salad, and JB slumped to the dining-room table and started flipping through a novel Jude had left there. "I read this," he called over to him. "Do you want to know what happens in the end?"
"No, JB," said Jude. "I'm only halfway through."
"The minister character dies after all."
"JB!"
After that, JB's mood seemed to improve. — Hanya Yanagihara

... the American reader cannot bear a surprise. He knows that this is the greatest country on earth ... and evidence to the contrary is not admissible. That means no inconvenient facts, no new information. If you really want the reader's attention, you must flatter him. Make his prejudices your own. Tell him things he already knows. He will love your soundness. — Gore Vidal

I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people. — Michael Chabon

It seems obvious that any serious reader will have learned long
ago how much time to give a book before choosing to shut it.
It's only the young, still attached to that sense of achievement
inculcated by anxious parents, who hang on doggedly when
there is no enjoyment. — Tim Parks

I exercised my mental muscles in the library, and lo and behold, I transformed myself from a casual reader into a focused one. So it was more than just free books, but also free space and a culture that reinforced settling down, deep reading, thinking, imagining, and exploring with my mind. I am no doubt a writer today because I had a place to go as a kid, where I knew stories were essential, and where everybody also reveled in the wonder within books. — Sergio Troncoso

There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this. — Edward Hirsch

No two things could be more the Reverse of each other than were the Brother and Sister, in most instances; particularly in this, That as the Brother never foresaw any Thing at a Distance, but was most sagacious in immediately seeing every Thing the Moment it happened; so the Sister eternally foresaw at a Distance, but was not so quick-sighted to Objects before her Eyes. Of both these the Reader may have observed Examples: And, indeed, both their several Talents were excessive: For as the Sister often foresaw what never came to pass, so the Brother often saw much more than was actually the Truth. — Henry Fielding

The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that's already in the verb, every passive construction that leaves the reader unsure of who is doing what - these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank. — William Zinsser

Too much thought can find fault in anything, even if there is no fault to be found. — S.A. Tawks

The man who has not the habit of reading is imprisoned in his immediate world, in respect to time and space. His life falls into a set routine; he is limited to contact and conversation with a few friends and acquaintances, and he sees only what happens in his immediate neighbourhood. From this prison there is no escape. But the moment he takes up a book, he immediately enters a different world, and if it is a good book, he is immediately put in touch with one of the best talkers of the world. This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about. An ancient author puts him in communion with a dead spirit of long ago, and as he reads along, he begins to imagine what the ancient author looked like and what type of person he was. — Lin Yutang

The world is like a sheet of paper on which something is typed. The reading and the meaning will vary with the reader, but the paper is the common factor, always present, rarely perceived. When the ribbon is removed, typing leaves no trace on the paper. So is my mind - the impressions keep on coming, but no trace is left. — Sri Nisargadatta Maharaj

No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader. — Cynthia Ozick

The Reader may here observe the Force of Numbers, which can be successfully applied, even to those things, which one would imagine are subject to no Rules. There are very few things which we know, which are not capable of being reduc'd to a Mathematical Reasoning, and when they cannot, it's a sign our Knowledge of them is very small and confus'd; and where a mathematical reasoning can be had, it's as great folly to make use of any other, as to grope for a thing in the dark when you have a Candle standing by you. — John Arbuthnot

there is no such thing as a character in a script, only words on a page. An actor speaks these words of dialogue, and so the reader forms a sense of an actual person, though the character himself is an illusion. — Karl Iglesias

People like ourselves may see nothing wondrous in writing, but our anthropologists know how strange and magical it appears to a purely oral people - a conversation with no one and yet with everyone. What could be stranger than the silence one encounters when addressing a question to a text? What could be more metaphysically puzzling than addressing an unseen audience, as every writer of books must do? And correcting oneself because one knows that an unknown reader will disapprove or misunderstand? — Neil Postman

To represent a bad thing in its least offensive light is, doubtless, the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares and pitfalls of like to the young and thoughtless traveller, or to cover them with branches and flowers? Oh, reader! if there were less of this delicate concealment of facts
this whispering "Peace, peace," when there is no peace, there would be less of sin and misery to the young of both sexes who are left to wring their bitter knowledge from experience. — Anne Bronte

Personally, I avoid deus ex machina like the plague - if you have to use one, it means you failed to set up the universe and the plot properly. It's like a whodunnit where there's no actual way for the reader to identify the perpetrator before the climactic reveal: there's no sense of closure for the reader. — Charles Stross

The storyteller and poet of our time, as in any other time, must be an entertainer of the spirit in the full sense of the word, not just a preacher of social or political ideals. There is no paradise for bored readers and no excuse for tedious literature that does not intrigue the reader, uplift him, give him the joy and the escape that true art always grants. — Isaac Bashevis Singer

This is every reader's catch-22: the more you read, the more you realize you haven't read; the more you yearn to read more, the more you understand that you have, in fact, read nothing. There is no way to finish, and perhaps that shouldn't be the goal. — Pamela Paul

