Reader Life Quotes & Sayings
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Top Reader Life Quotes

Reading is sometimes thought of as a form of escapism, and it's a common turn of phrase to speak of getting lost in a book. But a book can also be where one finds oneself; and when a reader is grasped and held by a book, reading does not feel like an escape from life so much as it feels like an urgent, crucial dimension of life itself. — Rebecca Mead

The child destined to be a writer is vulnerable to every wind that blows. Now warm, now chill, next joyous, then despairing, the essence of his nature is to escape the atmosphere about him, no matter how stable, even loving. No ties, no binding chains, save those he forges for himself. Or so he thinks. But escape can be delusion, and what he is running from is not the enclosing world and its inhabitants, but his own inadequate self that fears to meet the demands which life makes upon it. Therefore create. Act God. Fashion men and women as Prometheus fashioned them from clay, and, by doing this, work out the unconscious strife within and be reconciled. While in others, imbued with a desire to mold, to instruct, to spread a message that will inspire the reader and so change his world, though the motive may be humane and even noble
many great works have done just this
the source is the same dissatisfaction, a yearning to escape. — Daphne Du Maurier

The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way. — Alan Lightman

Can it be, thought I, that my sole mission on earth is to destroy the hopes of others? Ever since I began to live and act, fate has somehow associated me with the last act of other people's tragedies, as if without me no one could either die or give way to despair! I have been the inevitable character who comes in at the final act, involuntarily playing the detestable role of the hangman or the traitor. What has been fate's object in all this? Has it destined me to be the author of middle-class tragedies and family romances
or a purveyor of tales for, say, the Reader's Library? Who knows? Are there not many who begin life by aspiring to end it like Alexander the Great, or Lord Byron, and yet remain petty civil servants all their lives? — Mikhail Lermontov

The seventh reader interrupts you: "Do you believe that every story must have a beginning and an end? In ancient times a story could only end in two ways: having passed all the tests, the hero and heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death."
You stop for a moment to reflect on these words. Then, in a flash, you decide you want to marry Ludmilla. — Italo Calvino

No 'Middlemarch' for me," said Miss Barbara, with a wave of her hand. "I am too old for that. That means I've read it, my dear - the way an experienced reader like me can read a thing - in the air, in the newspapers, in the way everybody talks. No, that's not like going into a new neighborhood - that is getting to the secrets of the machinery, and seeing how everything, come the time, will run down, some to ill and harm, but all to downfall, commonplace, and prosiness. I have but little pleasure in that. And it's pleasure I want at my time of life. I'm too old to be instructed. If I have not learned my lesson by this time, the more shame to me, my dear." "But, Miss Barbara, you don't want only to be amused. Oh no: to have your heart touched, sometimes wrung even - to be so sorry, so anxious that you would like to interfere - to follow on and on to the last moment through all their troubles, still hoping that things will take a good turn." — Mrs. Oliphant

A series of books, dilapidated and faded, sit bundled together. Most of the bindings are separating from the yellowed pages, but each is at home in its battered state. Their wrinkled pages and discolored skin tell not of old age, but of a good life. These books, unlike so many others, were not just read, but revisited, loved, and experienced. — Kelseyleigh Reber

War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to "a war against" whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the "right" side and therefore will win. Right makes might. — Ursula K. Le Guin

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

The private reader of listener can become an executant of felt meaning when he learns the poem or the musical passage by heart. To learn by heart is to afford the text or music an indwelling clarity and life-force. — George Steiner

The interior drama, therefore, is always the important one. The "story of your life" is written by you, by each reader of this book. You are the author. There is no reason, therefore, for you to view the drama and feel trapped by it. The power to change your own condition is your own. You have only to exercise it. — Jane Roberts

At some point, every science fiction and fantasy story must challenge the reader's experience and learning. That's much of the reason why the genre is so open to experimentation and innovation that other genres reject
strangeness is our bread and butter. Spread it thick or slice it thin, it's still our staff of life. — Orson Scott Card

