Quagmire Fat Chicks Quotes & Sayings

And even with the book closed, the voices do not stop--there are echoes and reverberations that seem to leap off the pages and mischievously leave the novel tingling in our ears. — Azar Nafisi

Depending on the reality one must face, one may prefer to opt for illusion. — Judith Guest

On increasingly warm nice days I liked to sit toward noon on the bench encircling the cherry tree and look at the bare trees, the freshly plowed fields, the green strips of winter planting, the meadows that were already sprouting, and through the fragrance which swells out of the ground with the advent of spring contemplate the mountains, gleaming with the colossal quantities of snow still on them. — Adalbert Stifter

So who gave him his name?" I asked.
"Kerrick," Belen answered.
Not who I'd expect. "Why 'Flea'?"
A full-out grin spread across Flea's face. "Cause I'm fast and hard to catch."
"Because he's a pest and hard to squash," Belen said.
"Because he jumps about three feet in the air when you scare him," Loren added.
"Because he's annoying and makes us itch with impatience," Quain said.
"Thanks, guys. I love you too." Flea made exaggerated kissing noises and patted his ass. — Maria V. Snyder

Have pity on those whose chances grow thinner, there ain't no hiding place from the Father of Creation. — Bob Marley

Anyway, why would you trust anything written down? She certainly didn't trust "Mothers of Borogravia!" and that was from the government. And if you couldn't trust the government, who could you trust?
Very nearly everyone, come to think of it ... — Terry Pratchett

One of the weaknesses of much abstract painting is the attempt to substitute the inventions of the intellect for a pristine imaginative conception. The inner life of a human being is a vast and varied realm and does not concern itself alone with stimulating arrangements of color, form and design. The term 'life' as used in art is something not to be held in contempt, for it applies all of its existence, and the province of art is to react to it and not to shun it. Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again be great. — Edward Hopper