Power Novel Quotes & Sayings

He fits me without a flaw. At the beginning, I was apprehensive that he might swallow me whole and I'd disappear for having him. After the time spent together, I'm certain that Colton is the day to my night. And we both have the same value, power, control, individuality and independency. No one disappears. We are like an equinox. Just like the day moves into the night and then night into day, we both complete each other and build a partnership. We are two different entities co-existing superbly, letting each other be but never leaving each other's side. — Kristina Steiner

Nor is it again that the novel has killed the play, as some critics would persuade us - the romantic movement of France shows us that. The work of Balzac and of Hugo grew up side by side together; nay, more, were complementary to each other, though neither of them saw it. While all other forms of poetry may flourish in an ignoble age, the splendid individualism of the lyrist, fed by its own passion, and lit by its own power, may pass as a pillar of fire as well across the desert as across places that are pleasant. It is none the less glorious though no man follow it - nay, by the greater sublimity of its loneliness it may be quickened into loftier utterance and intensified into clearer song. — Oscar Wilde

Whosoever holds this hammer, if he be worthy, shall possess the power of Thor. — Stan Lee

Groups give us power when we are enthusiastic, speak up, make bold assertions, and express an interest in others. Our capacity to influence rises when we practice kindness, express appreciation, cooperate, and dignify what others say and do. We are more likely to make a difference in the world when we are focused, articulate clear purposes and courses of action, and keep others on task. We rise in power when we provide calm and remind people of broader perspectives during times of stress, tell stories that calm during times of tension, and practice kind speech. Our opportunity for influence increases when we are open and ask great questions, listen to others with receptive minds, and offer playful ideas and novel perspectives. The — Dacher Keltner

As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhappiness for having failed to find the one thing she wanted. For the first time she was a character in her own writing, and her frailties and mistakes were trapped on the page by the beauty and unsparing focus of her prose. Towards the end it was a battle to finish a page. The story was the story she had told herself for decades, deep within her own mind, and now as it grew, line by line, on the paper before her, she wrestled with each turn in the path all over again, as if it were still possible to change its course with the power of her words. — Frederick Weisel

With Mr. Montgomery, I set out to see what it would be like to write a novel in 30 days. It was hell! I'd do it again in a minute. — Nadlee Thims

The best ending ever, for a science fiction book - or any novel, now that I think about it - was in Rendezvous With Rama. You know that you're at the end of the book and yet, there is no resolution. Then he hits you with those last six words. Better yet, the power is in the very last word. Wow! — John Gaver

There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative. — Nicholas Sparks

I suppose I also have a fondness for Cities because it was my first published novel - writing it got me over what had, up until that time, seemed like an insurmountable hurdle - the writing and completion of a novel. Oh, I'd begun several novels over the years, but never had the staying power or the faith in my own work to finish one. — Lucy Taylor

Maximum Sustained Power (MSP) training is a novel approach that improves absolute power, — Mark Sisson

Wherefore, by the authority of Apostolic power, We declare inventors of novel notions, which as the Apostle Paul has said are of no edification, but rather are practiced to beget most foolish questions, are to be deprived of the communion of the Church. — Pope Innocent I

We lived on 82nd Street and the Metropolitan Museum was my short cut to Central Park. I wrote:
"I go into the museum
and look at all the pictures on the walls.
Instead of feeling my own insignificance
I want to go straight home and paint."
A great painting, or symphony, or play, doesn't diminish us, but enlarges us, and we, too, want to make our own cry of affirmation to the power of creation behind the universe. This surge of creativity has nothing to do with competition, or degree of talent. When I hear a superb pianist, I can't wait to get to my own piano, and I play about as well now as I did when I was ten. A great novel, rather than discouraging me, simply makes me want to write. This response on the part of any artist is the need to make incarnate the new awareness we have been granted through the genius of someone else. — Madeleine L'Engle