My Family and Other Saints echoes Gerald Durrell's classic memoir, My Family and Other Animals, not only in its title, but in its wonderful humor and lyrical prose. Like Durrell, Kirin Narayan takes the reader to a fascinating world far from our own, and brings to life its myriad sights, sounds and smells, while revealing the profound cultural beliefs of its people. India is just the most complex character among a cast of characters-family members, gurus, hippies, and neighbors-all of whom I now count as old friends. — Judith Barrington

A good reader should always have two books with him: one to read, the other one to lend. — Gabrielle Dubois

Well then, I'm going to tell you a secret almost every newspaper man and woman who's been at it awhile knows: in real life, the number of actual stories - those with beginnings, middles, and ends - are slim and none. But if you can give your readers just one unknown thing (two at the very outside) and then kick in what Dave Bowie there calls a musta-been, your reader will tell himself a story. — Stephen King

Later that night though, as I stayed awake into the early hours of morning devouring the second novel in a series, I understood what it meant to befriend a book. The books knew me, far better than I knew them; they knew my fears, my doubts, my dreams. They gave words to feelings I did not even realize I experienced. They listened. They consoled. They kept me company. The books gave me a life outside of my own. — Kelseyleigh Reber

I see myself as anybody, as everybody; I'm not just telling the story of my life to give the reader a picture of who I am. — Paul Auster

I'm never going to complain about receiving free early copies of books, because clearly there's nothing to complain about, but it does introduce a rogue element into one's otherwise carefully plotted reading schedule ...
Being a reader is sort of like being president, except reading involves fewer state dinners, usually. You have this agenda you want to get through, but you get distracted by life events, e.g., books arriving in the mail/World War III, and you are temporarly deflected from your chosen path. — Nick Hornby

El duende is literally the goblin wind or force behind a person's actions and creative life, including the way they walk, the sound of their voice, even the way they lift their little finger. It is a term used in flamenco dance, and is also used to describe the ability to "think" in poetic images. Among Latina curanderas who recollect story, it is understood as the ability to be filled with spirit that is more than one's own spirit. Whether one is the artist or whether one is the watcher, listener, or reader, when el duende is present, one sees it, hears it, reads it, feels it underneath the dance, the music, the words, the art; one knows it is there. When el duende is not present, one knows that too. — Clarissa Pinkola Estes

Is a little remarkable, that - though disinclined to talk overmuch of myself and my affairs at the fireside, and to my personal friends - an autobiographical impulse should twice in my life have taken possession of me, in addressing the public. The first time was three or four years since, when I favoured the reader - inexcusably, and for no earthly reason that either the indulgent reader or the intrusive author could imagine - with a description of my way of life in the deep quietude — Nathaniel Hawthorne

All my life I have had an awareness of other times and places. I have been aware of other persons in me. Oh, and trust me, so have you, my reader that is to be. Read back into your childhood, and this sense of awareness I speak of will be remembered as an experience of childhood. You were then not fixed, not crystallized. You were plastic, a soul in flux, a consciousness and an identity in the process of forming
ay, of forming and forgetting. — Jack London

A Wired reader told me once, Get a life, which I read from the back of a yacht in the Aegean, while eating fresh sea urchins and drinking terrific Montrachet. — Nicholas Negroponte

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

I've always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There's no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word. — Shannon Hale

What's your favorite book?' is a question that is usually only asked by children and banking identity-verification services
and favorite isn't, anyway, the right word to describe the relationship a reader has with a particularly cherished book. Most serious readers can point to one book that has a place in their life like the one that 'Middlemarch' has in mine. — Rebecca Mead

To my way of thinking and working, the greatest service a piece of fiction can do any reader is to leave him with a higher ideal of life than he had when he began. If in one small degree it shows him where he can be ... gentler, saner, cleaner, kindlier ... it is a wonder-working book. If it opens his eyes to one beauty in nature he never saw for himself and leads him one step toward the God of the Universe, it is a beneficial book ... — Gene Stratton-Porter

Let me implore the reader to try to believe, if only for a moment, that God, who made these deserving people, may really be right when He thinks that their modest prosperity and the happiness of their children are not enough to make them blessed: that all this must fall from them in the end, and if they have not learned to know Him they will be wretched. And therefore He troubles them, warning them in advance of an insufficiency that one day they will have to discover. The life to themselves and their families stands between them and the recognition of their need; He makes that life less sweet to them.
If God were proud He would hardly have us on such terms: but He is not proud, He stoops to conquer, He will have us even though we have shown that we prefer everything else to Him, and come to Him because there is 'nothing better' now to be had. — C.S. Lewis

Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn't care to sit next to in a train, people that don't exist, places you've never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader's creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive. — Ben Okri

'The Reader' is about a young man's experience of falling in love with somebody who, it turns out, made some choices that were unavoidable in her life that resulted in horrific crimes against humanity. — Kate Winslet

With the confidence and peace of mind native to true genius, I lay my life story before the world, so that the reader may learn how to educate himself to be a great tomcat, may recognize the full extent of my excellence, may love, value, honour and admire me- and worship me a little.
Should anyone be audacious enough to think of casting doubt on the sterling worth of this remarkable book, let him reflect that he is dealing with a tomcat possessed of intellect, understanding, and sharp claws. — E.T.A. Hoffmann

I have to have three or four books going simultaneously. If I'm not impressed in the first 20 pages, I don't bother reading the rest, especially with novels. I'm not a book-club style reader. I'm not looking for life lessons or wanting people to think I'm smart because I'm reading a certain book. — Chris Abani

At their core, Tiger Eyes, Forever ... , and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick) — Jennifer O'Connell

When the reader hears strong echoes of his or her own life and beliefs, he or she is apt to become more invested in the story. — Stephen King

The tension between autonomy and expertise had been, at a basic level, fundamental to the Protestant experience itself from the Reformation forward, as the doctrine of the priesthood of all believers, increasing literacy, and vernacular translations of the Bible undermined the clerical caste's monopoly on spiritual authority. In the twentieth-century United States, professional specialization, the Progressive emphasis on technical expertise, and simply the ever more complex nature of modern urban life pulled readers toward greater reliance on literary guidance, while the logic of consumerism, rooted in the all-powerful choice to buy or not to buy, further reinforced the notion of reader autonomy. — Matthew Hedstrom

I have always been a reader; I have read at every stage of my life, and there has never been a time when reading was not my greatest joy. And yet I cannot pretend that the reading I have done in my adult years matches in its impact on my soul the reading I did as a child. I still believe in stories. I still forget myself when I am in the middle of a good book. Yet it is not the same. Books are, for me, it must be said, the most important thing; what I cannot forget is that there was a time when they were at once more banal and more essential than that. When I was a child, books were everything. And so there is in me, always, a nostalgic yearning for the lost pleasure of books. It is not a yearning that one ever expects to be fulfilled. — Diane Setterfield

The idea that certain things in life - and in the universe - don't yield up their secrets is something that requires a slightly more mature reader to accept. — Samuel R. Delany

But I must hope that books possess a life of a more varied kind than their authors' myopia concedes to them. A book is a kind of of machine which the reader can freely use as a generator of intellectual stimulation. It is enough that the book should be truly a machine for thinking, that it should generate a variety of possible conclusions without its author's ordaining and limiting them in advance. — Umberto Eco

You can't imagine how gratifying it is to have a reader come up to you and say, 'You changed my life.' — Richard Dawkins

Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. — Billy Collins

I've been a massive obsessive about jazz singers all my life. — Eddi Reader

I wrote the story, but you will bring to it your own experience of life, and some other reader will do the same, and it will become a different story with each reader. I believe that even the time in your life when you read the book will determine how you receive it. Our lives are changing constantly, and therefore not even our own story is always what we think it is. — Elizabeth Strout

I am called to listen to the sound of my own heart
to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart. — Katherine Paterson

Don't annoy your readers by over-explaining--by telling them something they already know or can figure out. Try not to use words like "surprisingly," "predictably" and "of course," which put a value on a fact before the reader encounters the fact. Trust your material. — William Zinsser

Books have been vastly important in my life - as both a reader and a writer. I've learned that the great gift of literature is that someone else's tale becomes a chapter of your story. And I still feel books are the best art form for making contact with another consciousness, which is why reading a good book by yourself never feels lonely. — Bob Smith

