Pulpy Quotes & Sayings

There's almost 70 billion in square feet under construction in high rises in commercial, residential and light manufacturing. And we estimate about 30 billion square feet, and that's with a 'B,' is commercial, that we would just consider office space. To put that in perspective, that's a 5x5-foot cubicle for every man, woman and child in China. — James Chanos

(And did I mention how in summer the streets of Smyrna were lined with baskets of rose petals? And how everyone in the city could speak French, Italian, Greek, Turkish, English, and Dutch? And did I tell you about the famous figs, brought in by camel caravan and dumped onto the ground, huge piles of pulpy fruit lying in the dirt, with dirty women steeping them in salt water and children squatting to defecate behind the clusters? Did I mention how the reek of the fig women mixed with pleasanter smells of almond trees, mimosa, laurel, and peach, and how everybody wore masks on Mardi Gras and had elaborate dinners on the decks of frigates? I want to mention these things because they all happened in that city that was no place exactly, that was part of no country because it was all countries, and because now if you go there you'll see modern high-rises, amnesiac boulevards, teeming sweatshops, a NATO headquarters, and a sign that says Izmir ... ) — Jeffrey Eugenides

Do you know where Laoghaire is? — Diana Gabaldon

It is a gift, and you realize as soon as you cross the border into Paraguay, as I did, the first time in '82, that you are in a sort of wonderland. Nothing is quite right: the buildings, they've got their own architecture, their own language; and everything is just a little bit off key. — John Gimlette

I dont regret anything. I am proud to try a challenge even if I do not exceed. — Gael Monfils

The truth is that it's not about the weight. It's never been about the weight. When a pill is discovered that allows people to eat whatever they want and not gain weight, the feelings and situations they turned to food to avoid will still be there and they will find other more inventive ways to numb themselves. — Geneen Roth

I'm more than happy to say that I am a part of the return of Rock n' Roll.And that what we have to say means so much to these amazing people. — Jinxx

Jaenelle tried to smile. "They won't find their way through the maze. Not this maze, anyway." Then she looked sadly at Daemon's gaunt, bruised body and gently brushed the long, dirty, tangled black hair off his forehead. "Ah, Daemon. I had gotten used to thinking of my body as a weapon that was used against me. I'd forgotten that it's also a gift. If it's not too late, I'll do better. I promise." Jaenelle placed her transparent hands on either side of Daemon's head. She closed her eyes. The Black Jewel glowed. Listening to the Hayllian guards thrashing around somewhere in the maze, Surreal sank to the ground and settled down to wait. *Daemon.* The island slowly sank into the sea of blood. He curled up in the center of the pulpy ground while the word sharks circled, waiting for him. *Daemon. — Anne Bishop

Affirm and acclaim 120 years of blessed life from the Creator. — Lailah Gifty Akita

I do have a sense of displacement as constant instability - the uninterrupted existence of everything that I love and care about is not guaranteed at all. I wait for catastrophes. — Aleksandar Hemon

Ever since, two summers ago, Joe Marino had begun to come into her bed, a preposterous fecundity had overtaken the staked plans, out in the side garden where the southwestern sun slanted in through the line of willows each long afternoon. The crooked little tomato branches, pulpy and pale as if made of cheap green paper, broke under the weight of so much fruit; there was something frantic in such fertility, a crying-out like that of children frantic to please. Of plants, tomatoes seemed the most human, eager and fragile and prone to rot. Picking the watery orange-red orbs, Alexandra felt she was cupping a giant lover's testicles in her hand. — John Updike

Of village: it is not called so because its inhabitants are of higher age on average; in fact, there is no connection between the words "village" and "age" whatsoever. — Jakub Marian

Our little kinsmen after rain
In plenty may be seen,
a pink and pulpy multitude
The tepid ground upon;
A needless life if seemed to me
Until a little bird
As to a hospitality
Advanced and breakfasted. — Emily Dickinson

Nereus to Lothaire:
"I really thought you'd demand my
firstborn."
"As if I'd want your fucking guppy,"
Lothaire drawled, tracing away before
Nereus could strike him down. — Kresley Cole

I almost think of nerd brains as rattlesnake venom; like, you can milk it. You can milk the pulpy venom out of the nerd brain and use it for good if you want to. — Chris Hardwick

ROOT CELLAR
Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks!
Roots ripe as old bait,
Pulpy stems, rank, silo-rich,
Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life:
Even the dirt kept breathing a small breath. — Theodore Roethke

'Shortcomings' was me figuring out who I am. — Adrian Tomine

The egotist is all surface; underneath is a pulpy mess and a lot of self-doubt. But the egoist may be yielding and even deferential in things he doesn't consider important; in anything that touches his core he is remorseless. — Robertson Davies

The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes
McCarthy and Stalin
that they were to produce only two artists, Saul Bellow and Philip Roth, who left town. — Ishmael Reed

The Thing cannot be described - there is no language for such abysms of shrieking and immemorial lunacy, such eldritch contradictions of all matter, force, and cosmic order. A mountain walked or stumbled.
If I say that my somewhat extravagant imagination yielded simultaneous pictures of an octopus, a dragon, and a human caricature, I shall not be unfaithful to the spirit of the thing. A pulpy, tentacled head surmounted a grotesque and scaly body with rudimentary wings; but it was the general outline of the whole which made it most shockingly frightful. — H.P. Lovecraft

