Popular Text Quotes & Sayings

She looks at Sam. 'Close your ears if you don't want to know what I suspect to be the sex of your child,' she says, and he blocks his ears.
'It's Sam's?' Jonesey asks, surprised, just as he gets a message.
'Where have you been, Jonesey?' Bernadette says. 'In La La Land?'
'Contrary to popular belief, I think it has no penis,' Georgie whispers to them while Lucia covers Sam's ears.
Jonesey looks up from his text messaging, shocked. 'Poor little guy. — Melina Marchetta

Don't fall asleep yet. Contrary to popular belief, that's not where dreams get accomplished. — George Watsky

One common abbreviation used in Roman letters was SPD, which was short for salutem plurimam dicit, or "sends many greetings." This served as a greeting at the beginning of a letter, to indicate the sender and the receiver, as in "Marcus Sexto SPD" ("Marcus sends many greetings to Sextus"). Another popular acronym was SVBEEV, which was short for si vales, bene est, ego valeo ("if you are well, that is good, I am well"). Such abbreviations saved space and time, just as acronyms (BTW, AFAIK, IANAL) do today in Internet posts and text messages. — Tom Standage

A book becomes popular because of its text, but it's the subtext that makes it live forever. For — Chuck Klosterman

Everybody is damaged goods. Everybody got bumps and dents, ja? But sometimes two people fit together, and the bumps go into the dents, and you have a whole thing like a potato. — Paul Quarrington

Pride only helps us to be generous; it never makes us so, any more than vanity makes us witty. — George Eliot

If our cultural lives are sick, it is likely to be an impediment to our spiritual lives. Much popular culture promotes a spirit of restlessness. That is likely to be an obstacle to prayer, to concerned reflection, and to attentiveness to the needs of others. Popular culture also has an extremely limited range of sensibilities. I have never heard a work of popular music that has the depth of poignancy of the opening bars of Brahms's 'German Requiem,' for example, with its text, 'Blessed are they that mourn, for they shall be comforted.' I learn something about mourning when I hear Brahms; I know of no similar lessons in popular music. — Kenneth A. Myers

I wouldn't so much as stick my head in a pool hall. Oh, look, this is as far as I go explaining what I am and am not like. I will not explain myself one more time. I will not make an inventory of my attributes for people or mention my goddamn sense of duty. I will not take one more round of his ridiculous, nonsensical crap!" Whereupon, — Philip Roth

Open text is one of a pair of terms popularized by Eco to refer to kinds of interpretative interactions between text and reader. An open text, unlike a closed one such as a work of popular fiction, is not aimed at a specific reader in a specific social context. It is also open in that its theme, structure and language are more complex, less explicit, more "open-ended": what other critics as Barthes in reception theory would call "Indeterminate". The open text constructs the model of its own reader as part of its structural strategy. — Katie Wales

It is worth noting that a wrong folkoric definition of an Inertial Frame in the Popular Science literature (even in text books) reads that 'it is a frame in uniform motion'. We know very well by now that the idea of motion requires a frame of reference, so that such a definition of an Inertial Frame has no meaning whatsoever, confusing the reader because it tacitly reaffirms the idea of absolute motion
when the goal of every didactic exposition of Relativity Theory should be precisely the opposite. — Felix Alba-Juez

I don't care where you went to school. There - have I made your day? No? All right, I'll go further: I also don't care what your dad did for a living or how your mum voted. Nor do I mind whether you ate your tea in front of the telly, dinner at the kitchen table, or supper in the dining room. — Robert Webb

Women should be tough, tender, laugh as much as possible, and live long lives. — Maya Angelou

I'm drawn to very large texts that are mammothly popular in different parts of the world but are almost unknown here [the USA]. They're safe bets; if they've been around for 2,000 years, there's a reason. It's often a title or just a phrase within the text that will compel me to adapt it. — Mary Zimmerman

Whether he chooses a 'scholarly' or a 'popular' edition the modern reader is likely to have his judgement influenced in advance. Almost invariably he will be offered an assisted passage. Footnotes, Forewords, Afterwords serve notice that a given text is intellectually taxing - that he is likely to need help. Such apparatus is likely to
be a positive disincentive to casual reading. But a cheaper edition may offer interference of another kind. Reminders, in words or pictures, of Julie Christie's Bathsheba Everdene or Michael York's Pip can perhaps create a beguiling sense of accessibility. But they
may also pre-empt the imaginative responses of the reader. — Ian Gregor

I write with the entire alphabet, not just the popular letters.
Readers don't want to lose themselves in the text. They want to find themselves in it. — Mark R. Trost

The attributes for entrepreneurs cut both ways. You need the ability to ignore inconvenient facts and see the world as it should be and not as it is. This inspires people to take huge leaps of faith. But this blindness to facts can be a liability, too. The characteristics that help entrepreneurs succeed can also lead to their failure. — Eric Ries