Life is too short to be spent doing just one thing! — Radkris

The bomb was 'born secret,' as Daniel Patrick Moynihan said. The atomic bomb marked a powerful turning point in America's stewardship of national security affairs. After its arrival, Garry Willis argues, 'the power of secrecy that enveloped the Bomb became a model for the planning or execution of Anything Important, as guarded by Important People.' But the first stop was a radical restructuring of the government itself, to account for the development and expansion of a nuclear arsenal requiring special means, staffs, oversight, and a stringent and novel regime of peacetime secrecy. The national security state was born. — Scott Horton

This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job. — Susan Sontag

The habit of grown-ups reading living books and retaining the power to digest them will be lost if we refuse to give a little time for Mother Culture. A wise mother, an admired mother and wife, when asked how, with her weak physical health and many demands on her time, she managed to read so much said, "Besides my Bible, I always keep three books going that are just for me - a stiff book, a moderately easy book, and a novel or one of poetry. I always take up the one I feel fit for. That is the secret: always have something 'going' to grow by. — Karen Andreola

Surprised huh, thought you had me back in prison didn't you? To answer your question what keeps me alive is my drive, my drive to kill you! I have nothing, but hate for you and your family. It will be my pleasure taking you out. I don't care about power, plutonium or even being rich. None of that matters to me. I only care about taking you out. Even if I die I want to be the one who is called the killer of Angel Medina! There's no where for you to go. Now we will truly see who is better! Come on put up you hands and prepare for your final battle of your life! - Orlando from Framed: The Second Book of the Thousand Years War — Angel Ramon Medina

What is a novel? I say: an invented story. At the same time a story which, though invented has the power to ring true. True to what? True to life as the reader knows life to be or, it may be, feels life to be. And I mean the adult, the grown-up reader. Such a reader has outgrown fairy tales, and we do not want the fantastic and the impossible. So I say to you that a novel must stand up to the adult tests of reality. — Elizabeth Bowen

The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world ofits own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited. — Walter Pater

Fiction is an antidote, a reminder of the power of individual choice. Every novel has at its core a choice by at least one of its protagonists, reminding the reader that she can choose to be her own person, to go against what her parents or society or the state tell her to do and follow the faint but essential beat of her own heart. — Azar Nafisi

When I was a boy of seven or eight I read a novel untitled "Abafi" - The Son of Aba - a Servian translation from the Hungarian of Josika, a writer of renown. The lessons it teaches are much like those of "Ben Hur," and in this respect it might be viewed as anticipatory of the work of Wallace. The possibilities of will-power and self-control appealed tremendously to my vivid imagination, and I began to discipline myself. Had I a sweet cake or a juicy apple which I was dying to eat I would give it to another boy and go through the tortures of Tantalus, pained but satisfied. Had I some difficult task before me which was exhausting I would attack it again and again until it was done. So I practiced day by day from morning till night. At first it called for a vigorous mental effort directed against disposition and desire, but as years went by the conflict lessened and finally my will and wish became identical. — Nikola Tesla

Art gives its vision to beauty not always recognized. And it surrenders freely
whatever power it possesses to every sincere soul that seeks it. But above all else
it presents us with the gift of ourselves. — Aberjhani

Few literary depictions of the 1906 San Francisco earthquake match the intensity and visceral power of those in Flacco's gripping first novel. The author's screenwriting talent shines in this story of the earth's destructive power and humanity's moral depravity. The emerging maniacal personality, revealed in increasingly gruesome and venomous detail, rivals the Ripper.Dickens meets Hannibal Lecter. Brace yourself. — William Bernhardt

The novel, arguably the author's best, had a disquieting power, like a sleeping crocodile. — Roberto Bolano

Heroes are men who admit to being difficult to live with, who demand extremely high standards in every aspect of their lives, who are natural, effortless leaders, strong men, men with prestige and intelligence, whose faults are likely to be manifestations of strength and power. He is the master of his life; he is in control. Whether his sphere of influence is the boardroom or the mountains, the sea or the stage, the hero dominates it with his personality, his intelligence, and his quick, hard-honed grasp of every situation. A hero can seem arrogant and short-tempered, ruthless, tough, even cruel
he can be quite unlovable at first. — Robyn Donald

Mary Wollstonecraft Shelley (whose mother died ten days after she was born) wrote a novel that anticipates Semmelweis's discovery and serves as a parable for the destructive power of decaying matter. — Laura Mullen