I had wanted simply to convey to the reader by way of concrete example that life holds a potential meaning under any conditions, even the most miserable ones. And I thought that if the point were demonstrated in a situation as extreme as that in a concentration camp, my book might gain a hearing. I therefore felt responsible for writing down what I had gone through, for I thought it might be helpful to people who are prone to despair. — Viktor E. Frankl

Nothing detains the reader's attention more powerfully than deep involutions of distress, or sudden vicissitudes of fortune; and these might be abundantly afforded by memoirs of the sons of literature. They are entangled by contracts which they know not how to fulfill, and obliged to write on subjects which they do not understand. Every publication is a new period of time, from which some increase or declension of fame is to be reckoned. The gradations of a hero's life are from battle to battle, and of an author's from book to book. — Samuel Johnson

The writing of a novel is taking life as it already exists, not to report it but to make an object, toward the end that the finished work might contain this life inside it and offer it to the reader. The essence will not be, of course, the same thing as the raw material; it is not even of the same family of things. The novel is something that never was before and will not be again. — Eudora Welty

Turn the page, your heroine is still there, breathe, relax, life is beautiful: you're in a book! — Gabrielle Dubois

To cleave wood is a common every-day business, and yet it has its dangers; so then, reader, there are dangers connected with your calling and daily life which it will be well for you to be aware of. Your occupation may be as humble as log splitting, and yet the devil can tempt you in it. Nowhere is he safe who thinks himself so. — Charles Haddon Spurgeon

I'm hopefully making the reader feel a lot about the characters and then about their own life. — Jeffrey Eugenides

Recreating the experience of, say, bereavement in my own head is pretty rough. I was used to switching off from emotions every day of my working life as a journalist, but in fiction, you have to feel it 100%, or else it's a flat experience for the reader. — Karen Traviss

My prose can be dense. I love to pile on detail. I love to describe. I'm much more reluctant to give the reader entrance into a character's feeling than describe what's around him or her and have the reader intuit the internal life of a character. I know that's demanding, so this was a gesture of friendliness, maybe. It's like I'm saying to the reader, I know this is going to be more lyrical than maybe 70 percent of American readers want to see, but here's a bunch of white space for you to recover from that lyricism. — Anthony Doerr

A child who's got the habit will start reading under the covers with a flashlight," she said. "If the parents are smart, they'll forbid the child to do this, and thereby encourage her. Otherwise she'll find a peer who also has the habit, and the two of them will keep it a secret between them. — Jonathan Franzen

And so reader, farewell to Sherlock Holmes! I thank you for your past constancy, and can but hope that some return has been made in the shape of that distraction from the worries of life and stimulating change of thought which can only be found in the fairy kingdom of romance. — Arthur Conan Doyle

Perhaps as he was lying awake then, his life may have passed before him
his early hopeful struggles, his manly successes and prosperity, his downfall in his declining years, and his present helpless condition
no chance of revenge against Fortune, which had had the better of him
neither name nor money to bequeath
a spent-out, bootless life of defeat and disappointment, and the end here! Which, I wonder, brother reader, is the better lot, to die prosperous and famous, or poor and disappointed? To have, and to be forced to yield; or to sink out of life, having played and lost the game? That must be a strange feeling, when a day of our life comes and we say, To-morrow, success or failure won't matter much, and the sun will rise, and all the myriads of mankind go to their work or their pleasure as usual, but I shall be out of the turmoil. — William Makepeace Thackeray

In an age of global standardization, regional voices also remind both writer and reader that no life is lived generically. If the purpose of literature is truly, as the ancients insisted, to instruct and delight, then what better to understand and enjoy than the here and the now ? — Dana Gioia

An Afternoon in the Stacks
Closing the book, I find I have left my head
inside. It is dark in here, but the chapters open
their beautiful spaces and give a rustling sound,
words adjusting themselves to their meaning.
Long passages open at successive pages. An echo,
continuous from the title onward, hums
behind me. From in here the world looms,
a jungle redeemed by these linked sentences
carved out when an author traveled and a reader
kept the way open. When this book ends
I will pull it inside-out like a sock
and throw it back in the library. But the rumor
of it will haunt all that follows in my life.
A candleflame in Tibet leans when I move. — William Stafford

