Read With Expression Quotes & Sayings

No one can read the books of Moses with any care without understanding that law can be a means of grace. Certainly this law is of one spirit with the Son of Man who says, "I was hungry and you fed me. I was naked and you clothed me." This kind of worldliness entails the conferring of material benefit over and above mere equity. It means a recognition of and respect for both the intimacy of God's compassion and the very tangible forms in which it finds expression. — Marilynne Robinson

Too racy?" I asked.
She snorted. "Too asinine. For being such a brilliant woman in all other respects, apparently, she was completely flummoxed by sex. When she wrote about it, it was either all buttoned up or completely, pardon the expression,screwy. Between you and me, the letters to Willing are just sloppy and boring. The spicy bits read like old Cosmopolitans now. The rest is just simpering and scolding him for not writing in kind."
"Of course he didn't. He loved Diana."
Maxine swept a shred of paper from her desk with a quick backhand. "Oh, for heavens sake." She huffed out a breath. "The heart of a teenager. — Melissa Jensen

Even though you read much Zen literature, you must read each sentence with a fresh mind. You should not say, "I know what Zen is," or "I have attained enlightenment." This is also the real secret of the arts: always be a beginner."
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"When you are sitting in the middle of your own problem, which is more real to you: your problem or you yourself? The awareness that you are here, right now, is the ultimate fact. "
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"Knowing that your life is short, to enjoy it day after day, moment after moment, is the life of "form is form and emptiness is emptiness."
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"You may feel as if you are doing something special, but actually it is only the expression of your true nature; it is the activity which appeases your inmost desire. But as long as you think you are practicing zazen for the sake of something, that is not true practice."
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"The most important thing is to forget all gaining ideas, all dualistic ideas. In other words, just practice zazen in a certain posture. — Shunryu Suzuki

They stood in silence for a few moments with Ryan watching him carefully. He was fiddling with his t-shirt and scuffing his sneaker against the floor as he appeared to turn something over in his mind. His expression went through a variety of metamorphoses before he finally sighed and shook his head.
"Y'know, I'm not a big expert on this stuff. I've never even been in a real relationship and I'm twenty-five, but like..." He trailed off for a minute, bit his lip and then shrugged before pressing on. "But I saw the way both of you guys were at the start of this whole thing, and if you two could have that kind of intense fire stuff considering the way you both were... I dunno, I wouldn't give up so easy. But then again, maybe I read too much fanfic. — Santino Hassell

I have a professional acquaintance whose recent eyelid job has left her with a permanent expression of such poleaxed astonishment that she looks at all times as if she had just read one of my books. — Florence King

Kyle blinked. I don't think I've ever seen him quite so ... neutral.
"You can talk to Adam when he's not in the room, and you don't have a phone?" he asked.
I nodded.
He closed his eyes, and I could read his expression when he opened them again. "Thank you, dear Lord," he said with relief. "I thought I was going crazy. — Patricia Briggs

I did not say anything. I was always embarrassed by the words sacred, glorious, and sacrifice and the expression in vain. We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stock yards at Chicago if nothing was done with the meat except to bury it. — Ernest Hemingway,

One of the effects of indoctrination, of passing into the anglo-centrism of British West Indian culture, is that you believe absolutely in the hegemony of the King's English and in the proper forms of expression. Or else your writing is not literature; it is folklore, or worse. And folklore can never be art. Read some poetry by West Indian writers
some, not all
and you will see what I mean. The reader has to dissect anglican stanza after anglican stanza for Caribbean truth, and may never find it. The anglican ideal
Milton, Wordsworth, Keats
was held before us with an assurance that we were unable, and would never be able, to achieve such excellence. We crouched outside the cave. — Michelle Cliff

I don't wish to marry, ever. I like men quite well- at least the ones I've been acquainted with- but I shouldn't like to have to obey a husband and serve his needs. It wouldn't make me at all happy to have a dozen children, and stay at home knitting while he goes out romping with his friends. I would rather be independent."
The room was silent. Lady Berwick's expression did not change, nor did she blink even once as she stared at Pandora. It seemed as if a soundless battle were being waged between the authoritative older woman and the rebellious girl.
Finally Lady Berwick said, "You must have read Tolstoy."
Pandora blinked, clearly caught off guard by the unexpected comment. "I have," she admitted, looking mystified. "How did you know?"
"No young woman wants to marry after reading Tolstoy. That is why I never allowed either of my daughters to read Russian novels. — Lisa Kleypas

