Proust Swann In Love Quotes & Sayings

This malady which Swann's love had become had so proliferated, was so closely interwoven with all his habits, with all his actions, with his thoughts, his health, his sleep, his life, even with what he hoped for after his death, was so utterly inseparable from him, that it would have been impossible to eradicate it without almost entirely destroying him; as surgeons say, his love was no longer operable. — Marcel Proust

One felt that in her renunciation of life she had deliberately abandoned those places in which she might at least have been able to see the man she loved, for others where he had never trod. — Marcel Proust

For Swann was finding in things once more, since he had fallen in love, the charm that he had found when, in his adolescence, he had fancied himself an artist; with this difference, that what charm lay in them now was conferred by Odette alone. — Marcel Proust

To think that I wasted years of my life, that I wanted to die, that I felt my deepest love, for a woman who did not appeal to me, who was not my type! — Marcel Proust

When Odette ceased to be for him a creature always absent, longed for, imaginary, when the feeling he had for her was no longer the same mysterious disturbance caused in him by the phrase from the sonata, but affection, gratitude, when normal relations were established between them that would put an end to his madness and his gloom, then no doubt the actions of Odette's daily life would appear to him of little interest in themselves ... (p. 302, In Search of Lost Time Vol. 1 The Way by Swann's, Lydia Davis translation) — Marcel Proust

Even Proust - there's a famous passage where Odette opens the door with a cold, she's sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so - the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting's blotchy cheeks. Even through a copy Proust was able to re-dream that image, re-shape reality with it, pull something all his own from it into the world. Because - the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times. — Donna Tartt

I loved her; I was sorry not to have had the time and the inspiration to insult her, to do her some injury, to force her to keep some memory of me. — Marcel Proust

But the presence of Odette continued to sow in Swann's heart alternate seeds of love and suspicion. — Marcel Proust

From that evening, Swann understood that the feeling which Odette had once had for him would never revive, that his hopes of happiness would not be realised now. And the days on which, by a lucky chance, she had once more shewn herself kind and loving to him, or if she had paid him any attention, he recorded those apparent and misleading signs of a slight movement on her part towards him with the same tender and sceptical solicitude, the desperate joy that people reveal who, when they are nursing a friend in the last days of an incurable malady, relate, as significant facts of infinite value: "Yesterday he went through his accounts himself, and actually corrected a mistake that we had made in adding them up; he ate an egg to-day and seemed quite to enjoy it, if he digests it properly we shall try him with a cutlet to-morrow,"
although they themselves know that these things are meaningless on the eve of an inevitable death. — Marcel Proust

But ever since, more than a year before, discovering to him many of the riches of his own soul, the love of music had, for a time at least, been born in him, Swann had regarded musical motifs as actual ideas, of another world, of another order, ideas veiled in shadow, unknown, impenetrable to the human mind, but none the less perfectly distinct from one another, unequal among themselves in value and significance. — Marcel Proust

For in this way Swann was kept in the state of painful agitation which had once before been effective in making his interest blossom into love, on the night when he had failed to find Odette at the Verdurins' and had haunted for her all evening. And he did not have (as I had, afterward, at Combray in my childhood) happy days in which to forget the sufferings that would return with the night. For his days, Swann must pass them without Odette; and as he told himself, now and then, to allow so pretty a woman to go out by herself in Paris was just as rash as to leave a case filled with jewels in the middle of the street. In this mood he would scowl furiously at the passers-by, as though they were so many pick-pockets. But their faces - a collective and formless mass - escaped the grasp of his imagination, and so failed to feed the flame of his jealousy. — Marcel Proust

And at once I fell in love with her, for if it is sometimes enough to make us love a woman that she should look on us with contempt, as I supposed Mlle Swann to have done, and that we should think that she can never be ours, sometimes, too, it is enough that she should look on us kindly, as Mme de Guermantes was doing, and that we should think of her as almost ours already. — Marcel Proust

He suffered greatly from being shut up among all these people whose stupidity and absurdities wounded him all the more cruelly since, being ignorant of his love, incapable, had they known of it, of taking any interest, or of doing more than smile at it as at some childish joke, or deplore it as an act of insanity, they made it appear to him in the aspect of a subjective state which existed for himself alone, whose reality there was nothing external to confirm; he suffered overwhelmingly, to the point at which even the sound of the instruments made him want to cry, from having to prolong his exile in this place to which Odette would never come, in which no one, nothing was aware of her existence, from which she was entirely absent. — Marcel Proust

These new words were heard by my love; they persuaded it that the next day would not be different from what all the other days had been; that Gilberte's feeling for me, already too old to be able to change, was indifference; that in my friendship with Gilberte, I was the only one who loved. "It's true," my love answered, "there's nothing more to be done with this friendship, it won't change." And so, the very next day (or waiting for a public holiday if there was one coming up soon, or an anniversary, or the New Year perhaps, one of those days which are not like the others, when time makes a fresh start by rejecting the heritage of the past, by not accepting the legacy of its sorrows) I would ask Gilberte to give up our old friendship and lay the foundations of a new one. — Marcel Proust

She poured out Swann's tea, inquired "Lemon or cream?" and, on his answering "Cream, please," said to him with a laugh: "A cloud!" And as he pronounced it excellent, "You see, I know just how you like it." This tea had indeed seemed to Swann, just as it seemed to her; something precious, and love has such a need to find some justification for itself, some guarantee of duration, in pleasures which without it would have no existence and must cease with its passing. — Marcel Proust