And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest.
Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity?
The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest"
If you are arrested, can anything else remain unshattered by this cataclysm? — Aleksandr Solzhenitsyn

No method nor discipline can supersede the necessity of being forever on the alert. What is a course of history, or philosophy, or poetry, or the most admirable routine of life, compared with the discipline of looking always at what is to be seen? Will you be a reader, a student merely, or a seer? — Henry David Thoreau

Once a book has left the brain of the author, it took on a life of its own, and served as the only liaison between the reader and the author. If you read carefully, the book could tell you all sorts of secrets-sometimes about its characters, and sometimes about its creator. — Catherine Lowell

Finally and essentially: I not only never could have, but never would have, written this book without the conversations with - and the kindness, grace, empathy, forgiveness, and wisdom of - Jared Hohlt, my first and favorite reader, secret keeper, and North Star. His beloved friendship is the greatest gift of my adulthood. — Hanya Yanagihara

What draws the reader to the novel is the hope of warming his shivering life with a death he reads about — Walter Benjamin

These are the best reasons to do anything in life. People who say things like this are the kind of people who change the world. Who prevent the world from ending. Or at least they can change the inner world of a reader and that is a sacred power. — Martine Leavitt

He joined Jude in the kitchen and began making a salad, and JB slumped to the dining-room table and started flipping through a novel Jude had left there. "I read this," he called over to him. "Do you want to know what happens in the end?"
"No, JB," said Jude. "I'm only halfway through."
"The minister character dies after all."
"JB!"
After that, JB's mood seemed to improve. — Hanya Yanagihara

Creative ideas, in my opinion, show their value in that, like keys, they help to "unlock" hitherto unintelligible connections of facts and thus enable man to penetrate deeper into the mystery of life. I am convinced that Jung's ideas can serve in this way to find and interpret new facts in many fields of science (and also everyday life) simultaneously leading the individual to a more balanced, more ethical, and wider conscious outlook. If the reader should feel stimulated to work further on the investigation and assimilation of the unconscious-which always begins by working on oneself-the purpose of this introductory book would be fulfilled. — C. G. Jung

Desperately Lonely Swing Set Needs Loving Home
"One swing set, well worn but structually sound, seeks new home. Make memories with your kid or kids so that someday he or she or they will look into the backyard and feel the ache of sentimentality as desperately as I did this afternoon. It's all fragile and fleeting, dear reader, but with this swing set, your child(ren) will be introduced to the ups and downs of human life gently and safely, and may alos learn the most important lesson of all: No matter how hard how you kick, no matter how high you get, you can't go all the way around."
Swing set currently resides near 83rd and Spring Mill. — John Green

Whatever reader desires to have a thorough comprehension of an author's thoughts cannot take a better method than by putting himself into the circumstances and postures of life that the author was in upon every important passage as it flowed from his pen; for this will introduce a parity and strict correspondence of ideas between the reader and the author. Now, to assist the diligent reader in so delicate an affair, as far as brevity will permit, I have recollected that the shrewdest pieces of this treatise were conceived in bed in a garret; at other times (for a reason best known to myself) I thought fit to sharpen my invention with hunger; and in general, the whole work was begun, continued, and ended under a long course of physic and great want of money. — Jonathan Swift

Reading asks that you bring your whole life experience and your ability to decode the written word and your creative imagination to the page and be a co-author with the writer, because the story is just squiggles on the page unless you have a reader. — Katherine Paterson

The first person who is on your mind the moment you open your eyes after a long sleep is the reason either of your happiness or pain. — Reader's Digest Association

To me reading is an almost sacred activity and the great novel is its high mass.
The novel is so deeply powerful as an art form because of the investment of time and faith it demands.
A good novel can sweep you up, quarry you out, illuminate you and truly inhabit your life.
And, of course, although the writer composes the sentences of the novel the reader is a full participant in the imaginative process and far from a mere voyeur. — Gregory Day

The impulse to write comes, I think, from a desire - perhaps a need - to give imaginative life to experience, to share it with the reader, not to cover up the truth but to deliver it obliquely. — Paul Theroux