For the ancients, to meditate is to read a text and to learn it "by heart" in the fullest sense of this expression, that is, with one's whole being: with the body, since the mouth pronounced it, with the memory which fixes it, with the intelligence which understands its meaning, and with the will which desires to put it into practice. — Jean Leclercq

Tom ran his thumb over the head, circling lightly, unable to resist leaning down to suck the tip into his mouth. Prophet inhaled sharply, threaded his fingers into Tom's hair. He closed his eyes and groaned when Tom stroked in earnest, lifting his hips off the bed in a big cat-like stretch, letting Tom take control of him again. "Think I didn't get enough?" "Think you need sleep." Prophet's eyes opened as he studied Tom's face. "You're going to put me to sleep this way." "Gonna try," Tom told him, his hand pumping Prophet's cock slowly, then faster when the man refused to tear his gaze away. He couldn't read the man's expression, not until his mouth dropped and his eyes glazed. "Yeah, like that." Prophet's voice was hoarse, body tense. His casted hand reached out to hold on to Tom's biceps, the one with the dreamcatcher. Tom caught him staring at it when he came. — S.E. Jakes

Poetry is the truth dressed up with perceptions, emotions, and anxieties of expression. — Debasish Mridha

I couldn't make any judgment on the Summa, except to say this: I read it for about twenty minutes every night before I go to bed. If my mother were to come in during this process and say, 'Turn off that light. It's late,' I with a lifted finger and broad bland beatific expression, would reply, 'On the contrary, I answer that the light, being eternal and limitless, cannot be turned off. Shut your eyes,' or some such thing. — Flannery O'Connor

Oh, sorry, am I being difficult?" Rich asked. "I'm not good with people. Sometimes I'm difficult. I wish people would just tell me. Anyway, the Taiyang Shen is critical. In fact, my idea won't work without it. But a Mars probe? Pfft. C'mon." "All right," Venkat said. "What's your idea?" Rich snatched a paper from the desk. "Here it is!" He handed it to Venkat with a childlike smile. Venkat took the summary and skimmed it. The more he read, the wider his eyes got. "Are you sure about this?" "Absolutely!" Rich beamed. "Have you told anyone else?" "Who would I tell?" "I don't know," Venkat said. "Friends?" "I don't have any of those." "Okay, keep it under your hat." "I don't wear a hat." "It's just an expression." "Really?" Rich said. "It's a stupid expression." "Rich, you're being difficult." "Ah. Thanks. — Andy Weir

I see two people in love," he said with his gaze fixed on hers in the glass. "Two very different people who look extraordinarily well together."
Shelby leaned her head on his shoulder again, unsure if she was glad or annoyed that he read her so perfectly. "He would look very good, and much more suitable, with a cool blond in a very classic black dress."
Alan seemed to consider for a moment. "Do you know," he said mildly. "That's the first time I've heard you sound like a complete ass."
She stared back at his image,at the faintly interested, fully reasonable expression on his face. She laughed. There seemed to be nothing else for her to do. "All right,just for that,I'm going to be every bit as dignified as you are."
"God forbid," Alan muttered before he pulled her out the front door. — Nora Roberts

Do you know where the past and the present intersect?" Jac asked him.
"Where?"
"In your mind, only. It's the only point. Otherwise, the past is further away than the furthest galaxy. We know it, intuitively, because we understand the irrevocability of past action, and sometimes that makes us sad." He looked into Gordius's face, trying to read his expression, but the fellow wouldn't make eye-contact with him. "But it ought not to make us sad. Another name for that irrevocable gap between past and present is
freedom. — Adam Roberts

Nile perch are enormous but lethargic fish, easy to catch once they have taken your bait. Some are bright golden yellow, some grey pink with the large, round surprised eyes of all fish, in which we humans cannot read any expression of pain or suffering, so that, as with insects or mollusks, we feel absolved of their deaths. — Kuki Gallmann

He held the camera out for me to see. It was a women, her sunken eyes looking straight at the camera. 'I don't want your money', her cardboard sign read. 'Just look at me so I know I exist'. The words and her expression were arresting on their own, but they weren't what made the photograph so compelling. It was the people in the foreground, the passersby, eyes glued to their phones as they hurried to wherever they were going at lunch, completely oblivious of the women with the sign. — Lauren Miller