A motion picture, or music, or television, they have to maintain a certain decorum in order to be broadcast to a vast audience. Other forms of mass media cost too much to produce a risk reaching only a limited audience. Only one person. But a book ... A book is cheap to print and bind. A book is as private and consensual as sex. A book takes time and effort to consume - something that gives a reader every chance to walk away. Actually, so few people make the effort to read that it's difficult to call books a "mass medium." No one really gives a damn about books. No one has bothered to ban a book in decades. — Chuck Palahniuk

I have a profound resistance to the idea that a reader could say, 'Oh, well, that's her story.' We should all be interested, no matter where we come from, or who our parents are. It's not my province; it's ours. These questions concern us all. — Anne Michaels

I charge every reader of this message to ask himself frequently what the Bible is to him. Is it a Bible in which you have found nothing more than good moral precepts and sound advice? Or is it a Bible in which you have found Christ? Is it a Bible in which Christ is all? If not, I tell you plainly, you have hitherto used your Bible to very little purpose. You are like a man who studies the solar system, and leaves out in his studies the sun, which is the center of all. It is no wonder if you find your Bible a dull book! — J.C. Ryle

Spirits ... Ghosts ... Angels ... whichever yo wish to call them - Reader, they do exist. I've seem them all my life, but I've learned to say nothing. And for all you cynics out there, just remember, there is no proof either way. So I choose to believe. In my opinion, it's much the best option. — Lucinda Riley

It is precisely in that relationship to the Reader that you will find most of the classic faults of style: pretension, condescension, servility, obscurantism, grandiosity, vulgarity, and the like
even academicism. That's why most faults of style can be described in language relevant to human relations. Is your style frank and open ... does it have some understated agenda ... is it out to prove something it does not or cannot admit ... is it trying to impress ... show off ... is it kissing up ... groveling ... maybe just a tad passive-aggressive, with a mumbling half-audible voice that is unwilling to explain ... is it trying to convince ... overwhelm ... help ... seduce ... give pleasure ... inflict pain ... There is no area of the writer's work that is more responsive to the psychology of human connection than style. — Stephen Koch

Now I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to "real life"
he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit. — George Saunders

Naturally, since I myself am a writer, I do not wish the ordinary reader to read no modern books. But if he must read only the new or only the old, I would advise him to read the old. — C.S. Lewis

There is only one motive for writing a novel: to be published and read. To me there is no distinction between the mystery novel and the novel, only between good books and bad books. A good book takes the reader into a new world of experience; it is an experiment. A bad book, unless the writing is inept, reinforces the intransigent attitude of the reader not to experiment with a new world. Since there are criminals and psychopaths and sociopaths in all my novels they are in a way psychological thrillers. — John Franklin Bardin

Never ask about the details of someone's personal life, only the quality. Because if they want you to know, they'll let you know. If they don't want you to know, there is no need to know. — S.A. Tawks

For a good part of my life, I had a share in this idea that I have not yet quite abandoned. But there came a time when I could not protect myself, and indeed did not wish to protect myself, from the onslaught of reality. Marxism, I conceded, had its intellectual and philosophical and ethical glories, but they were in the past. Something of the heroic period might perhaps be retained, but the fact had to be faced: there was no longer any guide to the future. In addition, the very concept of a total solution had led to the most appalling human sacrifices, and to the invention of excuses for them. Those of us who had sought a rational alternative to religion had reached a terminus that was comparably dogmatic. What else was to be expected of something that was produced by the close cousins of chimpanzees? Infallibility? Thus, dear reader, if you have come this far and found your own faith undermined - as I hope - I am willing to say that to some extent I know what you are going through. — Christopher Hitchens

Besides, who ever asked you what you wanted in this world, girl?
The answer to that question, reader, as you well know, was absolutely no one. — Kate DiCamillo

No method nor discipline can supersede the necessity of being forever on the alert. What is a course of history, or philosophy, or poetry, or the most admirable routine of life, compared with the discipline of looking always at what is to be seen? Will you be a reader, a student merely, or a seer? — Henry David Thoreau

There is something magical to me about literature and fiction and I think it can do things not only that pop culture cannot do but that are urgent now: one is that by creating a character in a work of fiction you can allow a reader to leap over the wall of self and to allow him to imagine himself not only somewhere else but someone else in a way that television and movies, in a way that no other form can do. I think people are essentially lonely and alone and frightened of being alone. — David Foster Wallace

The current leading candidates for dark matter are particles predicted to exist from supersymmetric theories, extensions of current particle physics that include a new symmetry of Nature. The reader may recognize the "super" in supersymmetry from superstring theory, a candidate theory for unifying general relativity and quantum mechanics. As of the winter of 2014, no evidence for supersymmetry had been found, despite decades of intense search and the enthusiastic support of many physicists. At this point, it is unclear and somewhat doubtful that supersymmetry is realized in Nature. — Marcelo Gleiser