I am obsessed with good buying books — Lailah Gifty Akita

The man who has not the habit of reading is imprisoned in his immediate world, in respect to time and space. His life falls into a set routine; he is limited to contact and conversation with a few friends and acquaintances, and he sees only what happens in his immediate neighbourhood. From this prison there is no escape. But the moment he takes up a book, he immediately enters a different world, and if it is a good book, he is immediately put in touch with one of the best talkers of the world. This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about. An ancient author puts him in communion with a dead spirit of long ago, and as he reads along, he begins to imagine what the ancient author looked like and what type of person he was. — Lin Yutang

What is the purpose of my writing about the various experiences of my life? It is not for publicity, but with the hope that the reader, especially my descendants, may plan a career to which they are naturally best adapted. Most children are born with a gift or talent which can be noticed in early childhood and should be encouraged and directed in the right way. Solomon said, 'Train up a child in the way he should go; and when he is old, he will not depart from it.' Train does not mean compel, or to compare him with other children, but to encourage him in that for which he has a natural tendency. The boy who will become proficient in a lawful trade or profession, other things being favorable, will be a value to society and remunerative to himself and others. — Ernest Albert Law

The person who doesn't read lives only one life. The reader lives 5,000. Reading is immortality backwards. — Umberto Eco

It is known that the Quran leaves an analytical reader the impression of disarrangement, and that it seems to be a compound of diverse elements. Nevertheless, the Quran is life, not literature. Islam is a way of living rather than a way of thinking. The only authentic comment of the Quran can be life, and as we know, it was the life of the prophet Muhammad. Islam is in its written form (the Quran) may seem disorderly, but in the life of Muhammad it proves itself to be a natural union of love and force, the sublime and the real, the divine and the human. This explosive compound of religion and politics produced enormous force in the life of the peoples who accepted it. In one moment, Islam has coincided with the very essence of life. — Alija Izetbegovic

A writer draws a road map where readers walks with their love, joy, anger, tears, and dismay. Every story, every poem, has different meanings for every reader. — Debasish Mridha

Life, as he conceived of it, was a long decline from a glorious past, and if a reader approaches a newspaper in that spirit, he can find much to confirm him in his belief, particularly if he has never examined any short period of the past in day-to-day detail. — Robertson Davies

I hope that when the characters in my novels dream beyond their current circumstance, it inspires the reader to do the same. — Kristine Scarrow

The girls chirped and chatted like uncaged warblers. They were delirious with joy ... Intoxications of life's morning! Enchanted years! The wing of a dragonfly trembles! Oh, reader, whoever you may be, do you have such memories? Have you walked in the underbrush, pushing aside branches for the charming head behind you? Have you slid laughing, down some slope wet with rain, with the woman you loved? — Victor Hugo

Books are a weird collaboration between author and reader: You trust me to tell a good story, and I trust you to bring it to good life in your mind. — John Green

A novel is designed to stimulate our minds and imagination without any visuals, other than the constructed text."
"An author's job is to breath life into words for the reader. That is the core essence of what we do. — Efthalia

I'm not just a reader or a writer; I inhale written words like they're my oxygen. It's not a hobby. It's a passion. People intrigue me. Life intrigues me. I see a story behind every pair of eyes I meet, history in every voice. I'll see someone wearing a smile and wonder what put it there. Words allow me to immerse myself in a whole other world. I get to become a different person. — Nicola Haken

Spirits ... Ghosts ... Angels ... whichever yo wish to call them - Reader, they do exist. I've seem them all my life, but I've learned to say nothing. And for all you cynics out there, just remember, there is no proof either way. So I choose to believe. In my opinion, it's much the best option. — Lucinda Riley

It's quite difficult to know who owns a story. Is it the writer, who crafted it? The characters, who carry the plot forward? Or you, the reader, who breathes life into them? Or perhaps none of the three can exist without the other. Perhaps without this magical combination, a story would be nothing more than words on a page. — Jodi Picoult

Our amended Constitution is the lodestar for our aspirations. Like every text worth reading, it is not crystalline. The phrasing is broad and the limitations of its provisions are not clearly marked. Its majestic generalities and ennobling pronouncements are both luminous and obscure. This ambiguity of course calls forth interpretation, the interaction of reader and text. The encounter with the Constitutional text has been, in many senses, my life's work. — William J. Brennan