Liam stared at her, his gaze glittering hot with something she was afraid to identify because it made her knees weak and she couldn't breathe from the intensity and pace of her heart pounding away in her chest.
He wanted to kiss her.
He didn't want to want to kiss her - she could read that in his expression, as well - but she knew he did. And right, then. Cop or not - mistake that it would be - she wanted him to kiss her, too. — Kay Stockham

It is so unsatisfactory to read a noble passage and have no one you love at hand to share the happiness with you. And it is unsatisfactory to read to one's self anyhow - for the uttered voice so heightens the expression. — Mark Twain

Remember picture books are the closest form of writing to a poem. Even though they don't have to rhyme, they must be poetic. They must be written so the worst actress can read with comfort and expression. — Kirby Larson

One need not believe in Pallas Athena, the virgin goddess, to be overwhelmed by the Parthenon. Similarly, a man who rejects all dogmas, all theologies and all religious formulations of beliefs may still find Genesis the sublime book par excellence. Experiences and aspirations of which intimations may be found in Plato, Nietzsche, and Spinoza have found their most evocative expression in some sacred books. Since the Renaissance, Shakespeare, Rembrandt, Mozart, and a host of others have shown that this religious dimension can be experienced and communicated apart from any religious context. But that is no reason for closing my heart to Job's cry, or to Jeremiah's, or to the Second Isaiah. I do not read them as mere literature; rather, I read Sophocles and Shakespeare with all my being, too. — Walter Kaufmann

A person who does not read, or reads little, or reads only trash, is a person with an impediment: he can speak much but he will say little, because his vocabulary is deficient in the means for self-expression.
This is not only a verbal limitation. It represents also a limitation in intellect and imagination. It is a poverty of thought, for the simple reason that ideas, the concepts through which we grasp the secrets of our condition, do not exist apart from words. — Mario Vargas-Llosa

We often say, and you have heard the expression as it has already been referred to in this conference, that "as man now is, God once was, and as God now is, man may become." The only way man may become as God now is, is through fulfilling the laws of celestial marriage and the laws of the gospel, as I have just read to you the word of the Lord from the D&C. Can we afford to overlook such opportunities for exaltation? Temple marriage is not just another form of church wedding; it is a divine covenant with the Lord that if we are faithful to the end, we may become as God now is. — Eldred G. Smith

Practice thinking peace. Remember, you become what you think about all day long. How often do you clutter your mind with thoughts of nonpeace? How many times a day do you say out loud how terrible the world is? How violent we have all become? How uncaring we seem to be? How racist we are? How little the government cares about us? All of these thoughts and their expression are indications that you have become trapped in a nonpeaceful mind and, therefore, a nonpeaceful world. Every time you bemoan the horrors of the world, or listen to media reports on all that is evil, or read tabloids that exploit the unpleasant facts about other's lives, you are continuing the conditioning that takes you away from becoming an instrument of thy peace. — Wayne W. Dyer

The legend of our times, it has been suggested, might be "The Revenge of Failure". This is what Envy has done for us. If we cannot paint well, we will destroy the canons of painting and pass ourselves off as painters. If we will not take the trouble to write poetry, we will destroy the rules of prosody and pass ourselves off as poets. If we are not inclined to the rigors of an academic discipline, we will destroy the standards of that discipline and pass ourselves off as graduates. If we cannot or will not read, we will say that "linear thought" is now irrelevant and so dispense with reading. If we cannot make music, we will simply make a noise and persuade others that it is music. If we can do nothing at all, why! we will strum a guitar all day, and call it self-expression. As long as no talent is required, no apprenticeship to a skill, everyone can do it, and we are all magically made equal. Envy has at least momentarily been appeased,and failure has had its revenge. — Henry Fairlie

Incidentally, am I alone in finding the expression "it turns out" to be incredibly useful? It allows you to make swift, succinct, and authoritative connections between otherwise randomly unconnected statements without the trouble of explaining what your source or authority actually is. It's great. It's hugely better than its predecessors "I read somewhere that ... " or the craven "they say that ... " because it suggests not only that whatever flimsy bit of urban mythology you are passing on is actually based on brand new, ground breaking research, but that it is research in which you yourself were intimately involved. But again, with no actual authority anywhere in sight. Anyway, where was I? — Douglas Adams