The key difference between a geek and a critic is that a
critic digs deep and tries to get behind the surface of things,
for better or worse, while a geek is interested in his own hedonism,
the thrill of discovery.A geek is expansive and associative
and doesn't necessarily care what a film or a scene 'means'. It's
the difference between the encyclopaedia and the scholar. A
critic likes an interesting association, a nice phrase; the geek
admires the beau geste, a pulpy story and its codes of honour
taken seriously.
Tarantino rather combines those two roles. He is encyclopaedic
but also interpretive. He is a human Rolodex of
credits. His films are like stuffed overnight bags breaking at the
seams. The Handel of filmmakers, he takes the whole of
cinema as his resource. But he also provides new meanings,
new interpretations of old moments by the way he recontextualizes
them. — D.K. Holm

CELL

Now look objectively. You have to
admit the cancer cell is beautiful.
If it were a flower, you'd say, How pretty,
with its mauve centre and pink petals

of if a cover for a pulpy thirties
sci-fi magazine. How striking:
as an alien, a success,
all purple eye and jelly tentacles
and spines, or are they gills,
creeping around on granular Martian
dirt red as the inside of the body,

while its tender walls
expand and burst, its spores
scatter elsewhere, take root, like money,
drifting like a fiction or
miasma in and out of people's
brains, digging themselves
industriously in. The lab technician

says, It has forgotten
how to die. But why remember? All it wants is more
amnesia. More life, and more abundantly. to take
more. to eat more. To replicate itself. To keep on
doing those things forever. Such desires
are not unknown. Look in the mirror. — Margaret Atwood

I was already well acquainted with the splendors of her mouth. Smoking is good for that. You get a full display of the puckering, and the sucking. The tongue often makes an appearance, licking from the lips any stickiness imparted by the filter. Sometimes bits of paper adhere to the bottom lip and the smoker, pulling them away, reveals the candied lower teeth against the pulpy gums. And if the smoker is a blower of smoke rings, you get to see all the way in to the dark velvet of the inner cheeks. — Jeffrey Eugenides

Certain media attracts more pulpy or low-brow things, especially when they're young. Finding the best story, in any particular medium, is going to be as good, in any other medium. — Corey Stoll

The crooked little tomato branches, pulpy and pale as if made of cheap green paper, broke under the weight of so much fruit; there was something frantic in such fertility, a crying-out like that of children frantic to please. — John Updike

Kandinski looked up. 'Do you read science fiction?' he asked matter-of-factly.
'Not as a rule,' Ward admitted. When Kandinski said nothing he went on: 'Perhaps I'm too skeptical, but I can't take it too seriously.'
Kandinski pulled at a blister on his palm. 'No one suggests you should. What you mean is that you take it too seriously.'
Accepting the rebuke with a smile at himself, Ward pulled out one of the magazines and sat down at a table next to Kandinski. On the cover was a placid suburban setting of snugly eaved houses, yew trees, and children's bicycles. Spreading slowly across the roof-tops was an enormous pulpy nightmare, blocking out the sun behind it and throwing a weird phosphorescent glow over the roofs and lawns. 'You're probably right,' Ward said, showing the cover to Kandinski. 'I'd hate to want to take that seriously.'
("The Venus Hunters") — J.G. Ballard

Talking of Pleasure, this moment I was writing with one hand, and with the other holding to my Mouth a Nectarine - how good how fine. It went down all pulpy, slushy, oozy, all its delicious embonpoint melted down my throat like a large, beatified Strawberry. — John Keats

It was an odd thing to do, to stand in a street in the hope of seeing someone who hardly knew him, but he did not want to move. — Ken Follett

The kind of stuff I usually read is a bit more on the literary side, like books that I think are influential in the sense that they're doing pulpy subject matter in a refined way. Like 'The Road' by Cormac McCarthy; I loved that book. — Isaac Marion

Her flesh was powdery and voluptuously weary, as if tenderized by all the different beds and arms in which she had lain. Her face was as soft as the pulpy flash of an overripe banana, her breasts like two tiny bunches of grapes. She exuded a certain seedy charm, a poetry of premature corruption and decay. She breathed the air as if it burned her palate, baking her small, hot, whorish mouth. It was as if she were sucking a sweet or slurping champagne. — Dezso Kosztolanyi

No love can be bound by oath or covenant to secure it against a higher love. — Ralph Waldo Emerson

Anything that has to do with noir and space, I'm gonna love. When you've got a noir-ish, pulpy detective in a science fiction show, I'm all in, in that regard. — Thomas Jane

The marquess held the weapon out, as formally as if he were passing a sword.
Soberly, Ned accepted it. He placed the sacrificial citrus on the table in front of him, and then with one careful
incision, eviscerated it. He speared deep into its heart, his
hands steady, and then cut it to pieces. Jenny allotted herself one short moment of wistful sorrow for her afterdinner treat gone awry as the juice ran everywhere.
"Enough." She reached out and covered his hand midstab.
"It's dead now," she explained gravely.
He pulled his hand away and nodded. Lord Blakely took back his knife and cleaned it with a handkerchief.
Jenny studied the corpse. It was orange. It was pulpy. It
was going to be a mess to clean up. Most importantly, it gave her an excuse to sit and think of something mystical to say - the only reason for this exercise, really. Lord Blakely
demanded particulars. But in Jenny's profession, specifics were the enemy. — Courtney Milan

I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy. — David Morrell