Novel writing is World Building & Word Weaving (Neil Postman's terms). — J.M. Varner

Power to Laura Boudreau-McPherson-O'Brien: Laura's Story is about a woman finding her place in the world, and her voice, while struggling against poverty, societal limitations, and at times, herself. Anyone who has had to fight for what she believes in or come up against odds be they external or internal, will relate to this book. Women will feel strength and will realize that though this novel is a work of fiction, it is authentic in its aim to give a voice to many women's untold stories. Happy International Women's Day everyone! — Julie Larade

To write a novel is to dream a story and write it down on the page. That's why the power of a really good story is one of true magic. Good stories engage the reader utterly in the writer's dream so the dream becomes theirs, too. — Wendy J. Dunn

If you think about the world of a preschooler, they are surrounded by stuff they don't understand-things that are novel. So the driving force for a preschooler is not a search for novelty, like it is with older kids, it's a search for understanding and predictability," says Anderson. "For younger kids, repetition is really valuable. They demand it. When they see a show over and over again, the not only are understanding it better, which is a form of power, but just by predicting what is going to happen, I think they feel a real sense of affirmation and self-worth. And Blue's Clues doubles that feeling, because they also feel like they are participating in something. They feel like they are helping Steve. — Malcolm Gladwell

We all fight for money, some for power, but most of all for love. But me, I fight to become a champion. — Jonathan Anthony Burkett

this is very important, so listen carefully. As I told you before, there is no middle ground with me. You take either all of me or nothing. That's the way it works. If you don't mind continuing the way we are now, I don't see why we can't do that. I don't know how long we'd be able to, but I'll do everything in my power to see that it happens. When I'm able to come see you, I will. But when I can't, I can't. I can't just come to see you whenever I feel like it. You may not be satisfied with that arrangement, but if you don't want me to go away again, you have to take all of me. Everything. All the baggage I carry, everything that clings to me. And I will take all of you. Do you understand that? Do you understand what that means? — Haruki Murakami

Some relationships are like glass its better to leave them broken than to hurt yourself trying to put the pieces back together again.
When you start reading the Bunna Man, most of my readers hate Dre and then they realize that Dre doesn't really have any power. The only power he has is the one Saf gave him. What happens now is that by you reach the middle of the story, your anger turns from Dre to Saf cause you realize that Saf is the catalyst behind her own misery. If she'd leave Dre alone. Her suffering would end — Crystal Evans

Case in point: Byrdie, the son growing effortlessly into lifelong boyhood. Still a schoolboy, soon to be an old boy, blithely accepting accidents as privileges - for instance, his natural immunity to HIV. (Byrdie liked studious, upper-class females. They were not exactly high risk.) Byrdie was the phoenix edition of Lee, adapted to the novel environment, and Lee was a useless relic. He had positioned himself all his life as a rebel against a hegemonic order no one was interested in questioning anymore. It had lost its power to crush and all its clumsy weapons that inspired active fear. Its dominance was equal, but separate. — Nell Zink

A man's life will not come again, once it has slipped through his teeth. And no power on earth can bring it back. This is the mortal law. Then no longer will his bones be held together by wet sinews. Then no longer the soul flutter in his mouth. But by Death's blazing light, he is ground out and spent. — Paul Pope

To The Critics

Suicide has made more than one mediocre author glorious before he's able to achieve that sobering "second edition" making his a suicide that waits until it's justified. But I've taken more precautions against to Suicide which is to survive in the face of failure. Success is mostly editing, that's what makes things nice. To edit is the other great Power; thus this novel started at age 30, continued at 50 and its 73, has finally achieve supremacy: a person of Good Taste as the third author and as a result the editor of all three. In the end I'll be the author of a letter to the critics a sort of "open letter" but for the living: suicide is not something you can edit out. — Macedonio Fernandez

PRIMAL TEARS is a novel of tremendous power. Passionate and erotic, at times tenderly lyrical, it confronts head-on, without flinching, brutal environmental and feminist politics. Its protagonist, Sage, is unique, magical, and haunting. — Kate Wilhelm