Jane Austen is thus a mistress of much deeper emotion than appears upon the surface. She stimulates us to supply what is not there. What she offers is, apparently, a trifle, yet is composed of something that expands in the reader's mind and endows with the most enduring form of life scenes which are outwardly trivial. Always the stress is laid upon character... The turns and twists of the dialogue keep us on the tenterhooks of suspense. Our attention is half upon the present moment, half upon the future...Here, indeed, in this unfinished and in the main inferior story, are all the elements of Jane Austen's greatness. — Virginia Woolf

Now I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to "real life"
he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit. — George Saunders

What The Mysteries of Udolpho suggests is how a novel, by presenting phenomena before it present resolutions, can create an on-going, perhaps spurious, but nevertheless compelling dynamic between details which can undermine the ability of form to impose its particular tyranny on the reader's experience: there is a life in the novel which comes from within. — Ian Gregor

Being a reader is sort of like being president, except reading involves fewer state dinners, usually. You have this agenda you want to get through, but you get distracted by life events, e.g., books arriving in the mail/World War III, and you are temporarily deflected from your chosen path. — Nick Hornby

Never ask about the details of someone's personal life, only the quality. Because if they want you to know, they'll let you know. If they don't want you to know, there is no need to know. — S.A. Tawks

For a good part of my life, I had a share in this idea that I have not yet quite abandoned. But there came a time when I could not protect myself, and indeed did not wish to protect myself, from the onslaught of reality. Marxism, I conceded, had its intellectual and philosophical and ethical glories, but they were in the past. Something of the heroic period might perhaps be retained, but the fact had to be faced: there was no longer any guide to the future. In addition, the very concept of a total solution had led to the most appalling human sacrifices, and to the invention of excuses for them. Those of us who had sought a rational alternative to religion had reached a terminus that was comparably dogmatic. What else was to be expected of something that was produced by the close cousins of chimpanzees? Infallibility? Thus, dear reader, if you have come this far and found your own faith undermined - as I hope - I am willing to say that to some extent I know what you are going through. — Christopher Hitchens

Authors may have very good reasons for staying out of character's minds. What is in their mind ought to be out in the world of their action anyway, just as in Real Life. Inside is already out there, and visible. It is also a reader's responsibility to imaginatively project the inner-lives of characters just as we have to imaginatively project the inner-lives of those most dear to us in Real Life. — Nathan "N.R." Gaddis

You're reading one of those books in which the author is in love with the reader. My life. — Saleem Sharma

In all summaries, the problems seem simpler than they actually are. In the following conclusions, anxiety may sound again like an abnormal condition affecting only unfortunate individuals. I would like to emphasize again that anxiety is a life-long challenge. The tradegy of Brown is that his anxiety, which was severe enough at times to remove almost all possibilities from his existence, is mainly destructive and paralyzingly rather than challenging and enlivening. I hope the reader will keep in mind the essential humanness of anxiety. — Rollo May

I want my stories to be something about life that causes people to say, not, oh, isn't that the truth, but to feel some kind of reward from the writing, and that doesn't mean that it has to be a happy ending or anything, but just that everything the story tells moves the reader in such a way that you feel you are a different person when you finish. — Alice Munro

This is a book, and a book is a world, and words are the seeds in which meanings are curled. Pages of oceans and margins of land are civilizations you hold in the palm of your hand. But look at your world and your life seems to shrink to cities of paper and seas made of ink. Do you know who you are, or have you been misled? Are you the reader, or are you the read? — Traci Chee

I used to hammer away at the idea of simplicity.
In both fiction and non-fiction, there's only one question and one answer. 'What happened?' the reader asks. 'This is what happened,' the writer responds. 'This ... and this ... and this, too.' Keep it simple. It's the only sure way home. — Stephen King

Sketches Einstein: His Life and Universe A Benjamin Franklin Reader Benjamin Franklin: An American Life Kissinger: A Biography The Wise Men: Six Friends and the World They Made (with Evan Thomas) — Walter Isaacson