She wanted to know what American writers I liked. "Hawthorne, Henry James, Emily Dickinson ... " "No, living." Ah, well, hmm, let's see: how difficult, the rival factor being what it is, for a contemporary author, or would-be author, to confess admiration for another. At last I said, "Not Hemingway - a really dishonest man, the closet-everything. Not Thomas Wolfe - all that purple upchuck; of course, he isn't living. Faulkner, sometimes: Light in August. Fitzgerald, sometimes: Diamond as Big as the Ritz, Tender Is the Night. I really like Willa Cather. Have you read My Mortal Enemy?" With no particular expression, she said, "Actually, I wrote it. — Truman Capote

Her lips curved up then, as if she liked his answer. "Are you working tomorrow?"
Dax nodded. "Yeah. Training stuff." He was running weapons-training exercises with three of his guys and a small team of DEA agents. They liked to do joint operations, especially in Miami, where there was a smorgasbord of government agencies. But he couldn't tell her that.
"When do you get off?"
The way she said "get off" brought up all sorts of images. Hannah must have read his expression, because she shook her head. "Pervert," she muttered.
He grinned, liking the camaraderie between them, as if part of that wall she'd erected had been knocked down. — Katie Reus

Tallyho, friends of Asher!" Asher had impeccable timing. He waltzed into the room and hopped up on the computer table, his legs dangling down, like he didn't have a care in the world. Like the tension in the room wasn't thick enough that you could have cut it with a knife. "Am I interrupting something?" he asked blithely. Just Henry telling me he thinks my sister might be working to cover up his grandfather's murder. Henry must have read something in my expression, because a hint of remorse flashed across his features. — Jennifer Lynn Barnes

All the books we own, both read and unread, are the fullest expression of self we have at our disposal ... But with each passing year, and with each whimsical purchase, our libraries become more and more able to articulate who we are, whether we read the books or not. — Nick Hornby

The first time I read Isaac Babel was in a college creative writing class. The instructor was a sympathetic Jewish novelist with a Jesus-like beard, an affinity for Russian literature, and a melancholy sense of humor, such that one afternoon he even "realized" the truth of human mortality, right there in the classroom. He pointed at each of us around the seminar table: "You're going to die. And you're going to die. And you're going to die." I still remember the expression on the face of one of my classmates, a genial scion of the Kennedy family who always wrote the same story, about a busy corporate lawyer who neglected his wife. The expression was confused. — Elif Batuman

Reviewers try to square the antics of a writer's life with the antics in the fiction. Even satirical verbal play is too often read and admired as autobiographical expression. And thanks to the democratic exposures of the web, it's easier than ever to document private experiences and divulge the most intimate secrets. — Joanna Scott

'The Lady's World' should be made the recognized organ for the expression of women's opinions on all subjects of literature, art and modern life, and yet it should be a magazine that men could read with pleasure. — Oscar Wilde

Salim is upset. The fax that was waiting for him when he woke this morning was curt, and alternately chiding, stern, and disappointed: Salim was letting them down - his sister, Fuad, Fuad's business partners, the Sultanate of Oman, the whole Arab world. Unless he was able to get the orders, Fuad would no longer consider it his obligation to employ Salim. They depended upon him. His hotel was too expensive. What was Salim doing with their money, living like a sultan in America? Salim read the fax in his room (which has always been too hot and stifling, so last night he opened a window, and was now too cold) and sat there for a time, his face frozen into an expression of complete misery. — Anonymous

Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality. — Peter Straub

When I composed those verses I was preoccupied less with music than with an experience - an experience in which that beautiful musical allegory had shown its moral side, had become an awakening and a summons to a life vocation. The imperative form of the poem which specially displeases you is not the expression of a command and a will to teach but a command and warning directed towards myself. Even if you were not fully aware of this, my friend, you could have read it in the closing lines. I experienced an insight, you see, a realization and an inner vision, and wished to impress and hammer the moral of this vision into myself. That is the reason why this poem has remained in my memory. Whether the verses are good or bad they have achieved their aim, for the warning has lived on within me and has not been forgotten. It rings anew for me again to-day, and that is a wonderful little experience which your scorn cannot take away from me. — Hermann Hesse