And what about ageing? Do men force the fear of ageing upon us
or are we ourselves terrified because we only know one kind of power
the power of youthful beauty?
Isn't it possible that if we became comfortable with other forms of female power, men might too? In her wonderful futurist novel, He, She, and It, Marge Piercy imagines a cyborg who is taught to love the bodies of older women. A delicious proposal
because it tells that whatever we may imagine can come true. Women often hate their own bodies. Sometimes I think that the most important things about having at least one relationship with someone of your own gender
especially if you are a woman
is to confront the female self-hatred and turn it into self-love. — Erica Jong

Her work failed her. She had reached a desperate, claustrophobic stage of being imprisoned halfway in a novel: there was too much behind her for her to retreat and not a glimmer of light ahead. She sat for hours without writing, staring at the last few wrods on the page, seeing no significance in them. Her characters fell into frozen poses, speech died on their lips: they had sat at a banquet for weeks and she had not the power to bring them to their feet again. — Elizabeth Taylor

Really, Beliefs have the power to create and the power to destroy ... Human beings have the awesome ability to take any experience of their lives and create a meaning that dis-empowers them or one that can literally save their lives ...
gone through many different phases of Destines and that's what made me to pen down ... hope it won't screw-up me again ...
Something beyond love ... — Atul Purohit

This is a time of change," the Shaman said. "This is a time of enormous power. — P.J. Parker

I wondered if a novel could have the power to make something so strange happen in actuality. — Elizabeth Kostova

Jacqueline Carey has created a postmodern fable of enormous scope and force. Santa Olivia is at once a cautionary tale of people caught in a web of lies and creeping terror, and a love song to the beauty and power of being different. At the novel's heart is the kind of grace Carey is known for: an illumination of the strength that lies hidden inside all of us. — Eric Van Lustbader

A novelist can shift view-point if it comes off ... Indeed, this power to expand and contract perception (of which the shifting view-point is a symptom), this right to intermittent knowledge - I find one of the great advantages of the novel-form ... this intermittence lends in the long run variety and colour to the experiences we receive. — E. M. Forster

The natural, proper, fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us. — Ursula K. Le Guin

Traveled so far, and not yet have they come across anything of interest, he mused, except, of course, for that nest of goblins I managed to stir up. Indeed, his brother had always been a valiant fool; why not give him some excitement?
He always did possess a love for a good fight, and who am I to deny him?
The glass sphere, responding to his thoughts, zoomed in on the mountain nearby where Shrukian camped, and by putting both his hands on the sphere's sides and closing his eyes, Pharun could all but smell the power that radiated from its depths. He could taste it on the back of his tongue, and it awake all sorts of things inside of him. The power tasted of death and ash, and it was scalding hot, pouring down his throat like blood of the freshly dead. He did not need further searching to know what kind of power he was sampling.
He smiled to himself, and it came out a satisfied smirk. — C.N. Faust

Andrew Cairns has written, quite literally, a bewitching novel, one that speaks to an underbelly which lies dormant in us all. The Witch's List bridges our world of convention, with that of a fabulous Twlilight Zone, what may be true reality
a realm of magic and ultimate possibility. I recommend this book because, behind the smokescreen of simplicity, there lies a masked bedrock of extraordinary power. — Tahir Shah

Blurring the line between possible and impossible, linear and non-linear time, fiction and reality, fate and free will, 1Q84 is both a metaphysical mind-teaser and a fast-paced thriller where the stakes for Tengo and Aomame couldn't be any higher. Murakami's most ambitious novel to date, 1Q84 is also an extraordinary love story, a story about the power of a single moment of deep connection to transcend time and space - and justify even the greatest of risks. — Haruki Murakami

Words want to be sampled, relished, remembered; they need breathing space in the shape of commas, colons, semi-colons and full stops. Words are individual. They are content to string along together in sentences and paragraphs, but remain mavericks, outsiders beyond the crowd, the mob, the gang. A long novel begins with the first word. — Chloe Thurlow

I would have to say the novel 'War and Peace' influenced me more than any other book. This greatest of novels demonstrated to me the enormous power of literature and fired me up with a desire to become a writer, to participate in what I considered then to be the greatest of all endeavors. — Douglas Preston

And below, the notebook filled with fine cursive script, laying out in strict order conclusion and delusion, mingling myth and science, drawing from learned men and legends, all of it based on the power of dreams. To any casual observer, it could be either a muddle of half-thought-out nonsense or, at best, the outline for a clever-silly novel. Only to me did it have the look of a careful, deliberate plan. In — Diana Gabaldon

The Power of the Glance Thin-slicing is not an exotic gift. It is a central part of what it means to be human. We thin-slice whenever we meet a new person or have to make sense of something quickly or encounter a novel situation. We thin-slice because we have to, and we come to rely on that ability because there are lots of hidden fists out there, lots of situations where careful attention to the details of a very thin slice, even for no more than a second or two, can tell us an awful lot. — Malcolm Gladwell

Undoubtedly the novel has means of its own - language not the image is its material, its intimate effect on the isolated reader is not the same as that of a film on the crowd in a darkened cinema - but precisely for these reasons the differences in aesthetic structure make the search for equivalents an even more delicate matter, and thus they require all the more power of invention and imagination from the film-maker who is truly attempting a resemblance. One — Andre Bazin

The constitutionality and propriety of the Federal Government assuming to enter into a novel and vast field of legislation, namely, that of providing for the care and support of all those ... who by any form of calamity become fit objects of public philanthropy ... I cannot find any authority in the Constitution for making the Federal Government the great almoner of public charity throughout the United States. To do so would, in my judgment, be contrary to the letter and spirit of the Constitution and subversive of the whole theory upon which the Union of these States is founded. — Franklin Pierce

The short story can be hot and sweet or hot and fierce. You get it in one sitting or you don't get it. It's like a shore break. It happens quickly, and is right there in front of you, menacing you. First you're looking at the shore break, and then if you don't back up, it's on you. The novel is the long, low wave that you ride south from the Arctic Circle. It's powerful, but its power accumulates over a very long time as it rolls towards the reef. — Stephanie Vaughn

The novel is the fruit of a human illusion. The illusion of the power to understand others. But what do we know of one another? — Milan Kundera

A real, true love that makes a human being believe in the power of destiny happens only once in a lifetime. — Natalie Ansard

And what of the masses in this intellectual's paradise? They have found in the intellectual the most formidable taskmaster in history. No other regime has treated the masses so callously as raw material, to be experimented on and manipulated at will; and never before have so many lives been wasted so recklessly in war and in peace. On top of all this, the Communist intelligentsia has been using force in a wholly novel manner. The traditional master uses force to exact obedience and lets it go at that. Not so the intellectual. Because of his professed faith in the power of words and the irresistibility of the truths which supposedly shape his course, he cannot be satisfied with mere obedience. He tries to obtain by force a response that is usually obtained by the most perfect persuasion, and he uses Terror as a fearful instrument to extract faith and fervor from crushed souls. — Eric Hoffer

Nabokov calls every great novel a fairy tale, I said. Well, I would agree. First, let me remind you that fairy tales abound with frightening witches who eat children and wicked stepmothers who poison their beautiful stepdaughters and weak fathers who leave their children behind in forests. But the magic comes from the power of good, that force which tells us we need not give in to the limitations and restrictions imposed on us by McFate, as Nabokov called it.
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. — Azar Nafisi

For a while, my self-control and my power of reason quailed to uselessness. — Kaoru Kurimoto

Beneath Albright's office, the colliery sprawled across the hillside, red brick buildings scattered as though hurled from a great height, a hotchpotch of mismatched structures spattered on the valley floor. At the bottom stood the winding house, wheels motionless, above it, the engineering sheds and workshops, canteen and bath house. All lay empty. No buzz and hum of machinery. No voices raised in laughter or dispute. Gwyn found it unsettling: his lads had been out a month and a half and already the power had drained from the place. In the stillness, he caught the echo of footsteps. The crunch of boots on gravel. Generations of long-gone Pritchards clocking in and out. He was bound to Blackthorn by the coal that clogged his veins and by a bond of duty. The strike left him as diminished as his pit, day dragging after idle day. — Kit Habianic