Wise men read very sharply all your private history in your look and gait and behavior. The whole economy of nature is bent on expression. The tell-tale body is all tongues. Men are like Geneva watches with crystal faces which expose the whole movement. — Ralph Waldo Emerson

Laevsky's not loving Nadyezhda Fyodorovna showed itself chiefly in the fact that everything she said or did seemed to him a lie, or equivalent to a lie, and everything he read against women and love seemed to him to apply perfectly to himself, to Nadyezhda Fyodorovna and her husband. When he returned home, she was sitting at the window, dressed and with her hair done, and with a preoccupied face was drinking coffee and turning over the leaves of a fat magazine; and he thought the drinking of coffee was not such a remarkable event that she need put on a preoccupied expression over it, and that she had been wasting her time doing her hair in a fashionable style, as there was no one here to attract and no need to be attractive. And in the magazine he saw nothing but falsity. He thought she had dressed and done her hair so as to look handsomer, and was reading in order to seem clever. — Anton Chekhov

I looked at our hands, caked and coated in red, but entwined. The pristine moment when they were clasped like that earlier in the day seemed weeks ago.
"Clean." Peter said.
"Can I get a water bottle or something to clean his hands?" I scanned the crowd. He drew my attention back to him with a pull of my hand.
"No," Peter said. "I'm ... clean."
I had missed who Peter was until that very moment.
I had called him names and treated him callously. I had read every micro expression in a vacuum of how it related to Austin Glass. And in return Peter had cared for my wounds, treated me tenderly and assured me that he was HIV negative while bleeding out in a hallway of strangers.
I broke. It wasn't a visible fracture. I didn't sob or explode into anguish. I didn't give in to my vomitus urge that came from the burst of self-loathing. But I shattered nonetheless. — Dani Alexander

This is better than a romance novel." P.J. said with a wistful sigh.
"You read that stuff?" Cole demanded.
"Why the hell do you ask the question like that?" P.J. said, annoyance evident in her tone and expression.
"You just didn't seem the type," Cole mumbled.
She flipped him the bird, and Shea had to bite her lip to keep from laughing. P.J. was easily half Cole's size but she also looked like she had the confidence to take on the much larger man. She might even kick his ass. The idea intrigued Shea greatly.
"I'm tempted to shove one of my romance novels up your ass." P.J. said sharply. "But I love my books too much to desecrate them like that, I'll settle for my boot."
Cole held up his hands in surrender. "I won't say another word. Romance novels are great. I love romance novels. I think everyone should read them. — Maya Banks

She couldn't read his expression. As he started toward her, she recalled the way he'd seemed to glide through the sand the first time she'd ever seen him; she remembered their kiss on the boat dock the night of his sister's wedding. And she heard again the words she'd said to him on the day they'd said good-bye. She was besieged by a storm of conflicting emotions - desire, regret, longing, fear, grief, love. There was so much to say, yet what could they really begin to say in this awkward setting and with so much time already passed? — Nicholas Sparks

We were at a swap meet in Cochituate last year, and there was this Boy Scout troop with a sign that read, 'Help Boy Scouts, Blind Kids.' Toby saw it, and he grabbed my shirt collar and pulled me away. I asked what was wrong, and with this scared expression on his face, he said, That's not right. They need to be stopped.'
I cracked up. 'Oh, no,' I said.
'When I asked him why helping blind kids and Boy Scouts was bad, Toby's whole face went white. He said, 'Forget it. Let's go.' But I had to know what the hell he was talking about, so I made him walk back over with me. We looked at the sign together, and finally he mumbled, 'I didn't see the comma. — Bill Konigsberg

Carl had met Renee at a party given by a colleague of his. He had been taken with her face. Hers was a remarkably plain face, and it appeared quite somber most of the time, but during the party he saw her smile twice and frown once; at those moments, her entire countenance assumed the expression as if it had never known another. Carl had been caught by surprise: he could recognize a face that smiled regularly, or a face that frowned regularly, even if it were unlined. He was curious as to how her face had developed such a close familiarity with so many expressions, and yet normally revealed nothing. It took a long time for him to understand Renee, to read her expressions. But it had definitely been worthwhile. Now — Ted Chiang