You'll have more power when you aren't angry. Anger sucks your energy. It makes you weak and distorts your focus. — A. Valentine Joseph

Romance novels have the power to bring love into the lives of readers. Through the characters, we get to fall in love every time we pick up a romance novel. What could be better than that? — Lori Wilde

Epictetus has had a long-standing resonance in the United States; his uncompromising moral rigour chimed in well with Protestant Christian beliefs and the ethical individualism that has been a persistent vein in American culture. His admirers ranged from John Harvard and Thomas Jefferson in the seventeenth and eighteenth centuries to Ralph Waldo Emerson and Henry David Thoreau in the nineteenth. More recently, Vice-Admiral James Stockdale wrote movingly of how his study of Epictetus at Stanford University enabled him to survive the psychological pressure of prolonged torture as a prisoner of war in Vietnam between 1965 and 1973. Stockdale's story formed the basis for a light-hearted treatment of the moral power of Stoicism in Tom Wolfe's novel A Man in Full (1998).52 — Epictetus

Novel writing is World Building & Word Weaving (Neil Postman's terms). — J.M. Varner

The physician had asked the patient to read aloud a paragraph from the statutes of Trinity College, Dublin. 'It shall be in the power of the College to examine or not examine every Licentiate, previous to his admission to a fellowship, as they shall think fit.' What the patient actually read was: 'An the bee-what in the tee-mother of the trothodoodoo, to majoram or that emidrate, eni eni krastei, mestreit to ketra totombreidei, to ra from treido a that kekritest.' Marvellous! Philip said to himself as he copied down the last word. What style! What majestic beauty! The richness and sonority of the opening phrase! 'An the bee-what in the tee-mother of the trothodoodoo.' He repeated it to himself. 'I shall print it on the title page of my next novel,' he wrote in his notebook. — Aldous Huxley

Readers understand that the books celebrate female power. In the romance novel, the woman always wins. With courage, intelligence and gentleness she brings the most dangerous creature on the earth, the human male, to his knees. — Jayne Ann Krentz

for the first time, there burst upon me the idea that there might be real marvels all about us, that the visible world might be only a curtain to conceal huge realms uncharted by my very simple theology. And that started in me something with which, on and off, I have had plenty of trouble since - the desire for the preternatural, simply as such, the passion for the Occult. Not everyone has this disease; those who have will know what I mean. I once tried to describe it in a novel. It is a spiritual lust; and like the lust of the body it has the fatal power of making everything else in the world seem uninteresting while it lasts. It is probably this passion, more even than the desire for power, which makes magicians. — C.S. Lewis

The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel. — William Monahan

(The short story) is a form that has all the power of the novel - some would say more - but none of the self-importance. — Joseph O'Connor

I remember the language of the people I grew up with. Language was so important to them. All that power was in it. And grace and metaphor. Some of it was very formal and Biblical, because the habit is that when you have something important to say you go into parable, if you're from Africa, or you go into another level of language. I wanted to use language that way, because my feeling was that a black novel was not black because I wrote it, or because there were black people in it, or because it was about black things. It was the style. It had a certain style. It was inevitable. I couldn't describe it, but I could produce it. — William Zinsser

I will not be a victim. I will not think like a victim. I am going to avenge all those little girls. I am going to win. — Carolyn Lee Adams

Rome had freed the Greeks, but on condition that both war and class war should end. Freedom without war was a novel and irksome life for the city-states that made up Hellas; the upper classes yearned to play power politics against neighboring cities, and — Will Durant

With Salvage the Bones, Jesmyn Ward has written the best sort of novel-a beautiful, important book that's both unflinching and tender, heartbreaking and triumphant. A lyrical and riveting testament to the strength of the human spirit, as well as the power of family and community. Ward's paragraphs are like songs, lifting us even as the authenticity of this world and these characters keeps the ground in clear sight. This is an extraordinary book by an extraordinary writer. — Skip Horack

Simply put, you can read a story in a single sitting and hold it all in your mind. You can experience all of its rhythms, beginning to end, during that span. Consequently it has, I think, greater emotional power than a novel because of this real-time effect. Stories can stun you. — Adam Ross

Cursed the crown that brought such grief to me — J. Leigh Bralick

Sometimes there are moments in life that defy human reasoning; unique occurrences that simply cannot properly be resolved with the natural mind. So it's only when one reaches further than themselves, and out into the unseen realm of faith, that life's most miraculous moments can
truly be discerned. For it is in these moments that God is making more known the reality of His existence; and more known to we who believe, the greatness of His power and love. — Calvin W. Allison

Prototypes of inventions that use novel combinations of resonance, magnetism, states of matter, certain geometries or inward swirling motion to unlock the secrets of universal energy have already been built. They provide proof of new or rediscovered principles. In many variations of these inventions, a small input triggers a disproportionately large output of useable power."
"These energy converters don't violate any laws of physics if they simply tap into a previously unrecognized source of power - background space. A flow of energy from that source can continue day and night, whether or not the sun shines or the wind blows. — Jeane Manning

I don't really care for fiction."
"How can you not? The best thing about reading is to escape from your life, to be able to live hundreds or even thousands of different lives. Non-fiction doesn't have that power- it doesn't change you like fiction does."
"Change you?" He raises his brow.
"Yes, change you. If you aren't affected somehow, even in the slightest bit, you aren't reading the right book. I would like to think that every novel I've read has become a part of me, created who I am, in a sense. — Anna Todd

Lonesome Dove is a great book that had the rare fortune of being made into a great movie. And now, through Bill Wittliff's photographs, we have a third generation of Lonesome Dove artistry. The same creative power and conviction that allowed Larry McMurtry to transform a workaday scenario for an unproduced screenplay into one of the greatest novels of our time, and that transformed that novel into the greatest western movie ever made, are on display in this collection. A Book of Photographs from Lonesome Dove is a masterpiece begot by a masterpiece begot by a masterpiece. — Stephen Harrigan

The miraculous power of love has often been underestimated just like we underestimate the power of sleep. Most of the herculean tasks performed by men were possible because they had been deeply in love and had slept well the night before. — Vivek Pereira

We are told to remember the idea and not the man. Because a man can fail. He can be caught, he can be killed and forgotten. But 400 years later, an idea can still change the world. I have witnessed firsthand the power of ideas. I've seen people kill in the name of them. But you cannot kiss an idea ... cannot touch it or hold it.
Ideas do not bleed. They do not feel pain. They do not love. And it is not an idea that I miss. It is a man.
A man that made me remember the 5th of November. A man that I will never forget. — Alan Moore

I think that the power of art is the power to wake us up, strike us to our depths, change us. What are we searching for when we read a novel, see a film, listen to a piece of music? We are searching, through a work of art, for something that alters us, that we weren't aware of before. We want to transform ourselves, just as Ovid's masterwork transformed me. — Jhumpa Lahiri

When we as writers take our fears, beliefs, imaginations, and research and offer them up for the Lord to use, we are changed, and our fiction carries the power of truth and the fingerprints of our God on every page. — Amy Wallace

There's no greater joy in life than enjoying power without responsibility. - Mukta Prajapati — Tuhin A. Sinha

Because I worked as a newspaper reporter for about 14 years before attempting my first novel, I learned to write under almost any circumstances- by candle light, in longhand, in African villages where there was no power, under shelling in Kurdistan. — Geraldine Brooks

The power of literature, I've always thought, lies in how willful the act of making it is. As such, I've never bought into the idea that the writer requires any special ritual in order to write. If need be, I could write almost anywhere, as easily in an ashram as in a crowded cafe, or so I've always insisted when asked whether I write with a pen or a computer, at morning or night, alone or surrounded, in a saddle like Goethe, standing like Hemingway, lying down like Twain, and so on, as if there were a secret to it all that might spring the lock of the safe housing the novel, fully formed and ready for publication, apparently suspended in each of us. — Nicole Krauss

Why certainly, words possess power. They do! But releasing their magic requires combining and arranging those words in the right order. — Richelle E. Goodrich